Pam’s Pictorama: I pick up today with my tale of Louis Wain acquisition which was what the universe presented to me while I was on my recent business trip to London. For those of you who read London Fog, Chapter 1 and London Fog: Chapter 2 you know that I was slogging my way through London, trying to maximize my limited free time there, frequenting some old collecting haunts.
Maddeningly much was closed due to the inclement weather and I was feeling quite out of luck. However, bookseller Natalie Kay Thatcher ultimately made the trip in and did open late that morning. Marchpane, the bookstore in question, is devoted to antiquarian children’s books. There was a time when I pursued that interest more vigorously, but always just following my nose to what I like (cats generally) and I have never learned much about the ways of old books – what makes them desirable or valuable. A recent gift (highlighted in Good Cats and Bad Cats) lead me back to buying books (Lady Pussy-Cat’s Ball and The Robbers Squeak) and I was intrigued with the idea of what I might dig up at Marchpane on this wintery morning.
Yesterday’s readers know I had purchased my first-ever Louis Wain item in the form of an engraving taken from a broadsheet publication earlier in that morning. So when Natalie pulled out Merry Times illustrated by Louis Wain I realized that perhaps Louis Wain was going to be the theme for this trip. I believe she also had a Louis Wain Annual, but I quickly realized I was all about Merry Times. Like all Louis Wain items, it was intimidatingly expensive even for holiday Pam with pent-up toy money to burn in her pocket, but before I get into that let’s take a romp through Merry Times and see what was getting under my skin.
The most interesting part of this book for me is the positively whack-a-doodle story first in the book, The Holiday Home, which is a bizarrely bleak tale (considering that I believe this volume is meant for children) about homeless cats at holiday time and an anthropomorphic wealthy cat who is out collecting funds for the poor cats. Sadly it points out the truth that people will frequently just leave a cat behind after a vacation some place, or move house without taking the pet – my mother was in the animal rescue end of things for years and as hard as it is to believe it frequently happens.
This story, and others in the book, are a mix of anthropomorphic cats with regular cats and dogs. The human cats are the more take charge and the catty cats and dogs are either children or just animals. Most of the stories are jollier than this one, but others still have some dark overtones. Wain’s drawings are just starting to get stranger, but haven’t really achieved their later more pop-eyed appearance.
Meanwhile, I realize I have neglected to share some of the facts about this publication. While it was illustrated by Louis Wain, the writing is credited to Dorothy Black, Grace C. Floyd, Norman Gale & others. There is no copyright year marked and some quick research turns up that this is not the first printing from 1917, as originally noted by the seller, but a later 1925 reprint which notably has additional text and illustrations. Inscribed in wonderful childish writing on the inside cover in scratchy pencil is From Dorothy To Derick with love and kisses for a happy Xmas XXXXXX.
I am sharing a few of my other favorite illustrations from the book below. Sorry, I was not able to scan these – the spine of the book is too fragile. You will have to make due with photos taken on Kim’s desk. And for those of you careful readers who are still wondering why I have gone all these years, collecting cat items and until now never flipped for a Louis Wain item, I am afraid you will have to wait for the final installment of this story next week!
Pingback: We Are Getting Quite Attached | Pam's Pictorama