Holiday card

Cats in Hats

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Pam’s Pictorama Photo Post: Good morning! Sunny April day here and today’s picture post presents these three self-possessed looking miscreants curled up in a variety of battered chapeaux. Although this was evidently used as a Valentine greeting (written in admirable script at the bottom), I am thinking of it as a nod to the season and time to break out my straw hat.

The two tabbies, who are remarkably identical, are curled up in the first two hats while my sort of tuxie friend is vacating his black one. The disintegrating straw hat is the most interesting, not sure what is perched on the side – a tossed out cigarette? A bit of paper? What I call a claw paw grips the brim. Comfy kitty in the first hat fits nicely, tail curled around himself, the very tip pointing out. The odd fellow (or gal) out appears to be a tux or tuxie mix of some kind, hard to tell as his entire back half is in this black hat. The bad guy hat!

All three kitties have had their attention drawn off camera in the same direction. To that extent at least they are posed.

Someone has scratched into the negative, The Latest Thing in Hats in Wilawana. PA. According to my (albeit limited) map reading on Google, Wilawana appears to be a small town near the Chemung river and on the border of New York state.

In penned script on the back it reads, With love, From Mrs. ME Knighte and For Beulock Cosaiy [?] Wills NY Hamilton Co. However, there is no stamp so it was hand delivered or ultimately put in an envelope.

Dad in his white hat, more or less dead center of this photo.

My father was a devoted wearer of hats. I have written about Dad’s career as a news cameraman for many decades. (One of those posts can be read here.) At more than 6’5″ and with a ubiquitous fisherman’s hat on his head he was easy to pick out in a crowd and we would look for him on long shots of events on other news stations. Although a cotton fisherman’s cap (usually a fairly crisp, newer one) was most frequently worn to work, the older ones and a series of baseball style caps were employed outside at home. My father kept his hat on a great, small bronze statue of a running horse which I (sadly) no longer have, on a table outside our kitchen with his keys in it. I’m not sure I ever saw my father outside without a hat and prescription sunglasses.

The style of hat most frequently worn by my father.

The rest of the family did not sport hats. I cannot remember my mother wearing one, even on the coldest of winter days. (Mom would head outside with her short hair wet and the ends would freeze. She was hat resistant.) My sister Loren skied and therefore must have worn the occasional winter hat, although I can’t remember it and must feel she eschewed them in general. Edward (who may be reading this) was not especially inclined toward them either. (Ed, have you become a hat wearer?)

The much beloved Buck Jone Rangers hat.

I had an early inclination to hats, but in practice did not really figure them out until well into adulthood. There is my much sweated in cotton baseball cap for running (from the Gap, no logo) which reminds me of Dad’s, keeps the sun and sweat out of my eyes and also helps keep my hair up. Winter running requires a warmer (but washable) hat however – sometimes a hood too – something over my ears. The NJ variant is bright yellow green so I don’t get shot in the woods or runover in the low morning light.

I am very devoted to hat wearing in the cold in general and have a series of wool hats, always one stuffed in my purse in the transitional seasons, just in case. I lean toward a loose black wool one these days. As a kid I delighted in stocking caps and went through a stage of rather electric long ski hats that were popular for a bit. I was employing a wool cowboy style one in winter (sun protection, but good in light precipitation) until it was accidentally taken from a party. It was returned to the hostess, but I have yet to retrieve it from her. That one came from a hat store in Red Bank, NJ near where I like to have brunch if I first come into town on the weekend, the Dublin House.

This time of the year I break out one of a few straw hats. I like a small brim fedora style straw hat, although it has been pointed out to me that if keeping the sun off my face is my motive (which it is in large part) that a wider brim would serve better, but I don’t seem to be able to commit to those hats the way I can to a smaller one. For one thing my head size is small and it has helped to learn that a large hat is awkward on me. I like being able to smush it into my bag if needed. Like Dad I have adopted prescription sunglasses.

These days the favored hat is an aging straw one purchased in the airport on the way back from a business trip. I was in an airport in Arizona I think, on a leg back from California, San Diego I want to say which makes it a number of years ago now. I was killing time and vaguely in the market for a new summer hat. As these things go, I had no idea that I would still be wearing it daily for 2.5 seasons a year for so many years to come. It has only become every so slightly disreputable.

Recently purchased and subsequently installed hat and coat rack in NJ.

It’s elderly cousin is a blue straw version which was purchased in San Francisco on a donor visit years ago when I worked at the Met Museum. I had gone to visit an elderly (and remarkably fashionable) woman out there, Mona Picket, who was appalled that I was wandering around California in spring time without a hat so we went to a department store and bought me this one. Mona has subsequently passed on and I do think fondly of her when I wear that hat. It is very nicely made (and terribly expensive) and will probably outlast me if I continue to care for it.

Last summer Kim and I were on our way to meet people for dinner on the lower Eastside and I stopped us in our tracks to go into a store and buy a rather electric blue one. It was actually a yellow cousin which caught my eye but they did not have that color in my size. This blue one got a lot of action last summer and is my “good” work hat now.

Kim is an inveterate hat wearer in the tradition of my Dad. I’ve seen him through numerous baseball caps since we met, all of which somehow crossed his path and acquired somewhat (although not entirely) indiscriminately. To my memory, in some order or other, the following baseball hats have been employed: a blue Tar Heels one, a favorite was one acquired at a reading he did in Seattle for Fantagraphics, and the sort of stone favorite was a Buck Jones Rangers hat – the remains of which sit on a shelf over my head even as I write.

Seasonally a series of straw cowboy hats followed and there was one purchased at a K-Mart on a trip to Butte, Montana; a business trip for Kim. (Read about that trip which featured a whorehouse museum here!) For a cheap hat it lasted a good long while.

Kim keeps a bright Kelly green leprechaun-ish bowler around for wearing on someday other than St. Pat’s. Early in our relationship I stretched my wallet and purchased him a very good Stetson as a gift. It languished for several decades before it evolved into use and has now been his daily hat for a number of years. It is getting a good worn-in look and gets frequent compliments.

Kim was willing to pose for this out-the-door pic earlier.

I just installed a coat and hat rack in NJ. However, much in the style of my father, our hats are piled near the front door, some decorating an unused lamp. I do try to resist the temptation to put hats on the cats, but sometimes the Devil wins on that one.

Miltie, senior feline of NJ, in a hat from a post earlier this year.

Bill, Benron, Iowa

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Pam’s Pictorama Post: This fine fat furry fellow hails to us from 1910 Diagonal, Iowa. He found his way to me via the wonderfully thoughtful Sandi Outland (@curiositiesantique, an antiques emporium in Texas) who sent me this. Some of you readers might remember that Sandi sent me an utter great holiday card with a period photo on it which inspired a post found here. She is also of the fascinating angry snowman collection which inspired the purchase of a card I wrote about here.

Sandi tucked this in this nice reproduction Felix valentine, shown below. I have often thought I should have a specimen example of this card and she has saved me the trouble of doing so. Thank you again Sandi!

This Valentine based on a popular period one of Felix.

Bill, the cat of our card, appears to be a solid citizen of the tabby cat category. Although I have not had a personal association with a tabby since childhood, they are dependably nice cats. The two that graced my childhood were Zipper and Tigger.

I wrote a bit about how Zipper and I as a small child would watch our fish tank together and he would “pat” the fish on the glass, guilty thoughts going through is mind! (Post found here.) He came to us as a starved and tormented stray, so small he was in danger of slipping into the crack in the backseat of the car. He grew into a swaggering dominant male of the neighborhood, holding parties with his kitty cronies in the garage, late night raids on a neighbors eel box! (Zipper’s story can be found here.)

Zipper was gone by the time Tigger came into our lives. He was one of a litter of kittens of our cat Winkie, a great tortoiseshell. My mom was generally a responsible and determined neuter and spay-er of our cats, but somehow Winkie got away from her in advance of being spayed. We kept the four kittens: the tiger Tigger, a marmalade named Squash, and two grays – Ping and Pong.

Tigger who had rather perfect markings was a good natured cat. She ran away once and was found in a neighbor’s barn, but sadly eventually wandered away again not to be found. I have always hoped she found another home, perhaps less bustling and with fewer cats than we had claim to at the time. I think she wanted to be an only cat.

Bill, the fellow in this card, appears to be in charge of a store. My guess is that he spent many a contented hour chasing mice (perhaps even the occasional rat) there and was soundly rewarded for his work in this area. Still, he does not appear to have lived on mice alone. I don’t know if he is just sitting on his tail oddly or if it was docked for some reason, but he is a splendid looking fellow, evidently in his prime here. Behind him is a wonderful wooden box emblazoned with Independent Baking Co. Crackers(?), Biscuits, Etc. Davenport, Iowa. I would claim it for my collection any day offered.

The card is addressed to Miss Sarah Stock, Storm Lake Iowa, Box 734, written in the most beautiful script. It was postmarked and dated April 26, 1910 from Diagonal, Iowa.

Back of card. Beautiful hand – look at how the “t” in storm forms the “L” in Lake! Still, is hard to read!

Despite the beauty of the script I am having some trouble reading it, however it appears to say, Dear Sarah, I read another letter from you this morning. I spose I’ll have to answer that to I just finished one last night, let me introduce you to Bill police patrol of Benton Ia. He looks wise. I presume to you like cats as well as I do. I can’t read his name (and no, he didn’t seem fond of periods) and I am open to suggestions. (For some reason I have assigned the sender to be a man, but it could be a woman.)

Although I have come close on several occasions as it happens I have never traveled to Iowa. The university there was under brief consideration for grad school, but life intervened before it got to the visiting stage and my grad school education never materialized. The Jazz at Lincoln Center orchestra played there on tour and that was the most likely way I would have found myself there as an adult, but alas it never happened. The animal hospital I work for now is highly unlikely to send me there, although I guess you never know in life – I could make it there yet.

Love’s Old Sweet Song

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Pam’s Pictorama Post: Perhaps some of you wonder what kind of valentine I give Kim considering the very special one he produces for me annually. Since clearly there is no competing with that and love is a two way street here at Deitch Studio, I usually purchase a card and perhaps a specific token of my affection. This year I ran across this great vintage valentine a few weeks before the holiday and had time to secure it to give to Kim.

Of course it was the singing (yowling) kitty on a fence post that caught my attention, but it really is a nifty little item. This cat trilling on a fence is very close to the cover of a piece of popular sheet music simply called Meow which currently decorates my new office, while another copy hangs next to my kitchen door here at home. Shown below, I have written about it and my collection of cat related sheet music previously. A few of those many posts can be found here and here.

Pams-Pictorama.com Collection.

This miniature sheet music card has heart shaped notes emerging from kitty’s mouth, who has a perfectly curled tail and a few stars and moon thrown around for decoration. It boasts Words by – N Webster and Music by – HY Pitched, while at the bottom the credit goes to Ima Gossip – Publishers – Inc. Anytown, U.S.A.


The inside has music (maybe someone who reads music can tell me if the notes are nonsense or not) and the heart shaped musical notes continue within. Beee Myyyy Valentine-ine-ine-ine! You are reminded to intone Romantically at the top. At the bottom it declares, Note* Practice until you know it by heart! It was sent by Ruth Abrams although alas, we know not who to. It was printed on a sheet of paper and folded into quarters, rather than printed as a card. There is no publisher or printer’s information on it.

Inside of the card. Nice!

There is in fact a real song of this title. First published in 1884 it was composed by James Lynam Molloy and lyricist Graham Clifton Bingham. It was introduced that year by Antoinette Sterling at the St. James Hall in London.

Because the chorus starts with Just a song at twilight it is evidently frequently identified that way. It is evidently known for being referred to in James Joyce’s Ullysses where Molly Bloom sings it. Arthur Sullivan (he of Gilbert and Sullivan) was accused of using the first two bars for When a merry maiden marries in The Gondoliers, which he denied.

The lyrics are below:

Once in the dear dead days beyond recall,
When on the world the mists began to fall,
Out of the dreams that rose in happy throng
Low to our hearts Love sang an old sweet song;
And in the dusk where fell the firelight gleam,
Softly it wove itself into our dream.

Just a song a twilight, when the lights are low,
And the flick’ring shadows softly come and go,
Tho’ the heart be weary, sad the day and long,
Still to us at twilight comes Love’s old song,
comes Love’s old sweet song.

Even today we hear Love’s song of yore,
Deep in our hearts it dwells forevermore.
Footsteps may falter, weary grow the way,
Still we can hear it at the close of day.
So till the end, when life’s dim shadows fall,
Love will be found the sweetest song of all.


Just a song a twilight, when the lights are low,
And the flick’ring shadows softly come and go,
Tho’ the heart be weary, sad the day and long,
Still to us at twilight comes Love’s old song,
comes Love’s old sweet song.

There are numerous recordings and I am sharing two very different ones here. (For future readers apologies – these links are available at the time of writing although may not be in the future!) The first is by John McCormack, recorded in 1927. He is a favorite of Kim’s and we listened to this version this morning.

The other is from Bing Crosby’s radio show and it is a very different arrangement. Also note that Bing says it was written in 1882, not ’84 which is Wikipedia’s thought on the subject as above.

This is a super little card and I intend to frame it up for display – where Deitch Studio and the Pictorama archive align! I see a small spot above Kim’s desk, right at eye level where he can be reminded of my affection daily.

Feline Greetings from Fair Haven

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Pam’s Pictorama Post: Today is the annual Christmas card reveal. clearly this year we celebrate the whole Butler crew, all eight kitties, including Hobo.

We are ensconced here at Oxford Avenue for the holiday duration this year. I have inaugurated the holidays by acquiring a violent stomach virus so this may be a bit brief. It’s an odd year, my first without my mom and I am feeling it even more keenly than I thought I would. I am usually pro-Christmas and manage holiday cheer even under duress. This year is tough, although I am curled up here in New Jersey with Kim and all the kitties which helps. Drinking fluids! No baking while this is going on.

Last year’s card – Blackie and Cookie solo in front of our apartment window.

The card has a double meaning this year as I leave Jazz at Lincoln Center for the very different world of fundraising for the Schwarzman Animal Medical Center. Animal lover and rescuer of animals as she was, all of us think Mom would find that an appropriate switch; she was always concerned that my job at Jazz was too exhausting for the long haul, with its travel and many nights.

AMC will be unlike anything I have done before and I don’t dismiss the difference and the adjustment – all fundraising is not the same. Still, my brain itches to engage with new challenges and I think building a full fundraising operation for them is the next best chapter.

Blackie is stalking around the New Jersey house; Cookie has returned to her safe spot under a chair in the bedroom. Beau and Blackie had a hissy hello last night. I think the other New Jersey cats remain largely unaware. There is always an adjustment period.

Kim has taken over my office for the duration and, after a few false starts for a new dip pen holder and something for his ink, he is inking away upstairs.

The original Pam Butler pencil drawing.

This year’s card was conceived of and drawn by me as a tribute to my new cat family and job – I include my original pencil for the first time. Kim inked it and added the logo which is properly Deitchien. Each cat gets a proper portrait. Kim added a little maniacal twist to Cookie who is chasing her tail (as she still does almost daily at 10 years of age) and Beau and Blackie are facing off a bit.

So our best wishes for the holidays and the New Year from us at Deitch Studio and Pictorama. Hope you enjoy it!

A Happy Halloween

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Pam’s Pictorama Post: Halloween is on the horizon and I have been saving this scary pumpkin creature guy for quite awhile – so long in fact that I don’t actually remember when or from who I acquired it. Pumpkin people do frighten me a bit and this fellow no exception.

Oddly, he seems to sport a small Santa hat atop his head. I guess once you hit Halloween, Christmas isn’t far off? The sparkles make him a bit more cheerful and I very much like the black cat head above the Happy Halloween. His sideways glance does not contribute to a friendly look. Can’t exactly figure out why he’s on a tree swing. A owl perches in the tree and a bat flies among a scattering of gold stars. A black cat peers around a tree.

Bonus New Jersey Halloween decoration photo tour from my run today, as promised yesterday.

This card was used although there is no postage on the back so maybe it was popped into an envelope. It is addressed to Miss Lillian Garrett, Bedford Sty, Trimbule, CO Route 2 however so it is odd that it has an address but no stamp. Also, reading the message is entirely beyond me. I usually have trouble but unlock it after a few tries, however this one continues to frustrate me. I have photographed it and perhaps a reader can make it past the first sentence.

Back of card.

The card is undated and at first I thought there was no reference to Halloween, however I managed to decode part of the message where she says, am…downtown and just got these cards to your you all. Want to get…a false face to wear to the party. Write soon. Can’t read the signature either!

Although I will be back in the city on Tuesday, I will leave treats for the kids here in New Jersey to be appropriately distributed. I have a pair of cat ears to sport however and will give at least a passing nod to the day in New York this week as well.

A Room with a View

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Pam’s Pictorama Post: Drum roll please…because today we have our annual Christmas card reveal! Here at Deitch Studio we have been producing a holiday card for a few decades now. One day we’ll have to see who has old number one because, although I knew we kept some, I am not sure we can lay our hands on it. In the first year, and maybe the one that followed, we hand colored each one (differently) with colored pencil – but we had a smaller distribution back then.

A better look at this year’s card! Deitch Studio collection. Click on it to make it larger.

For those who are new to the card this year the general process is that, after discussing the general subject first, I do the initial drawing. Kim responds with his version and then we might negotiate this or that, back and forth until it is an amalgam of our styles. In general, if we appear on the card, the rule is you draw yourself. (A few card reveals from year’s past can be found here and here, but the archive is chock-a-block full of them!)

Kitty cooks in the kitchen! No, we don’t really let them cook. Deitch Studio Collection.

This year however, Kim has been admiring the view from our window and it permeated my thoughts when I sat down to draw the card and it fell together quickly.

For those who haven’t visited Deitch Studio for awhile, yes, the plants have indeed increased in number and lushness this year. A friend commented on that. For those who follow Pam’s Pictorama regularly you know that Blackie had a rough year and we almost lost him to a bad infection and subsequent diabetes. In fact we had a mini-emergency with him just this past week as his sugar dropped too low. Despite that he is looking like his old self, has gained his weight back and his coat is thick and shining as shown here.

An exuberant Blackie showing tummy and fang recently.

Cookie would have been just as glad (or so she says – frequently) if we hadn’t bothered bringing him home. They are sister and brother and fight as such – love to hate each other I say. It gives them something to do. Cookie is the talker in the family and at nine years old still chases her tail (daily) like a kitten; often in the bathtub. Go cat go! I say she has one cat joke and that is to hide behind the shower curtain in the bathroom so she can jump out, meowing, at an unsuspecting type coming in. I fall for it several times a week. She does a victory lap with her tail after.

Cookie, always a card, a Noir Alley kitty a few weeks ago.

The view out the window is obviously much simplified, although I like to think it somehow captures the overall sense and mood. Kim was very light in his touch this year and really let my original drawing shine through. The view is quite wonderful, but it is especially nice at night when it is a twinkling wonderland. When I can’t sleep, I come and sit down on the couch (usually with Cookie these days, who in turn requires ear scratching) and spend some time looking at it.

Our view – a dim rainbow in upper right corner.

One of the interesting aspects of the view is that in recent years it is also the northern end destination of my frequent runs. Now when I look out I know it differently and I know the trip under the bridge and up to 114th Street intimately firsthand. I have written more about running in New Jersey than here in the City, but it is in reality my more frequent, if somewhat more static route. (A New York running post can be found here – and one from New Jersey here.) The path along the river is soothing, if windy in winter and hot and sunny in summer, whereas the suburban New Jersey path is more varied perhaps and has surprises like visiting deer and suburban highlights.

The northern part of my Manhattan running route one morning recently.

When I purchased this apartment I had no idea how beautiful the view was as the windows were too dirty to see out. Now it is our escape, bringing the whole world into our single room and we wouldn’t trade it.

So as the holidays approach and 2022 comes to a close, Merry Christmas and the best of New Year’s to all from the four of us at Deitch Studio!

A B&C Deitch Valentine Portrait

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Pam’s Pictorama Post: Here at Pictorama we enjoy certain inflection points during the year and the great Valentine reveal is one of them. Today is the day and welcome to all!

For those of you not in the know, each year my wonderful husband (Chief Artistic Genius and eponymous creator here at Deitch Studio, Kim Deitch) creates a Valentine’s Day drawing for me. Discussion about it begins seriously after Christmas and a period of development is followed by execution in early February. (A few examples from prior years can be found here, here and one that even features the Jazz at Lincoln Center orchestra as cats here.)

Some years I have very general thoughts and other years I may have more input. This was a rare year when I had a very specific request. I wanted an actual portrait of our cats, Cookie and Blackie! It is a perfect fit into my collection of images, usually vintage photos, of people and their feline friends. (These make up a whole sub-genre of images here at Pictorama so poke around the archive if you want to see some!)

Sadie and Dottie in a recent portrait by @crownandpaw.

You see, it started months back when a couple of kitties I follow on Instagram, Sadie and Dottie, had their portraits done. Sadie is a tuxie and her sister Dottie is, as self-described, a sort of cow spotty white kitty with black spots. Sadie and Dottie (@sadieanddottie) have a robust 13.3k followers and despite what you might think, I don’t actually follow a large number of cats on IG. There’s a cat in Japan, white with a comical big black mustache, who is dropped into my feed occasionally (name in Japanese so I don’t know), and a calico named Fudge who I like to see once in awhile. However, cats actually make up a smaller portion than antique jewelry, although more than rundown old houses for sale.

However, Sadie and Dottie’s mom and dad somehow manage to provide followers with a pitch perfect and pleasant stream of kitty triumphs and frustrations doled out at just the right pace. On some long, stressful days sitting down for a few minutes of treat time or bird watching (and chirping – which in turn makes the ears of my kits twitch as does the treat time meow) is the perfect antidote. Often I share a good post with Kim (and occasionally Cookie or Blackie), usually while sitting on the couch together, or in bed. I’m sure if Cookie and Blackie really understood they would be peeved at my defection of attention as it is they are just mildly annoyed by the thing in my hand which prevents two handed petting at times.

Sadie and Dottie (media stars that they are) have had their portraits done several times and it got me thinking that we really needed was a Kim Deitch portrait of our pair. I mentioned it to Kim who promised me that he would make me a grand one. Somehow months later as we were discussing my Valentine I decided that it was the appropriate moment and I knew he would deliver.

Sadie and Dottie in an earlier IG post posing with their portrait by @paintermurray_pet_portraits.

I was also thinking about years ago when Kim did a spectacular portrait of his friends Jay and Kathy with their Sphinxes and I was thinking of a picture that combined both elements of kitties romping in their usual pursuits and a straight ahead portrait of them – and today’s Valentine is it!

Kim Deitch portrait of Jay Rogers and Kathy Goodell with their cats and collection.

In addition to their likenesses front and center, their typical Cookie and Blackie romping is shown around the border. We have: catnip banana munching; chasing (Kill the Guy! the only game they play together); each shown with their own style of water drinking from a mug; neck biting (the denouement of Kill the Guy – but also sometimes B just walks over to C and starts biting her neck); Cookie chasing her tail and of course eating! Eating is their favorite activity and they would do it on demand if we allowed – but no. Here at Deitch Studio we have wet food at twelve hour intervals 6:00-6:00 and dry food in the interim.

It’s the Kim Deitch Valentine ’22 reveal!

I am shown sporting a star-patterned sweat shirt I actually wear most winter mornings agains the chill. (I am wearing it now as I write this, paired with my elephant toile print pj’s which I wrote about once here. It also highlights some morning cat activity here at Deitch Studio.)

Cookie, despite having left kittenhood far behind, still chases her tail almost daily. It is largely a morning occupation for her and if you know her you can see a fit of it starting to come on her as her tail seems to (rather independently and enticingly) commence twitching in a come hither sort of way. Sometimes it takes place in the tub (dunno why, but it does) and occasionally she combines it with trying to scare someone coming into the bathroom by popping out from the shower curtain. I call this her cat joke. Go Cookie!

The maniacal expression on Blackie’s face as he gets yelled at for biting Cookie’s neck here cracks me up! I am yelling, No neck biting! no doubt. Meanwhile, while Cookie is in charge of requesting fresh water (there is a division of labor between them always – for example it is Blackie’s job to wake us for food in the morning, although Cookie observes from the doorway), Blackie likes to drink his water standing up at the flat files in a quasi-human sidling up to the bar kind of pose. Line ’em up and keep ’em comin’ barkeep! Cookie prefers a more traditional go at it.

Blackie posting in front of his picture the other morning, perched on my desk chair.

I think Kim has done an entirely excellent job with the center portrait likenesses as well. Blackie is quite handsome and debonair – he knows he is a very good looking fellow and he is displaying a certain stuffy cat dignity here. Cookie has her more mercurial expression – paw resting lightly on that wild and erratic tail of hers.

Although wall space is always a premium here at Deitch Studio and Pictorama, I am tempted to get this one up somewhere. It is a great favorite already and my loving thanks to Kim for executing my request so splendidly and lovingly! Kim, you’re the best! Happy Valentine’s Day to all.

Dreams of Krampus

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Pam’s Pictorama Post: Welcome to the Pictorama reveal of the Deitch Studio holiday card memorializing the year that was, 2021. A tip o’ the hat this year to Kim who carried the ball a bit more than usual and this one has a slightly more Deitchian appeal which is always a good thing. (For those of you just joining this year some previous card reveals can be found here and here for starters.)

I only learned about Krampus as an adult, although years ago now. I do find this sort of shadow Santa fascinating and the idea that not only was Santa watching to make sure you were nice and not naughty, but this dark side Santa was going to come after you if you were a very bad kid. It makes sense though that Santa wouldn’t be all sweetness and light – I mean, how interesting is that after all.

The stuff of holiday nightmares.

While the concept of Krampus has its roots in a Norse underworld character the name Krampus is derived from a German name. I gather that there are German and Austrian festivals (which not surprisingly involve some drinking) where the Krampus story is played out via a run through town by Krampus glad participants. The runners carry sticks, like those used to beat said naughty children, and scare onlookers. Can’t say I am sorry to have missed this. The Catholic Church at one time made an effort to ban Krampus which was, given his increasing popularity, clearly unsuccessful.

Cookie and Blackie – photo taken because they so rarely sleep together! Inspiration for the card.

Our Krampus has all of the key characteristics – a hairy beast with great lolling and pointed tongue, goat horns and cloven feet, but we’ve replaced the beating chains and sticks with lightening bolts.

Poor Cookie and Blackie are clearly fretting about and totting up their misdeeds this year – poor kits! – and sharing a mutual dream of this monster. Oh gosh though, who in thinking about 2021 doesn’t feel a bit like this sums it all up? No worries though – Cookie and Blackie will receive toys, catnip and ear rubs Christmas morning just as they always do. And 2022 will dawn in a week and we’ll all turn the page and hope for a truly great New Year!

A Happy Halloween

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Pam’s Pictorama Post: The other evening I wandered in on the late side after a pop into Dizzy’s to get some folks settled before a sold out show for the Christian Sands Trio. Although someone would have found me a seat and fed me, my day had started early so I headed back uptown where I could curl up with Kim and the kitties for a bit. I found Kim on the couch having just finished his dinner. I raided the fridge for something fast and while a thick slice of rye bread was toasting wandered over to my desk and found this splendid card and nice note which Kim had left where he knew I would find it.

This Halloween gem found its way to Deitch studio via a Facebook friend, Rick Barrett who hails from Houston, Texas. His note identified him as a comics/underground collector. After a look at his FB page it is clear that he and his wife are fellow travelers in the world of collecting and gathering of stuff and we are so pleased he thought of us.

Another kinda scary pumpkin head – this is a candy container I wrote about after purchasing back in the summer. Pams-Pictorama.com collection.

For my money, Halloween starts to get scary when the pumpkins start to walk around and have bodies. It wasn’t until I started to look at early Halloween ephemera that I started to see these; I feel lucky to have been spared them as a kid. Man, they would have given me nightmares! This scary fellow is no exception, despite the sparkles and that funny little cap. Something about that sideways look, and that mere suggestion of fingers and toes that is just a tad terrifying. And there is also his leering, toothy not quite grin, with a sparkle filled mouth. What could he be looking at? His pupils and the sparkles tell two different stories.

Pams-Pictorama.com Collection

A nice black cat is below the image and another peering out from behind the tree the swing is hung on. There is an owl in the tree and a bat flying. Mr. Pumpkin seems to be in a somewhat mysterious mount landscape, despite the single tree from which he swings. I especially like the gold stars that dot the sky. For my money, along with the pattern around the border it has a slightly Deitchian look, yes?

Back of card.

The card is addressed on the back to a Miss Lillian Garrett, Bedford St, Trimble, Colorado, Route 2. The note is hard to read and seems to convey that the person writing (Florence?) got home safely, is tired, baked bread – she wants to get a false face to wear to the party – which in my mind is a sort of odd way of saying she is buying a mask. It is a bit mysterious that the card is addressed, but there is no postage or postmark. Perhaps after preparing it she decided that this handsome card deserved to go in an envelope after all, helping to preserve it for us all these years later.

So a Deitch Studio thank you to Rick for thinking of us and please know that this card is now happily ensconced in the Pictorama library.

Out with the Old!

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Pam’s Pictorama Post: This year’s holiday card, drawn by me and inked by Kim, is a glimpse into the reality of Deitch Studio – it really looks exactly like this! (Full disclosure, no Christmas tree, not even a small one. There really isn’t a square foot for even the smallest one.) This year’s card is more of a New Year’s one – recognizing the year that has been as we hope to kick it aside in favor of the coming one.

I recently wrote for a Jazz at Lincoln Center member newsletter that 2020 was rare to reflect on a departing year that could be considered universally horrid, but that is what this year has been. Folks have suffered egregious pain and loss from the pandemic, howled with protest in the streets despite it, and went back out into it in order to stand on line for hours to vote. We saw dancing in the street here in Manhattan when the Presidential results were announced, but like all things in 2020, even that has proved to be a torturous and rocky road on the way to resolution.

Much will be written about the year 2020 in the future I think, but for now behind that everyone is still dealing with it and the additional backdrop of everyday struggles which continued apace – one friend reports bedbugs, another has a parent diagnosed with dementia, a third falls and lands in the hospital – and all this in the past week. For many, 2020 is the year that just won’t quit, even as we reach the bitter end. The backlash likely to sweep well into the beginning of the New Year.

There are undeniable bright spots though and commuting by walking ten feet across our studio apartment has been lovely. We joke about it and friends and acquaintances marvel at it, but really, if you have already lived in one room with someone for decades doing it twenty-four hours a day isn’t much different, at least for us. Last March I was deeply tired from too much travel and many late nights at work and I have been enjoying my regular routine and seven hours of sleep nightly – frankly being told I would have to stay home and cancel all upcoming travel was not entirely unwelcome. (Earlier tales of quarantine life at Deitch Studio can be found here.)

The Deitch Studio-Pictorama collaborative holiday card for 2020!

I resumed all cooking duties and we have not only eaten right, but we’ve eaten quite well and my newly restored interest in baking has packed on pandemic pounds which I am now seeking to banish. (It is hard to develop a sense of urgency about it however when my days are generally spent in work out gear from the waist down. Baking posts can be found here and here for starters. I am munching a spice cookie from last week’s cooking adventure as I write this.)

Cheesy olive bread – an early pandemic favorite.

I am fortunate to have a job and also to be able to work from home – Kim has of course always worked here and was the one who had to adjust and make room for me. Workdays have been long, sometimes starting at 6:30 AM and with the evening still finding me at my computer, iPad or phone, but without having to go any place it has allowed me to hone the work down to what is essential and a core fundraising message and method. Talking on the phone almost incessantly is a reality for me and, admittedly with a few bumps along the way, we have found accommodation.

Wynton Marsalis and I are on the phone so frequently that I joke that sometimes it is as if he is a third person in the apartment – asking after him always or shouting a jaunty greeting to Kim as he signs off a call, Kim tossing out the occasional comment when brought into the conversation. Kim now recognizes the sound of each person’s voice, not just on my team, but for the better part of the entire Jazz at Lincoln Center administrative operation. He listens to Susan and I discussing incoming funds and sometimes lack thereof; as Gaby and I working through a litany of media requests; me addressing my staff in meetings and sometimes even the weekly all staff meetings for the organization. Kim never thought he would know so much about how I spend my workday.

The flea market purchase of a Ruth Fielding novel that kicked off my reading of that series.

I think we will remember this year and shiver in remembrance of days and nights of ambulance sirens and deserted streets here, but I know we will also look back on it as a gift of time we never expected to have, tossed into our laps like a rough nugget of gold, waiting for us to figure out how to forge it into something. We have made good use of our time I think – been productive in our work – fundraising as always for me (if more urgently than ever), art as usual for Kim as he plows well into the next book. What downtime we’ve had has been spent reading – Kim finishing the last of the available Little Orphan Annie strips with regret, me working my way through wakeful nights reading escapist juvenile fiction of the early 20th century, Judy Bolton and now well into Ruth Fielding. (A post about my Judy Bolton pandemic days reading can be found here and here, and while a review of Ruth Fielding is in the works, I mention her in my post about the Miss Pat series and it can be found here.)

Early version of the lucky waving cats that adorn my desk.

Our two cats, Cookie and Blackie, have more than adjusted to the change in human habits and all memory of the “before time” has been erased from their respective tiny feline memories. A real ham, Blackie comes running for Zoom calls on camera, meanwhile Cookie sleeps under my laptop which sits on an elevated shelf which Amazon delivered (along with a world of other things) months ago when my back kept going out. She curls up under the warmth of the desk lamps and between the two waving lucky cats (one recently retrieved from my office), cat kissing them occasionally – and then mystically, in the late afternoon, I look up and it is Blackie there instead. (A post about the lucky waving cats can be found here.) The cats are frankly shocked if Kim and I leave the house for any period of time now. We find them waiting anxiously by the front door when we return.

Blackie and Cookie perched on my desk, awaiting dinner recently.

As I write this I am adorned in an ancient black hoodie that is years old, but has seen almost daily wear in recent months. I am wearing a wonderful pair of silky pj’s on the bottom, a recent purchase from the Gap, they are adorned with stars – a weekend luxury to be in them still so late in the morning, although I could live in them I actually make a point of getting fully dressed, as such, for workdays. Admittedly my “hard pants” and office clothes are now mostly providing nests for generations of moths I have not had the energy to deal with. (Moths are my version of the 2020 pestilence story.) I suspect by the time I get back to them I will chuck most of the whole lot anyway.

Blackie takes over the computer one morning.

What does 2021 hold for us and how will we adjust and meet the challenge of finding our way in the next iteration of the world? I think about it often. We have all changed in the crucible of these strange days and I don’t think anyone will emerge from it the same or unscathed. I remind myself that we will emerge from our cocoons at some point (we certainly hope in 2021), and as our new selves step out into the world to be whatever we have become during these long, hard but interesting months. Here we go then, out with the old and in with the New Year!