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A Joyous Halloween

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Pam’s Pictorama Post: I am a bit late this morning – slept in to try to nix a nascent head cold and then went down the rabbit hole of some other responsibilities. However, now that I am getting geared up, I thought I would cheer us all up with a Halloween entry as that spook-a-thon is now a week away.

Halloween is cheerfully embraced where I work these days and not only do folks dress up but there is a much-vaunted contest by department. There was interest in the administrative folks on my floor banding together, but it turns out that my staff to a one is Halloween adverse. Funny, I seem to meet a lot of people these days who do not see the charm in the holiday. Europeans tend to find our version a bit over the top and I can understand that if you didn’t grow up here – but I am a bit surprised at how many people are just like, yep no thanks on Halloween. Personally, a day when I can at least throw on my cat ears and maybe a tail is a good one. Not to mention the glory of black cat merchandise that the holiday is responsible for producing.

Today’s postcard is an embossed and shiny gold trimmed one with a black cat driving a grinning (leering) jack-o-lantern cart of sorts which is fueled by six captive rodents (I am voting rats here as they are in reality the same size as the cat), with the lead fellow looking particularly chipper and come hither, standing on his hind legs.

The cat has a long and curling (rat tail like?) whip he is playing. He sports some sort of sash across him and a smart top hat. No smiling task master this though – he is baring his teeth in a snarly grimace. In addition, he displays claw paws, a tail in somewhat of a state of alarm and so many, many whiskers!

A single star appears over a smiling moon rising. Pink clouds are a nice contrast over blue ones and a darkening blue sky. There is a town with some towers of sorts in the distance, behind trees. The best for me is the checkered gold design at the top and bottom.

Our jack-o-lantern cart is also a bit malevolent. Eyes are rolling upward and his carved grin is a bit sharply snaggle toothed. It casts a blue shadow and runs on little red painted wheels. It should be noted that the mechanics of it have not been ignored and one can see where the rats are secured to it in numerous spots. The gold trim, still in good shape, shines over the whole card creating a play of highlights.

This card was never mailed and there is nothing written on the back. A small maker’s mark (an SB) indicates that this was made by Solomon Brothers who appear to have specialized in a line of holiday cards at the dawn of the last century.

Meanwhile, I had a mousie encounter the other day. I had a very early morning workout with my trainer (via zoom) in our basement gym here. I was pretty sleepy and as my eyes began to focus, I realized that what I thought was a particularly large dust bunny (our building not really notable for its gym cleanliness), was in actuality a fat, gray mouse perched on top of the mats hanging on the wall. While generally a friend to most animals (for some reason I am a bit iffy on crocodiles) it doesn’t mean that the sight of a mouse doesn’t generally send me to standing on a chair and screaming in a good imitation of Olive Oyl.

I managed to keep my (relative) cool and decided that we could co-exist for the hour as long as we maintained our own space. This was ultimately achieved, although he did flick his tail a few times. I didn’t have the heart to report the tiny fellow to the powers that be, after all he was just trying to get in out of the cold I guess. On the other hand, I hope he isn’t waiting for me still when I go down later today.

Catskill

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Pam’s Pictorama Post: It is a crisp fall morning here in New York City and my mind is wandering to trees changing and the particular joys of this season on the east coast. I feel like trees have not really started to change yet in the city although maybe a stroll through Central Park will tell me differently. I remarked in New Jersey a few weekends ago on the absence of any leaf color yet. Having once worked for Central Park I know the variables required for the changing color of leaves is a specific rubric of cold air, snow the prior winter and rain since. Tricky business as to when and how much.

I have always loved the changing color of leaves in the fall (as does Kim who collects particularly interesting specimens on the streets of New York to share with me), but until I went to college I had not given much thought to people who had never lived with it. A friend from the west coast was fascinated by the leaves changing in Connecticut that first year which brought it home to me how special it is. Living in London a few years later I missed it. The leaves change there, but I guess but it didn’t feel the same, maybe living in a city for the first time. However, I made a quick trip to Berlin by happenstance and I remember that the leaves were turning and the yellow fall light was more like home. (It brought my grandparent’s home in Westchester to mind in particular for some reason.)

All this makes me daydream about a day trip upstate – pumpkins and fresh apple cider on tap. I doubt we will do it this year, various responsibilities tie us to Manhattan right now. And I should note that this card actually shows a summer vacation there. Nonetheless, it is bringing an autumn trip to my mind.

This card was purchased at an earlier iteration of the postcard show – maybe back last year. A vendor there specializes in Catskill cat cards, and I have bought several from her. (A few other Catskill postcard posts can be found here and here.) This one, sporting these two vacationeers in their jaunty outfits, made me laugh. I especially like that their hiking attire allows for tail visibility and maximum mobility – and that their sort of gaiters or hiking socks are perhaps that or more likely just the stripes of their tabby legs. Jaunty caps allow for expressive pointy ear movement as well. One cat gentleman has a walking stick and the other maybe binoculars, it is a bit indistinct. The one with the stick has a kerchief tied around his neck, while the other displays a sort of button down top – both are nice, belted jackets over walking length shorts or gaiters. This is some serious hiking attire for the early part of the 20th century.

Oddest of all though is this little pack cat trailing behind them. Although each of the anthropomorphic cats is carrying a case (which may be strapped across them?), this poor, smaller tabby kit has a pack and perhaps also a case strapped to his back. His paws somehow don’t quite touch the ground (was the artist thinking of horses and all feet off the ground at some point running?) giving him the appearance of floating or maybe hopping along behind them.

The front of a very early car pokes into sight at the bottom, a bright green. It has lines emanating from it which might mean it is a bit overheated – it doesn’t seem like those old round headlights are emitting the rays. Best of all however, there is a tiny mouse perched on the front of the car as hood ornament, a small comical detail.

Our gentleman cat hikers are on a path surrounded by evergreens which appear somewhat dwarfed to fit this scene. More green trees and mountains entice from the distance. At the top of the card it reads, Vacation Days, in the Catskills, N.Y. 229. This card was never mailed and the maker on the back is, C. W. Hughes & Co. Inc., Mechanicville, N.Y. and C. T. American Art Colored. No artist is credited. C.W. Hughes appears to have had a several decade but somewhat unimpressive run from about 1900 into the 1930’s. A local New York company as shown, not much notable is found about them.

I leave you with the October nip in the air and a desire for pumpkins, gourds, apples and the like. I will see how best I might scratch this particular itch before fall descends into the holidays and then winter. For those of you craving more, I share a link from a prior post trip up to Cold Spring a few years ago. It can be found here.

Krazy Cuppa

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Pam’s Pictorama Post: This tiny treat came to me via our good friends Pete Poplaski and his partner Rika Deryckere. We had the great pleasure of a visit with them recently when they hit New York City on an East coast sort of blitz. About a week later, this lovely little item arrived in the mail – they had brought it for me and forgotten to give it to me.

I have long lusted a bit over these tin toy tea sets. Made by J. Chein & Co. in the 1930’s, the full set was sold in different sizes from a five piece to, I think, 22 pieces. Tantalizingly AI tells me there is a tea set of cartoon cats which are neither Felix nor Krazy Kat but refuses to show me images of such. Personally, my guess is that the internet has it wrong and this is the only Chein set of this kind, and the image is randomly identified as Felix, Krazy or not quite either of the above. I see no evidence otherwise.

The red version – check out the teapot and tray!

This little cup and saucer are from the more popular yellow version of the set. There is, evidently, a red version as well. The tray in particular would be a nice addition to this cup and saucer. The teapot is a very unusual shape and leaves me wondering what they were smoking over in the design den of Chein in the day, very Alladin-esque. I have tried to give you a sense of scale in my photo. This is a mighty tiny cup of tea!

Mark on the bottom of the cup.

These tea sets generally show evidence of having been given hard use and the extant ones reflect it. They were fairly indestructible however and although they might fade or rust a bit it is easy to see how and why generations of children must have played with these sets. One can imagine the dolls, teddy bears and playmates and parents that were served via them. A photo post of the teatime image below can be found in a very early post here. That one has Krazy as an actual guest among others.

Pams-Pictorama.com Collection.

The cup has an image of Krazy on each side and sports a cheerful metal handle to the teacup. The bottom has the maker’s mark, J. Chein & Co, Made in the USA, on the bottom. The saucer has a cheerful domestic scene of a Mr. and Mrs. Krazy enjoying tea on a rolling cart, her service and him seated. Each has gloved (five fingered) hands. There is a portrait on the wall – I am going to say it is of a junior Krazy kid. Outside of the sort of general look this of course has nothing to do with Harriman’s depiction of Krazy but is a reasonable representation of the later animated cartoons. It is a lot to fit on such a little saucer. There is no mark on the bottom of it.

This saucer packs a whole domestic scent onto its scant 2.5″ surface.

For someone for whom space is a premium, this lovely gift might be the perfect sampling from this set. Although if the tray or the teapot came my way they would be welcome additions too. For now a very special shout out to Rika and Pete for thinking of me and Pictorama!

Fickle Puss

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Pam’s Pictorama Post: It is a stormy Sunday here in Manhattan as I write this – day two of a Nor’easter which is huge and parked itself over the eastern seaboard.

It is especially wreaking havoc on my area of New Jersey it seems. I had planned to head down today but had rescheduled due to something other than the weather. However, now lots of flooding, the Asbury pier and boardwalk we were so recently on is covered by the swollen ocean for the moment and nearby places like Point Pleasant seem to have high tide water up to their doors and worse. (My Asbury Park post can be found here.) My dahlias are taking a beating and our basement pump may or may not be holding its own.

Orwashers was crowded yesterday morning when we went for our weekly order! It was a cozy haven in the storm.

Here in New York the apartment is cold (no heat yet!) and as a result we slept late under the warm blankets. Even when Blackie came to get us he was somewhat seduced by the warm sleepiness and curled up for a brief purr and pet.

With a Pictorama sort of logic I have chosen a Louis Wain card to cheer us up on this stormy weather day. The set up is a simple one but executed with pure Wain. Three tabby cats in a love triangle. The orange male who is evidently older, dropping both a cane and a pipe in shock as he looks on in dismay at what we assume is his wife cat. She is with her new paramour, a sporty gray tabby who uses an umbrella as a walking stick. He wears a natty bow and I must say, there’s something a little wicked in his smile. (She may regret this!) So enamored are they of each other that they don’t even see Mr. Orange Tom. The house in the background completes the story – our slick erstwhile gray tabby man is a homewrecker.

Back of the card.

The unnamed sender of this card appears to take advantage of the scene and gently tweaks, I shouldn’t have though you to have been so long without sending me a card. On the back it is addressed to, Master C. T. Travers, Woolfanger, Warlingham, Surrey. It was sent from London SW on March 20, 1905 at 12:15 AM. Not quite the sad tale of Wain’s cat woe, but still an appropriately chosen card. I assume it was to a child and that they would know immediately who would be writing this note from London. I’m sure he rushed to send a response and clearly this was kept somewhere safely since it has come down to us more than a hundred years later.

A new dahlia which waited to bloom for the first time when I wasn’t there! This bloom brought in before the storm and photo sent to me this morning.

The storm here continues apace – evidently into tomorrow. We ran some errands yesterday during a lull so I think we are positioned for a quiet day at home. Maybe some cleaning, lots of reading and perhaps a bit of cooking. I wish the same for all of you – especially those who are also in the line of this storm. Stay safe and have a cozy day if you can!

Love me little, love me long…

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Pam’s Pictorama Post: I felt like today needed a Louis Wain interlude – we haven’t had one for a bit and nothing is more jolly than spending a little time with Mr. Wain and his very active imagination. Pleasant to spend the morning lost in his whacky world for a bit.

Obviously, this is a valentine postcard. The felines as drawn are just starting to slip into the Wain world of disintegration that they will ultimately morph into, eyes a bit larger and just something a bit crazed about the expressions. The girl cat dangles a fan from one claw paw and appears to be perched on a stool. She sports a big red shiny bow and leans on a bit of fence or railing; and we can see her tail curl behind her. Her giant green eyes are down looking at the fellow with the mandolin serenading her.

Both cats are orange striped, although his black stripes are darker than hers and, along with his black ears, it gives him a very tiger-ish look. He is showing us a bit of white tummy too and I can’t decide if the white in his head is light (reflection of the moon maybe?) or fur color – his muzzle is after all, white. (And he has a little white spot on his chest – a bit like Blackie.)

Our fellow is quite ardent in his romancing on this little mandolin. Toes (and fingers?) are all quite defined on these kitties, but I especially like his curled toes. He looks up at girl cat and she more at his mandolin than him (maybe she’s shy?) and this is clearly a ruckus in someone’s backyard.

Speaking of backyard there is what almost appears to be a grove of sunflowers behind them. Only two actual flowers though one over him and one facing down over her. There’s something about that flower that makes me think Wain is saying she’s trouble.

The top of the Valentine reads, Be My Valentine and then, below his signature, we have this little ditty, Love me little, love me long, Is the burden of my song. Except it isn’t a ditty at all, it is the first line to a long poem from the 16th century. (Read it here.) However, perhaps more notably, it was also taken by the author Charles Reade (1814-1884) for a title to one of his books. (Kim went on a Reade reading spree a few years ago but I did not catch the fever. He was a fan but said he was a bit uneven and a quick look online this morning appears to confirm that is the general opinion of him. Large antique volumes are still around although maybe they have gone to New Jersey.) My guess is that is where Wain grabbed it from. Published in 1859 it would have been old but well known.

The back of the card is addressed in a sort of charming, neat hand. It reads, Dear Russel; Do you like a valentine like this? Hope you received many pretty ones today. With love, Miss A. Holland. It is addressed to, Master Russel Hoover, R.R. 1, Sterling, Illinois Care Harry Hoover. It was sent from Sterling, Illinois on February 13, 1913 at 3 PM. Although I read many messages like this, for some reason I find this very thoughtful note and card poignant this morning as I read it. He must have liked the card (and the sentiment) as it survives in such good condition these many years.

Back of card.

I purchased this early last summer at the Metropolitan Postcard Club show. I am sorry to say we missed one at the end of the summer on the weekend we were moving back from New Jersey. I must check their schedule and see when there is one this fall – I am sure they missed me or more likely my wallet – back in August! I do love these shows and I think it is time for me to pay an annual fee of $30 and join as a member. I have been following them around for about a decade, over at the Holiday Inn on 57th Street in years gone-by. I should be supporting their cause.

Meanwhile, today (Saturday) I am off to purchase a new phone. My purchase of my current phone was a Covid activity – I remember being masked and lined up outside. Today should be more pleasant (I hope) than that although having a new phone, appendage that it has become, is always a mixed bag with getting used to it. However, on our recent trip to Washington this one was on constant life support with an external battery. Wish me luck! Also, our day concludes with a visit from our friends Pete and Rika who are visiting from France. A shoutout to them (they are Pictorama readers) and we look forward to seeing them. More to come.

Kitten with Fruit

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Pam’s Pictorama Post: Today is a (somewhat) rare Pictorama painting post. Mostly these seem to be summer New Jersey posts as this is the home with enough wall space for paintings. Some of you may remember my pig painting purchase post from last summer (post can be found here), although cats are more typical and prior posts of some of those acquisitions can be found here and here.

Having said that, this one was acquired from a seller in Britain (@oldstockantiques, his website can be found here), via Instagram and has sat, still in the shipping wrapping in the New York apartment for several month until it could come out here. As a result, when I unpacked it I felt a bit like I was seeing it for the first time all over again. (Good thing my taste is consistent!) There are actually others still to come (largely but not all cats by far), but we start here today with this one which is my favorite.

I don’t know if you can see it from the photo but this painting is old and the surface is a bit reptilian in places as the top layer has crazed and crawled over time. I would guess that this top layer is actually a glaze and there might have been a moment when removing it and replacing it made sense but I think that day has passed and it doesn’t really impact the enjoyment of looking at it. The frame, which I like very much, came with the painting and from the back I would say they have been together for a good long time.

As you can see from the back, this painting was done on an old form of prepared board (Academy Boards prepared for oil painters it says) and sold by Geo. Rowney & Co. 18 Rathbone Place, London. I believe I have purchased both Rowney pastels and oil paints in my life. The nails holding it in are new but I think that is gratis the seller, along with the bit of string and hooks to hang it. It appears not to be signed, front or back although I won’t say there wasn’t something that is now obscured by the crawling surface.

Back of the painting.

To start, there is something about the pupil dilated wide-eyed look of this kitten that draws me in – I always think that it is as if he truly was asked to pose amongst this wild assortment of fruit and flowers and is wondering what the heck is going on. The cat is well done although we really only see his vaguely peevish head (note ear askew too) and sort of a nod to the rest of him – there is a bit of paw where the crazing is bad on the right side. A few trumpet lilies are at the top and wandering down to these somewhat oversize peaches, an oddly too small avocado (with a giant pit) and some grapes that look a bit like they are of the glass rather than the food variety.

Kitty is of course a tabby, pink nosed and bewhiskered. I would say the article was a better cat and flower painter than a fruit one. There is a moody background too – a sort of sunset horizon and a darkening cloudy sky – also a victim of the surface to some degree. I would say a careful look suggests that there are bits of blue sky among the dark clouds.

It may sound funny to say since I am far from being a kid, but I have only recently given myself license to buy paintings. I mean, I have made paintings, sculpture, prints and certainly photos myself, however the act of purchasing paintings always seemed like something only grown ups like my parents did. I have bought art on paper (in large quantities as you know) but never paintings. It took inheriting a house along with some paintings to prompt thinking about it as an option.

In my mind purchasing paintings was always something my father did. From the earliest time I can remember Dad (almost always him and only occasionally Mom) brought paintings home. He was a particular sucker for a seascape (future post on that), but also an eye for landscapes – never figures. Dad had a good eye. I wouldn’t say we have the same eye but nonetheless, the paintings he purchased are good ones and I have them up in the house now. It is nice to find an avenue of collecting like this so late in the game and it will be interesting to see what I can come up with.

Fishy Wain

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Pam’s Pictorama Post: I tossed this into a purchase pile recently as clearly somehow these are Wain or Wain-ish cats; however I would bet dollars to donuts that Louis never saw a payday for this one. However, having said that, I cannot easily locate another version of this image online, only one other copy of this card itself.

A few posts back I discussed the history of New York postcard producer Franz Huld and much to my surprise this morning, his credit runs along the side of the front of this card, Huld’s Correspondence Series No. 23 Franz Huld, Publisher, New York. (That post of an entertaining card about the Catskills, Hanging on the Moon, can be found here.)

Meanwhile, just yesterday Pictorama had a post about another innovative early postcard maker but in Germany. I think of that one as more of a high end (photomontages and trick photography) and our US friend Huld as sort of creatively low end if you will. (I am only on my first cup of coffee today so stay with me a bit.) Huld had a much briefer run in the business and never on a huge scale of production and maybe wasn’t above a bit of image thievery. Just a thought anyway because this card looks distinctly culled from something else and does not bear the Louis Wain signature nor credit however those are Wain cats.

This card was mailed but the postmark has been torn off therefore I cannot accurate date it. If I put it roughly at 1910, Huld is coming toward the end of his several years of production but still active and in upstate New York. However, the real smoking gun is that Wain was living and working in New York from 1907-1910, but only doing newspaper work. He was producing two newspaper strips, Cats About Town and Graymalkin. There is evidently no record of him producing postcards here. So my guess is that Huld lifted this image somehow from a newspaper illustration and craftily “repurposed” it.

One of the few images I could definitely tie out to this period of New York newspaper work. I do think there is some under-valued and interesting Wain work published in newspapers. While much of it was repurposed and collected, I have definitely seen work, mostly for sale as tear sheets, that I have not seen elsewhere.

On the card we have two grainy Wain cats, one yellow fellow attacking a meal of fish – his mouth in an “O” of expectation. I like the way his paws manage to hold the implements in a logical way which I would personally find challenging if I was drawing this. The orange, grumpy, cat looks on in expectation holding a three-prong fork and knife up like he might bang on the table with them. Next to them in script it reads in neat script, This is no Fish Story. Again, while maybe in the quirky style of Wain somehow perhaps misses the mark?

Detail of a Christmas page done by Wain that I purchased and wrote about last December.

The sender of the card has underlined the above and written, No-sir-ee – Dearest Ross; How are you enjoying your vacation. I am having a fine time. Love to all, Bradley. It was mailed to Master Ross W. Guernsey, Schoharie, Scho, Co. New York. As I mentioned before, the stamp and cancellation has been torn off so no date and no point of origin for the card. (In sorting out the address a bit the internet told me that Ross W. Guernsey was a life-long resident of Schoharie, New York. I have no way of knowing if that seems true or AI just sort of winding me up.)

Our friend Mr. Huld was sadly certainly not the only one taking advantage of Louis Wain and liberating his work for his own purposes. This is perhaps though the most egregious and evident example I have run across. Still, I remain grateful for a snippet of Louis Wain I wouldn’t have seen otherwise. I intend to continue to sniff out some of this newspaper work in its original form.

Winkin’

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Pam’s Pictorama Post: Like most New Yorkers I awoke to a much cooler day today after several days or grueling and punishing heat. And this fellow was looking up at me on my desk when I got here this morning. (Envision my desk, an old drawing table someone gave me, as a living, roiling, mass of things which occasionally coughs up something from a lower stratum. One morning last week it was freakishly an early family photo of Kim’s. I don’t remember having seen it before and have absolutely no idea how that ended up in the mix.)

I purchased this card at the most recent edition of the postcard sale. You would think that it might be embossed with the very textured, woven look of the background (like the surface of an old suitcase), but it is not. This very sporty cat however, who has a hat, high (detachable?) collar and bow tie all of his day. That chapeau (more or less the same blue as his natty bowtie), is at an especially jaunty angle and sized just right for between his pointed ears.

As cat coloring goes, he is a bit nondescript. His hair is sort of a brown mix but without a distinct stripe like a tabby. He’s got a saucy look with his gaze directed, not at us, but toward someone or something to the viewer’s left. While it isn’t all the way to thuggish, his wink isn’t one of affection and I would say he’s a tough guy. (Cats blink and wink with affection and sometimes of course as they get sleepy – which being cats is much of the time.)

This card was mailed from Rotterdam on April 3, 1917 (I needed Google’s help with that) and addressed in a purpleish ink to Mej. W. H. van Etten, Oudshofstraat, Steenbergen. In the same ink and hand on the left, it appears to say something like, Jac. Pat.

So this uncredited artist could be the Netherlands answer to Louis Wain. He looks like he is up for some trouble – I can see him shooting craps or pulling a minor heist. While Wain’s cats can have that quality there is something always a bit scattered about them and there is usually a sly joke somewhere.

Back of the card.

The only identifying mark on the card is a stylized PN and the number 2501-4 on the front. While an internet search shows Postcard News as utilizing these initials, they appear to be a later, American card company.

As a kid I had a remarkable tortie named Winkie. I have probably written about her before although not that I can think of at any great length. She was my first cat soulmate, was extremely smart (arguably too smart for her own good), and had several extra toes on each front paw as well as an extra joint somehow which made her look like she was on her tip toes.

I’m sorry not to have a photo of Winkie available, but here is Cookie Fussbudget Butler.

She and my cat Otto have left me with the impression that the girl cats are smarter than the boys, although the fellows are more likely to be very affectionate. This plays out a bit with Cookie and Blackie. However, it must be said that lately Cookie has become assertively in need of attention and leaps onto the bed nightly (dramatically jumping over Kim’s pillowed head and mine), lands next to me and begins loud meowing for pets. She has always been the more vocal, chattier of the two cats and now the vocalizations are long, loud and drawn out conversations and I suppose recriminations. Cookie (aka Cookie Monster), the tuxie of the two, is quite a card.

Hanging on the Moon

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Pam’s Pictorama Post: although this is clearly a photo collage of sorts somehow on the fence about calling it a photo post today; nor is it a cat card. However, it is one of many made to entice people to the Catskills on holiday with current revelers sending word home on them. (With their funny cat images my collection of them is burgeoning. Recent posts with Catskill cat cards can be found here and here.) This is a nod to those folks who are commencing their holiday and vacation travel on this July 4 weekend. Let the summer begin!

This card was both written on and addressed but not stamped, so unclear if and how it got to its destination. At the bottom is says, Dear Ethel how is this. Iva Ott November 4, 1907. It is addressed, in a more adult hand, to Miss Ethel Sanford Kelly Coss Del Co, N.Y.

It’s a nifty card and kudos to the person who put it together. The bottom is a landscape photo of the mountains the area is known for, dotted with houses and farms. A space of white has been left and then the sky. The couple are originally from a photo although how the sky and the moon were actually made is lost to me. There is a sort of deckle edge at the bottom of this portion like it was actually carefully torn by hand for the effect wanted.

Appropriate for today! An Uncle Sam puzzle card by Huld I found online.

The couple sit close to each other, hanging off the moon, with a very long spyglass, evidently peering down at the people and places below. It is held by the woman while the man is pointing to something (or someone) specific in the landscape below. Printed at the bottom it says, Viewing Fleischmann’s, Catskill Mountains, N.Y. They seem quite jolly and content with their perch in a cat bird seat, high above the valley.

A close examination of the surface shows sort of half tone dots which means the images came from something already printed. This really is a collage of probably three images.

One section of a Puzzle card also found online.

Along one side there is the publisher’s copyright. It says No. 4003. Copyrighted 1906 by Franz Huld, Publisher, New York. An interesting article on Huld that the internet spit out can be found here. (Someone named George Miller is the author and he has done some extensive research in order to write it.) Some highlights from the article are as follow below.

His first business address appears at 170 Fifth Avenue in Manhattan in a 1900-1901 era directory and is among the first listings for postcard publishing. The author of the article describes his wares as occasionally ugly, without gilt trim or compelling pictures of children or animals. However, he was creative (as evidenced by this card) and according to the article, primarily Huld published commemorative issues, views, comics (especially “write- aways”), collector’s issues, and novelties. That makes a lot of sense skill and sensibility-wise when we consider the construction of this particular card.

The only feline postcard I found among his images.

Huld’s New York listing remains only until 1910 with a filing for bankruptcy in 1914. It is believed that Huld died in October of 1928 at age 67. The man liked a good novelty card (including some puzzle ones that were mailed in an envelope), and I recommend the article above for more information and some additional images. Clearly he was an early player in the business of postcards and a somewhat formative one.

With our temperatures still hovering around 90 after days over 100 here in New York City, we do not have any travel on our agenda here at Deitch Studio. We will be staying here in the city with air conditioning (we hope), cats and ice cream to keep us company on the country’s 250th birthday weekend.

In the Yard with Cats

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Pam’s Pictorama Photo Post: I am heading to New Jersey tomorrow for a few days and this card has me in a pleasant mind of backyard time I hope to enjoy. My roses are in bloom and the gorgeous purple-blue hydrangea, both front yard and back, is starting its ascension into its first flowers of the season. The herbs are well on their way and I understand my grapes have finally come back with a will. Strawberries have already made an appearance and the dahlias are shooting up en force!

I will, of course, be greeted to varying degrees by the resident cats there. Beauregard will claim as much lap time as possible while Milty and Gus will shove in where they can. Stormy and Peaches, my girl cats, are my scaredy cats and although they may (or may not – thinking of you Peaches!) be glad to see me.

The grapevine has returned with a vengeance I am glad to see. All the garden photos are via my friend Winsome.

If you pay attention to all things cats on the internet, you know that catios are all the rage and you can purchase them pre-made (think screened tent for your cats) and less expensive, or you can build a more elaborate version. Ideally the cats have free passage from house to safe outdoor harbor in the catio, but there are an increasing number where the expectation is that you will plop them in and take them back out yourself. Of course, I have considered these but I am not carrying my precious pusses outside to put them in a flimsy screened enclosure. No, I would have to be one of those folks who built something solid and give them cat door access to it.

Although I grew up with cats that roamed free in the yard and divided their time in and out of the house as a matter of course, this is no longer the way in the area where I grew up and where we now have a house. At some point, keeping your cat inside, or with a collar for brief outside turns, became the way of things. Cats are chipped now in case they are lost, although something about putting that in her cats always made my mother nervous. Although all these cats came from living on the streets, none of them has set a paw outside since.

The aforementioned Peaches.

There is something wonderful however about my childhood memories of cats wandering in and out, more or less at will, without thinking about it. They enjoyed it so much and all the better if we were outside with them. As I kid I would sit outside and play with them for hours. I actually haven’t thought about it for years.

Like this photo we might have had a light indoor chair outside, although it would likely be alongside a bunch of lawn chairs. (My father eventually bought heavy outdoor chairs and tables at garage sales, but I was older by then.) If we were outside at least a few of the cats and the dog would be out with us although, maybe someone was sleepy inside too. There were no particular rules. We just never thought about it. Everyone pretty much came in at night unless for some reason they had a mysterious kitty rendezvous and were off on a toot for the evening. Noted but not a cause for alarm.

The dahlias are showing early promise.

Looking at these folks and their cats in their backyard in the dabbled sunlight it makes me think about it. The women are in their long dresses of the day but summer versions and the man, seated behind them, is in a suit with a tie. (One could say he is sort of not quite fully participating.) Those summer cottons which while beautiful must have required difficult laundry and endless patient ironing. Hard to see but the woman in white is leaning on a bit of a chicken wire enclosure behind her. When we look closely there are beds of plants, something leafy and green climbing up an arbor to the viewers left and behind them.

It was clearly a bit of an occasion. Girl kitty (my assumption) is wearing a big bow and looks a tad unhappy about it although not in full on revolt. She perches in a timid way on the chair with a cushion. She is a light-colored tabby-ish kitty, orange most likely? The other looks like a tom and he is in a loving if tightly gripped hold for the photo. Look at the stripes on his legs! Those black bands! Both have white faces and front paws. Handsome fellow!

Backyard is blooming!

The yard has a high fence around it as far as we can see, although technically not one that would keep an interested (let alone determined) cat in or out. My backyard is also fenced, but given small spaces as entry points near the ground I have found all sorts of animals back there including a fox who got in and admittedly didn’t seem to know how to get out. (I opened the gate and invited him to take his time leaving.) Cats do come by occasionally – that is how Stormy and Gus came to live with mom. Some of you might remember the stray tom I christened Hobo who we fed on and off for several years.

Hobo back in 2023.

This photo was never sent and nothing was written on the back. On the back there is a very faded company logo for Central Studio, and an address, 103 College Street, Burlington, VT. It is easy to imagine that this was taken in Vermont, a singular photo postcard and the cats were clearly rallied for the photo opp. It is a wonderfully distilled moment from a long ago summer.

Meanwhile, on my way to the Jersey shore so a Jersey summer specific card to come tomorrow!