Mom and Snoopy

Pam’s Pictorama Photo Post: Today’s post is of a family photo, something I haven’t done in a long time, and it is one of my mom. The one year anniversary of her passing is tomorrow.

I wrote frequently about the surprisingly interesting time caring for her at the end of her life, here and here, and at her death I wrote a brief tribute to her here. However, a friend suggested that I find a photo of her to frame for my office as a way of recognizing the anniversary so I dug through some mountains of pictures in New Jersey last weekend and emerged triumphant.

Many years ago my mother’s mom put together a photo album for mom and her brother John for Christmas. I don’t remember seeing my uncle’s, but mom’s, although slim, is made up of wonderful early childhood photos of her that I had never seen. Mom’s father died young of a heart attack. He was much beloved to me during the short time I knew him (Poppy!), but I was only about four or five when he died. There aren’t a huge number of photos of him at all so it is extra nice to find these.

However, in addition to those photos which are mostly Betty and John as small kids with their various pets, mom had tucked a number of other early photos in and today’s photo is from that batch. This would have been taken around 1969, mom was still wearing her hair a bit long – she cut it short a year or so later, Snoopy just out of kittenhood.

Without knowing for sure I am fairly certain that this was taken at our house in Englewood, New Jersey, It was a tiny, cozy two bedroom cottage on Jones Road and across from what seemed to a tiny tot me to be an enormous park. (Actually, a google search shows a very substantial park on Jones Road, so perhaps my childhood estimate was more accurate than I think!)

Mom is holding the very first pussy cat in a long line of pets, Snoopy. I think I named him, for the comic strip and because he had black spots – he was a cow spotted kitty. In retrospect it is hard to believe that my older sister would have allowed me to name him (she was bossy!), but nonetheless that is my memory.

Snoopy was just a great cat. You’ve heard tales of my dressing him up in doll clothes and pushing him in my doll stroller – also playing circus dog with him and the German Shephard, Duchess. He was a lovely, easy going boy cat. He and the dog were buddies and unlike the dog, he rarely got into trouble (there was the time he walked across wet red paint on the porch and then through the kitchen, but that would be the exception that made the rule) and was loved by all equally. I believe his origin was as a barn cat – friends of my parents had a farm in South Jersey and supplied us with rather excellent cats for many years.

It’s funny that seeing him so many years later (his life was sadly cut short by an Akita several years later) his spots and markings are surprisingly immediately familiar. Black over one eye. I can remember petting him when I look at this.

My guess is that dad was trying out a new camera as this has a hallmark of being a rather posed photo. Dad wasn’t typically at his best with still photos. If anything I am better with those and lesser with moving images and he the opposite. He had an extraordinary eye for shooting movies, but somehow it didn’t quite apply to still images. This photo for me is an exception however. It captures mom and Snoopy perfectly and even reminds me of the wonderful garden at that house where these trees likely were. (When we moved to the shore, probably later that year, it was many years before we lived in a place with a garden and our first home was sandy, often salty soil right on the river, which flooded frequently. Mom struggled mightily to at least have a vegetable garden and some scrubby trees. Readers know I now glory in keeping up the garden my mom created at the house I inherited.)

One thing of note for me is that mom appears to be wearing both a watch (although on her right arm and she was right handed) and a wedding band. Mom never wore either later in life. I think she went through a series of wristwatches when she was younger and gave up – her active life and hands constantly in things probably did both that and the ring in. I know that the early version of her wedding band wasn’t gold (turned her finger green!) and she stopped wearing it. Years later my father gave her a gold band which I now have, but to my memory she just almost never wore jewelry. (Early arthritis in her fingers exacerbated this. I fight it in my own hands, especially with the fingers I broke a few years ago running.)

She is wearing a camel colored sweater coat, a very mom color. If it was a few years later jeans would be on the bottom half of her, but this early it was probably a skirt or some other trousers. She has a white (cotton I bet) top under the sweater. Mom was very allergic to wool and gave it up early in life. She wore a lot of polar fleece later on.

There is a little tear on the left of the photo where the color emulsion has peeled. I need to keep this in a not especially light or hot place I think. The color is faded.

Clearly I take after my father’s side of the family in this regard as I consider the purchase and wearing of jewelry to be one of life’s great pleasures! (I have written about some of my favorite finds here and here.) My paternal grandmother loved jewelry (Gertie! There’s a whole post for her here.) and my dad inherited that love and bought us three women in his life jewelry frequently. As a result, I have all of mom’s (virtually unworn) and my sister’s which tended toward a more contemporary design than the vintage pieces I am drawn to.

While it is mostly accepted that I resemble my mom more than my dad, I’ve not been sure about that as I age and look somewhat more like Gertie. Having said that, the resemblance between me and mom is strong in this picture, the differences in our coloring being less evident. (Mom was extremely freckled, fair and green eyed – I am fair but less freckled and brown eyed. Her hair had red tints that mine never had.)

Finding this photo was a gift and I am grateful! To have mom and Snoopy together to consider in this picture is a treat I had not anticipated and I cannot think of a better way to honor her life and the sad anniversary of her passing. Thank you mom.

Cats in Hats

Posted by Pam's Pictorama

Pam’s Pictorama Photo Post: Good morning! Sunny April day here and today’s picture post presents these three self-possessed looking miscreants curled up in a variety of battered chapeaux. Although this was evidently used as a Valentine greeting (written in admirable script at the bottom), I am thinking of it as a nod to the season and time to break out my straw hat.

The two tabbies, who are remarkably identical, are curled up in the first two hats while my sort of tuxie friend is vacating his black one. The disintegrating straw hat is the most interesting, not sure what is perched on the side – a tossed out cigarette? A bit of paper? What I call a claw paw grips the brim. Comfy kitty in the first hat fits nicely, tail curled around himself, the very tip pointing out. The odd fellow (or gal) out appears to be a tux or tuxie mix of some kind, hard to tell as his entire back half is in this black hat. The bad guy hat!

All three kitties have had their attention drawn off camera in the same direction. To that extent at least they are posed.

Someone has scratched into the negative, The Latest Thing in Hats in Wilawana. PA. According to my (albeit limited) map reading on Google, Wilawana appears to be a small town near the Chemung river and on the border of New York state.

In penned script on the back it reads, With love, From Mrs. ME Knighte and For Beulock Cosaiy [?] Wills NY Hamilton Co. However, there is no stamp so it was hand delivered or ultimately put in an envelope.

*Dad in his white hat, more or less dead center of this photo.*

My father was a devoted wearer of hats. I have written about Dad’s career as a news cameraman for many decades. (One of those posts can be read here.) At more than 6’5″ and with a ubiquitous fisherman’s hat on his head he was easy to pick out in a crowd and we would look for him on long shots of events on other news stations. Although a cotton fisherman’s cap (usually a fairly crisp, newer one) was most frequently worn to work, the older ones and a series of baseball style caps were employed outside at home. My father kept his hat on a great, small bronze statue of a running horse which I (sadly) no longer have, on a table outside our kitchen with his keys in it. I’m not sure I ever saw my father outside without a hat and prescription sunglasses.

*The style of hat most frequently worn by my father.*

The rest of the family did not sport hats. I cannot remember my mother wearing one, even on the coldest of winter days. (Mom would head outside with her short hair wet and the ends would freeze. She was hat resistant.) My sister Loren skied and therefore must have worn the occasional winter hat, although I can’t remember it and must feel she eschewed them in general. Edward (who may be reading this) was not especially inclined toward them either. (Ed, have you become a hat wearer?)

*The much beloved Buck Jone Rangers hat.*

I had an early inclination to hats, but in practice did not really figure them out until well into adulthood. There is my much sweated in cotton baseball cap for running (from the Gap, no logo) which reminds me of Dad’s, keeps the sun and sweat out of my eyes and also helps keep my hair up. Winter running requires a warmer (but washable) hat however – sometimes a hood too – something over my ears. The NJ variant is bright yellow green so I don’t get shot in the woods or runover in the low morning light.

I am very devoted to hat wearing in the cold in general and have a series of wool hats, always one stuffed in my purse in the transitional seasons, just in case. I lean toward a loose black wool one these days. As a kid I delighted in stocking caps and went through a stage of rather electric long ski hats that were popular for a bit. I was employing a wool cowboy style one in winter (sun protection, but good in light precipitation) until it was accidentally taken from a party. It was returned to the hostess, but I have yet to retrieve it from her. That one came from a hat store in Red Bank, NJ near where I like to have brunch if I first come into town on the weekend, the Dublin House.

This time of the year I break out one of a few straw hats. I like a small brim fedora style straw hat, although it has been pointed out to me that if keeping the sun off my face is my motive (which it is in large part) that a wider brim would serve better, but I don’t seem to be able to commit to those hats the way I can to a smaller one. For one thing my head size is small and it has helped to learn that a large hat is awkward on me. I like being able to smush it into my bag if needed. Like Dad I have adopted prescription sunglasses.

These days the favored hat is an aging straw one purchased in the airport on the way back from a business trip. I was in an airport in Arizona I think, on a leg back from California, San Diego I want to say which makes it a number of years ago now. I was killing time and vaguely in the market for a new summer hat. As these things go, I had no idea that I would still be wearing it daily for 2.5 seasons a year for so many years to come. It has only become every so slightly disreputable.

*Recently purchased and subsequently installed hat and coat rack in NJ.*

It’s elderly cousin is a blue straw version which was purchased in San Francisco on a donor visit years ago when I worked at the Met Museum. I had gone to visit an elderly (and remarkably fashionable) woman out there, Mona Picket, who was appalled that I was wandering around California in spring time without a hat so we went to a department store and bought me this one. Mona has subsequently passed on and I do think fondly of her when I wear that hat. It is very nicely made (and terribly expensive) and will probably outlast me if I continue to care for it.

Last summer Kim and I were on our way to meet people for dinner on the lower Eastside and I stopped us in our tracks to go into a store and buy a rather electric blue one. It was actually a yellow cousin which caught my eye but they did not have that color in my size. This blue one got a lot of action last summer and is my “good” work hat now.

Kim is an inveterate hat wearer in the tradition of my Dad. I’ve seen him through numerous baseball caps since we met, all of which somehow crossed his path and acquired somewhat (although not entirely) indiscriminately. To my memory, in some order or other, the following baseball hats have been employed: a blue Tar Heels one, a favorite was one acquired at a reading he did in Seattle for Fantagraphics, and the sort of stone favorite was a Buck Jones Rangers hat – the remains of which sit on a shelf over my head even as I write.

Seasonally a series of straw cowboy hats followed and there was one purchased at a K-Mart on a trip to Butte, Montana; a business trip for Kim. (Read about that trip which featured a whorehouse museum here!) For a cheap hat it lasted a good long while.

Kim keeps a bright Kelly green leprechaun-ish bowler around for wearing on someday other than St. Pat’s. Early in our relationship I stretched my wallet and purchased him a very good Stetson as a gift. It languished for several decades before it evolved into use and has now been his daily hat for a number of years. It is getting a good worn-in look and gets frequent compliments.

*Kim was willing to pose for this out-the-door pic earlier.*

I just installed a coat and hat rack in NJ. However, much in the style of my father, our hats are piled near the front door, some decorating an unused lamp. I do try to resist the temptation to put hats on the cats, but sometimes the Devil wins on that one.

*Miltie, senior feline of NJ, in a hat from a post earlier this year.*

Scaredy Cat in Bloom

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Pam’s Pictorama Photo Post: Although I purchased this card from a US vendor it appears to be European. There is something written in a language I cannot recognize or discern. I assumed it was American as it reminds me of one in my collection from Seattle. Nothing other than that pencil note is written on the back and it was never sent.

I am not positive of the type of flowers on this float although they might be daffodils. Kitty sports a big bow. Big hard whiskers stick out of the sides of his mouth – tail in the air, sticking straight up in a traditional scaredy cat pose. Of course once start I thinking it is European then I can decide that the houses in the background are European.

*Plants awaiting planting! Strawberries and pansies, a sad bit of basil in the back.*

From the women’s hats we can more or less date the photo to the thirties. It doesn’t look especially warm, definitely spring not summer, there are jackets and layers. It’s interesting that although there is a big crowd, no other floats are at all visible if they do exist – or is this one the only one?

As I write from New Jersey today the cats are romping around the house. Beau has found a bright pink mouse and has decided to chase Stormy – ending in a nice scratch on a new, catnip infused scratching box. He slept on top of me all night which is his habit when I come here, but he’s all wound up now.

*My tulips and daffodils in the front yard.*

I found that my efforts last fall have paid off in the garden, tulips managed to make their way up, as have daffodils, somehow making their way despite hungry deer, squirrels and their brethren. Today will be spent planting some early lettuce, cucumbers and pansies which are a cheerful favorite. It turns out that the strawberries and many of the herbs have wintered over. My fig tree has tripled in size living inside this winter, but some of our nights might still be too chilly to bring it outside. I also bought a small grapevine and raspberry which I will find a place for in the yard.

*Lettuce, grapevine, raspberries and cucumbers hiding. A nice dahlia and peony waiting to be planted as well.*

So I leave you as I head to my first day of digging for the season. More and the fruits of my labor to come.

Felix in the Nursery

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Pam’s Pictorama Post: I pulled this photo off of a small pile on my desk this morning. Purchased several months back, it has awaited its turn up at bat. It is neither professional, nor significantly profound, but delightful in its own way.

It is a 2″x 4″ photo with nothing written and no identifying information on the back, although it appears to have been printed by a skilled hand. The Felix is the only thing really to date the image and I would assume that it was during the zenith of his popularity, most likely the 1920’s, but perhaps as late as the early 1930’s is my guess.

Baby is playing with a baby doll which is always a touch of irony for me – and this doll looks remarkably like the kid. The Felix surveying all around him is a very classic chalkware or composition model. Oddly, I don’t actually own this particular very popular item – in part perhaps because they are fragile and I have a general aversion to large, easily broken items. Still, in considering him here and online this morning, I will say I should wait for a nice example and grab it. He would look splendid surveying the living room or bedroom in New Jersey. Let’s see if I achieve that goal in coming months.

These Felix-es are touted as carnival prizes, but I have never really accepted that as their origin. There are slightly cheaper, more slightly off-model versions which I assume fit this bill, but these always seemed a bit nicer than that. Evidently some have mobile arms and this fellow looks like he might be a candidate for being such a high class item.

The kid, as far as the viewer can tell, wears only shoes (nice sheepskin trimmed ones, perhaps all the better to start to walk in?) and we’ll assume a diaper. He or she is sitting in such a very nice sunny spot it gives me a cat-like yen to locate it and curl up in it – and nap. The curtains are helping the composition of this photo considerably, creating a pattern through out and catching the sun up in front. The shadows play nicely across the baby and around him. These are massive windows (I vaguely assume that the child is on the floor so they go all the way up!), and the sun streams in at the front and is in deep shade in the back of the room.

As I write it is in fact a sunny Sunday morning here in Manhattan, a relief after a week of pouring and sometimes teeming rain, so perhaps I am sun sensitive and craving as I write. I doggedly remind myself of April showers bringing May flowers, but we are soggy here and revel in the relief. Next weekend I will go to Jersey and check out the garden there and try to turn my mind to spring and summer. Time to put the lettuces in I think, or soon anyway. Growing things and time out in the yard will be the best harbingers of the season and the remedy for the blues, not to mention a visit with the New Jersey kitties.

Within

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Pam’s Pictorama Post: This is a tiny post – at least in that it refers to two petit specimens that arrived in the mail recently, about 30% smaller than I had estimated. These boxes are however still so charming that I am taken with them despite not knowing what use I can put them to. They appeared on my Instagram feed (via @marsh.and.meadow) and on a whim I bought them.

Some of you readers already know I can’t resist a box. I have opined on my love of them before in posts here and here. There is something endlessly comforting about containers – those which promise to hold things, give them a place, put them away appropriately. (In all honesty, it isn’t like I actually always employ them for these rarified purposes once I have them, but it is the thought that counts.)

My original inspirations was that the larger of the two could hold the unruly pushpins on my desk in my office. The fact is that my office is such a mess these days I can’t begin to imagine how I could have focused on pushpins.

Due to construction at our main building I work in a mostly residential high rise tower about a block away. There is a hallway which houses a disparate bunch of us – my fellow fundraisers, various administrative staff, a clutch of doctors and a few data scientists who have recently joined the ranks. My office is spacious enough if remarkably blue in color – I am talking walls. (It lends a certain Smurfness to my Zoom encounters.) We only have partial walls so remarks are occasionally tossed over the wall to the pathologist on one side or the educator on the other – while we simultaneously pretend we can’t hear everyone’s conversations. My job requires a lot of talking, on the phone and with staff, so I am sorry for them as I know I have destroyed any peace and quiet.

*The undeniably jolly Rescue container. I have less stress just playing with it!*

However, the main point about my office is that it leaks terribly. Skylights that are river facing and given rain and wind coming off the river water pours into my office. The landlord does not seem able or inclined to fix it so this week I packed up the whole thing and we rearranged the cabinets and furniture so my desk is no longer under the leak. I lost about a day of work and am still not unpacked, but I have the additional advantage of being in a sunnier spot under said skylights and my weekends and evenings will be calmer not thinking about whether or not I remembered to stick a plastic kitty litter bin under the leak.

However, somehow in all of that I managed to have a moment to be annoyed that the pushpins for the bulletin board were in an ugly plastic container that tends to spill. This was my solution. And, in all fairness, the larger of the two would probably hold sufficient pushpins for daily desktop needs, even if a tad smaller than planned.

The larger of the two is emblazoned with Pastilles Halda and some related prose which roughly translates to being the best for mouth and throat irritations, larynx and bronchial affections (infections?). Pastilles, melt in your mouth sugar pills, were for various maladies having made their first appearance in France in 1825. Those appear to have been for stomach trouble.

*Surprise! Found inside the larger container.*

Both boxes are of a hard cardboard, but it is still a bit amazing that they reached down decades to us intact. I will try to be good stewards of them. The sides of each is brightly patterned making them attractive and festive which likely contributed to their longevity.

When I opened the blue one, there was this lovely tiny photo below saying hello. Thank you @marsh.and.meadow! That was a wonderful little surprise. I could do a whole post on this amazing little girl in a huge hat. More or less a one inch square she peers out from under the huge brim, a mass of curls falling behind her. Her attention has been caught looking off to the side where someone was clearly trying to induce her to smile – in the end I think they got the best photo anyway.

Meanwhile, pastilles remain with us today – cough drops and the like. They have slid toward gummies more than hard confections. I’m a fan of a good gummie (am devoted to Rescue Remedy ones that have melatonin to help me sleep), but to soothe a sore throat I like a hard, cherry Ludens myself.

This larger of these two sport eucalyptus and menthol as ingredients. It brings childhood to mind and the various types of cough drops I was plied with. There were the honey and menthol ones that were the most serious, the soft Smith Brothers ones that also came in a honey flavor and then the cherry Ludens which, although I liked them best, were probably lowest on the scale for effectiveness but the most like candy.

These days I reach for Riccola when I need a serious cough drop. They appeared late in my childhood, closer to young adulthood. I usually keep a few on hand in case a fit of coughing overcomes me or a guest in my office. I still lean toward cherry, but they are very no nonsense it doesn’t really matter.

My friends over at Bach, who make the Rescue products as mentioned above, serve up their line of stress reducing pastilles in a most charming yellow tin with a very satisfying and clever pop top. It is worth having one around just to play with the tin. Sadly the aforementioned melatonin gummies come in a very average bottle, and are in fact too large for this jolly receptacle.

The smaller box appears to have held saffron from Belgium – not medicinal at all. Saffron, which is a notoriously expensive spice, generally comes in tiny receptacles (glass mostly these days, not much bigger than a pill casing) and is of course bright orange. There is no sign of this on the interior of the box so the saffron must have been further wrapped.

Neither of the companies associated with these boxes appear to exist today, although there is a Valda rather than Halda French pastille company that seems to have a fair amount of market share. I could not find a history for it so I don’t know if these are the roots of same or not.

Perhaps once everything is once again put away at work I will share photos of the new office rearranged. I think it could use a few more photos and maybe another toy or two before it is really home away from home however.

Mourning

Posted by Pam's Pictorama

Pam’s Pictorama Post: This unusual photo was a birthday gift from a good friend (thank you @eileentravell) which she gave me recently. It a large, half plate, tintype. Aside from a bent corner, some chewed up edges and that odd ding on her dress near the chair, it is in fairly good shape.

As I started spending time with the image it confused me a bit admittedly. She is in what I have to assume is mourning, her all black attire, down to her black fur muff. Her clothing best dates this to my mind is probably the 1890’s. There is some relief in the white lace ruffle and the middle to light gray of her hat, something light colored like a handkerchief peeping out of her pocket.

*Hair mourning brooch given to me by a friend. Pams-Pictorama.com Collection.*

She looks grave and pale as she leans on the prop chair, covered in this cloth with a patterned edge. The background prop is a bit sad and cheesy as well, a view out a faux window, hangs a bit askew and folds below it. The carpet defines the space that she is atop, but that too ends at the front edge of the picture.

*Detail. Pams-Pictorama.com Collection.*

Most interesting to me is that her cheeks have ever so slightly and delicately been pinkened by a gentle hand, which is not at all always the case in the toning of such photos. Yet, looking at her I wonder why they bothered as she is deeply in her own world of grief.

In fact, I find it interesting that such a photo was even made. Why would you want to record this period of grief in this young woman’s life? (If you look closely, she is young despite these trappings which bring a sort of middle age to mind.) I don’t know if that sort of recording of mourning was part of the intricate ways of observing the various rituals or not.

*Pams-Pictorama.com Collection. This mourning locket tells a whole story in the March of ’22 post highlighted below.*

I never realized until recently that beyond black and gray there were lighter shades of mourning and that people would progress to lavender and even light blue. I found this out recently when someone was selling a light blue enamel piece of mourning jewelry online. While it certainly predates her, Queen Victoria really kicked off the dictates of the all black mourning of the time and rigid rules of society bound the clothing jewelry and behavior of the bereaved. At least a year of wearing black and that included jewelry which was largely made of jet or black glass which was less temperamental and therefore less expensive. Much is said about the clothing, jewelry and rituals in the late 19th to early 20th century novels I have been reading.

*An example in blue enamel pulled off the internet. Ring dated 1794.*

Rings and brooches adorned with bits of hair, images and later even photographs record the attachment to the lost beloved.

After the first year a progression to gray, mauve and purple were acceptable over time and that included jewelry of amethyst and garnet stones. Pearls were allusions to the tears of the wearer which I had never heard before, but many mourning pieces are decorated with them. (I recently heard that some Asian cultures view pearls that way as well.) I have written about some mourning pieces in my own collection, most given to me but others I purchased. These wearable memorials fascinate me. Those posts can be found here, here and here. (Oddly each of these posts have appeared in late March in different years – a spring thing?)

The idea of lavender and even light blue (enamel rings and lockets) in the latter stages of mourning, probably two years or more out, interests me – the point of emerging, yet still recognizing your loss and the process. I have seen lavender clothing as well from that state, but not sure I ever saw blue associated with it. For me the light blue, that final stage perhaps, is a sign of sending you back into the world of spring and blue skies again.

Aspirational

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Pam’s Pictorama Post: It’s a rare, I don’t own ’em but wish I did post here at Pictorama today. To the extent that I have set ground rules here, one general one is that if I feature it I own it. (Some readers will remember that I broke it recently to bring you a wonderful cat chair photo. It was a family photo which a reader shared with me and the post can be found here.)

However, to some degree rules exist to be broken and this image came to me both via Mel Birnkrant (his endlessly fascinating FB page can be found here – it is a rabbit hole to go down and possibly never emerge from) and some folks sent it to me via both the Old London FB page and also via X (that we used to call Twitter). The caption reads, Felix the Cat dolls leaving their Acton factory, 100 years ago.

Allow me to start by saying this image just floors me altogether. Admittedly, Felix lust immediately filled my soul! Oh the riches of the past! Truckloads of precious, giant Felix dolls making their way from Acton, out into the 1924 world of of extremely fortunate children and itinerant photographers.

It is also of interest to me to learn that at least one factory making these dolls was in Acton. Unlike the bit of history I uncovered previously (in a post from 2015 I very much favor and can be found here) which indicated that unemployed women were given jobs making smaller ones in a factory on the East End of London. Acton is a suburban area to the west so now I know Felix was being made all over London.

These are truly splendid huge Felix toys. Are they large enough to be the ones people posed with? Could be, but hard to say. If for kids, very luxe indeed. I certainly have photos of people posing with this size Felix although it isn’t the very largest size which I judge to be about the size of a midget. However, over time my collection has come to include period photos from British beach resorts with Felix dolls smaller than these. (A post on the one above can be found here.) None of the dolls in my collection (yet!) reach these size of the ones in the truck. Hope springs eternal however.

*An admittedly soft grab off the film, but a nice close up of the Felixes.*

While chatting with Mel and researching this earlier today, I realized that this is actually a British Pathé newsreel short. It can be seen in its entirety here. (I was unable to place the video here – I am experiencing mechanical stupidity today.) Note the unruly little fellow who looks like he wants to make a break for it by falling off the cart.

Of interest that most of these Felix toys were sensibly wrapped in brown paper, precious little parcels being piled up. However, someone must have realized that some should fill the back unpacked in order to get this wonderful image.

I think what I have here is actually a frame grab rather than a still, although hopefully stills do exist so I have a chance at one some day in the future.

*Bookplate not in Pams-Pictorama.com Collection.*

While we are having a posting moment focused on things shared but not owned, I am adding this Felix-y bookplate which came to me via J. J. Sedelmaier a few weeks ago. It would appear that Mr. Lowell and our cartoon friend shared a moniker. I assume he had these made – very pro job though. A nicely squared off, early looking Felix here. Something sort of smart about how his hand rests on the edge of the “shelf” and the lettering. Oh for the days of book ownership pride which would result in special bookplates like this!

Back to stuff I own next week!

Cathouse

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Pam’s Pictorama Photo Post: A dollhouse setting and a kitten in doll’s clothes – what’s not to like? I was speeding along my feed in Instagram when I stopped in my tracks for this one (sold by @baileighfaucz) and had to buy it. She has a beautifully curated stream of photos, virtually all for sale and I am often tempted. It is only fiscal responsibility that binds me, until I find one like this I just have to have.

There is something about the scale of the furniture in this picture which appeals to me. The kitten is too big for the space but only by a little, like a fluffy oversized giant kitty in his or her space, unable to sit in the tiny chair or at the little table. The wallpaper (wall covering?) is closer to kitty’s scale, just a little too big for the furniture. Somehow the little landscape is precisely above the cat’s head, right in the middle of the picture.

*Beau last week, very reluctantly wearing a party hat.*

There are many textures between the fabric wall covering, the blanket or towel on the floor, a little lacy tablecloth, and the cat’s dress. There is that little landscape which we can read as a painting or even think about it as a window to the outside. I like to think the thing next to it is a calendar, but I think it is another picture. The wrapped white box (is that a tiny mirror atop it?) reads as a refrigerator to me although it could be a clothing cupboard too.

Kit is right in the middle of this evenly divided picture. It is well lit, but a bit heavier from stage right or our left, casting shadows on the carpet for the chair, cat and other objects. (It is also quite overexposed drifts all the way to a white out in the lower right corner.) This kitten is a solid citizen, fluffy and gray. He or she looks barely patient with this process.

Kim has gently suggested that it isn’t nice to dress our kitties up and take pictures of them, so I mostly contain myself on the subject. Winsome and I have made a few attempts at cats in hats in New Jersey recently. There is part of me that would love to be setting them up in dioramas and taking their photos. Perhaps it was my profession in a past life – or maybe I was the cat!

The Pictorama collection does not tend to a lot of this genre of postcard (I think of them as the equivalent of the Dogville Comedies for cats, for those of you who are in the know about those) – kittens dressed up and posed in various scenes. The rather superb one of kittens in a faux balloon above was the only that I could think of off the top of my head. (That early post can be found here.)

There were several others from the same set, but while tempting none of them were quite as engaging for me and no others were purchased. While professionally made, there is a charmingly homemade quality to this one (for the record, there’s no identifying photo studio, nothing written on the back and it was never sent) and I think the photographer just happened to hit it right on the nose.

Louise Groody with a Little Bit of Felix

Posted by Pam's Pictorama

Pams-Pictorama.com Post: Today’s Pictorama oddball exclusive is this April, 1928 Theater Magazine page featuring stage star of the day Louise Groody. Shown here at age 21 by my calculation she grasps a perfectly delightful fluffy white pooch and a mysterious equally fluffy (if unable to achieve the same level of actual cuteness) creature in the other arm. She herself is dressed in fur. A very of-the-moment cloche hat covers her hair and shades her eyes in this carefully composed composition. A well trained smile outlined in carefully colored lips and revealing very even pearly teeth.

The bottom of the page reads, Pets, All of Them, Especially Louise Groody, the Hit in Hit the Deck. Below: After more than a year’s successful run in New York, Miss Groody, with the rest of the company, have folded their tricks at the Belasco and silently stolen away, despite the insistent demand of late-comers. They are now on tour, covering the principal cities. (Confidential: The small animal clinging to Miss Groody’s right arm is a honey bear, sweetness – and quite light.) Felix the cat is left out in the cold.

Hit the Deck was one of Groody’s most popular hits. Here she sings Sometimes I’m Happy from the show.

The little Felix is odd – no idea really why he is there, arms folded, smiling. Below him it says, Posed exclusively for THEATER MAGAZINE, photo by Harold Stein. He is indeed the little bit of Felix in this photo and post. (He does not appear on the back of the page where there is a similar of June Collyer.) Just a small paid advertisement? An inside joke about the show long forgotten? I wondered that about the dog and baby bear too – did they have some bearing on the show? Or does she always travel with a menagerie? A quick look at the storyline of the 1955 film version doesn’t show any reason for a baby bear. And no, Felix does not seem to have appeared in the show!

*Unidentified photo of a young Louise with a parrot, continuing the pet theme.*

According to Wikipedia, Louise was on the stage and discovered in her teens. Groody was in ten Broadway shows, four were major hits with hundreds of performances. The same article claims that Hit the Deck was a favorite of hers. She was perhaps best known as Nanette in No, No, Nanette and for her rendition of Tea for Two, although I was unconsciously familiar with her singing Sometimes I’m Happy.

*Kinda looks like Louise here. LooLoo was evidently one of her favorite roles.*

Louise married a few times. Number two was a shyster who chiseled money out of folks, her included – although she was originally named in the indictment. She divorced him while he was in Sing Sing and moved onto husband number three who seems to have stuck. Groody made a pile of dough in her early years on Broadway, subsequently lost most of it in the crash, but continued to work and lived affluently again by the forties. Louise joined the Red Cross during WWII and has a small discography of early recordings. As far as I can tell, she doesn’t appear to have much of a film career, although I can’t imagine she wasn’t in any films before becoming a fixture on early television.

As for Felix I can only say that he was so ubiquitous in 1928 that even a theater publication was sneaking him in, odd considering that in some ways film was slowly eating into and ultimately eclipsing their business. However, in 1928 no one seems to have been able to resist his charms entirely.

Ma Cheri Petit Josette

Posted by Pam's Pictorama

Pam’s Pictorama Photo Post: Cat annoyance and dog acquiescence seems to be the theme of this card. Kit and pup are about the same size and both qualify for this nice little comfy looking house. Although kitty has laid claim from atop, this little doggy fellow guards the entrance. Feline high ground notwithstanding, the dog blocks the door – although he isn’t really as this is a set and I don’t think the cat or the dog would especially choose to curl up inside this adorable little house. In fact I am not sure either would comfortably fit, although we all know that wouldn’t stop the cat if indeed inclined.

The animals of my past have generally preferred without rather than within. For example, there was briefly a doghouse in our backyard. My dad purchased it secondhand somewhere, perhaps one of his beloved garage sales, and painted it up, making it a fair replica of our house. A neighbor with a sense of humor supplied a tv antennae. (Oh gosh, how many readers don’t even know what that is?) It very much resembled Snoopy’s doghouse in the comic strip which would have appealed to my father. He liked to read it to us as kids.

*A black cat in cat house card I entirely forgot I own, from a 2018 post called Cat House.* *Pams-Pictorama.com collection.*

A large pen of open rails and wire surrounded it and our German Shepard, Duchess, was invited within. I have no memory of Duchess in that doghouse however and she was rarely in the pen as she mostly lived in the house. Although our cats were free-range, our dogs never were and considering she was a sizable German Shepard of somewhat mercurial affections, that made sense. (Another doggy denizen of Waterman Avenue actually spent more time in it, a naughty rescue named Charley Brown – beagle mix. Perhaps the doghouse influenced my mother’s naming convention.)

The pooch in this card is wearing a leash it might be noted, although he is clearly placid. So while seated quietly enough here, he was not wandering at will. Kitty is beautiful and fluffy, very photogenic indeed. She is pissy, all annoyed ears though as only a cat can be. There is a small food or water bowl on one side of the dog and the interior of the house is alluring with some cushy looking material stuffed inside. Something is attached to the front of the little house and it is very speculative, however it may actually be the dog’s leash. The tiny abode is made of some nice wicker-y material and oddly it appears to levitate slightly – the cat’s weight on an uneven surface tipping it?

*A similar situation from a 2019 post, called Mornin’. Pams-Pictorama.com* *collection.*

The three different colors and textures help make this image work. Fluffy kit, woven house and sleek, shiny coated canine. The cat’s ears and tail do the rest – I suspect she was a pro. One can imagine a photo studio back in the dawn of the 20th century, snapping pics of posing animals all day long until enough images for a continued line of cards could be produced. I think a lovely way to spend one’s days. As I have already said, regular intervals of dog petting at work has increased my quality of life substantially in recent months.

*French readers please feel free to send a rough translation!*

I am supplying a photo of the back of the card and perhaps someone fluent in French can translate it for us. The hand is fine and even, but small and too hard for me to see clearly enough to try to get a translation. It is clearly from Papa to his daughter Josette. Someone else has included a small message in bright blue ink – Jeanette? A sister? The card is addressed to Mademoiselle Josette Cauchois, 15 rue Saint Laurent, Chantilly. It is postmarked Paris, 1914, but the date is obscured.

Not knowing Josette’s situation it is pure speculation, but I must say, I would be very pleased to have received this card from my own Papa.