Pam’s Pictorama Photo Post: This is a sort of genre of Pictorama cards – beautiful woman in a photo collage or otherwise manipulated, sometimes on the moon, but today is bubbles being blown and bubbling up from a clay pipe. (It’s a loose category but have a look here, here and here for a few others to get the idea.)
This one has the added appeal of a pampered looking kitten being held by the woman who is looking at it adoringly. (Likely a studio puss who earned his daily keep but has a natural look of feline entitlement.) She is in an absurdly befrilled hat, dripping in ribbons, lace and feathers. (One can only imagine how long before kitty wanted a go at the feathers; you’ll notice she is holding onto his paws.) She sports a gold necklace, rings and a bracelet. Even her dress seems to have feathers at the neck. Her make-up is evident, heavy lipstick and eye make-up which probably was considered a bit tarty for the day.
Somehow the illusion has been created that she is in a bubble – in fact her image in the bubble is repeated in the different size ones to make four on the card creating the illusion of bubbles floating out of the pipe. If I were to guess I would say maybe they started with a photo of a reflecting ball like you might have in a garden. (Or the witches balls I have discovered more recently that hang from the ceiling, usually in a window – to show that witch already lives there so that witches just move along – or so I am told.)
The photo is hand painted with a swath of pink on her and green and yellow around her. The smaller bubbles just get a dollop of yellow, the smallest remains in just black and white. The pipe is in black and white. It appears to be a clay pipe and I don’t know much about them. I wonder about what appears to be a hole in the bottom and how that worked with bubbles or even to smoke – but maybe it created a better flow of air somehow.
The postcard maker has a very tiny emblem in a circle also, in the lower left corner and a serial number (464/20) on the right. It is a stylized NPG which seems to stand for Neue Photographische Gesellschaft, an earlier German maker of photo postcards. Arthur Schwarz founded the company in 1894 and helped create the photo postcard boom of the 1900’s. The company was interested in technical advancements, color photos and without knowing more than this, I would say this is a good example.
Pams-Pictorama.com Collection. Well, actually Deitch Studio Collection.
Without noting the maker when I posted about this, today I discover that this postcard I gave Kim for his birthday a few years ago is made by this company as well. I show it above and the post about it can be found here.
This postcard was mailed and it is postmarked April 6, 1909 from Jacksonville, Florida and mailed to a Miss Ora F. Wagner, Noblesville, Ind 170 S9h. I can’t quite read the top of her message – it might read, Peeps and then says, This is a dark and gloomy day so I am sending you a “smiling” card. Yours HOH.
Back of card.
I like the sentiment and being a bit out of sorts after a long week at work it seems appropriate and like a good shot in the arm early this Saturday morning, many decades later.
Pam’s Pictorama Post: although this is clearly a photo collage of sorts somehow on the fence about calling it a photo post today; nor is it a cat card. However, it is one of many made to entice people to the Catskills on holiday with current revelers sending word home on them. (With their funny cat images my collection of them is burgeoning. Recent posts with Catskill cat cards can be found here and here.) This is a nod to those folks who are commencing their holiday and vacation travel on this July 4 weekend. Let the summer begin!
This card was both written on and addressed but not stamped, so unclear if and how it got to its destination. At the bottom is says, Dear Ethel how is this. Iva Ott November 4, 1907. It is addressed, in a more adult hand, to Miss Ethel Sanford Kelly Coss Del Co, N.Y.
It’s a nifty card and kudos to the person who put it together. The bottom is a landscape photo of the mountains the area is known for, dotted with houses and farms. A space of white has been left and then the sky. The couple are originally from a photo although how the sky and the moon were actually made is lost to me. There is a sort of deckle edge at the bottom of this portion like it was actually carefully torn by hand for the effect wanted.
Appropriate for today! An Uncle Sam puzzle card by Huld I found online.
The couple sit close to each other, hanging off the moon, with a very long spyglass, evidently peering down at the people and places below. It is held by the woman while the man is pointing to something (or someone) specific in the landscape below. Printed at the bottom it says, Viewing Fleischmann’s, Catskill Mountains, N.Y. They seem quite jolly and content with their perch in a cat bird seat, high above the valley.
A close examination of the surface shows sort of half tone dots which means the images came from something already printed. This really is a collage of probably three images.
One section of a Puzzle card also found online.
Along one side there is the publisher’s copyright. It says No. 4003. Copyrighted 1906 by Franz Huld, Publisher, New York. An interesting article on Huld that the internet spit out can be found here. (Someone named George Miller is the author and he has done some extensive research in order to write it.) Some highlights from the article are as follow below.
His first business address appears at 170 Fifth Avenue in Manhattan in a 1900-1901 era directory and is among the first listings for postcard publishing. The author of the article describes his wares as occasionally ugly, without gilt trim or compelling pictures of children or animals. However, he was creative (as evidenced by this card) and according to the article, primarily Huld published commemorative issues, views, comics (especially “write- aways”), collector’s issues, and novelties. That makes a lot of sense skill and sensibility-wise when we consider the construction of this particular card.
The only feline postcard I found among his images.
Huld’s New York listing remains only until 1910 with a filing for bankruptcy in 1914. It is believed that Huld died in October of 1928 at age 67. The man liked a good novelty card (including some puzzle ones that were mailed in an envelope), and I recommend the article above for more information and some additional images. Clearly he was an early player in the business of postcards and a somewhat formative one.
With our temperatures still hovering around 90 after days over 100 here in New York City, we do not have any travel on our agenda here at Deitch Studio. We will be staying here in the city with air conditioning (we hope), cats and ice cream to keep us company on the country’s 250th birthday weekend.
Pam’s Pictorama Post: I bought this clutch of postcards for a few dollars at the recent postcard extravaganza. They all depict the early days of the shore area where I grew up and now have my mom’s house. Like most areas it has largely been built up and built over, but some of the buildings remain or did during my childhood. All of these postcards appear to be from approximately the same period. Only the one from Rumson at the bottom was mailed and that is dated 1910.
If I had my way we would have spent a lot more time in Asbury Park when I was a kid. It was on hard times in the ’60’s and early 70’s and generally we migrated to things north of us rather than south of us in Monmouth County. This pier, as above, remained and even back then I was fascinated by it. It was somewhat derelict although still in use. There was a carousel in another building that I never got to ride. To my knowledge that remains – it was used in the recent Bruce Springsteen bio pic (which for a Jersey girl like myself was a wonderful compendium of places I grew up hanging out at) so I assume it is in reasonable repair.
The boardwalk is in all its glory here with women in long white cotton dresses of a turn of the century or early ‘teens summer. Parasols and hats abound. The amusements are largely hidden although there is a place for your photo to be taken and where film is sold. (Sadly absolutely no evidence that you could have your photo taken with a giant Felix doll. It just doesn’t seem to have been a thing in the US.)
The North End Hotel is the large building in front of us and below it is identified as Boardwalk and North End Hotel. Asbury Park, N.J. North End Hotel or not, I’m pretty sure the lower pier is what goes out toward the water, the boardwalk above and the sand leading to the water to our right below. I assume some of the long building was bath house space where you could rent a locker for the day, change and leave your things. Although the pier in Long Branch existed into my young adulthood (it was eventually consumed by a fire), it is the only one of the long piers into the water I remember – although maybe Asbury did or does still have one. I am scheming to get there for an ephemera sale this summer if possible and to spend the day checking it out.
Boardwalk at New Point Comfort Beach, Keansburg, NJ. Fronting the three largest hotels.
Keansburg was north of us, however I was (sadly) never taken to the beachside amusement pier there. It too still exists in some form. (There used to be ads for it on local television – Keansburg Amusement Park.) I don’t think any of these beachside hotels still exist however. To my knowledge only the tinier waterside homes still stand in that area. I have to admit I have never been on their boardwalk, although I spent much time in neighboring Highlands and even Matawan where my sister lived for several years.
This is what the towns of Long Branch and Sea Bright would have also looked like, the shore dotted with large hotels and rooming houses on the water which largely no longer exist. The trip down Ocean Avenue between Sea Bright and Monmouth Beach and then to Long Branch is still lined with some of the old single-family mansions overlooking the ocean and somehow surviving both tides and progress, mixed with new construction and the occasional beach club.
Until just a few years ago, the highway referred to in this photo of a swath of Atlantic Highlands would have been the very same one which people routinely walked over in order to go to and from Sandy Hook state park and connecting to Sea Bright. A new much higher and larger highway was installed to much construction mess, expense and fanfare. I guess you can still walk (and bike) across the new one, but it is vastly larger for more cars and most importantly, more boats below it. (It is no longer a drawbridge.)
Scene from the scenic highway highest point on the Atlantic Coast Highlands, N.J.
While likely more crammed and with contemporary stores and some more modern homes, my guess is that this view has remained somewhat the same with small cottages dotting the shore. This would have the Shrewsbury River just in view to the left with the bay to the ocean (and New York City in the distance) behind the viewer. The ocean is just on the other side of the tiny spit of land that is Sandy Hook and Sea Bright and the photographer, standing on the highway, could easily have seen all these things by turning around.
There was a time when this was a major stop on passenger pleasure cruises heading south and I assume for day trippers, even as it is by ferry in the summer today. (I could take the ferry today but beach traffic will snare on the weekend so instead I will take the train which will leave me closer to the house.) One of my ancient novels had a stop there on a cruise which I enjoyed finding immensely.
Finally, I get to my hometown of Rumson. There was a time when I knew the length of Rumson Road like the back of my hand from years of being a passenger traveling up and down it. A major artery running not just through the town but connecting the beach communities with the rest of the area, it is fairly long and famously heavily trafficked. (The Sea Bright bridge at one end was also a drawbridge and traffic during the summer would back up for miles for boat traffic. That bridge has also been replaced recently, leaving only the Rumson bridge in a state of sad decay and planned replacement.) Having said that I am puzzled by this view. While small water tributaries create a number of manmade and natural ponds and streams throughout the area, I am stumped by one of this size. (I wrote about a photo of a small pond near my house in the town of Fair Haven here.)
Glimpse of Rumson Road Lake on the Rumson Road, N.J.
I am wondering if this was ultimately filled in to make the golf course or country club. I will ask some of the folks who have lived there longer than I have. For all of that I like this card because it captures the feel of Rumson and Rumson Road. In the fall it is the most beautiful drive lined with old trees, leaves turned. It has always been a sort of millionaires’ row of mansions, old and new, despite being a few blocks in from the river which you would think would be more prime real estate. Perhaps the flooding discouraged the largest homes perching there and I grew up on an inlet of the river, a block off this road. If I calculate correctly though I lived much further east, where Rumson Road begins at the Sea Bright bridge. This would be on the western part as you head into the town of Little Silver, my current home in Fair Haven where these three towns connect.
As noted above, this card was mailed. On the back it says (in one run-on sentence), suppose you have been after chestnuts before this wish I was there to go along Harold. It was mailed to Miss Mary Crawford, Pine Bush, Orange Co, NY. It was mailed from Sea Bright, NJ on October 13, 1910. (Until a few years ago the post office in Sea Bright would have been this one. Sadly a larger and more modern building replaced it too.)
As I head out today I am tucking these in my bag to take with me. I will round up some frames for them and put them up at the house where both local images, beaches and piers in general and wider New Jersey images rule. (Some of those posts can be seen here and here – I have a passion for panorama photos but they are hard to document!) Keep an eye on Instagram for some garden pics. My project for the weekend is to acquire and plant some tomatoes.
Pam’s Pictorama Photo Post: I am heading to New Jersey tomorrow for a few days and this card has me in a pleasant mind of backyard time I hope to enjoy. My roses are in bloom and the gorgeous purple-blue hydrangea, both front yard and back, is starting its ascension into its first flowers of the season. The herbs are well on their way and I understand my grapes have finally come back with a will. Strawberries have already made an appearance and the dahlias are shooting up en force!
I will, of course, be greeted to varying degrees by the resident cats there. Beauregard will claim as much lap time as possible while Milty and Gus will shove in where they can. Stormy and Peaches, my girl cats, are my scaredy cats and although they may (or may not – thinking of you Peaches!) be glad to see me.
The grapevine has returned with a vengeance I am glad to see. All the garden photos are via my friend Winsome.
If you pay attention to all things cats on the internet, you know that catios are all the rage and you can purchase them pre-made (think screened tent for your cats) and less expensive, or you can build a more elaborate version. Ideally the cats have free passage from house to safe outdoor harbor in the catio, but there are an increasing number where the expectation is that you will plop them in and take them back out yourself. Of course, I have considered these but I am not carrying my precious pusses outside to put them in a flimsy screened enclosure. No, I would have to be one of those folks who built something solid and give them cat door access to it.
Although I grew up with cats that roamed free in the yard and divided their time in and out of the house as a matter of course, this is no longer the way in the area where I grew up and where we now have a house. At some point, keeping your cat inside, or with a collar for brief outside turns, became the way of things. Cats are chipped now in case they are lost, although something about putting that in her cats always made my mother nervous. Although all these cats came from living on the streets, none of them has set a paw outside since.
The aforementioned Peaches.
There is something wonderful however about my childhood memories of cats wandering in and out, more or less at will, without thinking about it. They enjoyed it so much and all the better if we were outside with them. As I kid I would sit outside and play with them for hours. I actually haven’t thought about it for years.
Like this photo we might have had a light indoor chair outside, although it would likely be alongside a bunch of lawn chairs. (My father eventually bought heavy outdoor chairs and tables at garage sales, but I was older by then.) If we were outside at least a few of the cats and the dog would be out with us although, maybe someone was sleepy inside too. There were no particular rules. We just never thought about it. Everyone pretty much came in at night unless for some reason they had a mysterious kitty rendezvous and were off on a toot for the evening. Noted but not a cause for alarm.
The dahlias are showing early promise.
Looking at these folks and their cats in their backyard in the dabbled sunlight it makes me think about it. The women are in their long dresses of the day but summer versions and the man, seated behind them, is in a suit with a tie. (One could say he is sort of not quite fully participating.) Those summer cottons which while beautiful must have required difficult laundry and endless patient ironing. Hard to see but the woman in white is leaning on a bit of a chicken wire enclosure behind her. When we look closely there are beds of plants, something leafy and green climbing up an arbor to the viewers left and behind them.
It was clearly a bit of an occasion. Girl kitty (my assumption) is wearing a big bow and looks a tad unhappy about it although not in full on revolt. She perches in a timid way on the chair with a cushion. She is a light-colored tabby-ish kitty, orange most likely? The other looks like a tom and he is in a loving if tightly gripped hold for the photo. Look at the stripes on his legs! Those black bands! Both have white faces and front paws. Handsome fellow!
Backyard is blooming!
The yard has a high fence around it as far as we can see, although technically not one that would keep an interested (let alone determined) cat in or out. My backyard is also fenced, but given small spaces as entry points near the ground I have found all sorts of animals back there including a fox who got in and admittedly didn’t seem to know how to get out. (I opened the gate and invited him to take his time leaving.) Cats do come by occasionally – that is how Stormy and Gus came to live with mom. Some of you might remember the stray tom I christened Hobo who we fed on and off for several years.
Hobo back in 2023.
This photo was never sent and nothing was written on the back. On the back there is a very faded company logo for Central Studio, and an address, 103 College Street, Burlington, VT. It is easy to imagine that this was taken in Vermont, a singular photo postcard and the cats were clearly rallied for the photo opp. It is a wonderfully distilled moment from a long ago summer.
Meanwhile, on my way to the Jersey shore so a Jersey summer specific card to come tomorrow!
Pam’s Pictorama Photo Post: At work we have graduation for our interns and residents at the end of the month, but I think folks have already mostly packed up their kids at school and have started the summer. I have vague memories of each of my dorm rooms although I never went in for decorating them much. (Yes, given my post-college attachment to stuff that seems surprising, yes?) As I remember the dorm rooms were designed to be impervious to hanging things on the wall. Early on I attempted a poster or two which promptly peeled from the wall and I gave up. I was an art major however so it isn’t like there was stuff around.
Two out of the three dorm rooms I had in college (one year I lived in London) were in the original or at least early buildings of the college. Connecticut College has these beautiful, old stone buildings and at least one of my rooms had original leaded glass windowpanes – I was on the ground floor and folks would occasionally take a short cut in via the window. I don’t pine for my college experience a lot, but this photograph does make me think about it. I always enjoyed the history of the college when I was there. It had been more than a decade co-ed at that point, but the ghosts of industrious, smart women past always seemed to lurk pleasantly around.
Katherine Blunt, first woman President of the college and the dorm named for her. We just called it KB.
I had a hot pot but wasn’t one of those people driven to attempt to cook a lot in my dorm room. I had a dark pink comforter on the bed (it came to NYC with me and stayed with me until it was in shreds a number of years later) and not much else in the line of decor. I have two coffee mugs from those days and quite unconsciously I happen to be drinking from one right now, also a dark pink. The other is a heavy old fashioned white stoneware one that I nicked from the dining hall. (Kim was just drinking out of it the other day and complaining that it doesn’t hold enough coffee which is a fair criticism.)
I purchased this photocard from a woman who said she collected this very thing (early dorm room photos) and if she was letting this one go, I do wonder what her collection looks like! It is an interesting genre – clearly the urge to document an early experiment of living on your own as a young person was strong. There is nothing that dates this postcard – it was never used so no postmark. It could in fact easily be Connecticut College, which was founded as a women’s only college in 1911.
A careful look quickly reveals that this is a woman’s room, purse hanging from the chair was the first clue, although it is overall quite feminine really – the chafing dish (the early 20th century equivalent of a hot pot – kids probably are allowed microwaves now!) which sits nicely on a side table complete with a flower cloth is another significant indicator. The carpet is flowered as well, and the dresser has a lacey doily. It is covered with photographs, as are the shelves above and we can even see a few more in the mirror.
Palmer Library, Connecticut College for Women New London. This was turned into classrooms I think when a new library was builtwell before my time there.
Pennants hang all over – one in the mirror says Amsterdam, but the others are for schools or places I don’t recognize and since I can’t have both a mirror and magnifier I have trouble reading. A pincushion, a calendar (which I cannot read the year or the month on) and a few other baubles decorate the walls and an envelope is also pinned to the board next to the calendar on a sort of pinboard there.
There are two chairs and I wonder if this room was shared and we are only being shown one person’s half. At Connecticut College the majority of the original dorms has single rooms with only a few suites of shared rooms. (Newer dorms introduced in the 1960’s had more double rooms.) However, this could also be a guest chair.
The seller had several other versions of dorm photos for sale (presumably rejects from her collection) – all great although the others appeared to all be men’s dorms, often with them in the photo. I would have purchased more, but they were relatively expensive and I was already loaded up with cat cards. I assume, as there were fewer woman’s colleges, that there are fewer photos of their rooms so I like that aspect of this one. You get the feeling that it was a moment when after much hard work it was just right and she had to take a picture.
Pam’s Pictorama Post: With Memorial Day behind us, and despite the fall-like weather this Saturday as I write, I thought I would pull out this postcard purchase. It both celebrates the summer season ahead and the town where my mother grew up, Long Branch, New Jersey. I snatched it up at a sale recently and will take it to the house in New Jersey where, among the images of cats, are a number of early local Jersey shore photos and postcards, an homage to my family’s history in the area and my own.
I find that Max Schmidt (1850-1951) was a violinist who immigrated to the United States in 1886 from Germany. He lived and worked primarily in New York City, even reportedly with the Met Opera at times, so this summer gig for his 24-piece orchestra was a short hop away and his orchestra enjoying some limited fame of the time.
Not in my collection.
Here is the Band White and Gold in all their 1909 glory on today’s card. Although it is somewhat standard of all the musicians with their instruments in hand, there are a few interesting elements. I like that the trumpets all have flags (pennants?) advertising the band hanging from them – three tubas, two more tuba-like things and so many drums! Behind the musicians is a sign that says Band White and Gold and a sort of gong hanging below it. At the bottom (a bit hard to read) it declares, Max Schmidt Celebrated Band White & Gold Ocean Park, Long Branch, NJ.
They appear here to be on a stage set of some kind and a careful look to the back reveals a painted column and some foliage. As best I can tell the area around them on the outside of the stage looks like a cave entrance. Most intriguing however are the three men, just behind the fellow I assume is Max himself (small child seated on the floor next to him), and they appear to stand behind wood stumps with anvils, hammers in their hands. I assume this is part of the opera music they were known to play. Tucked away, all the way on the left side and hard to see, is a harp.
This card was mailed on August 23, 1909 from Long Branch. It only says, Love from, Minnie. It was mailed to, Miss Amelia Freuzel, Sayreville, N.J. The card, produce by The Rotograph Co. NY, City was printed in Germany.
Another not in my collection.
Meanwhile, this was the heyday of the band concert and his sported striking white and gold uniforms. They were hired in the summer of 1909 to play outdoor concerts in Ocean Park. (If I understand it, Ocean Park was subsumed by what is now known as Seven President’s Park – if wrong Jersey folks let me know.) Their repertoire would have been popular band music, evidently combined with excerpts from operas. At the time Long Branch was the summer haven for the very wealthy and even Presidents. (The most outstanding remaining example is Wilson’s summer home which now forms the core of what became Monmouth University’s campus. I understand that there is a building which will house Bruce Springsteen’s papers quite nearby.)
The fortunes of the town, like many, have waxed and waned over the decades. Despite my grandmother living in a residential area on the outskirts in the house my mom grew up in (I wrote about that house in a previous post here), the downtown area and even the waterfront was largely down at the heels during my childhood. The shopping district was usurped by an enormous mall (which in turn was ultimately killed by online shopping and an outdoor shopping center) and only a few essential stores hung on. There was a Foodtown supermarket by the train station (which I shopped in a few times when my sister was in the hospital across the street), a paint store called Siperstein’s, which mom frequented. (A quick look online and it appears to still be there, selling wallpaper and blinds now as well. It may be a chain.)
Another from the internet not in my collection.
There was also a library which for some reason I found more interesting than both the tiny one in Rumson (the Oceanic Library – I must write about it one day), and the much larger and more modern one known as the Monmouth County Library. (It is out by Trader Joe’s so I have seen it and it has been expanded further since my childhood.) We didn’t go to the library in Long Branch often as it was a bit more out of the way, but we’d stop in occasionally and there was just something especially warm and inviting about the children’s section. I wish I could remember what books I found there, I was already reading chapter books, but it would likely be a false memory. I want to say the later Alcott children’s books like Jo’s Boys. Below is what the library would have looked like in my childhood (albeit more beat up) although it is a much more contemporary and entirely different building today.
Undated photo of the Long Branch public library via the internet.
In addition, there was another smaller commercial area closer to my grandmother, where my great-grandparents once had their bar and restaurant. (I wrote about the blue willow ware plates – the blue plate special plates – which I inherited and use. The post is here.) My vivid memories of that area from childhood were a Dunkin’ Donuts we frequented and the rarified early McDonalds. My parent’s accountant was also there – may still be for all I know but I doubt it. (Sadly, later in life, it is also where the funeral home the family used is and that is what I associate with it now.) There was a laundromat (strange word now that I look at it) nearby we sometimes used in the years before getting a washing machine although there was one closer to home, in Sea Bright, that I remember best. Mom may have been doing laundry for my grandmother.
And so the march to summer at the shore begins again today, even if I am drinking hot coffee and eyeing a sweater for my trip downtown in a bit. However, I’m sure there will be more shore and vacation posts coming soon.
Pam’s Pictorama Photo Post: At the heart of my collecting are odd bit postcards and photos that just appeal to me and today it is one. It has been a little while since I have featured a real one-of-a-kind photo postcard that was made of someone’s pet – my indulgences at the postcard show have turned up more illustrated cards and professional photo postcards. However, in some ways these one-offs epitomize something about why I collect cat photos.
Photos are usually tributes to the puss in question, many mice caught, had kittens and the like, today’s is a different sort of good kitty notice. It took me a bit to realize that this missive declares that this Miss Cat (I believe kitty to be a girl), sweet little thing we see in the sun here, has not scratched our sender.
Beauregard is a very thoughtful cat and was always extra careful around mom.
Now, I am the first to say when you live with a kitten, you generally walking around like the bleeding wounded on some horror film set, arms and hands particularly mangled, until you convince them that there are things for scratching (and biting for that matter) and slowly it ceases.
It must be said that an odd flaw in my beloved Blackie is he never learned to use a scratching post or box. His sister Cookie is happy to tear furiously into one, as are the Jersey Five. I have set scratching boxes up in strategic places and they are used not only for scratching but Peaches in particular likes to sleep on them, as if on a little cardboard throne, as well as tear them to bits.
Mr. Blackie without a care in the world, showing his tummy recently.
As a result, we occasionally get a negligent scratch from Blackie’s nails, although he hasn’t actively scratched either of us since kittenhood. I used to worry about those kinds of unconscious scratches with my mom and her cats. At the end of her life her skin was very thin and as a diabetic, scratches could be a problem. However, her cat favorite lap cat Beau always seemed to be extra careful and we rarely if ever had a problem. In an adult cat clearly scratching is a clearly a sign of unhappiness – Back off buddy! You’ve crossed a line.
The cat in the photo reminds me of Peaches. She’s a terror and to my knowledge no one has actually ever touched her. She will get within two feet of me when I am putting out food and that’s it.
Our kitty here has been captured in a benign mood, although something has caught her attention out the window. She appears to be white with some stripe-y patches on the bottom half of her and some of the same color up around her head and ears. She’s not a kitten but does appear to be a fairly young cat. We see just the tip of her curled tail, mirrored by her shadow on this small table – she is barely staying still enough for this photo to be taken. She’s a sprightly cute little thing – clearly a scratcher though!
There is a cannister, such as would hold something like flour, behind her. (Dollars to donuts that got knocked over eventually if this was her favorite viewing table.) Puss is a little sassy, you can tell that from this pic. All this is captured in this circle printed at the top of the card.
Cookie likes to curl up under my desk. This was her during a zoom call last week.
Under it, the fellow in question has written, “Hasn’t scratched yrs” Yours Samuel Jackson. It was mailed from Schenectady on June 11 at 11:30 (maybe 12:30, hard to see), 1906. It is addressed (to the best of my decoding ability) to Miss Emma Crisppen, Coxsackie, N.Y. It arrived in Coxsackie at 4:00 PM of the same day. A miracle by today’s standards we cannot imagine. (Not that they could imagine sending an email or this blog post in all fairness.)
So there we have it, our slice of time out of 1906, very close to exactly 120 years ago today.
Pam’s Pictorama Photo Post: I have seen this postcard before and I cannot say why but have never thought to purchased it until now. Suddenly it just struck me as good fun when I saw it the other day online, a perfect version of a sort of a card. Perhaps all my kitten photo posts lately had me in a different frame of mind and attuned me to seeing it better.
Meanwhile, it’s an overcast morning here in Manhattan and shortly after I finish this post I need to hurry down to 76th Street and Second Avenue for a street fair where the animal hospital I work for has taken a block for our annual Paw Day. I will layer up with branded t-shirt, sweatshirt, baseball cap and kerchief – we actually give those to dogs who visit but I like to wear one jauntily tied around my neck. I don’t know about sun, but I think maybe we can avoid rain.
Anyway, today’s card shows these two adolescent cats, just out of proper kittenhood in my opinion, sitting on a picket fence distracted perfectly in unison by something we cannot see. Their uniform, spotty fur makes me thing they might be littermates. Utterly illegible, in poorly planned white writing on the white fence it declares these two as, The Astronomers. These are stargazing felines it seems. The background is a solid black so if there are stars in theory, they reside out of view.
Perhaps ironically, or not, the copyright by Rotograph is a more visible white on black, under the leg of the left cat, right where his black tail is curled around his feet or her feet. The copyright is 1906 by the Rotograph Company of New York. (Almost exactly a year ago I did another post about a Rotograph card which can be found here. However, more about the Rotograph Company and Rags their cat, can be found in a post here. Oddly that one is from April of ’19. Spring is Rotograph time here at Pictorama!) It would appear to me, for the record, that the cat on the left is indeed Rags as he has a singular mark coming down from his right eye.)
Pams-Pictorama.com collection.
This card was mailed in the year of its copyright, December 1, 1906. It was sent from and to Worcester, Massachusetts at 4:00 in the afternoon. It was mailed to, Master Topsy & Sweetheart Merrit, 6 High Street, Worcester, Mass. (Out of curiosity I checked and there is a split-level home of relatively recent vintage there now.) I’m sure it was great enjoyed by Topsy and Sweetheart and as a result has somehow lasted in splendid shape all these years.
I pledge for a longer post tomorrow when I am not under the gun to get to work. I will catch you all up on tales (and tails) from Paw Day perhaps.
Pam’s Pictorama Photo Post: Today’s card, like yesterday’s, was a recent eBay buy. Although this is a reasonably cute little nipper, clad in his silk best and ruffles, it is his rare Felix toy that I have my eye on here. Junior has a hold on that toy which I assume it is a prop for the photo. It was taken in a photo studio (look at the background), and this grand toy is just a pleasant distraction for the photo. I always wonder about the screaming and fighting when they then try to disengage the child from the toy. Photographers needed to be made of stern stuff – or resign themselves to a well-stocked toy cupboard.
Back in May of ’22 I purchased this toy and posted about it. (That post can be found here.) I stated that I paid a fortune for him on eBay and I believe that knowing me and this toy which seems to be very rare. I did not find another online to share. I show my rather ratty, hard won and much beloved version here below. I will note that he and his post did not show up on my search which may mean maybe I just didn’t search as well as I should have. In part I forgot that he is a friction walker, not a wind-up. (Sadly, mine does not work.) Somewhere I seem to have gotten the information that he is German made. I assume the ball moved up and down as he walked! Mighty fine.
Pams-Pictorama.com Collection.
Like most of these photo postcards that are portraits this one was never mailed. There are no notations on the back. The best way to date this photo is of course the outfit on the child and the Felix which I would say places this in the mid-1920’s. (I can’t quite determine if his shoes are button or early lace-ups.) The postcard is in pretty pristine shape for its age (kicking around for 100 years) and my guess is it may have been framed or was placed in an album without glue or tape.
Although this toy has a simple mechanism as a friction walker, the silk outfit Felix sports and even his head which looks a bit breakable, must have meant that these just didn’t survive hard play and the very nature of how you played with it (grasping it and wearing down the suit, lots of falling over as you experimented with different inclines to make it walk) probably meant heavy wear and tear.
Postscript: Kim and I are off shortly for day two at the L’Alliance Comics Fest. I am hoping the rain will clear as promised and we can get some walking in for Kim (who is recovering quickly but doesn’t always get his walking practice in as he’d rather be working on his next book!), who hopes to progress to a cane in the next week or so. We saw Charles Burns and Peter Cooper yesterday. Catch up with the photos on Instagram or come and see us at lunchtime today.
Pam’s Pictorama Photo Post: I seem to be on a roll with this avenue of kitty photo postcards. This one just turned up on eBay and I snatched it up. Once again, a kitten is drifting along in a night sky, among some stars and clouds, tucked into a tiny basket. Someone has strung up a nice little umbrella instead of a balloon this time. (Other posts sporting our feline floating friends can be found here and very recently here.)
I like this night sky background best of all – a very artistic depiction. At the bottom it says All Amongst the Little Stars. Noted that this is a line from a British music-hall tune called Up in a Balloon. It goes, in part:
Up in a balloon, boys, up in a balloon, All among the little stars, sailing round the moon; Up in a balloon, boys, up in a balloon, Every one is sure to say, it’s jolly in a balloon.
Our AI friends (assuming they are friends) tell us that it was written and composed by G.W. Hunt and famously performed by singers like George Leybourne, the song became a widespread hit after its release in the late 1860s. (Full lyrics and a chance to hear a more contemporary take on the song can be found here.)
Pams-Pictorama.com collection – an even earlier post from 2017.
Unfortunately, the stamp was removed from this card and no postmark remains, however I have found an entry that sites the publication of these cards as in 1903. That entry includes Many happy returns on the front and therefore I guess was promoted as a birthday card. They were sold as a pack of six and thus far I have seen the birthday variation, this one and a similar version that does not have the white space to write in at the bottom. They say there was a French produced version as well, noted as being in blue, and I would like to see those.
One of the reasons so much information is available about the card is because it was produced by our early 20th century cat card friends at the renown British Raphael Tuck and Co. I have gone into raptures over their series of Felix holiday cards, among others. (A few of those posts can be found here and here.) Unlike their rather deluxe later editions, this card is a bit austere in its choice of paper (thin) and is of course black and white. Those gold tipped and colored images were still a decade or so in their future as a company. On the back, in tiny type, there is a note that this series is Studies by Charles EID. Not sure how that works in conjunction with Landor as noted below.
At the top it declares, Landor’s Cat Studies (copyright) and brief research reveals that E. Landor (aka Reginald Wellbye) was a cat photographer of note in the late 19th and early 20th century in Britain. He was based in Ealing and was responsible for many of the Tuck photo cat cards in the early years.
The Welby’s Silver Monarch as provided by the Cat-o-pedia on the CFAF History Project site. A handsome fellow indeed.
It is said he frequently photographed well-known cats of the day, noting those such as Silver Lotus and St. Veronica, the daughters of a famous breeding cat named The Squire, as per one entry. (Shades of the nascent development of cat breeding and the evolution of them as pets in Great Britain as noted in the bio of Louis Wain I did a post about here.) However, I dearly love a note revealed in further investigation that his wife was a cat breeder and those named above were actually their cats – Silver Longhairs. Mrs. Wellby was a seminal figuer in the early cat breeding efforts of the Victorian day. They were clearly a dynamic duo.
Evidently Landor’s great technical achievement was successfully photographing seven kittens in a row. A task he described as nearly impossible because the kittens would constantly try to play with each other’s tails. Somehow it seems to me that it was probably only one small part of the trouble one would have – nor is there any mention of how he ultimately achieved success. Perhaps he wasn’t willing to record that. We’ll hope it was just yummy special treats.
He was up to five in the series here. Not in Pams-Pictorama.com collection.
The sender of my card has written at the bottom, Wishing you a very, very. On the back she writes, Happy Xmas & plenty of fun & hoping to see you at a time not far distant – is the sincere wish of Auntie Isabella. It was addressed to Master Hopley at an address that is hard to read for she has blotted and rewritten a bit, but appears to be Crossloom Villa, Mollington ur, Chartes.
You can see where the stamp was removed on the back of this card.Her otherwise decorative hand adds to the front of the card.
This card was one that continued to reveal more interesting bits as I went further down the rabbit hole so I hope you enjoyed the trip with me this morning. Kim and I are off shortly to a signing at the L’Alliance Comics Fest for him to sign at the Fantagraphics table there with advance copies of How I Make Comics and a new softcover edition of Reincarnation Stories. Hope to see some of you there today or tomorrow! Pictorama review of Kim’s new book How I Make Comicson board soon.
Pam's Pictorama 