Mr. Deitch Goes to Washington: Part Two, Books!

Pam’s Pictorama Post: Another on the fly post as we finish day one of the SPX con and head into the second and final day. Today we hopped out of the hotel early and jumped into an uber to explore a rather promising bookstore I had read about.

While Second Story Books (here) has several stores, it happens that their warehouse venue is right near our hotel. I didn’t know what to expect and it is hard to say what it compares to.

*Panel on Underground Comics: Yesterday and Today at SPX yesterday.*

It is very large, with bookshelves in rows that run about 7 feet high. The sorting system was a bit opaque at first. I saw many interesting old volumes but was frustrated at first to find that Fiction mostly meant books of relatively recent vintage.

I began to think that maybe it was another interesting and perhaps ill conceived decision and that nothing would come from it. However, as I got the hang of the different classifications and nooks and crannies where early long forgotten fiction might reside, my pile began to slowly grow. Between Kim and I (mostly me) I feel like we are more or less taking home our body weight in books, as shown above. The real news is that when we checked out everything was 50% off the price marked and that made me want to go back and buy even more!

*Kim leafing through some comic books at Second Story Books.*

We came back to the con having just opened its doors and so we dove in to get an overview. Now, given how comics adjacent I am, perhaps I should not say this, but I rarely purchase new comics at cons. Maybe there is something I have read about and waited to pick up, or the book of a friend, or a reprint I want but considering that 96% of every con is small presses or individuals hawking their wares, I really don’t transact with them. Frankly I don’t find it an enviroment which encourages finding new work that interests me.

However, much to my surprise, right out of the bag Dot of the Mid Century caught my eye. This book by Art Hondros, a series I think of 5 now, is his attempt to honor the story of his great aunt who lived in Baltimore and was employed repairing manniquins. (When I think about it it surprises me a bit that manniquins break routininly enough to employ someone repairing them, but then again I have seen a lot of busted manniquins too.)

Well, I haven’t read it but Art looks like he can draw the heck out of a story. While I was talking to him about Dot, Kim was looking at another book, Legion of the Damned which is adapted from a lost silent film from 1928 by William Wellman starring Gary Cooper and Fay Wray! Wow! We purchased both and I spent the rest of the day telling everyone about him as he seems like quite a find. (He knew Kim’s work but seems to have only ever read Hollywoodland – a fine book but a bit rarified as not the easiest to get. Ed: the subsequent reading gives Dot the thumbs up and Legion of the Damned not so much.)

This con is big – larger than New York’s MoCCA although smaller than Comic Con and without the big budget films, animation and COS play element. It is pure comics albeit small press ones.

Eventually we needed to collapse and have lunch in the hotel restaurant. While we were nibbling on our shrimp roll and crab dip, Gary Groth brought Tim Lane over to meet Kim. Kim is a big fan of Tim’s work and the feeling is mutual so they jumped right into a conversation until it was time for them to go off to lunch. While Kim headed up to the room I went in search of a warm cardigan with a friend who stopped by. Despite the DC heat and humidity, it is freezing in the hotel – especially in the rooms where the panels are being held. I was tipped off and since even the Amtrak seemed over-ac’ed I found my way to Uniqlo and bought and oversized cardigan which I gratefully wrapped around me at Kim’s pan

*Shelves of books at Second Story Books where I spent most of my time and money!*

I think Kim and I were pretty surprised at the energy in the room and were regretting not getting a smidge more down time. Like a sprint that turns into a marathon. Signing gave way to a panel – John Kelly, Kim, Denis Kitchen, along with two younger women who both seem very interesting Raquelle Jac and Heather Loase. The subject was underground comics at their origin versus now.

We are kicking today off with a tour of Warren Bernard’s personal collection – I am very excited for some Felix! After that it is more con ahead and then finally home to Deitch Studio NYC and Cookie and Blackie.

Mr. Deitch Goes to Washington

Posted by Pam's Pictorama

Pam’s Pictorama Post: As I write this we are on an Amtrak speeding toward Washington, DC. We have just consumed sandwiches from Vesuvios in Penn Station which were remarkably good if also incredibly expensive. However, you can pay a lot for mediocre or even bad food in Manhattan, let alone in Penn Station, so I am satisifed. (Simultaneous with writing this Kim informed me that his sandwich was not as good – sometimes it pays to be a vegetarian.)

Most of you know that we are making our way to our nation’s capital where tomorrow (yesterday to when this is likely to be published on Saturday) for Kim to speak at the Library of Congress. Yay Team Deitch!

Needless to say, this has resulted in Kim grinding away at a talk about the arc of his career. He has it constructed in long hand on large sheets of paper tucked into the front pocket of our rollerbag. With a huge tip of the hat to our friend Bill (@kartalopoulos) who pulled together the core of the images for us, we managed to add about 40 slides to it. (I will spare you the drama of some of the assembly!)

*The group enjoying the display at the Library of Congress.*

Early this morning we placed poor Blackie in the bathroom of our apartment where he will sadly be imprisoned for the next four days. Because he requires shots and is a skilled hider we could not figure out another solution that would ensure that the cat sitter (a lovely brother and sister duo from work) cat snag him and give him a shot. I can only say this didn’t go especially well and I remain concerned about him – and the bathroom door which he is clearly clawing his way through.

We kick off tonight with a signing after we get settled at the hotel for a bit – assuming this train chugs along as expected. The balance of the weekend is spent at the SPX small press convention. Kim has been twice before but it is my first time. I hope to be showing you some excellent bookstores and an antique store I have scoped out for our down time.

Friday dawned rainy but the sun came out and the humidty rose. We were treated to a splendid special selection of comics from the Library of Congress collection. Mind blowing to see Popeyes, Yellow Kids and Gasoline Alley cheek by jowl with Roy Crane and Krazy Kat – they had a daily Krazy Kat, love the dailies!

Then off to Kim’s talk. Lots of gentle ribbing about me getting him into a new suit for the event and he did look extremely handsome. Kim took us through 60 years of comics in his How I Got My Start in Art, chock-a-block full of about 40 odd images. There was plenty of time for questions and even a few were thrown my way which was sort of fun.

Kim’s relief at being done was palpable! We join a large swath of the group for celebratory pizza for lunch. After I took us on a bit of a goose chase to an enclave of antique stores and an rather superior used bookstore. Wild goose chase because although it was close to the hotel it was far from where we had lunch. Nonetheless, purchases were made (Kim is tucking into a Howard Fast book on Valley Forge and a bio of the director Carol Reed; I am sporting a jade ring in rose gold and reading a British juvenile series, The Five Series – more on that if worthy.)

Tonight was the celebration of the 50th year of Fantagraphics, Kim’s publisher, and we toasted them and now let the con begin!

Jersey Summer, Part 2

Posted by Pam's Pictorama

Pam’s Pictorama Post: Yesterday I highlighted our day trip to Asbury Park as part of our summer vacation in New Jersey this year. (That post can be found here.) Today I just have some bits and pieces from the rest of our time off – some lovely visits with friends who came to stay for a few days and our wanderings into town, our annual visit to the local fireman’s fair (prior posts on the fair can be read here and here) and of course my adventures in gardening.

I am afraid I must report that gardening this year didn’t pan out especially well on the vegetable front – my sweet peppers have consistently been sneakily consumed, hollowed out by the likes, I believe, of a particular chipmunk who I spy daily (or a rotating cast of chipmunk characters), who teases me hopping around the deck every morning. Only my hot peppers (two varieties of jalapenos and one banana pepper) have performed admirably – the critters having tested them and realized that they were indeed too spicey. A few measly cherry tomatoes and a single full sized one round out the produce. Sigh.

*My favorite dahlia – red, pink and white.*

Meanwhile half the dahlias have had the good grace to bloom while I am here, the other half have buds but are holding out. I especially adore this red, pink and white one and the hummingbirds share my enthusiasm – they and the butterflies stop for long drinks of nectar there and I find bees drunk with the pollen as they roll around in them.

I commuted longer than usual before vacation on this trip and Kim and I discovered Senor Peppers restaurant and take out across from the train station. A little careful planning and I could place our dinner order when the train hit the station before mine and by the time we got to Red Bank our order was just about ready.

Ice cream ran a close second to Mexican food this summer and I discovered that Nicholas Creamery does a powerful peach ice cream which rivals Ryan’s, my go to until now. The Creamery has the great advantage however of being within walking distance of the house. We further explored blackberry and lemon pie flavors (thank you Deva for pushing us out of our comfort zone) which were wonderful, but peach is still my go to.

*Old tin mugs I purchased. I have a very fond memory of one at my grandmother’s house and I sort of can’t resist them.*

The weather ran to rain (after some extreme heat) which meant I had fewer beloved evenings out on the deck although we did sneak a few in at the end.

*The rather jolly interior of one of the Mexican restaurants we went to in Red Bank.*

A trip to Red Bank with our friend Bill resulted in several purchases. He and Kim did some buying at the comic book store, but I had my go at the Antique Annex. Among my purchases were: a cat picture (future post), a copy of Peggy Parker, Girl Inventor, some silverware (yes, I bought Bakelite silverware in Asbury and some silver flatware in Red Bank – we’ve been suffering a loss of silverware in the NYC apartment), and a rather extraordinary pink glass with images of stars on it.

*Just love this and would like to research it a bit.*

A later trip to Red Bank (taking Bill to the train) resulted in a real discovery – a new independent bookstore opened there in the last few months. Tucked on a side street called Monmouth it is called Crazy Story Books. It is large and well stocked and I look forward to many happy hours of shopping there.

A few select other dahlias.

Last night we hit the first night of the Fireman’s Fair. Kim and I took our favorite ride on a firetruck around the neighborhood and threw caution to the wind and went on a rather nutty, jarring ride in some flying saucer cars. We bought raffle tickets and of course lost and ended the evening with veggie burgers at our local diner. If I haven’t mentioned it before, the fireman’s fair which runs about a week, is one of the oldest and largest of its kind in the country and raises almost all of the annual funding for our (largely volunteer) fire and first aid. (A prior post about this fireman’s fair and its history can be found here.)

A ride on a fire engine!

Fireman’s Fair fun.

Kim’s distance walking has improved over our vacation and just today we walked into town and back – yay! So it is time to pack the New York kitties up and head back to Manhattan. I suspect this won’t get posted until after we are back there tomorrow. We need to gather up our dress duds and get ready for our trip to Washington on September 10 and Kim’s talk there so more to come about that soon too.

****

Posting this shortly after arriving back in New York. Cats are recuperating under and on the bed. Unpacking (and lunch) up next!

Jersey Summer, Part 1: Asbury Park

Posted by Pam's Pictorama

Pam’s Pictorama Post: This is my first round-up post about our summer days here in New Jersey. Our time here started a bit early (my friend who cares for the New Jersey cats went to Jamaica for a few weeks) with Kim working here and me commuting. Our two weeks of real vacation wraps tomorrow when we head back to Manhattan – again a bit early to accommodate Kim’s gig speaking at the Library of Congress and then SPX the second week in September. I will need to travel back to New Jersey in late September or early October if I want to see the last of my dahlias bloom however – several have stuck stalwartly to buds only.

Last weekend I seized the opportunity for Kim and I to grab a ride with a friend to Asbury Park. Kim had never been and I had investigated and found a few junk stores potentially worth checking out there. The Asbury of my childhood has receded almost entirely into the background of pricey new condos, townhouses and shore hotels superimposed on it.

*Maybe a future post on this little gem!*

We didn’t go to Asbury, or its kissing cousin across the lake Ocean Grove often (or nearly often enough for me), as a kid. I remember going to a doctor there and also a sort of girl scout outing there. We were taken to the amusement pier for a bit although it was largely closed down. (The other feature of that day is we made candles – I have no memory of exactly how all this matched up.) Seeing the pier and the then defunct Merry-Go-Round, lives in memory however and I always itched to go back but it was a little too far and a bit too rough around the edges for my folks to bother taking us. Somehow by the time I was in high school my crowd wasn’t one for going to the Stone Pony and we never got in the habit of going down there.

*A sort of average view from the interior of the Antiques Emporium.*

*I really wanted this weird jug but evidently, I have very good taste and he was too pricey!*

Kim is still recovering his distance walking and I wasn’t sure how much we could cover of the pier on this hot day, so we started at a smattering of junk and vintage clothing stores (and one rather superior used comics store), in a little downtown area with a larger antique annex next to it. After Kim bought some paperbacks at the comics store, we wandered to the annex. It is one largeish floor. The pickings seemed a bit thin at first but somehow as always, we came away with some interesting bits including this rather lovely plate of Psyche (shown here) and some Bakelite forks and spoons for the apartment in Manhattan. Kim came away with several Gene Autry novels he regrets buying. (He does not appear to regret the paperbacks however.)

*I think all these came from our Asbury junket!*

While we looked for a place to eat lunch we stumbled on a photo booth, and I insisted that we take photos. They are catnip for me; I can’t pass one without stopping.

Views of the pizza place and a period movie theater playing revivals.

We wandered a bit more and I saw a pizza place in a rather extraordinary old building and snapped these pics. However, in the end we decided on Mexican food. (This has been a bit of a theme for this vacation – we’ve eaten a lot of good Mexican food. Many Mexicans have settled in the area and there is no shortage of great places in Red Bank as well as this one in Asbury.)

Close to a train station, Asbury Park has clearly become a spot for day trippers and weekenders coming for a shore weekend even as their great grandparents may have. Every shop carries copious copies of Weird New Jersey magazine and absolutely every place is playing Bruce Springsteen – the ultimate in native son made good. We visited a shop that appears to specialize in occult publications – Bruce playing there as well (is it one loop somehow piped into all the shops?) but they had a very impressive Zoltar fortune telling machine which I gave a shot for a quarter.

*My fortune was very non-descript, but his delivery was well worth the price of admission.*

After lunch we walked to the boardwalk. Despite it being the afternoon and sunny, a breeze found its way, off the ocean or the small lake, which made it a pleasant walk. Asbury is beach and the ocean on one side and what they call lakes (small fingers of water) on the other two sides. Old pedestrian walkway bridges, as well as roads, cross them and this feature also always stuck with me from childhood. My grandmother’s preferred, red church was on the outskirts of one side, closer to her home in Long Branch and the town of Ocean Grove is to the south.

Some views of the old buildings in a state of decay or being repaired?

We walked along the south lake to the boardwalk and examined some of the old buildings, in various states of disrepair, there without making it all the way up to the original pier and bathing pavilion which appears to also be the process of renovation.

Heading back to where we were being picked up we walked along the Ocean Grove side. For those of you who aren’t familiar with the area, Ocean Grove is a Methodist camp founded in 1869. Maintained impeccably as a Victorian architecture gem and historic site, with its summer tent inhabitants, has held a dual fascination for the area which I have never had sufficient opportunity to explore. We could see old hotels on the ocean front, still in use, with wide porches with views that must incorporate sea and town in all directions.

*Swan pedal boats as the sun started to head down.*

In my mind these two towns have had a sort of remarkable Cain and Abel existence all these years. Cheek to jowl, the religious community which doesn’t even allow cars to drive through it on Sunday is a stone’s throw from the music venues and biker bars (we only saw one biker bar while we were there although my guess is that there are still a number of them tucked away) of Asbury. One can’t help but wonder how many Ocean Grove inhabitants sneaked quikely across the river on a Friday or Saturday night in summer for a different kind of fun.

How I Make Comics: Part 2

Posted by Pam's Pictorama

Pam’s Pictorama Post: Wowza. It has been a busy few months here at Deitch Studio and since we are getting ready to hit the pause button for the summer, I thought I would do a bit of a round up on things here. As Pictorama readers probably know, as Kim’s book How I Make Comics emerged into the world, he was barely a week out from back surgery and that complicated things a might. (A post on some of that can be found here and here.) Nevertheless, we hit the ground running and book promotion continued apace and grown like topsy.

I am not sure of the difference, but somehow when Reincarnation Stories came out it seemed to be less. Kim’s last event, at Columbia University, was just a week or so before the world shut down for Covid – seriously just under the wire. There were events and reviews but somehow there just seems to be so much more this time, maybe Covid just obscures the memory of it. (Full disclosure, I just asked Kim and he remembers Reincarnation Stories as more so this is just one woman’s opinion – or I just don’t remember it all. I did of course write a very biased review of Reincarnation Stories when it came out which can be read here.)

Reincarnation Stories has also been reprinted in paperback. It’s nice to see this old friend while out on the promotion trail!

There have been three podcasts and all are available now. The first was with Amusing Jews (here) and then one with some interesting questions from Robin McConnell on Inkstuds. Robin has interviewed Kim before and this was a good discussion. His new podcast can be heard here. Most recently Harry Siegel came and taped one right here at Deitch Studio for Lit NYC. (I got to chime in for this one!) It is the longest and most in depth of the three and just went live yesterday. It can be heard here. So much for my idea of doing a podcast with just Kim and I – at best it will wait for a quieter time!

Yesterday we were in Philadelphia for a reading at Partners and Son bookstore. We hopped on the Amtrak and got in early enough to stop at a few used bookstores nearby I found online. We paused however to admire the sculpture in the station. Check out the wild relief, Spirit of Transportation, below.

Meanwhile the first shop was called Mostly Books and as Kim said, was the sort of rabbit warren of a space that you could spend hours and hours in and keep finding things. Obviously, we could only give it a superficial once over but came away with several books each. (Nothing like starting an afternoon of walking by buying some books to carry!) There was a floor and a half of bookcase after bookcase of books, dvd’s and cd’s. Prices were very good. I think if we lived there we would go frequently.

Then, after trying to follow the little blue dot on the map on my phone which tends to be a bit tedious and instead asking a local walking down the street, we found Brickbat Books. This is a lovely little store and to its credit it was full to the gills with folks. It is a mix of old and new books. We found How I Make Comics on a shelf in the back – our first sighting of it in the wild. (I took a quick pic which is up at the top of the post.) By that time, already laden with books, Kim acquired one more and signed their copy of his book at their request. (They spied his Mineshaft t-shirt and I was wearing a new Waldo one – see below and at the bottom for order link!)

Partners and Son is a lovely shop, all comics, graphic novels and related items. The proprietors, Tom Marquet and Gina Dawson, were so welcoming and organized. We dropped our bags there and went across the street to a French influenced bar-restaurant, Side Eye, for a quick bite. We immediately encountered the woman who had given us directions who asked if we’d found the store. Kim had an enormous burger and I had a polite (but very good) salad as it turned out to be a not very vegetarian friendly menu.

*The assembled group at Partners & Son.*

The crowd already had assembled when we got back to the store and it was a very nice audience. Kim read The Two Marie’s (my favorite story from the new book) and then answered questions which were many and varied, although mostly about his process.

Meanwhile, as I mentioned, I was sporting the new Waldo t-shirt which John Kelly over @dummyzine made from a new design by Kim. A rather splendid mug with the image (nice and big, the way I like ’em) and some other Kim related merchandise are available here.

So we head into summer with a strong wind behind us promotion-wise. I think we are both looking forward to summer and catching up before Kim hits it again in the fall. Meanwhile, I offer that Kim is already about one third of the way into his next book, Living the Dream!

The Well Dressed Puss

Posted by Pam's Pictorama

Pam’s Pictorama Post: Ah, what is the well dressed cat wearing these days? At work I saw a few sporting Knick’s attire (dogs wear it better I am afraid), some need newborn baby style onesies to keep them from a surgical site (kinder than the cone of shame if it works), and there is this strange meme on the internet to put them in yoga pants, which turns out to be a stunningly bizarre look. I may have mentioned that we have a policy against dressing the cats here at Deitch Studio and they seem to be grateful for it. Once again, this seems to be a fundamental difference between cats and dogs. I have handed over many a branded bandana to a pup at work and most seem to embrace it.

The imaginary sartorial bliss of these well drawn felines from 1908 certainly provides a counterpart in the space of time and imagination. I’m hazarding a guess to say this artist (it is unsigned) is an early US pretender to the Louis Wain throne.

These four gentleman cats all duff hats, jackets – three have monocles, two have walking sticks – one sort of shillelagh-esque on the end. Each kitty has a different model hat, but each one is stylish in keeping with the period. I was actually in New York City’s oldest hat store yesterday, JJ Hats, founded in 1911. It was doing a fairly booming business, and I admit I made a not insubstantial contribution to their income for the day. (Maybe some hat related posts in the near future. I stocked up.) It was there, several decades ago, that I purchased the black Stetson cowboy hat Kim wears as one of his first birthday gifts from me.

*It’s actually currently under scaffolding but it looks like this!*

These kitties have a variety of top hats, a stove pipe and a sort of bowler/deer slayer model. They wear fancy pointed shoes and dressy sort of smoking jacket style coats – one with a boutonniere. Their trousers, some cuffed and others not, all have a decoration down the leg I associate with tuxedo pants. (I just looked this up, the stripe down the side of tuxedo trousers is to hide the seam and give them a more cohesive look. Who knew?)

*Tempted to buy Kim a new straw hat…these can survive a rain storm.*

Even their collars represent a variety of styles of the day, mostly the high, white stiff ones that would have been attached by a few buttons, although our fellow in blue with the top hat seems to be wearing a different, long flat one. We have a few different cat kinds here too – from stripe-y short hair to a fluffy Persian look. Hands (paws) are mostly conveniently tucked in jacket pockets, with the exception of one gloved one holding a walking stick on the end.

The top of the card poses the question, Are we top-notchers on dress? Well, look at our clothes. This seems to arise with a bit of smoking detail around it. Behind the gentleman cats a vague landscape of mountains and perhaps water and grassy fields is sketched in. I would have thought these natty kitties belonged in a more urban setting.

Someone has written, Love to Leslie From Margaret at the bottom. It is addressed to Master Leslie H. Stauffer, 5314 Addison Street, West Philadelphia, PA. It was mailed from Braddock PA on February 5 1908 at 9 AM. I always think about these lucky children getting these fun cards in the mail at the turn of the century.

*Cookie is, of course, always in formal dress, even when napping behind Kim on the couch.*

As it happens, Kim and I head off to Philadelphia shortly. He will be reading at Partners & Son bookstore tonight. I hope to report on that and a whole bunch of other Deitch Studio activity around Kim’s book, How I Make Comics tomorrow so stay tuned.

How Kim Makes Comics: a Pictorama Perspective

Posted by Pam's Pictorama

Pam’s Pictorama Post: The cats are lined up and bent over sheets of Bristol Board, brushes clasped in paws, working hard with tiny pots of ink at the ready. They produce their sheets in an anthropomorphic ballet as they pass them in an assembly line, one to another. Kim keeps a weather eye on their progress while creating the art they are inking. While I, on the other hand, dance through the room in my vintage custom cat decorated dress, bringing treats and encouragement – while also the voice of reason and sometimes critique. Waldo lurks in the corners or out the window, wrecking occasional havoc. That is how folks might imagine life here at Deitch Studio.

The reality is slightly different and Kim actually gives you a pretty fair sense of it in his latest book, How I Make Comics. (It is available now. You can snatch yours up here and here online or run to your local comic bookstore and demand a copy.) Our tiny one room apartment is depicted there, although much like when they advertised apartments for sale, it somehow looks slightly bigger and some of the piles exist but I am grateful it looks a bit neater. Cookie and Blackie wander through, but he has spared you my long chatty conversations with them.

*Kim’s workspace drawn in How I Make Comics.*

*…And a recent picture taken for an interview.*

Yes! Today is the day for my spousal and admittedly very biased review of Kim’s new book, How I Make Comics. For anyone who missed my earlier also biased wifely review of Kim’s Reincarnation Stories back in 2019, it can be read here. (And a new edition of Reincarnation Stories in trade soft cover can be found for sale here or here.)

What Kim has captured, to my thrill and delight, at the core of this book – is the unending conversation which is the background of our lives, much of which is devoted to developing storylines. Sometimes these are just little spurts of story. Kim will tell me something and I’ll say, Ha, there’s a story there! and he might spin it out a bit or I will read a wild snippet from the morning New York Times aloud and wind us both up. Some stick, most don’t. (As noted in the book, those that qualify earn a place on a bit of paper on his desk under the plexiglass he draws on.) I am the only one on social media and share the occasional choice tidbit – a cat that brings a stone to a fish store daily in exchange for a treat or the like.

*I love it when Kim creates new toys amongst my real ones. Detail from page 33 of How I Make Comics.*

Meanwhile, for those of you who like to see the Pam Butler character you will not be cheated. I sit here with my coffee, in my pajamas (Pictorama folks know I wrote about my favorite pair of pj’s in elephant toile here a few years ago) at my laptop, often on a weekend morning, while Kim sits next to me (really next to me, I squeeze past him each morning – while inking no less, talk about ballet) to get more coffee. He’s working and there is a stream of consciousness discussion between us. His desk complete with photos over his workspace is lovingly depicted in several pages – recognize any of those from prior Pictorama posts?

I’m not saying that it is only in the morning that we chat extensively, but it is the most time we have together during the week when we aren’t eating dinner and exhaustedly watching our current passion on television. (While old films continue to play a major role in our watching, we have recently worked our way through a Japanese serial, Jin, from 2011, followed by the Canadian series, Anne With an E, ’17 and now just catching up with Breaking Bad, ’08. As you can see we missed the early to mid-20 teens in television and are making up for it now.) Depicted in the book is our Covid/post Covid configuration of the apartment and much of How I Make Comics has at least its genesis in those years. (There is one sole visual reference to mask wearing on pages 66 and 67 – a true passage of that story.)

It is funny for me (and somewhat enlightening) to see the comic book version of myself with my words coming out of her mouth. My role as critic and top rejector of not-quite-up-to-snuff stories is played out in this book. Pam Butler sounds a bit hard at times, although frankly I recognize precisely what she says as my very own words or ones much like them so no argument. On the other hand, how could I reject a story about a 40-year-old cat in Harlem? Although I guess I don’t really and Kim plays it out for us, telling in true rollicking Deitch style.

To step back and have a real fan girl moment, it is a just thrill to have this book in my hands. We both love its shiny, metallic cover which portrays us in a sort of grinning, gaping cartoon grin, cats flying off, Kim working hard at his table with me over this shoulder. Pages are piling up around him – that’s real too.

Last night Kim had a signing at Desert Island in Brooklyn and Gabe Fowler had thoughtfully stocked many of Kim’s earlier books and others were brought in by people for signing. It was a glorious bunch of Deitch to sort through – Beyond the Pale (my own square one first Deitch book purchase about a year before meeting him); Smilin’ Ed; even The Amazing, Enlightening and Absolutely True Adventures of Katherine Whaley (arguably Kim’s favorite book of his); even Hollywoodland, and the equally allusive Shadowland, which might be the best size and printing ever of one of Kim’s books and sold out so quickly that they are hard to find. Having said that the work is well represented in this new volume with the space needed to investigate the tiny details in the images. It was a mini-career retrospective which I pawed through with delight while he was signing.

Fantagraphics has thoughtfully brought out a great trade paper edition of Reincarnation Stories at the same time and I admit with both on the table I felt like a mom who can’t decide between her children who are both beloved. In many ways though, How I Make Comics is a logical heir to Reincarnation Stories and even has a reincarnation tale told within. I really like the physical design of the trade paper volume. Seems to me it will be a pleasure to read that way.

*Copies of the new softcover edition of Reincarnation stories showed up here the other day too!*

It is a special thrill for me to see one of my actual storylines developed in How I Make Comics, Rat-Haven. It has been given a liberal Deitchien touch, but the original bones for it were, as depicted, from me – a story that popped into my head full-blown one morning on the way to work. Meanwhile of course there are liberal amounts of performing elephants, romance, retribution, cat people and other Kim Deitch essentials teeming throughout this book. A pro tip: look at the front and especially end papers carefully and you will get a bit of a story postscript.

*A young Marie Deitch reveling in science fiction magazines.*

Lastly, I am compelled to share that my favorite story in this book is, The Two Maries. There are stories of his that I have gently rooted for Kim to tell over time, and this is one of them which I am so glad to see executed. To me it is the perfect blend of things (real and might have been) and the visuals of Kim’s mom, Marie, and her science fiction reading addiction is one of the highlights of this volume. It kicks off the sort of appendix section at the back of the book – these appendixes are sort of like the kitchen at the party where everyone turns out to be hanging out – savoring some of the best bits for last.

So that readers is my heavily biased review of Kim’s new book. A prouder wife does not exist than Mrs. Pictorama Deitch today! I say, enjoy!

Hanging the Moon

Posted by Pam's Pictorama

Pam’s Pictorama Post: We are mooning around today here at Pictorama and of course Deitch Studio is a good place for it as no one does it better than Kim in my opinion. That old man on the moon – Kim makes him toothy and gives him carbuncles and craters for an extra moon-y surface to his bald head. There was a time when I might have said that the Man on the Moon best defined Kim’s work – along with the time clock with a face standing over him for starters. And I generally ask Kim for a moon face (and snow) in our holiday cards.

*A good ‘ole Kim Deitch moon in this eye popping pic of a cartoon mural!*

Postcards, photography, cartoons – all in love with the man on the moon and hanging with him. My collection has a few choice photo postcards of people sitting on the moon (I’d have more if they weren’t so expensive!) and of course even just a few posts back there were kittens in a balloon flying toward the moon. A few images from my collection are below. (The post about the photo of Kim and Simon shown below can be found here.)

(The card above was from a previous postcard sale and was in a January post which can be found here.)

As much as we crave sunlight there is something about being out under the rays of a bright full or roaring orange harvest moon that makes us kick up our heels in a totally different way – not to mention the romantic interludes it inspires. I remember reading a passage in a novel about roaming through backyards and streets in the suburbs late at night under a bright full moon. Having grown up in suburbia it brought such a specific image to my mind that stayed with me. And where I grew up it would have also been the moon on the water too, always reflected on the river in our backyard. Stephen Millhauser writes very compellingly about having a different life by night – I may be thinking of him. (His novella, Enchanted Night is a good place to start with his books.)

*Available in paperback in a number of places online.*

I fell hard for this postcard immediately. I found it last weekend at the postcard show and the dealer told me it is a part of a series. Although I found another copy of this card in a collection online, I was unable to find others from a series. I will be keeping a sharp eye out however.

*An early Deitch Studio holiday card production with moon, stars instead of snow. I like those too.*

It would appear that these youngsters are constructing this natty moon fellow, placing his hat, glasses (those are a nice touch!), giving him a pipe, and one doing something with his mustache – applying it? There is a tiny paint can next to him. Obviously a ladder is necessary to do this work. The boys are all wearing overalls in different colors and reach sports red shoes.

The thing about this image is this amazing flying contraption the boys are in. When you look carefully it is a flying boat – something akin to a rowboat with wings, a kite-tail and strange wheels – for use on land? Another look and you realize that there is something coming off the flying machine to the back of the moon – it appears it is actually propping it up in the softly star studded sky. The painting boy, tucked in the seat of this machine, has a tiny ship’s wheel in front of him to steer. How all three would fit is also a further question for our imagination.

*Kim and Simon posing for a moon seat photo as tiny tots!*

Lastly this machine hangs over the endless sea – like it is taking place somewhere at the ends of the world, which is likely is. Waves appear to gently lap but of course space and scale are left entirely to our imagination. I must say the artist had a wonderful vision and got to run with it on this one.

This card was never mailed although the back has indications that it was pasted into something. The maker’s mark is postcard druik u. Verlag von B. Dondort, G m.b.H. Frankfurt a/m which doesn’t seem to lead to much of anything.

It is seldom that an image makes me as dreamy as this one does. It gives a new visual to the idea of thinking that your loved one has indeed hung the moon for you. A cheerful thought on a rainy Sunday here in New York City and at Deitch Studio.

MoCCA Fest

Posted by Pam's Pictorama

Pam’s Pictorama Post: This is an interesting year for me to focus on MoCCA, the annual comic con manisfestation of the Museum of Comic and Cartoon Art) now it its 24th year. I think Kim and I have been going to this comics fest since its early days at the Puck Building downtown. From there it bounced a bit and had homes at various locations including the Armory, Chelsea and now the Metropolitan Pavilion on West 18th Street. Sponsored by The Society of Illustrators (which probably deserves its own post covering its august history), MoCCA is an annual March event by which we tell the comics calendar here in New York City. Over time it has grown like topsy and there was a moment yesterday afternoon when I literally couldn’t move in the gathered crowd!

This year was a bit special for Deitch Studio because Kim’s new book, How I Make Comics, is being previewed there with advanced copies, a talk and signings. We are so excited to see the book at long last! So we had a bit more of a purpose there than our more usual ramblings.

*Kim and Bill kicking off the talk and Bill’s copy of Kim’s new book here.*

However, the road to it was complicated this year and in part I write because I think you’ve had some hurried Pictorama posts on recent weekends. To start at the beginning, as snow buried New York repeatedly in March Kim and I weren’t doing our morning walk to work – not surprisingly, it was lousy walking. (I wrote about those walks not long ago here.) He’d had some pain and walking seemed to aliviate it, however without it, about a month ago we realized that he was having increased pain – and, alarmingly, trouble walking at all. A trip to the ER followed three Saturdays ago, and it turns out he had a severely herniated disc.

It was clear that surgery was in the offing – eschewing actual emergency surgery, we started on the bumpy road which led us to an operation last Thursday (micro surgery – I’d only considered this on animals via work oddly enough), although some issues kept him in the jug until a week ago today. (I liked the hospital okay enough although I think our animal hospital is much nicer – I’d much rather go there!)

*This was one of those rarified items that turned up – never saw this before!*

In general surgery seems to have been a great success. He’s walking much better, improving daily, although he needs to develop some muscle for any distance again. No bending, lifting or twisting – we seem to be good about the lifting but the bending and twisting, well…he tries. Most importantly for all involved, he was back in his work chair for pretty much full days starting on Monday – he’s made his halfway through the next book already and has a full head of steam.

*Kim’s messier (even) than usual work table and area shown here – as shown at the slide show yesterday.*

All this to say, it’s been a busy time on the ground here at Deitch Studio and we were on a deadline with MoCCA kicking off the book yesterday. I’m pleased to say it was a great day and really much fun. John Kelly of Dummyzine fame (@dummyzine) invited Kim to sit at his table for part of the day, joining Bob Camp of Ren and Stimpy fame. John is working on a long interview with Kim for Dummy which we look forward to coming out later this year.

*Mark Newgarden, John and Kim looking over some of John’s rare Deitch items.*

At lunchtime our friend and comics historian Bill Kartalopoulos (@kartalopoulos) did a great interview with Kim which covered process (what fun to see one of Kim’s pages go from rough pencils to a tight lay out and then to an inked page through the miracle of Powerpoint), but also delved into some family history which plays out in How I Make Comics. He spent some time on my favorite story in the collection, The Two Maries, about Kim’s mom and grandmother hitchhiking from Denver to LA in 1939.

*A young and very pretty Marie Deitch (nee Billingsley) shown here.* *I knew her in later years and was very fond of her.*

Yours truly and Pam’s Pictorama got a shout out as well – thank you Bill! And we were so pleased to see how many folks showed up for the talk – a thank you to those of you who made it.

Then it was over to the Fantagraphics table (Kim’s longstanding publisher and a big presence at the con) to sign advanced copies of the book and meeting folks which is always fun. I get to see some early, rare appearances of Kim’s work in volumes people have collected and want him to sign. Amazing! This fan girl is thrilled!

We’re back today for more – if you are around say hello! Kim is signing from 1-2:00 today and otherwise we will spend some time back with John and his other guests. I will man the box of original art for sale so come on by – and back to more traditional Pictorama next week!

Still Young

Posted by Pam's Pictorama

Pam’s Pictorama Post: The year is still young enough flash this New Year card, found in the pile on my desk back here in our New York HQ at Deitch Studio. We made the trek back, cats tucked unhappily in their carriers, a few days ago, this past Wednesday. A food delivery (love ya Fresh Direct) will arrive in a bit. After spending the morning with you all here at Pictorama, I will finish unpacking us, break down a bunch of boxes that we moved art supplies and food in, and life will slowly resume its Manhattan manifestation until the summer when the whole crew will decamp again. I will of course be in New Jersey periodically looking in on the Jersey Five (cats) and continuing my efforts to convert Peaches to a pet-able house cat.

Like almost everyone around me, I have started the New Year with a bad cold which is hanging on tenaciously. Meanwhile, Blackie seems a bit morose which leaves us scratching our heads – we know he doesn’t miss the other cats there. Was his spot on a chair in the sun that nice? Or under another chair and near a heat vent? He’s eating but carrying an expression of world weariness. He hisses at Cookie as if he never met her before – something he does when we return to the apartment.

Okay, onto the postcard! I don’t know how I missed this brilliant card when piling up ones for New Jersey, but I did and I cannot wait a whole year to share it. This one has weirdly wonderful all over it. It wasn’t cheap but it was among some items I considered a bit of a bargain when purchased last fall.

I am a longstanding sucker for a good moon face and this one certainly qualifies; I could not ask for better. What really kills me is the weird little skirt-wearing body they have attached it too. (Is the moon a woman?) Weird nebulous feet on sort of fat baby-esque legs and the amorphous body is finished off with hands that look like they belong to yet something else. That moon head just floats though and is more substantial so at first you don’t put it together with the body, but then you do and chuckle!

The cheeky cherubs, in the arms of the moon, have a champagne bottle, held by one while the other toasts (or is it offering the glass to the moon?) with a glass full of bubbly. Dark clouds fill an even darker blue green sky behind them. Because it is dark it is hard to see but this card is lightly embossed, the cherubs in the highest relief but the clouds are gently shaped too, the moon’s dress also in low relief giving it texture. It wishes us A Happy New Year at the bottom in an Arts and Crafts writing so decorative it takes a minute to read it.

*Back of card – what is the aunt’s name?*

This card is postmarked on December 30, 1907, from somewhere in Pennsylvania; the town is illegible. To the best of my ability to read the brown ink script it says: Hello! Auntie: – How you feeling by this time red’d your letter this morning am very glad your roommate studys [sic] harmony once in a while. Your niece Ethel. It is address to Miss Grace Mangst, Warrin. Ohio D.M.J. No maker mark is in evidence on the card – which is too bad because these folks had something going on. I don’t usually hang seasonal cards but this one’s a gem.

Of course the big 2026 news here at Deitch Studio is Kim’s book, How I Make Comics is coming out in April. It is on pre-order – find it here. We find ourselves already deeply immersed in how to help launch this book. In the service of promoting it, I am toying with doing a podcast where Kim and I will talk about the origins of the stories and his history in comics. As I have previously with other intimidating projects (I know nothing about recording and editing), I share this with you all to help keep me honest about working on it. However, I am also asking you to weigh in on the idea. Is it a good one? Will folks listen? Or should I keep to my tip tap typing? Please weigh in below or leave a comment.