Krazy Cat & Celebration

Pam’s Pictorama Photo Post: Today’s photo turned up under a poor listing on eBay and I snatched it up before anyone else spied it. After all, who wouldn’t want this photo of this jolly grinning fellow, clutching archetypal straw hat, flowers and Krazy Kat? I will go out on a limb and speculate that he was a courtin’ and the flowers and Krazy were an offering to his beloved. And really, who wouldn’t be wooed and wowed by that? That toy cat would go a long way to winning me, let alone the flowers and the dapper appearance. According to the back of the photo this is Harry Smith and he is in Augusta, Ga. He’s quite the sport with his hat, sunglasses, clearly parted hair and offerings. No date, but we can make some assumptions about it being the 1920’s from his togs and that great Krazy Kat toy.

Here at Pictorama a year of birthday and Valentine’s Day have just passed. Having a birthday a few days before Valentine’s Day meant a childhood of Valentine decorations at my parties which was always cheerful – however as an adult the bright red and shiny cupids and hearts remind me more of a houseful of kids charged with birthday cake and chocolate than love and romance, the two will always be intertwined.

My father was the first man in my life to meet this double celebratory challenge gallantly. He always had a little something special for us kids for Valentine’s Day, despite it being days after my birthday which had been appropriately celebrated. Heart shaped boxes of candy, a silver heart-shaped keychain one year which I used for a very long time after. (And I’m still a total sucker for those boxes of Russell Stover chocolates which are the taste of my childhood Valentines. I just bestowed an extra large one on my office. The Easter baskets and candy have the same effect on me.) February in the Northeast tends to be a cold, snowy and somewhat miserable month, so the additional festivities make it a bit more cheerful to get through.

My sister Loren put her stamp on my birthday in adulthood by insisting on calling me at an ungodly early hour, claiming that she needed to be the first to wish me a Happy Birthday. On another occasion she declared that my birthday should be a day off from work and we spent the day together. I acquired tickets to the live butterfly exhibit at the Museum of Natural History, which was brand new at the time. However, Loren had not told me she was afraid of butterflies until we were there and they were landing all over us! (She said she hadn’t wanted to disappoint me.)

After Loren died and birthdays suddenly became difficult, I instituted the Aquarian month of dinners and lunches to cheer the month up. I totted up all my fellow Aquarians and invited each one to get together for dinner, or lunch failing dinner availability. It cut an interesting and somewhat random path through friends and acquaintances, and time spent with friends is always a good way to focus one’s energy for a year ahead. The participants have waxed and waned over the years with only two original invitees still in the mix – over a dozen years folks moved away, some elderly ones died. I haven’t added anyone in a few years, although I just found out that someone at work is a candidate, a late January birthday that just slides into the Aquarius fold.

In addition, I am lucky that I have Kim, the best husband ever, who always makes my birthday and Valentine’s Day very special – we spend a day (or more!) near my birthday devoted to digging around in antique toy stores and the sort of dusty haunts that result in the purchase of interesting photos and strange odd bits. And of course he tops himself each February with his Valentine’s Day drawing. (Actually this production starts in January annually as it has grown more elaborate. For anyone who is a new to Pictorama a few of these can be seen herehere, and this year’s here.)

Kim actually did in fact also give me my very own Krazy Kat toy (this same Averill version as Harry Smith clutches here) on my birthday years ago, which is a story for its own post one day. This year’s birthday adventure and acquisitions, some great toys and photos, will also be upcoming as well in a series of future posts. In fact, I will finish this post up so Kim and I can get ready to go out. There was a store which defied us by closing unexpectedly last week. Let’s see what can be found there today. I will be sure to let you know.

 

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Alfred Latell: Animal Imitator, Continued

Pam’s Pictorama Photo Post: So last week’s Deitchian pre-Valentine’s Day post (From My Sweetie which can be found here) touched on Alfred Latell, and today I make good on the promise to add to an earlier Latell post of mine (here), to be featured this week. My interest in Alfred Latell, born of the card I purchased shown below, helped to inspire Kim’s animal impersonator-themed Valentine this year, egged on by the fact that I had just recently acquired this publicity photo of Latell – the best and virtually only one I have seen of him not in costume. So today I endeavor to dig a little deeper into the Alfred Latell story, hoping not repeating myself while offering a fairly fulsome tale for those of you just tuning in.

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Pams-Pictorama.com collection

 

Alfred Latell was a vaudeville performer with an animal act which evidence shows took off in about 1902 and ran into the early 1940’s – arguably the 1950’s in Australia it seems. Latell went to great lengths to rig up elaborate animal costumes, with moving parts such as a tail, ears or even a ridge of fur on his back. My favorite fact is that he would sit outside at night in his cat suit, watching felines in the backyard, learning how to ape their ways. This is how I see him in my mind when I consider him, outside at night in his cat suit, watching and hearing a kitty chorus on a back fence somewhere, making mental notes about them.

Dogs were a challenge he relished; he felt they were the closest to humans and his Bonzo dog appears to be the one he was best known for later in life. Latell didn’t speak in his act, perhaps the costumes precluded it, although evidently he did bird imitations when clad in an early bird suit. He always had a partner who would do the talking, and that partner was first wife one and then, Sylvan Dell, wife number two. He and Ms. Dell are shown together below in photos I found via Google and on the site referenced below.

Pausing for a moment, I reflect on Bonzo Dog and his copyright. As I think most of you probably know, Bonzo is a British comics invention by George Studdy in 1922. Born at a similar time as the likes of Felix the Cat, Bonzo comics set off a merchandise boom, first in Britain and then, much like Felix, making its way around the world. I happily own several Bonzo toys (yep, and some of those can be found featured in posts here and here), but clearly the copyright wasn’t being guarded so carefully that Alfred Latell couldn’t cheerfully make a name for himself with this act and bearing the Bonzo Dog name.

This photo bears an interesting newspaper article, glued to the back of the photo which talks about his act. It mentions Sylvan Dell and also the other acts on the bill including Pablo South America’s most famous magician and The Three Chocolateers, one of the fastest colored dance teams ever seen in Seattle. Something referred to as human pretzels rounded out the fare. As you can see from the back of the photo, shown below, this comes to us almost exactly 85 years ago to the day, February 27, 1934.

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Fellow blogger Travelanche has a post about Latell (which can be found at Alfred Latell Animal Impresssionist) which contains more biographical information and the Travelanche author corresponded with Latell’s family. (The family also contacted me after my prior post, asking if I had information beyond what I had posted.) My favorite image on that post is of an 8×10 publicity photo of Latell as Bonzo, autographed to Duke Ellington, with the inscription, To Duke Ellington, The master of Rythm may you never lead a Dog’s life, Latell 1931. The photo above with Sylvan Dell is signed by both Dell and Latell and also inscribed to Duke Ellington, To Duke Ellington, Wishing you much happiness and continued success Sincerely Sylvan Dell with Al Latell, also dated 1931.

Sadly, ultimately Alfred Latell appears to have died a pauper and was buried in an unmarked grave. The above referenced post says his widow was so distraught…she threw out anything that reminded her of her husband, including his famous dog suit. So much for my secret hope and dream of finding the dog suit some day.

I see that my original post is frequently read, evidence that people are searching the internet for information on him. As far as I can tell, Alfred Latell’s available credits are all for stage work; sadly I can find no evidence of him on film, although his career certainly covers a period when he could have been recorded. Hopefully a movie or other film appearance will turn up eventually so we can see him in action. (Of course, I will add that I am also very anxious to find an image of Latell in his cat suit as well.) For now, I add another, albeit thin, page to the story and lore of Alfred Latell, the great animal impersonator.

 

From My Sweetie

Pam’s Pictorama Post: For those of you who are familiar with Deitch Studio and Pictorama tradition, today is the long anticipated day when the nexus of Valentine’s Day’s meets my birthday (tomorrow) and the Kim Deitch Pam-specific annual creation is unveiled. Yay! Recent readers may remember that I foreshadowed animal imitators with my post, Ratters and Mousers (which can be viewed here) and this year’s spectacular missive from Kim addresses my affection for folks dressed up in animal costumes.

This interest in animal costumed performers pre-dates my meeting Kim and the beginning of our story. My own drawings and paintings favored this as a theme for a number of years. I collected animal masks (cheap plastic ones) to this end for awhile, and I like to think it was this fascination which provided a germ of the idea for the cat costume storyline featured in Kim’s book Alias the Cat. (What kind of wife would I be if I didn’t provide a link to purchasing it here?) I have had a deep (to date) unfilled desire to find a definitive antique cat costume and searched eBay for years to no avail. When I purchased my first photo of kids posing with Felix, I did wonder if it was perhaps a small person in a costume, until I was able to study it closely enough to know for sure it is a stuffed toy. (Quick photo off the wall below, low quality but it tells the story.) If I am being honest they do frighten me a bit, people in animal costumes, but it that good scared way that just makes you think hard.

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Pams-Pictorama.com collection

 

Luckily film arrived on the scene in time to capture things like the 1907 Dancing Pig – which I adore and Kim has included in his drawing. (For those of you who have never seen it, a version resides on Youtube, here.) I am overjoyed when I can find such snippets, however like so much popular entertainment of the past, much is lost beyond remnants and I am afraid this is true of Alfred Latell and his Bonzo Dog performance. I wrote about Latell (yes! you can read it here) after discovering a photo of him. I was subsequently contacted by some of his family seeking to find out information about him. (Keep a weather eye out for a further future post about him which helped inspire the Valentine theme.)

I think this Valentine also somewhat inspired by my morning habit of reviewing my Twitter feed which is, by design, almost exclusively cat videos, photos and a silent film and early music feed. Occasionally there is a GIF, video or photo so great I demand that he stop working and come see it. (Kim is very patient about this considering this is already part of his workday.) While a bit of bad news and world decay occasionally creeps in, this Pam practice is devised to be a largely happy, pure entertainment way to start the day. (There is a dose of the New York Times online each morning too – so as not to get too far removed from the realities of every day – heavy sigh.)

Meanwhile, who could ask for more than a husband and partner who seeks to recreate that which is lost to the sands of time (or perhaps never was, but should have been) for my personal entertainment? That rascal Waldo even makes an appearance. Thank you Kim! It’s wonderful. Here’s to many future Valentine’s to come!

 

Fervor for Ferber

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Interesting photo of Edna from the 1940’s, snatched off the internet

 

Pam’s Pictorama Post: I have always been a voracious reader. From the time I first mastered the skill, I delved deeply, deliciously and happily into a never-ending parade of books. I started with what we would today call young adult fiction, but quickly found my way to the broader world of fiction where I have largely wandered around delightedly ever since. I am, almost exclusively, a reader of fiction – straying into non-fiction only often enough to prove the rule.

I like to read books in order if they are a series, and it is annoying to me to not be able to start at the beginning and move forward – I also am irritated by gaps; I am a completist. This is sometimes stressful when reading old and somewhat obscure books which required hunting down, purchasing. (See my post on Grace Harlowe, the Automobile Girls and the Moving Picture Girls Novels which can be found here.) When I was younger I was fairly strict about reading one book at a time. These days I am likely to have an audio one going at the gym, a few available to me on my phone and iPad, and at least one in physical form. Those last ones generally reside next to the bed in our tiny bedroom a waxing and waning pile on my side. (Kim’s side of the bed requires its own future post, with high, towering piles which threaten to bury us in a Collier brothers type demise.) The audio books tend toward lighter fiction, short stories on my electronic devices and more serious fiction preferred in book form.

I would like to note here that I am an escapist in my reading. I shy away from the tragic and generally use my reading as a way of relaxing and shutting out the world. By my own definition, I read a combination of trash and good writing – classics, juveniles, comics – my own media feed of entertainment which follows my nose. I keep lists of books on my phone, on Amazon and on my Audible account so I don’t lose track of what crosses my path out in the world which I may wish to eventually devour.

I took on Edna Ferber last summer. I began with her short stories and a short novel and devoured them, finishing with the novels I had not read in my youth. Let me state for the record – she is one hell of a short story writer. Each story is a little gem of character development. The plots are simple, but not annoyingly so, and the stories have the added attraction (for me anyway) of being miniature time capsules of her day. She wrote very much of her world and the time she was living in – a very contemporary writer. Her stories, often but not by any means always, written from a women’s perspective frequently examine the changing, but often still confined and limited, role of women as the 20th century in this country really got rolling.

Most compelling for me in some ways are the stories of the women who made up the force of nannies, cooks and house keepers for Manhattan’s wealthy of the time – a live-in work force which peeled off to their other homes in Harlem and (my beloved home) Yorkville on the rare day or evening free. Often we get both sides of those stories – Edna was as able to write about the wealthy (so successful was she as a writer and screen writer, that she eventually joined their ranks) as well as the working class – and occasionally even the middle class folks on their way up and down the economic ladder.

It was the working class and the young and making their way in the world folks that she is at her best with in my opinion. One story that stayed with me Sun Dried, a collection called Buttered Side Down (1912) is about a young woman who comes to New York to become a writer and what happens to her as she sits on the roof of her building drying her hair. (Yes, a quaint idea but not uncommon in the days before home hair dryers and a women’s fashion that valued long hair, piled high on the head, for women.)

Edna (born in 1885 and died in 1968) made a study of people and that, combined with experiences from her own life, inform these stories and color them deeply with detail and immediacy. She was an excellent observer of people and their habits – had suffered a certain amount of anti-semitism herself which seems to inform her perspective as a loner and outsider.

Project Gutenberg provided me with (free no less) download access to much of Ferber’s earlier volumes of short stories and the novella, Dawn O’Hara: the Girl Who Laughed, published in 1911, all of which are a bit scarce in their non-electronic form these days. Kim kicked off the Ferber fiesta with a sampling of her series about the corset saleswoman, Emma McChesney. He hated it. Nonetheless, it caught my imagination, although I am willing to admit that those are indeed the lesser of her short stories they got me hooked. It was the early collections such as Cheerful by Request and Roast Beef, Medium which earned my deep regard. I believe I gobbled up all of the collections of her story, although perhaps a few of the uncollected stories escaped my dragnet and will come my way eventually. I do hope so.

Edna divides her attention largely between the greater Chicago area of her youth and New York City where she eventually sets up shop so to speak. Some of her stories take the occasional trip to Europe, Gigolo comes to mind, the same way she herself periodically made the tourist tour of the Old World. A partnership with George S. Kaufman produced plays and screen plays, some which became beloved films, such as Dinner at Eight and Stage Door.

Her novels, numbering more than a dozen, also contribute more than their share to cinema and musical history. Show BoatGiantSo Big, and Saratoga Trunk are among those that come to mind. The novels are very different fare and I have read almost all of them. The good ones are great – So BigShow Boat and Saratoga Trunk – are tops and sparkle with the best of her work. But I found the novels to be a mixed bag. Generally, even the good ones, lack the cunning and often mordant character development of her short stories.

Edna traveled with me to and from New Jersey all summer as I visited my father in hospice. It was often Edna I read at his bedside if he was asleep while I was there. I read her novel about Alaska (Ice Palace, 1953, – very disappointing for me actually, suffered from very two-dimensional characters, and I love a good Alaska story) while trying to recover from a miserable summer cold which plagued me from July into August.

I spent part of one night on our couch with a cough induced insomnia, giving Kim a break from my endless hacking, dosed with NyQuil and reading the bits of her autobiography that interested me. (She wrote two and we had the earlier one, A Peculiar Treasure, in the house thanks to Kim.) In short, Edna’s voice colored and calmed me both through the terrible and the monotonous over that long summer.

By fall I was working my way through some of the remaining novels – Saratoga Trunk traveled with me as I made my way to and through California with the orchestra, reading it on the bus and backstage at various times. I adored it and remember wishing it would last longer. (I am a fast reader and flights across country or internationally require several books.) A less successful book about a Connecticut family also consumed this fall, American Beauty, 1931. I did find her hit or miss on some of the novels. Giant, which I finished over the holiday season, was middle of the road for me. It wasn’t a favorite, but it was very readable and well written. Although I will never think of Texas exactly the same after reading it.

There are still a few scraps for me to read if I can track them down. Of the novels Cimarron remains. I recently read a book of short stories by Fannie Hurst, who certainly worked the same side of the street on short stories at the same time. (She too enjoying the voracious appetite of the theater and cinema for consuming her work.) The short stories were for me just that bit more maudlin, the characters a bit sodden and sentimental – missing the sparkle I am afraid. I will give her novels (Imitation of Life and Back Street among them) a try and see what I think of those. If I find anything of interest I will, of course, let you know.

Peggy and Ruth

Pam’s Pictorama Photo Post: I just found this photo, purchased a little over a year ago. Somehow it has been overlooked, but today seems like the right day for it finally. For many of us this past week was smacked with a weather front we now refer to as a polar vortex. While it plunged our compatriots in the midwest into negative double digit weather, closing offices and schools and terribly even killing a number of people, here in New York it was just very, very cold, requiring many more layers of clothes than we wanted to wear and waddling like down covered penguins as a result.

In the midst of it we experienced something called a snow squall, which I admittedly liked the name of very much, but the experience of a bit less. I saw it from a conference room at work, overlooking the south end of Columbus Circle and within view of the southwest most corner of Central Park. We could barely see out the window and the wind was so bad it snowed upward! For a little more than an hour it poured snow and pounded Manhattan. Visions of pioneers struggling through sudden deadly storms came to mind, although we remained safe in our office tower perch. It resulted in a sheet of ice covering all the sidewalks which somehow the denizens of buildings responsible for snow removal didn’t see fit to address.

Of course my relationship to bad weather was quite different as a child, as I am guessing is true for at least most of us who experience childhood in the suburbs. For me, childhood hurricanes brought floods caused by the nearby river and had a holiday effect, a cause for excitement as water rushed around the house and under the floors, chilling them, ducks quacking at the backdoor. (I think about that now and how my mother was often home alone with us, three small children, when it happened – Dad off at work in New York or traveling as often as not. Mom was and remains, one tough cookie.)

Snow was of course the best because it resulted not only in a day off from school, but in ice skating (that same river flowed into smaller tributaries that froze solid) and sledding. Now, before I create an image of a sylvan childhood of Rockwell-like jolliness, I will state that as a child the meteorological conditions seemed to rarely result in weather that both closed school and was prolonged enough and appropriate for skating and/or sledding. It seemed to be something you were always waiting for that rarely occurred – making it all the better when it did.

Born in February blizzard, I have experienced many snowy birthdays. I will not opine on them right now, but frequently canceled birthday plans created a love-hate relationship with the white stuff. However, I do remember getting a new sled for, I believe, my eleventh birthday, and even without snow on the ground that year it remains a splendid gift that lives in memory.

While this photo was taken twenty-one years before I popped onto the scene, it could very easily been me and my sister Loren, and our cat Snoopy. We owned this very type sled and peaked caps, just like Peggy and Ruth. Snoopy was white with black cow spots, instead of this nice tabby type, and I believe Loren and I at 19 months between us, were closer in age than Peggy and Ruth appear to be. (A nod to Edward who would have shown up on the scene later in the game.) I have trouble imagining a photo of us this angelically posed – I believe most of the snow photos of Loren and I have us fighting, appropriately enough. Still, I purchased it thinking of us.

Unsurprisingly, at the moment the long-range forecast has precipitation predicted for my February 11 birthday. Last year it was a torrential, icy rain – none of the jolliness of snow I am afraid. I am working next weekend, but taking my birthday off to enjoy with Kim and cats here, snow or not, at Deitch Studio.

 

Little Red Felix

Pam’s Pictorama Toy Post: Today I return briefly to the topic of toys and I offer the final piece in the Christmas of 2018 haul with thanks and a nod to Kim. This little fellow showed up right around the holidays and we snatched him up. Research reveals that he is a Schoenhut, fun flex Felix. He is a smidge worse for having knocked around for the last ninety years or so. He would have had a tail at one time, made of the same (once) bendy fabric. Some of his brethren smoke a jolly little pipe, but he did not. Although I feel as if I have seen this red version before, an internet search turns him up in black and a bright lime green (shown below), rather than the red. I have a dim memory of once seeing a line up of red, green and yellow ones for sale for a princely sum, but perhaps it is false and I was dreaming or smoking something?

I knew this fellow was small, but I had thought maybe he was 30% larger than he is. I am sorry he is no longer sporting his chest sticker which would have read copyright & patent FELIX by Pat Sullivan. Despite this declaration there is something a tad off model about him, the ears giving him a slightly exotic cast. I have a large and what I think of as a more traditional Schoenhut Felix I wrote about a number of years ago in my post Felix the Poser (which can be found here) and that is what I think of as the iconic Felix toy. Mine shown below. (I also toss out mention of my post on another tiny wooden Felix, A Surprising Tiny Felix which can be found here.)

jointed felix

From the Pams-Pictorama.com collection

 

In many ways the color and size of this little guy appeal in particular to me. I am sure if he was my childhood toy he would have probably suffered a loss of limbs and maybe even fragile ears from too much love and carrying him around. The universal practice of carrying toys around by children both fascinates and frightens me, although obviously as noted I too certainly did it. I was thinking about this on the elevator to the Q train the other morning. I never take the elevator, but it was there and I was late for work and in a rush from the gym. As I squeezed in, next to me was a little girl of about four who was crying (I came in late to the scene so I do not know why she was unhappy) and I noticed that grasped in her hands was a number of small toys – four or five, plastic animals of characters, not familiar to this adult Pam. Notably and for an unknown reason she ceased crying as soon as the doors shut.

It must be the toy collector in me, but my immediate reaction to seeing children on the streets of New York grasping their beloved toys is anxiety that they will drop and lose them, and I reflected on this while the elevator carried us down its single flight. After all, it is the sad fate of many toys, found on the streets and subways of New York and it is tragic to imagine the loss of a treasured toy.

 

Ratters and Mousers

Pam’s Pictorama Photo Post: Sadly there are no tracks on what this photo is about. I know only that it comes from Great Britain. The image has a cut out quality, as if the negative had the background trimmed away before printing – a few drawn lines added after the fact and I’m not sure I’ve seen that exact process before. I do want this velvety cat costume for my own and wish I was getting a better look at it. (I constantly search without success for early cat costumes, as evidenced in Kim’s Alias the Cat.) I am, as I have stated as recently as yesterday’s post, a sucker for a nice pair of cat ears and a tail. (That post can be found here. Also an alert to regular readers that I will be exploring animal imitators and in particular Alfred Latell – whose popular post can be found here – further in the near future.)

The seller pegs this card as a version of Dick Whittington and his cat which seems like a fair enough guess. The Dick Whittington story is based on a ballad from the 1600’s where Whittington sells said cat to a town that is rat-infested for the obvious denouement. As per the internet, I understand that Dick Whittington is a real historic person, but no evidence about the cat’s ratting prowess – or as Wikipedia says, that he even owned one. (We, here at the cat loving Pictorama, will assume he did.)

The reality of rodent extermination by our cats is a difficult and unpleasant one. While it is at least an unconscious hope that our darling kitties will keep the mouse and (gasp) rat population down in our abodes, you frankly do not look forward to them bringing you the carcass, or leaving it for your approval. At best it would perhaps happen behind-the-scenes somehow. There is something distinctly disturbing about seeing your loving cat, who sleeps with you perhaps at night, with a dead or struggling animal in its mouth. My sister used to find mouse heads (yes, oddly just the heads she reported) lined up on the staircase as a sort of totemic gift from her cat Milkbone, an especially good mousing tuxedo. Loren had a very old house and she made peace with the mouse part parade, ultimately embracing and applauding Milkbone’s enthusiasm for her job rather than be run over by rodents. Most of us remain conflicted at best.

Growing up at the beach as small children we were frequently cautioned about water rats there, residing in the jetties. Large enough to kill a cat my mother would say and that they would leap if cornered. (We were also warned away from approaching the feral colonies of cats that also lived in the same jetties, tough enough to co-exist with the rats and not to be toyed with, beyond domestication even in my mother’s kindhearted opinion.) Our home was perched on a river and our cats, while mostly interested in the catching of small shrews more than mice, occasionally took a water rat on. The smell of the resident outdoor cats helped to keep them at bay. However, when the cats became indoor critters the exploding rat population became more of an issue.

Mom was right – those outsized water rats are much bigger than their city counterparts, as are country mice and shrews. When I first moved to Manhattan I thought the rats I saw in the street were large mice – and some of the mice I encountered in the restaurant I worked in seemed no bigger than large spiders. Meanwhile, if I have not made it clear, I am absolutely standing-on-a-chair-screaming (like a cartoon character) scared of mice and rats – I understand it is not rational. Therefore, in self-defense I acquired a cat as soon as possible upon arrival in New York City; Otto, the first in a long line of my feral tuxedo cats. To my knowledge she never got anything larger than a water bug and most of my NY mousie (and ratty) encounters took place either outside (think subway tracks, restaurant kitchens) or at the Met – yep, suffice it to say it is a very old building in the midst of Central Park. I have long believed that, like the Hermitage, they should house cats to patrol their basement.

As I write this Cookie is playing with a favorite bright green (otherwise) life-like mouse toy, tossing it about wildly, practicing her craft in hopes of one day employing it. We here at Deitch Studio continue to hope otherwise.