Pam’s Pictorama Post: A bit frazzled from a long and crazy week at work I sit down to chat with you today, still in a bit of disarray, with only some disparate bits to share. My new job wraps up its fiscal year along with the calendar year (a merging of very busy times for a fundraiser and a timing first for me) and in addition, we have a gala in early December. Somehow we threw in an annual dinner for members to be held on Monday into the mix and suddenly our tiny office is positively swamped.

In acknowledgment of the season, I have hung a few black cat streamers over my desk. I’m sorry not to have a shot of mine, but here they are for sale. I bought them at Big Lots in New Jersey for just a few dollars on markdown. They may find a permanent place here at Deitch Studio later. (I also purchased candy corn lights but sadly haven’t found a spot near an outlet for them.)

However, Kim and I took yesterday off and spent part of the day at the Metropolitan Museum, my old stomping ground. I wanted to catch the exhibit on Siena (Siena: The Rise of Painting, 1300–1350) before the holiday crowds (and growing tsunami of work) scared me off. (Kim is hard at work having essentially finished a book and due to a rethinking of that lengthy appendix has found himself already deep in another book. We expect the finished book out in the second quarter of next year or so.)

Before heading into the museum we made a quick stop at E.A.T. (a pretty if over-priced emporium) on Madison. They often stock up for Halloween and, although I might have purchased more (there was a great black cat woven basket for your treat holding), I contained myself. I only purchased a new pair of cat ears on a headband and a nice little wooden black (tuxedo-ish) cat which moves when you press the bottom. I have had a series of these since childhood and used to play with them by the hour. (I also own a rather nice Felix one which predates my adult Felix buying mania.)

I understand that our animal hospital embraces Halloween fondly and there is a contest for costumes among the medical services. (I gather clients dress up as well and I am already becoming familiar with canines in costumes and clothes in other festive settings.) I have a date to take our new videographers through the hospital on Halloween so my new cat ears on a headband are my feline Cat Mom of many nod to the day.

I was introduced to the paintings of Siena when I first started working at the Met. It was back in 1989 that they held the great exhibition, Painting in Renaissance Siena: 1420-1500. It’s hard to compare after all these years and knowing that the earlier one had such an impact on me. I own a very beat up copy of the catalogue (I probably bought it at a damage sale to begin with because that’s how I got most of my art books then) and I might prefer the slightly later period presented in that exhibit but this one is glorious too.

There is just something about the space and sensibility of these paintings that simply rewires my brain. If I was a cartoonist they would make me rethink panels and pages and space entirely. When I saw the first exhibition I was still drawing and painting and they did heavily influence my thinking. I find even without that scratching at my brain I will be thinking about them for a long time. (I have not purchased the catalogue but most likely will. It’s been years since I have added an art catalogue to this crowded library of ours!)

I don’t want to bore you with all my thoughts about it except to say that the sense of space and architecture is fascinating and a great reminder that people were designing things in all sorts of creative and wild ways at that time. What they didn’t know they just made work with a convincing conviction – cut away the side of a mountain, show what’s underground, put a tiny city over here. Amazing. There is also something about the colors and they tend to almost glow. The exhibit plays this and the vast amount of gold up by hitting them with light in an otherwise dark setting. They are little gems.

We wandered through the European Paintings galleries to find a few Bosch paintings I wanted to share with Kim. (He just read Guy Caldwell’s book, Delights: A Story of Hieronymus Bosch, which Guy was kind enough to send. Recently published by Fantagraphics it can be purchased here.) While we did find one or two, the more inspiring painting was van Eyck’s Crucifixion and Last Judgement diptych. (The amazing Google image that you can drill down into can be found here)

Not too much else to report from our visit except that we could have voted early, but were too tired to get in the long line. (The Met is our early voting location.) We ate in the public cafeteria – sandwiches and, in a rather parsimonious way, each saved half for today’s lunch. (I have gone from being a rather voracious eater to having shrunk my appetites during a long period of dieting. There was a time when leaving half a sandwich would never have happened.)

Apologies for this being long and rambling. Wish me luck with my cat ears this week. Blackie looked confused and rather baleful when I tried them on yesterday. And a happy Halloween to all!