February Festive

Pam’s Pictorama Post: Getting into a pre-birthday and pre-Valentine’s Day mode here at Pictorama today. I will report that Kim is hard at work on the annual Valentine which will debut (hopefully) next week, and I am here to say it is going to be a stunner! Meanwhile, I have a few commercial kitty-esque offerings to start the ball rolling today.

It seems that cats have always figured somewhat largely in the visual language of Valentines and I therefore always keep half an eye on what ebay has to offer in vintage Valentines in the weeks leading up to February 14.

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from Pams-Pictorama.com collection.

 

The cat and mouse card caught my eye early – there was something truly feline in the way this puss studies the mouse (a mousy looking mouse despite her anthropomorphic portrayal) and she seems is dancing in a strange little holiday dress. My valentine is written across the dress, with a little cheat of the nt in order to make it fit neatly. A nod toward the crueler side of feline nature is a bit surprising in a Valentine sentiment, You look sweet enough to eat. This cat means it folks, a bit of blood lust in his eyes. Nonetheless, it was sent To Jean From Lorraine as per a very childish pencil script on the back. We’ll assume it was taken in the best spirit meant.

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Pams-Pictorama.com collection

 

This second card is identified as having been made in Germany which seems to be the place of origin for some of the best early Valentines and is more traditional. I liked something about it’s wide-eyed kitten enthusiasm and bought it for a few dollars on a whim. I think I would have been pleased to receive this one. And I do hope it made the recipient, Elsie Minke, feel kindly toward Raymond, as per the inscription on the back of the card. It is a sweet card and has a tiny bit of cardboard in the back to enable it to stand up on its own and evidence of use tell us that it was employed to do that at one time.

Piles of childish Valentines were exchanged each year in my elementary school days. My memory is that class lists were distributed in the early years and we routinely wrote one for everyone in our class thereby removing the possibility of someone not getting any I would guess. We bought big plastic packages of tiny cards with envelopes and dutifully filled them out, collecting mostly the same in kind in return with perhaps the addition of the occasional box of candy hearts.

High school brought a gauntlet of single roses to be ordered in advance and delivered day of – a fundraiser for some group or other. This afforded an annual (somewhat ambitious) opportunity for anonymous Romeos to put a bid in, or even bolder declarations by others. Purchase by boyfriends was requisite. (We also did something similar in the fall with large white mum corsages – with purple ribbons, school colors – to be worn to the Thanksgiving football game. It always seemed to me like a tradition that probably dated back to the 1950’s as the 1980’s were not a corsage-wearing decade for the most part.) Yes, the holidays could be competitive affairs for adolescent affection.

Meanwhile, my father was always the very best Valentine and he would show up from work with boxes of candy and something special for us. I still have a silver heart key chain he gave me one year, a matching one for my sister, and which I used for years. Dad was a splendid gift giver. Despite never being equipped to remember my precise age after I turned 18, he was always very good about holidays and gifts.

On the (many) occasions he was traveling during a holiday he either sent missives in his absence or showed up with them a day or so later, but they were always great. As a news cameraman his travel was by its very nature unplanned so I am a bit amazed when I think back on it. Dad kept a suitcase ready packed in his locker at work so that he’d at least have a few days change of clothing if sent abroad without notice. He frequently would end up having to buy clothes when a story lasted longer than a few days. This lead to my father, who liked clothes and buying them, having a much more robust wardrobe than my mother, who is somewhat ambivalent about them. (I take after him.) Somehow, probably with my mom’s organizing help, he managed to hit all the holidays and birthdays splendidly.

Pictorama readers know that Kim has found a way of topping this, producing an annual, very personal drawing for me. I will share this year’s great Valentine reveal next week. (A few from years past can be found here and here.) You still have a few days folks, get out there and stake a claim on your Valentine, there is no time like the present.

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Back

Pam’s Pictorama Post: I am sitting with a rather delightful pile of toys and postcards at the moment, in part thanks to the fact the on the Saturday after New Year’s my back went out and I spent most of the next ten days on my back in bed or propped up with pillows on our couch. This lead to a lot of television watching – I am very caught up on home renovation shows and TCM’s December programming; reading – finished all the Frances Hodgson Burnett adult novels I currently have access to and have moved onto the more obscure of her children’s fiction; and, lastly, spent a lot of time (and ultimately money) trolling ebay. So Pictorama readers will be in the clover with posts in the coming weeks. However, today instead I focus on the subject of my back.

I come from a long line of troubled backs. My father was 6’5″ and carried the weight of a small child in camera equipment every working day of his life. This combined with driving long distances, also for his job as a cameraman for network news, meant that periodically his back would blow and he would be recuperating for weeks. As noted above, Dad traveled a heck of a lot for his job and so, in some ways, aside from his summer vacation which was usually 3-4 weeks at a stretch, the most we saw of Dad for long periods was when he was recovering from one of these debilitating events.

However, over the duration of this recovery I reflected on poor Dad’s misery with his back. Being such a large man, my mom couldn’t possibly really help him get out of bed or out of a chair. His preferred chair for these spells was a very old Windsor rocker which, if it was summer, we would even move out into the yard for him to sit in, packed with pillows. That was once his back was good enough to walk at all, bent over but somewhat mobile, and sit in any chair. (I happen to be the current owner of this chair, which is suffering from a broken leg. Nevertheless, I also confess that after this recent incident, this choice of chair mystifies me somewhat. It is NOT what I would have chosen to sit in even if it wasn’t broken.)

Because of the ongoing problems, his back seemed to  have a feather trigger and I can remember it going out once when he reached for the salt at dinner. My mom always ribbed him about how it went out just as he began the project of changing the storm windows to screens one spring and she had to complete the onerous task. These were family lore about dad’s back. The worst (and most family famous) episode was during the Bicentennial when he was in Rhode Island for work, hanging from the rigging on a tall ship, camera on his shoulder when (perhaps not surprisingly) his back went out. I cannot imagine how they got him, and the camera, down in one piece but they did. He then had his colleagues pack him in pillows in his car, more or less immobile and he drove himself back him to NJ. As I remember, he was home for weeks on end that summer. In the rocking chair, in the backyard during the day, us kids, cats and dog, satellites of activity buzzing around him.

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A photo my mom recently found and gave to me. Probably taken of Dad at work at about the time I describe, mid-seventies. Apologies for the bad reproduction!

 

My own back woes harken to early adulthood, when cooking professionally, and a fall down a flight of basement stairs on the job (you’ve never really lived until you’ve cooked in a New York City restaurant in an old brownstone-type building and run up and down basement stairs all day) precipitated learning that I had arthritis in my lower back and hips. In my case it ties out as inherited from my maternal grandfather, who I called Poppy. Sadly treatment was limited in Poppy’s day and when he was still quite young his spine fused, and when I knew him he walked permanently bent at a 45 degree angle. Even worse, the years of cortisone treatment combined with a heart condition killed him when he was only in his fifties, about my age now.

Treatment has changed and improved radically since then with the advent of non-steroidal anti-inflammatory drugs, and even over the course of my adult life with biological drugs on the market now. I amaze that I see commercials for cures for psoriatic arthritis now when for years I did not know anyone else with the disease. Are there more of us or are we just better known?

For all of that I have never before put my back out in the traditional sense before. This siege seems to have been brought on by business travel compounded by more than a week of solid evenings at work, frequently standing for several hours at each. Eventually the Christmas holiday arrived and Kim warned me it was a critical mistake when the day after I decided to (at long last!) turn our closets over, bringing up bins of winter clothes from the basement and sending the sundresses down in their stead. I sensed trouble with my back and tried to stay the tide by having a massage that Friday. (Kim has been very thoughtful by not saying he told me so – he did tell me so, more than once! This is something I love about my spouse.)

Saturday I was enjoying the Vija Celmins exhibit at the Met Breuer. She is an extraordinary artist and so glad I didn’t miss it! Anyway I was loving the exhibit when at some point I sat down – and realized that getting up wasn’t going to be all that easy. Pain!

I got myself home and there I stayed through into the New Year. (I tried a brief trip to the office but couldn’t make a full day.) Suddenly I was in the land of my forefathers and walking bent, unable at times to fully straighten. I thought a lot of about Dad and Poppy!

Ocean 1975 by Vija Celmins born 1938

Ocean 1975 Vija Celmins born 1938 Purchased with assistance from the American Fund for the Tate Gallery, courtesy of the Judith Rothschild Foundation 1999 http://www.tate.org.uk/art/work/P78336

 

I tried the usual remedies – Aleve, hot rubs, ice packs. A visit to my trainer who used a massage gun on me which with some stretching helped a little, but the spasms began again almost immediately. The doc was reluctant to use muscle relaxers and told me to keep on with the Aleve. A friend suggested acupuncture and I was surprised I didn’t think of it sooner. I had received acupuncture treatments on and off since the onset of the arthritis although have not been in a few years.

In the early years of pursuing acupuncture, late 1980’s, it wasn’t that easy to find someone and I got a referral to Dr. Ching Y. Ting from a colleague in the Asian Art Department at the Met – she had curvature of the spine which gave her back trouble. I saw Dr. Ting for several years. He spoke little English and smoked constantly. (So much for acupuncture resolving that habit!)

His operation was housed in a two bedroom apartment in an enormous white brick building in the East 30’s. Broken into a labyrinth, it was a rabbit warren of cubbies where numerous treatments were ongoing at the same time – ticking egg timers for each treatment luring us all to nap during treatment. Assistants coming to our rescue when our timer dinged. In addition to the cigarette smoke, there was always steaming tea being consumed and instead of heat lamps the heat in the apartment was turned way up, creating a steamy, smoky, exotic atmosphere which was just short of terrifying to my 23 year old self at first.

Dr. Ting was a very good doctor and I saw him as frequently as I could afford to, but sadly he died suddenly several years after I started to see him. (I heard that he just fell over after a family banquet at a restaurant in what was described to me as a good way to die.) Subsequently, I briefly saw some of his colleagues (treating an arthritic toe) over near Penn Station; followed eventually by a woman in the West Village (extremely capable, during an episode of frozen shoulder) whose location was inconvenient; and finally (during the second frozen shoulder) Eileen Chen who I turned to this time. She, like Dr. Ting, is a doctor fully versed in Chinese medicine. Her uptown location has closed, but she is still operates an office on 57th Street, which as it turns out, is about a block and a half from where I now work.

Eileen was unavailable over the holiday week for my emergency treatment so I saw a young colleague of hers, Hilary Zelner. I was unhappy about changing docs under the circumstances, but ultimately Hilary has done an excellent job, her style patient and chattier than Eileen, and she gets the credit for having gotten me back in shape. Needles have piled high with each of my treatments, more than I ever remember before. She mentioned how they vibrate and grow hot to the touch in my back.

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If you’ve never had acupuncture my experience is that it doesn’t hurt in the way you might think it would. The needles themselves going in are so thin you barely feel it if at all. However, the purpose, in the simplistic way I understand it, is to release energy and clear the path of flow. As nerves are activated there is occasionally a shock – more surprising than actually painful – although the ongoing movement of energy does hurt, as do some needles. You lie down, face down in my case, on a massage table and generally remain very still. The needles, after their placement, stay in for 20-30 minutes in my experience. She used a heat lamp on me during the duration of the time the needles are in.

I spend the 20-30 minutes in the dark, considering how I got my back in such bad shape and how long it will take to repair – and how not to do it again! You can feel energy traveling up and down your body. No sleeping during these treatments! I have thought about Dad and Poppy and wondered why Dad never tried acupuncture. I have thought about work and about what to make for dinner.

In all, the treatments, have been uncomfortable and exhausting, but after two (long) sessions I saw amazing improvement. I completed my third last night, preceded by a session with their massage therapist (new to me and entirely different from any massage I have had before; I haven’t made up my mind what I think yet), and I came home like jelly. Today I tackle a gentle work out at the gym and see how it goes. However, just in case, I also go back to Hilary on Friday!

 

 

 

The New Year

Pam’s Pictorama Post: I admit when the New York Times posed the question of if we were indeed not just starting a New Year, but perhaps a whole new decade I was a tad overwhelmed. Suddenly the teens have slipped away and we are launching ourselves into the ’20’s. How on earth did that happen? It was a busy decade – in fact it was a busy year – and it is almost hard to look at the stretch from where we started to where we ended and consider it all of a piece.

I start by sharing a New Year’s card today which I have purchased, but will not reach my mailbox until later in January. (Technically this bends if not actually breaks a Pictorama rule about having items in hand when I write about them, but we know about rules and how they are made to be broken. I claim that privilege today.) I love this somewhat ambiguous image of one cat welcoming the other two, senior and youngster into the New Year, gesturing to the road, a mysterious half-smile on his face. The scene is a snowy one, but the path is clear. The elder cat seems to be saying, “Oh yes, let’s head on into this year!” (Not sure why this is Bonne Annéel rather than Bonne Année. Please feel free to enlighten me if you know or get the reference.)

The French can be depended on for New Year’s cards and I believe the art on this postcard is by Maurice Boulanger – a French artist for whom there doesn’t seem to be much biographical information.  Boulanger’s cards were being produced as early as 1903 – or at least there are some postmarked that early according to one website I found which attempts to catalogue the several hundred cards that were produced. (The postmark on this one is obscured, shown below, addressed in this beautiful neat hand.) Working during the same time as Louis Wain and clearly influenced by him – his cats seem to belong to, if not the same universe, certainly a neighboring one of slightly more sane felines. This card is not signed by Boulanger, but certainly seems to emerge from his stable of kitties.

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Highlights of this decade for me include this blog which came into existence around the halfway mark of the decade, August of 2014. In the wee hours today Pictorama hit 125 subscribed readers – thank you readers! (And a special hello to new subscriber, Ver It’s Peculiar.) I never seem to have the right moment to thank you all for signing up; please know that I am always encouraged by it. A new reader is the very most cheerful thing to discover attached to a ping! on my iPad. For those of you who have meandered around the archive you know that there are more than 600 posts, virtually every Saturday and Sunday. Many of you show up directly from Facebook, Instagram and Twitter as well and your interest is no less appreciated!

One of the most significant changes during this decade is that back in 2010 I was still working at the Metropolitan Museum, leaving the Museum wasn’t even a gleam in my eye. 2017 saw that surprising change after thirty years, when I moved to Jazz at Lincoln Center to continue fundraising but overseeing it. I write about Jazz more than I did the Met. Working at the Met after so many years was like breathing – it was hard to take a step back until after I left. They were family to me however and always will be. (My post about leaving the Met can be found here and some of my posts about my work with the Jazz at Lincoln Center Orchestra can be found here and here.) They too have become family – I find that Kim and I have been slowly absorbed into that, albeit very different, clan.

Most notably, I lost Dad in the latter part of this decade, having lost my sister Loren in the previous one. The loss of loved ones creates its own relative time – all time gets divided into before and after. (I wrote about my last days with Dad here and a bit about my sister here.) Those are the markers that live large in our mind’s eye.

Meanwhile, a look back on posts of 2019 reminds me that this year kicked off with recreating my grandmother’s Poor Man’s Cake (I’m sort of itching to make it again – perhaps it is to be a New Year’s tradition for me – yum, that post is here), covered authors Edna Ferber to my continuing obsession with the ever prolific Frances Hodgson Burnett. (Too many posts for me to list for those!) Work took me to the west coast (post here), Johannesburg (here) and most recently, Wisconsin (here). We started renovation on the apartment (too many of those posts to list as well), and best of all Kim’s book Reincarnation Stories was published in October. (Today it is on the Best Comics of 2019 list published in the New York Times Book Review. At the time I write this it can be found here.) I wrote my own two-part, very biased wifely review of Kim’s book which can be found here and here. Some posts this year were good and were well received, some less so. Thank you to those of you who continue to read regardless.

Looking forward is more important than looking back and in that vein Kim is hard at work on his next book, How to Make Comics, even as he continues to do appearances for Reincarnation Stories. I am not really a hardcore resolution maker, but it is my hope and plan to continue, and complete, the work in the apartment, fulfilling a dream of creating a wall of built-in bookcases for increased storage.

I would like to travel a little less for work, but I am not entirely sure that is an attainable goal as I already know I will be in London and Paris with the orchestra in the spring, and maybe Florida and maybe a trip back to Madison, Wisconsin also loom this winter. I would also like to take more time for myself – spend more time with Kim and my mom, get back to a more orderly exercise routine. (I have never written about how beloved my exercise routine is to me, but it definitely keeps me sane as well as fit.) This job seems to require endless time so that will be among the challenges of 2020.

So, for now, a toast of the writerly glass to you all, and my Bonne Année wishes to all for 2020. See you on the other side!

 

 

 

 

Display

Pam’s Pictorama Post: Very few people know this about me, but I am an absolutely sucker for cabinets and boxes. They are like catnip to me. I have always had a weakness for them. As a child it manifest itself mostly in the collection of boxes (wood preferred, in fact treasured), but I remember the acquisition of a grandfather clock case turned cabinet from my grandparents house considered a prize possession.

It stands in my apartment today, next to the front door, hosting an assortment of items including but not limited to: video tapes, dime novels, early film magazines, comics and Kim’s Eisner award. Perched (piled really) atop it are an Art Deco coffee service and two not-quite-functioning Felix clocks. (The photos included here are an unintentional view into the gentle chaos of Deitch Studio.)

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However, my feeling about smaller cabinets is a bit like some people saying there are no calories in what you eat standing up. In my mind, it is always fine to buy cabinets and boxes because they are storage – therefore the issue of space does not come into it for me. (Incidentally, I always find them to be affordable as well. Such practical items, after all…)

I have several cabinets I could write about – an absolutely lovely mirrored one on a shelf at the foot of our bed. I found it for just a few dollars at a street fair right after spotting the same one in a store that was beyond my means; then there is an Art Deco three drawer mirrored one. I cannot allow myself to look at them on ebay as a rule or we would quickly be backed out of the apartment. Those darling little white medical antique cases, cunning wooden cabinets with myriad drawers that come from stores – I would have them all in multiple. If we had a house it would be another matter, but in our one room it is an addiction I need to keep under control.

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I have an equal passion for wooden boxes and small piles of them can be found around the apartment. This wonderful recent addition was made by Kim’s brother Seth and sent to me. A nicely Felix-y one shown below.

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Wonderful cabinet finds are still, blissfully, bound to slip in occasionally as did this lovely one Kim bought me as an anniversary gift earlier this fall. We were making what may have been our final visit to Obscura Antiques and Oddities in the East Village when I spotted it and we scooped it up. (I will miss that store so much when it closes in the next month or so. I wrote about that visit in a post that can be found here.) It has yet to find its permanent place of honor in our apartment – in part because temporarily perched on my drawing table the light hitting the wavy old glass and reflecting on the old mirror in back is so nice. I have yet to find an equally well lit corner for it.

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The mirrored back of this cabinet has a nifty little door that opens to place the treasured items appropriately on display. Obviously part of the appeal of display cabinets for me is a place to hold my treasured booty – odds and ends acquired and in need of a home where they are safe from prying paws and dust, but on display. I am still in the fantasizing stage about what will find a home in this one. Perhaps some things yet to be acquired even? I promise an update post when it has found its permanent home and is filled with Pictorama finds and goodies.

 

 

We Are Very Comfortable

Pam’s Pictorama Photo Post: Much like yesterday’s toy post, full access to my stuff has allowed for the first photo postcard post in quite awhile. For all of that this is a fairly recent purchase from ebay and it just entertained me. Cats lined up, each a variation on a striped tabby design, displaying varying degrees of contentedness on some sort of fur declaring, We are very comfortable in Colo. 

I will start by noting that the only time I have seen a cat encounter real fur was decades ago when an elderly friend wore a fur coat (equally elderly) to my apartment. My cat Otto made it clear that shredding that coat was now her new found life’s ambition. Ultimately the coat had to be closed in another room, protected from her mania, but I have never forgotten her enthusiastic reaction.

The card appears to have been made in the early somewhat homemade process where a stencil was applied for the shape of the image and the lettering done by hand. I assume it was produced on a small scale – wouldn’t make sense for it to have been a one-off. It was never mailed, nor is there any writing on it. I guess this was for the vacationer who wasn’t willing to commit to having a great time or wishing you were here. Were they available for sale, a small stack of them, at a homely hotel somewhere there?

Today I am packing (warm clothing) for a quick trip to Milwaukee this week. I wrote about another trip to Madison recently (available here), and the opportunity to travel through parts of this country that I have never visited before is one of the aspects of my job, following the Jazz at Lincoln Center Orchestra to strategic points on their tours. This is our Big Band Holiday tour, a favorite everywhere it goes, which will wend its way to Manhattan in about a week. I am so pleased that almost a hundred friends will join us for the concert followed by a reception. (My first shot at this tour was on the road by bus with the band through the Southeast and you can read about it here.)

Colorado is a state I have never explored – only changed planes in Denver. I have agreed to speak at an event there in August so I will see Denver then. This kind of travel brings my father to mind. His job as a camera man for ABC News meant driving across the country, up and down and across constantly in the early years of his job. (Over time local news bureaus shared more of their own coverage with the national affiliate and there was less of this domestic travel and more international and confined to the East coast.)

Like Wynton and the orchestra Dad drove or rode, in his case equipment loaded into a car or SUV rather than a bus, three or four person crew crammed in. Dad did a lot of the driving, in retrospect I am not sure why except it didn’t bother him to drive; he probably preferred it. Long rides in cars, not to mention heavy camera equipment and his height, eventually contributed to a long-life struggle with back problems and in later years his car was littered with back cushions and devices. Dad liked to eat good food and he could suggest restaurants in locations all over the country, from Newark to Pittsburgh, to St. Louis. He remembered them all – and remembered those places where none could be found.

So today I will pack my bag; I suspect it is never as spare and economic as his. (But in fairness he wasn’t a woman who will host events over the entire course of his visit.) And I will wonder if there is a restaurant in Milwaukee that has been there for decades that I really should be trying.

 

Luchs Messbecher Beer

Pam’s Pictorama Post: Returning to the world of fascinating objects today, I offer this item which has graced the top of my refrigerator more or less as long as I can remember. It was purchased at a street fair for a few dollars in the early years of the 1990’s and has been charged first with holding loose change and in more recent years, the card we now use for laundry. It has long held a special perch on the top of the refrigerator where its cheerful striped pattern and black cat face greet us daily.

In retrospect it is not surprising that a street fair in Yorkville would produce such an item. To some degree it has mystified me – a tin beaker with beer advertising on the outside and what appears to be dry and wet measure indications on the inside. At a casual glance you might think these were cocktail recipes, but closer inspection makes that seem unlikely since indicators are for things like butter, sugar and cocoa.

Research reveals that this was a ubiquitous implement in German and German American kitchens. Evidently traditional German cooking measure is done by weight and therefore this cup expedited simple measuring, a shortcut for daily baking needs which otherwise would require taking out a scale. Strangely, for something so popular and therefore still widely available, some relatively simple questions are not easily answered. Why and how did a beer company end up producing this household device staple and what years was it produced? I have found no answers to these questions, nor have I found out much about the beer company which made it.

When I purchased it I thought it was pre-War German and while there is some speculation dating it there among online sellers, I am less convinced of that now. Dates by some sites are given as late as the 1950’s. My feeling is the 1940’s seems likely. There are shinier examples online, as below, and even a sort of zippy red version.

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Emptied from its depths I disgorged: various loose change (38 cents in US pennies, a 5 Kuna coin from Croatia, and 60 cents in Canadian change); 3 NYC subway tokens of the last variety before they did away with them (the ones with house-shaped holes in the middle); the aforementioned laundry card and doppelganger laundry cards that might or might not work any longer, and may or may not have money on them; an elderly purple vial of Rhus Toxicodendron (homeopathic remedy made from the poison ivy plant); a device that is to be used to unscrew/tightening the screws of the futon frame we sleep on (I’d frankly forgotten this entirely and gone out and purchased another several years ago); and lastly a box of straight edge razors. I went through a phase of using these razors for all sorts of things which, in retrospect, seems cavalier or even a bit dangerous now. I was using them for drawings and I got used to having them around I guess.

The new refrigerator is higher and more narrow than those of years past and some large pans have already been assigned to that venue. However, I think I can find just enough space to fit the Messbecher beaker back in its place of honor.

 

Smooth as Glass Savings

Pam’s Pictorama Post: Today isn’t quite a toy post, but I guess we could label it a premium post, which is a genre I explore not infrequently, usually in my quest for interesting cat related items. (A favorite post about Corbin pin trays depicting cat heads can be found here, and the more recent acquisition of my Feed the Kitty bank here.)

This little bank was acquired last weekend on what may be our final trip to the store Obscura Antiques and Oddities in the East Village. I was sad to learn recently that they will be closing at the end of the year, a fact I discovered via Instagram where a parade of visitors are paying their final respects and posting them. Evidently it is more a decision about wanting to do something different than about raising rents, but I was very sorry to see this as I have made it my premium choice for expeditions celebrating my birthday or our anniversary annually. A truly great day is pairing a visit there up with a trip to the The Antique Toy Shop in Chelsea. (Some of my other adventures and acquisitions at these establishments can be found in prior post here , here and here.)

It is a bit boring to bemoan how all the interesting places for poking around in old stuff are disappearing. It is just a reality of the way we live, especially in fast moving Manhattan where things seem to come in go with an alarming rapidity. But it saddens me, as poking through the detritus of lives past is one of my great joys. However, I try to be philosophical about the general entropy of retail in Manhattan.

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Obscura Antiques and Oddities in the East Village when we visited last week. I really wish I had room for Mr. Peanut.

 

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Paper Mache mask at Obscura recently.

 

On our recent visit Kim purchased this little bank and a lovely little cabinet for me (future post) as an anniversary gift. I am just charmed by it and I immediately imagined stuffing it full of change as a child – and then being faced with the quandary of retrieving the coins as there seems to be no obvious option for cashing in. There is a seam running down it, and in the case of mine there is a crack near it which makes me wonder if someone didn’t break it in an attempt to open it at the seam. I suppose the purpose of piggy banks was saving, but I have never approved of the idea that you should have to break your beloved piggy bank in order to eventually realize your savings. It seems cruel.

My own experience with piggy banks starts with a nice pig model decorated with painted pink roses. The one below is not the one I had, but puts me reasonably in mind of it.

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I also had a Snoopy one that, given the evidence and availability on the internet of the model I called mine, every child of my generation must have owned at one time. My memory was that it was actually a bit fragile and made of some paper mache material so I did not keep change in it. It was beloved though and I owned it for a very long time. I don’t think I kept money in the pig either – although both had rubber handy plugs in the bottom for releasing the change. No smashing my pig!

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As it happens I instead kept my savings in a small safe made for that purpose. It had a combination lock (with the combination written on a tag the bottom as I remember, defeating the purpose but preventing the obvious problem) and it held a lot of coins, and then it weighed a ton. My sister and I each had one, and although I kept mine for more than a decade I could not tell you what happened to it ultimately. Somehow it and the change in it were lost to the sands of time. The one below, available on Etsy, is pretty much spot on the one I owned. It is a kick to see it again.

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Meanwhile, Pittsburgh Paint was a small Pennsylvania paint company which was acquired by a glass corporation back in 1900. Therefore the slogan smooth as glass and the glass bank premium make total sense and a slogan still associated with them today. (On the reverse side of the bank it also states, Nature’s Colors in Lasting Beauty, a poetic thought.) The paint brand is still very available and the company has become one of the world’s largest corporations, PPG. I am not in a position to comment on quality of their paint except to say that my own kitchen was recently painted with Benjamin Moore and in all fairness, I had not considered Pittsburgh.

The prevalence of contemporary piggy banks found during my online search makes me assume that children are still given them with the intention of instilling a sense of thrift and savings. In a world where, according to Google, the average price of a Hershey bar is $1.60 and a comic book almost $3, kids either need larger piggy banks or to replenish them quickly. I know nothing of the economy of childhood today, but assume it involves as more folding money than coins. In a sense this is too bad as coins were nice objects to collect and own, although folding money seemed downright exotic when I was a kid.