Stormy Weather

Pam’s Pictorama Photo Post: Ah, yes. A return to photos today and this recent acquisition which exceeded my expectations when I purchased it. I have discovered, the hard way, that purchasing photos off of Instagram sales is different than buying them on eBay. One must act very fast and can’t really study and consider a thing the way I like. Therefore, there’s been a fair amount of leaping and some purchases that have left me scratching my head when received. Such is the life of an online photo collector. Nonetheless, it has broadened my horizons and this example is a gem of the non-cat photo variety.

It is a smallish photo, the actual image is three and a half inches, square. It is permanently affixed to the white decorative cardboard mount. I am inclined to say it is a cabinet card, but I defer to some of my readers who are more specifically knowledgeable in this area to offer a correction or fine tune that assumption. On the back it reads, Brown’s house in pencil in one hand, and in pen below in another script, Medef’s Camera, Dec 16, ’01. I purchased it from a seller in the mid-west and I would make a guess that it depicts a scene there, but hard to tell of course. It was sold to me by a woman who runs two accounts, one for antique clothing and jewelry (@spakeasachildvintage) and another I first discovered her under, @_wherethewillowsgrow_, for old photographs. I frequent both.

Pams-Pictorama.com Collection

What I find somewhat remarkable about this photo is both the subject matter and the ability of an early photograph to capture it so well. I not sure I envy the early photographer, perched on the shore, capturing this roaring and roiling body of water. It is winter, there is snow on the hillside on the other side of the water and if you look carefully you can also see the icy banks across from they stood to take the photo.

The moving water is in sharp focus meaning it was a pretty fast exposure for the day. The Brown’s house is presumably the pleasant looking house across the way, a bit hard to see but visible. Hard to say if their property was threatened by the rising, violent water. There appears to be a whirlpool, or perhaps just a deep cavity formed by the waves, to the right side of the photo. It is quite a maelstrom.

Pictorama readers know I grew up on the Jersey shore, on the Shrewsbury River and only a few minutes from the ocean. River flooding and occasionally violent hurricanes, were not uncommon and dot my childhood memories – mom picking us up early from school before moving the car to higher ground and walking home in advance of a storm; watching the river burst up over the bulkhead and into our yard and around the house; the cold feeling of the water rushing under the house during a flood; geese paddling by and peering in the back door.

Despite that, I don’t remember seeing our river in quite this state – perhaps because the Shrewsbury was not contained by the same sort of deep embankment as is shown here, maybe made yet more active by a nearby falls. (Hurricane Sandy was the first time my parents evacuated during a storm and after a lifetime there they moved not long after, being too elderly now to deal with the extremes of life on the water. Mom lives nearby but definitely inland now.)

The sun playing on the water is always lovely.

As recent readers know, I have taken up running along the East River (attempting to anyway) as part of my pandemic exercise regime. (That post, Running Slowly can be found here.) The moods of the river remind me of my childhood and it is fascinating to watch its many moods each day. In general I am shocked by the current which almost always seems to be very strong and fast. Even without boats (and there are boats in winter, a more or less steady stream of ferries, tugs and cargo ships) small waves, sometimes eddies and whirlpools. On a very windy morning the water can slap the bulkhead and spray as I jog by. The extremely calm day is a rare exception. I find it irresistible to photograph in all its moods and record it ongoing, as seen here, often with the early morning sun playing on it. Being near it now reminds me of my childhood and endless days of watching the water out our windows.

A strangely still day on the East River recently.

Living by the water you are quick to learn that, much like life in general, one day it can be as calm and smooth as glass – and the next it can whip itself into a fury.

Strong currents in the East River in November.

Miss Pat: the Prelude

Please note: I wrote this earlier this morning, before the news about the election being decided. Whatever your affiliation reader, I hope you will join me in a sense of relief that we as a country voted during a worldwide pandemic and that the system held, votes were counted and we have come out the other side. Let’s hear it for democracy!

Pam’s Pictorama Post: I suspect many of us have found or continue to seek ways of comforting our tired brains, bloated as those brains are these days, with bad news and uncertainty. Pictorama readers know that one of the paths to calm for me has been baking. (An expanding waistline has sent me to exploring soups and stews more recently – more to come on that.)

The act of making something from dispirit parts, the smell permeating the tiny apartment while cooking, and the lovely, nourishing end product are balms for a frazzled Pam. (Some of my baking posts can be found here and here.) I sometimes wonder what Kim makes of suddenly having a wife who not only now makes two out of three meals a day (I took over lunch recently and we are consuming simple but thoughtful ones), but is fully re-exploring her atrophied cooking muscle. Generations of cooking ancestors are having a field day with me. The days of heating up pre-made dishes are largely a memory here.

Meanwhile, although I have continued my work out via video with my long-standing trainer (shout out for Harris Cowan – love you!), with limited time and no access to a gym my cardio has sadly fallen away. I admit that I never liked it as much as lifting, but it was built into a routine and if nothing else my body misses it.

Early morning on York Avenue this week.

I attempted to cure this ill with walking up our 16 flights of stairs (part of Kim’s regime), but never found it really satisfactory. This week I have started an attempt to reclaim some early morning time from work (yes, I am one of those people whose work hours have more or less consumed all my waking ones) with walks along the East River. The opening of a long-closed gate which leads from Carl Schurz Park to a path down the East side has served as my destination thus far. The East River, sparkling with morning sun runs along one side and the speeding cars on the FDR are on the other. Now that I have told you all about it perhaps it will help me maintain my resolution as the weather turns foul.

Impressive pigeon gathering a few mornings ago in the park. I have a video that runs for a full minute, walking past these pigeons.

The other way I clear the thorny issues from my mind is my bedtime reading. My bedtime reading is separate from my audio book listening (what I listen to when I exercise or am stuck waiting in line somewhere which happens increasingly these days) which runs to contemporary novels and some historic fiction. Nothing you would be embarrassed to be seen reading in public, but nothing too trying to the frayed nerves. (I have a friend who made me laugh recently when she said she only reads historic non-fiction because she knows how it ends!)

Bedtime reading has been juvenile fiction from the early 20th century for quite awhile. It certainly predates my quarantine reading, (posts about Grace Harlowe and even Honey Bunch can be found here and here and date back to 2016), but I devoted the first few months of pandemic life largely to the pursuit of Judy Bolton, girl detective. I have already opined on my affection for Judy Bolton (those posts can be found here and here) and Kim has just taken them up so I am happily reliving them.

This series of 30 books has been hard to replace in my affection. Their plucky young heroine and her escapades were always good at setting me right before drifting off to sleep – mind relieved of fretting about work and world and instead thinking about the exploits of Blackberry her cat and others.

Our good friend Everett Rand, who along with his wife Goioa Palmiari, founded and edits the annual mag Mineshaft, was responsible for introducing me to Judy Bolton. It was to Everett that I turned to for my next fix. Among his recommendations were the Miss Pat series.

Written by Pemperton Ginther (nee Mary Pemperton Ginther, a name I am fascinated by so it is fortunate I am not naming so much as a kitten right now), this series of ten books was written between 1915 and 1920, a prodigious output. Ms. Ginther, more obscure than Margaret Sutton of Judy Bolton fame, does not currently enjoy so much as a Wikipedia entry, but I did find a bit of biographical data on a database devoted to Bucks County artists.

Ginther was born in 1869 and was a painter, illustrator and novelist. Evidently some of her stained glass designs still grace churches in Philadelphia and Suffolk, Virginia. She attended Moore College of Art in Philadelphia, (a woman’s college at the time and one I was very interested in attending until on one visit with my mother we found a junkie curled up in the hallway entrance to the dorm – mom vetoed it after that) and she was prolific.

A painting by Pemberton Ginther found on an auction website.

Tomorrow in Part 2 of this post, I will regale you with the joys of the Miss Pat series as I am at more or less the halfway point in the series. I know you are on the edge of your seat! For now, having just completed a Saturday morning call for work, I am going to pour myself another cup of coffee and make my way outside for that morning walk!