Team Sports

Pam’s Pictorama Photo Post: I purchased this 5″x7″ photo of a basketball holding girl awhile back and have been giving her a lot of thought. I like the image – she is solid, muscled, intent. Her uniform is antique, but there is something that remains practical and current about it. Those shoes look uncomfortable to me – almost like playing in your socks really. However, the belted shorts and shirt are trim and they appeal to me. The South where on her shirt is lost to us now, although maybe somewhere a local would know immediately. There is no information on the back of this photograph however. It appears to have been well-preserved, most likely in a frame.

This card was sold to me by a photo dealer in, I believe, Ohio. He actually posted that he was at a flea market the other day and I was very envious. (I am generally always envious of people who are at flea markets when I am not, but in pandemic Manhattan it combines some additional elements I am missing and craving these days. It sounded heavenly.)

Our basketball player is in a professional photo studio with a somewhat formal backdrop for our athlete. I cannot help but wonder if the entire team had their photos taken this way, one at a time, and someday I could perhaps come across some of the others. This sort of thing happens if you do this photo collecting thing long enough. In fact, I just bought a photo postcard taken in the same spot as another that I plan to write about in the next post or so – future post! However, since she in her athlete’s get up is a bit of an exception to my collecting tendencies and searching, so it seems unlikely.

Meanwhile, I find her to be unexpectedly compelling. She has a look of intensity about her, eyes focused on a goal we cannot see. Game on with her I’d say.

Pictorama readers probably know from past posts that I never played sports or worked out as a kid, teen or even young adult. I think if I had I would have been drawn more to individual sports rather than team ones, in part because I like the challenge of improving against myself, and also because although I wasn’t a shy kid, I wasn’t social enough to pursue group activities, especially athletic ones.

Having said that, as an adult there are times when I wish had pursued that experience. I have often thought that team sports probably prepare you well for the sort of teamwork adult work-life demands. When I interviewed with Wynton Marsalis for my job at Jazz at Lincoln Center he used a lot of sports metaphors, football I believe, which frankly left me utterly confused. What I don’t know about football is pretty much everything there is to know. I can’t say that at the time it made me feel like the job would be an especially good fit.

I got over it and now, three years later, I like his stories about the basketball and football games of his high school years. He tells a good story when making a point. Jazz is obviously another frequently used metaphor, but I have grown fond of the sports ones. Mostly these stories boil down things like setting your goals high – beyond what is needed to win; even if you know you are going to take a beating you have to go at it the best you can full on; and even if you are winning you have to stay focused and finish strong. There’s one guy in Wynton’s tales (Kim would say, one of Nature’s noblemen), who lives in my imagination now – bigger and more agile than the rest of them, he did his best to lead their team to the occasional victory, but more often kept them from goofing off or slowing down when the odds were against them.

Clearly our new world order currently requires employing every skill acquired over decades in the workplace and elsewhere: managing a team which is now scattered all over the country and who are wrestling with their own myriad of personal and home problems, most of us working out of tiny New York apartments where we are housed with our families, a few living in basement in their parent’s home, some folks dealing inevitably and terribly with illness and death. It is time to be a good team player and invest in teamwork across the organization, finding ways to support each other. Everyone is fighting similar battles regardless of industry I am sure. I can’t help but think I might be better equipped to manage now if I had been on some of those teams growing up. However, I can borrow Wynton’s lore – after all that’s what the stories are for.

Aim

Pam’s Pictorama Photo Post: For cat lovers I have to apologize that I am continuing my non-cat jag for now. As I am adjusting toys later to redistribute to our new shelves, I am sure I will find some items to take us back to the land of very old toy cats and photos. Today’s post meanders to more memoir than photo as you make your way into it.

This photo came as part of what I now think of as a speed-buy on Instagram. (You are quietly minding your own business drinking coffee, watching an HGTV rerun or writing a blog post when you get a notification – maybe you’d like this photo? And you are off and running for an undisclosed amount of time for a photo sale.)

We have (Kim’s job actually) adjusted the contrast on this photo a bit – I am afraid she is somewhat faded. The photo has long been affixed to this bit of gray cardboard and having been printed on thin paper to begin with, photo and cardboard are definitely merged permanently into one now.

My guess is her shooting riding regalia is her own, however clearly she is mugging for the camera. I like her get-up though – perky little cowboy hat saucily askance, neckerchief, divided skirt for riding. Who wouldn’t enjoy such a get-up? Clearly, she is heavily Annie Oakley influenced. I know absolutely nothing about guns so I cannot venture an educated guess whether she is holding it correctly or just for the camera.

In fact, what I do not know about guns is just about everything about guns. Other than the wooden faux rifle of my drill team days in high school (such a satisfying clank as we thumped them down in unison), I believe I can honestly say I have never held one in my hands. This probably comes down to the fact that there has never been the real need or desire for me to kill anything, and that’s pretty much what guns are around for. I had a nascent interest in shooting a bow and arrow and perhaps might have found target shooting, or even clay pigeon shooting, of interest given the opportunity. it is unlikely, although not impossible, that I will ever find out.

My father kept a few rifles in the house. (These were gifts to my dad from my grandfather. Poppy had hunted and fished his entire life and fed his family during the Depression that way.) Evidently Dad also had a handgun in his dresser drawer, although I have to say I only learned of it as an adult and never saw it, and I have no idea where he acquired it from.

It is only because of these rifles that I have ever even seen ammunition for one, although again, I cannot say for sure that my father ever fired them. He was in the army, during the Korean war, so he knew something about guns. These guns were a sore point between my parents. Despite having come from her own father, my mother has a real hatred of guns (she says she fought with her father since childhood about it), and lobbied for their disposal more or less from the time of acquisition. (Were I to call Mom right now, more than fifty years since the rifles were given to my Dad, and mentioned those guns she’d go off on it for a good five or more minutes.) Dad was a very quiet man and I don’t remember his rebuttals if any, but the guns stayed. They sat behind some things on the mantel of the fireplace.

Now I admit, I inherited stubborn streaks from both my parents. (Meaning that I am a virtual mule of a person when I dig my heels in, my own stubbornness, in evidence since early childhood, is a bit of family lore.) Therefore I can only say the guns were a decades long stalemate between mom and dad. As far as I know those guns were only disposed of when my parents moved about four years ago from my childhood home. I have no idea how, as it isn’t like you can just put them out with the trash.

Mom’s outspoken hatred of guns would probably explain why I, as the granddaughter of a man who hunted and fished his whole life, never so much as fired a gun. The fact that my grandfather died very young, in his fifties and when I was still a small child, contributes to that fact. However, my mother’s dislike of guns extended to toy guns, although I do remember a few coming my way despite her protestations – I had nifty silver toy guns I loved, with holster, that I remember from childhood. They were designed to fire caps, but I was never supplied with those. One or two toy guns may have slipped through to my younger brother, but by then (the early 70’s) it was a bit more acceptable to say you didn’t want your children to have toy guns and as I remember Mom pressed the advantage.

More than being anti-gun my mother is really anti-hunting. As mentioned above, Mom has hated it since childhood and she has dedicated much of the past several decades to actively fighting it. First getting it banned on a nearby island (stray spent ammunition would turn up in our yard which was a bit sobering indeed), but then taking it more broadly, even working on a national level in defense of our waterfowl friends. She has received death threats, by mail and phone, as a result. When I consider my mom, long bent over a walker, being called an eco-terrorist in an editorial in a local paper it kind of blows my mind.

While I have said that I have inherited a double dose of parental stubborn, I am the first to say I have never had my mother’s resolute and singleminded vision of right and wrong. My personality tends to be one of always weighing both sides and trying to see more or less down the middle, or at least acknowledge the value of the other side. I envy her certitude in her beliefs, and am in awe of her continued deep commitment, despite physical and other limitations that plague her as she gets older. Betty wields a mighty computer and telephone I always say. (I have often said that if she was more physically able I would, at best, be bailing her out of jail constantly. Born at a different time she’d be a PETA activist, taking over illegal whaling ships and the like. Without question or hesitation, she likes animals much more than humans.)

Mom can dig her heels in on other things. I can remember when we built the house I grew up in the water company denied us a hook up to the water main, and instructed us to dig a well. Because of our proximity to the river she felt well water would be easily contaminated and she took after the water company with a vengeance, at one point staging my father with his news equipment while she took them to task (the cars had big ABC News stickers on the doors in the day in case anyone was missing the point), making them think the story was of national news interest. We got the water main hook up days later and it immediately became family legend.

Needless to say, I learned early on to pick my battles with my mother, and the potential for tangling with her generally kept us three kids in line, although in all fairness she was generally pretty even tempered with us kids. In fact, I often think about her juggling the three kids, never less than two cats, a large dog, and a home on the river which flooded regularly, mostly on her own while my father traveled around the world constantly for work, and I wonder how Mom managed it with as much sanguine as she did; my own nerves would certainly have frayed I think. She did it with energy to spare – encouraging our friends to constantly traipse in and out of the the house, adopting stray animals and sometimes people too. So watch out world, because Betty’s still on the job.

 

 

Putting the Dog Before the Cart

Pam’s Pictorama Post: Today’s photo is not only suffering from age, but probably from being under exposed in the first place. In person it also has a bit of solarization that photos from this period often get, almost as if the silver is rising to the surface, making it even harder to see. I knew this when I bought it (to Miss Molly’s credit she does nothing to enhance the images of the photos she sells – that doesn’t happen often, although in my hobby I come across it occasionally), but I loved the image and I decided to take a chance. It is small, the image is only about 3″x4″. So, my apologies for its inherent short comings.

This photo appeals to me because I would have adored having such a set up as a child. I have written on several occasions about employing our long-suffering German Shepard, Duchess, and my cat Snoopy in a complex series of games and scenarios. The fact that, at least as a small child, I would not have had the appropriate real estate needed to really enjoy such a contraption, I will leave aside – you need some real acreage to really sport about it something like this, but wow – you’d really be doing something!

I have long contemplated that the connection with our domestic animal friends is different when you are a small child. Is it because you are, in reality, that much closer to their own intellectual bandwidth at that point? Or are you just communicating more freely? I have always wondered. I can remember long childish conversations with them both, prattling happily along, looking deep into their eyes as I spoke, absolutely certain they understood every word.

Perhaps because of the sheer amount of attention paid to them, they would allow me to undertake all sorts of indignities that I wouldn’t dream of inflicting on my pets as an adult – trying to ride the dog, dressing up the kitty, adventures with the doll carriage and the like. My parents would intervene occasionally if things got out of hand, but generally we were left to our own devices. I would have been on this dog cart thing in a minute given the opportunity. Duchess, somewhere in dog heaven, is perhaps grateful the opportunity did not arise.

My new always-at-home life has changed my relationship with Blackie and Cookie. It isn’t a coincidence that shelters have been emptied of dogs and cats during the pandemic. They are excellent company during these days that merge into one long working day.

The daily routine of Cookie and Blackie was forged early here at Deitch Studio, formed around Kim working at home and his day. Kim and the kitties start the workday (very) early, and he is in charge of their feeding, morning and evening. (Eating to cats is, without question, the most important part of the day – a brief but glorious interlude. We have strict feeding times in an, ever-failing, attempt to keep them from driving Kim nuts all day while he works.)

Until the middle of March I was on the outer edge of this cat constellation, home on weekends, but otherwise generally in the ongoing daily act of coming and going – packing a suitcase and leaving for days at a time on occasion, very undependable. They expected it and my departures and arrivals frankly rarely rated so much as a flatten ear or a greeting glance from either.

I noticed the other day when Kim went out for a walk that the cats sat by the front door the entire time, staring at it. Waiting and willing him to return. They clearly have very little faith in my ability to open a cat food can.

Yet, I think the cats have, over the course of more than four months, completely erased my daily departures from memory. I too am now a daily fixture – if a slightly less useful one. Blackie makes his appearance in Zoom calls and demands a 3:30 cuddle no matter what else I am doing – and Cookie helps me work out daily (she likes it when my trainer, Harris, appears on the iPad for a FaceTime workout where she flirts with him a bit), and both fight me for my work chair. Kim can vouch for the fact that I talk to them all the time – Cookie tends to actually answer. She’s the chatty kit of the two.

And of course I believe they understand me, or at least a certain percentage of what I tell them – mostly encouragement about being the best kitty in the whole world!  and the handsomest boy cat! and even the occasional please get off of the desk – thank you very much! – it isn’t philosophical discussion for the most part. I will have to be home many months longer before I can perhaps find my childhood knack and we can enter into long talks about the meaning of life together, Cookie, Blackie and I.

Somewhere in Dixie Land

Pam’s Pictorama Photo Post: Long time readers know that I am a bit of a sucker for photos of men and cats. While affection for felines was certainly been a requirement of Pictorama paramours predating Mr. Deitch, it still especially pleases me, and even surprises me a bit, when the male of the species scoops up a kitty for a photo like this. (Other photos in this Pictorama sub-genre can be found here, here and here.)

This photo, which is dark and a bit grimy by any standards, hails from a seller in Columbus, Ohio. There is no address or postmark which means it was likely stuck in an envelope. In a strangely light blue ink and carefully neat hand it says, Your Ever Loving & Affectionate Son Fred. XX and below that, Somewhere in Dixie Land. (It was also marked for previous sale at $20 which means someone took a loss as I paid a lot less.)

Of course the recipients, Mom and Dad, knew Fred in the photo but sadly we do not know which of these strapping young fellows he is. I would like to imagine he is the one who grabbed kitty in the middle, unruly hair somehow escaping the camp barber. In some ways it is the patterns of those cans, the tiles and even the door that give this photo a visual interest. (Given our current bunker existence I will admit to eyeing those pyramids of canned goods in a way that pantry envy may not have tapped me previously.)

Our quartet of guys are in casual army issue garb. Somehow it manages to look hot and muggy without specific evidence other than donning shorts and the rolled up sleeves of their shirts. Not sure this was actually KP duty or an adjunct of working in the pantry. Kit, who is hard to see, but I would gamble a guess is a tuxedo, probably lived a pretty high life between treats from the humans and a pleasantly steady high protein diet of mice.

I imagine there is a chance that these fellows left the relative comfort of the humid American South for the more dangerous and decidedly uncomfortable existence of a WWI soldier elsewhere in the world, probably a century ago now, and at a time much more challenging even than our own.

 

Bonzo Family Photo

Pam’s Pictorama Photo Post: This is another photo that was churned up and to the top of a pile during the hasty construction of my current “office” – a spot directly behind Kim, just large enough for my work issued laptop, an iPad and a waving good luck kitty. (My affection for these lucky cats was documented in a post that can be found here called Come Hither Kitty.) My desk, such as it is, consists of this area cleared off on an old drawing table of mine which has previously been dedicated to housing the archival holdings of Pictorama. Blackie immediately attempted to claim this “new” space and he and I compete for it daily. Much like nature, cats seem to abhor a vacuum. He is particularly enamored of the chair which rolls between the computer installed on Kim’s table and my new digs.

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The ever persistent Blackie.

 

This photo was discovered and purchased because of the nice sized Bonzo dog perched to one side – although the teddy bear on the other side is shown to much better advantage. I believe this card came from somewhere in Europe, although I know even with postage I didn’t pay much for it. The juxtaposition of this fairly staid trio of elders posing with these toys interested me. Given their attire I would guess that it was taken in the 1930’s. Bonzo would have ascended to his height of popularity at that point – although it is still hard to explain his and Teddy’s appearance here. Coincidence? Beloved toys? Family mascots?

The photo came out of an album, glue and paper are attached to the back, but nothing is noted on the back. I assume they are family – the man and the woman closest to the teddy bear look very much alike but the three could be siblings and sit, solid citizens that they are, in descending order of height, left to right. Other family photos hang on the wall behind them. Not to be unkind but they are somewhat humorless; for all the world they do not look like people who would pose for a photo with Bonzo and Teddy. However, all these years later, we do like them for it.

A Real Parade of Toys!

Pam’s Pictorama Photo Post: Picking up from where I left off last week, Kim and I were literally waist deep in vintage toys at The Antique Toy Shop  in Chelsea when the owner Jean-Pol remembered me from my previous visit, and then put me together with Pam’s Pictorama. I had shared some Pictorama toy posts with him when I met him last year and he has kept up via Instagram.

It may surprise some of you, but Instagram and Twitter are in many ways my happy places. Everyone complains about social media, but to a large degree I have managed these accounts to be nothing but delightful escapism. With careful tending my Instagram feed is mostly art and interesting photos of places and things I look forward to seeing. My Twitter feed is also jolly photos and GIFs of cats and silent film stills and news. Jean-Pol is my only entry with vintage toys, although I would welcome others if I found them.

In exchange, for those who follow Pam’s Pictorama, I also share antique toys, interesting photos, snippets from jazz concerts, cats, and early film back out to the world. Twitter gets a feed of articles of interest as well, largely from the New York Times as I read it in the morning, but fun or interesting articles exclusively. (Mice singing to each other anyone? A Detroit greenhouse that turns into a mini-movie theater at night perhaps? Found here and here.)

Politics is verboten on my feeds for the most part. I chose to get my hard news other ways and I don’t feel the need to share it or my views on it with the world on social media. I visit Twitter each morning and insist that Kim come look at such things as the best of #jellybellyFriday kitties and keep in touch with the doings of a young woman named Fritzi on the west coast who seems to have a small menagerie of cats and dogs, is a silent film blogger and to my knowledge never sleeps. (She is better known to me as @MoviesSilently.) There is also Lani Giles (@4gottenflapper) who appears to live in Alberta and Mad Cat Cattis (@GeneralCattis). I am, of course Pam’s Pictorama (@deitchstudio) on both. This is where you can find me, coffee in hand, each weekday morning around 5:30; Kim grinding away at his latest page at the same long table in our living room. (Yes, we live in a studio apartment, but the space is divided and therefore a living room and a bedroom.)

I have a few real world friends who Tweet politically and while I have not exiled them I refuse to share them. The Dalai Lama makes occasional appearances to help remind us to have a mindful day. Pictorama has acquired a few readers this way, mostly via Instagram and occasionally connections I never saw before occur between Facebook friends and other social media – a spouse’s account on Instagram (who knew that Fat Fink was married to Motivated Manslayer?) sporting a name that is different. On Instagram I recently uncovered a real life connection to someone in Monmouth County, NJ, where I grew up. He and his brother knew my sister in school. (Shout out to Rob Bruce @popculturizm.)

Anyway, I have digressed. Because Jean-Pol remembered me he began producing photographs of children with toys. The one shown here is beyond wonderful and I knew I had to have it immediately. In the background there is both an early car and a horse drawn carriage so it dates from the period when these things co-existed briefly, a paved road however, and in what appears to be a wealthy enclave judging from the amazing toys on display. (Not to mention the appearance of the pet goat with cart, lead by the boy with the news boy cap. May I just state for the record that I think having a goat drawn cart as a child is a sort of pinnacle of happy indulgence?) I would say the photo hales from the late 1900’s or early teens? (Women’s dresses are still long.)

Of course, the main event is that every child in this affluent neighborhood has dressed up in their best bib and tucker, some even in costume, and brought out their toys and pets in a most splendid toy parade! The little girls are especially be-ribboned and heavily bowed, with a few crowns even thrown in for good measure. I am especially fond of the kid in the clown costume, head covered almost entirely by his top hat, with a remarkable stuffed dog at his feet. (I thought it was a real dog at first, but a careful look weighs toward toy.) Flags are aloft, and there is this bit of some kind of bunting that is keeping them lined up, at least for the most part. Dolls are on prime display and one doll stroller has a small banner that reads, The Flower Girl. I can only imagine that even without this photo it was the sort of event that lived on in imagination and memory for those who were there. A Little Rascals type slice of real life.

 

Cat Ears

Pam’s Pictorama Photo Post: I resisted this photo as long as I could because it was expensive, but had to purchase it. (Full disclosure: Kim has tweaked the contrast on this in Photoshop which improves it considerably.) There’s no explanation on the back of this card and it was never sent, but it does speak for itself. I must say, with perhaps one exception (second girl from the left end), as a group they don’t appear happy about what I consider to be their jolly cat costumes. And my goodness, poor #6, in his enhanced, darker costume doesn’t look happy at all. Even mom doesn’t look thrilled. It’s a glum group of kitties. (A careful look leads me to believe the adult is at a minimum related to the child whose hand she holds and #6.)

In addition to his number label, #6 is the only one sporting a nice set of whiskers and has a high contrast version of the cat suit. It is hard to see, but they do also sport tails – a pity that we don’t see those better. One set of ears was sewn to look more elfin that cat, third in. It is almost impossible to see, but each also sports a tiny horseshoe pin – pointing down I’m sorry to say, all that luck pouring out. Mom wears one too. There’s something I especially love about the line up of shoes peering out, the trouser legs sewn differently at the bottom of each. There is that reluctant version of hand holding that children do – with a complete refusal of the two on the end. Ha! Gotcha. Take that you grown ups!

Personally, I have long loved a good animal costume and I tend to think I would have been more than happy to have been dressed up like this, especially if I was #6 – I would have been jealous of those whiskers and sharper black suit if I was one of the others. A tail is a great thing too and I have often thought I would like one. For myself, I am very fond of a pair of cat ears on a hairband I own. (This combines a good hair look with, well, lovely pointy cat ears – if only I could make them move independently like Cookie and Blackie do in inquiry and annoyance.) Our cats seem to find my cat ears alarming and repugnant however.

I remember when I first got the cat ear hairband years ago and put it on to show my cat Otto – who shrank away and with an expression which could only be described as the sort of disapproval and disappointment she’d have reserved for my holding forth with a racist joke – how could you? Evidently cat ears are the equivalent of kitty black face. It also seems you have, in their eyes, been transformed into a huge monster cat. Frankly, they appear to find hats distasteful too in a similar way – although it must be said that Cookie and Blackie are forgiving of Kim’s outsized cowboy hat he wears daily. However, I get the kitty stink eye for a knit cap in winter on my way out the door.

Unlike the Metropolitan Museum, it is interesting to note that many of the folks at Jazz dress up for Halloween. I was surprised the first year, but this past year I did bring cat ears to work. I only wore them for a short time, but it is clearly one of the perks of the job.

All in the Family

Pam (Family) Photo Post: As I sit down to write today I am unsure really what I want to say about this photo. I was fascinated by it when I saw it for the first time over Thanksgiving. I have no memory of seeing it before. It is a photo of a photograph which is in very bad condition and over-exposed in part (I took it on my phone and Kim has darkened it slightly for us here), but it manages to be fascinating nonetheless.

This photo was taken in the yard I grew up as knowing to be my grandmother’s, but it was a home (and yard) that at one time housed several families and generations of my family. My mother grew up in the two story house attached to it, with her brother and parents on the ground floor and an aunt, uncle and cousin on the second. One of the grandmothers lived with them there at one time too. I wrote about the house aways back when some photos of it came my way. (That post can be found at My Grandmother’s House here and I also wrote about my maternal grandmother, and her kitchen in Ann’s Glass which is here.) However, here is the familiar yard, several generations before my childhood, recorded on the advent of the wedding of my great-aunt Rose (Ro’ or Ro’ Ro’ to me as a kid) and a glimpse of this opulent, if homespun, backyard celebration.

My mother tells me that this table, impossibly long and which literally disappears into the photo horizon, is set up under a grape arbor decorated here with festive bunting, which supplied this (very Italian) family with the grapes to make wine. The arbor was long gone by my childhood, my mother says it was the victim of a jolly rodent population attracted by its bounty and the nuisance convinced the later generation of denizens to dismantle it. Every inch of the yard, less than an acre by my reckoning, was devoted to producing food for the family – fruit and nut trees, a vegetable garden, chickens. This yard, hunting and fishing, extraordinary cooking and preserving skills, kept this family fed through thin times, including my mother’s childhood which includes the far end of the Depression.

The family owned a bar which the women of the Cittadino family (at a minimum my great-grandmother and her daughters) cooked for, in addition of course to feeding and taking care of the family. When I look at this photo my mind reels with thoughts of the days (weeks really) of work that must have gone into this celebration. I would imagine that many hands helped in a variety of ways, but there’s no way to imagine it wasn’t an enormous job for those at the heart of it. As I look at it I am fascinated by how the men are grouped at the end of the table closest to us. No one has identified any of them specifically. Frankly, it looks like a tough group!

In general the men on this side of the family are dim in my memory and mind. They seem to have largely died on the young side (a variety of reasons, inherited heart issues among them) and therefore my childhood self never met them or at least didn’t know them long enough for there to be much of an impression. On the other hand, the women, an undeniably strong group of women, loom large and Ro was the oldest of that clan. I have vivid memories of them. As I unpack more of these images in future posts I will likely write more about these strong willed sisters and what I know of them.

These photos come to me via a cousin (second cousin to me) who has unearthed them as she starts cleaning out her own version of an ancestral home. She has lost her mother and significant other over the past year (the latter quite unexpectedly), and she has drifted to staying with my mother, who since my father’s death over the summer is largely alone in her house – although so many friends come and go I often think it is her own version of Grand Central Station. Nonetheless, family is different and it is a poignant reminder that it is an interesting thing, which can at times expand and contract as needed. It unfurls further than the eye can see, back into the past, and indefinitely into the future.

Tin Hats

Pam’s Pictorama Photo Post: I stumbled onto this photo, somewhat outside of my usual bailiwick of cats and toys, and purchased it for its slice of life from the past quality. The woman is identified on the back where, despite evidence that it was pulled from a photo album, the neat pencil writing is still legible, April 1927 Marion Goodall 1495. West Adams Street. 

Marion, in her best bib and tucker, stands next to lobby cards for Tin Hats which, according the the IMDB database was a WWI comedy, made in 1926 starring Conrad Nagel and Claire Windsor. Although partially lost there is a rather detailed outline of the plot penned by a devoted individual who took the time to do so. (The author had seen some of it and filled in with a period description.) Roughly, it is a comedy farce that follows three soldiers who somehow get separated from their army unit in France just as the armistice is signed, and acquire bikes as a mode of catching up to them. Along the way, one falls in love with a German woman, they drink a lot of beer, and are hailed as heroes of the Occupying force (yes, there was a time when the French were really happy to have us there) and essentially have a jolly time of it. Spoiler alert – everyone gets happily married in the end.

Tin Hats was directed by Edward Sedgwick and his sister Eileen has a lesser role, as a second love interest. As an aside, Eileen’s twin sister was Josie Sedgwick who was a bit more of a rip roarin’ good time according to Kim. (A morning discussion about the merits of Josie is taking place as I write this.) The twin girls were born in Galveston, Texas on March 13, 1898 to a theatrical family which had a vaudeville act which ultimately incorporated the children, The Five Sedgwicks. While the girls were eventually plucked from the act, Edward on the other hand completed a university degree, went to a military academy, and contemplated a career in the military, before deciding to follow the family path into the theater and films as a director. Although Eileen made more than a hundred films (mostly serials) neither of the twins makes the transition into sound. Josie ultimately opened a talent agency. Eileen lives to be 93. Edward continued to work as a director however, until the 1950’s. His last listed credit is an episode of I Love Lucy in 1953.

Meanwhile, Marion Goodall’s interest in being photographed with these lobby cards is now lost to us. In her strappy shoes, good coat and with her marcel curled hair, she is indeed a snapshot of a woman of her time. More and more I notice silent films that are slipping into the category of having been made 100 years, or more, ago and even in my lifetime that seems amazing. It didn’t seem like they were made all that long ago when I started watching them with my dad in the 1970’s. These films, photos and music of the time remain little time capsules, ready to transport us back in time, at least for the flicker of a moment and these days at the touch of an internet button.

 

Sittin’ on a Wall

Pam’s Pictorama Photo Post: I have already opined on the origins of Humpty Dumpty (see here for my post Humpty Dumpty where I discuss my version of the toy shown here, several amazing variations on it, and dip into Humpty’s humble beginnings) so I will not focus on that today. I admit that the weird toy attracted me to the card though. Even owning one, I remain fascinated by it’s strangeness and can’t quite get enough.

This Humpty wears a jolly beret! (Mine has a peaked cap, jaunty as well. Did Humpty always wear a hat? Did I miss something about that?) He and the little girl both hold their hands up in the air in an identical pose – she just wrapped in some illusion fabric rather than a dress, but seated on a little cushion and with those hotsy totsy shoes! They appear to perch together on more of a chimney than a wall, but perhaps we can say a piece of a wall? This card is clearly made by a professional studio and was never used, nothing written on it.

Hang on now because I’m afraid I am going to wander down that sort of meandering path I do occasionally when I have something scratching at my mind. I have been thinking a lot about the crucible of change and how I have gone through it at various points in my life. I wish today I had a story of how I went into it and came out the other side. While I know intellectually that there is always another side and I will eventually come out, I write today as I flounder in its midst; without even a glimpse of the far shore yet, trying to figure out to paddle my craft there.

Humpty Dumpty and his great fall are a good metaphor for this – man, once he fell all the King’s horses and all the King’s men couldn’t put Humpty together again. After the page has turned and change has begun, watch out because like Humpty, you aren’t going back to the old you. Last week I alluded to this (see Time is Flying) and the process I went through after my sister died years ago. More than I thought it would, my father’s death has propelled me into another catalyst for a transition that is roiling forward, somewhat of its own accord.

I feel like I am clutching a tiger by the tail, being thumped around as I try to hang on. This week I think I realized that you can’t fight it, despite a rather cat-like tendency of mine to abhor change I need to figure out how to embrace it. Transition and growth sound so positive that after the fact, you tend to forget the growing pains, but there is nothing now but to get on board. It is a tough path to be on and taking charge of it requires marshaling resources I will have to find. And it is hard to remember that it is not so much about putting the pieces back together – that ship has sailed – as it is about forging an entirely new whole.