Love’s Old Sweet Song

Pam’s Pictorama Post: Perhaps some of you wonder what kind of valentine I give Kim considering the very special one he produces for me annually. Since clearly there is no competing with that and love is a two way street here at Deitch Studio, I usually purchase a card and perhaps a specific token of my affection. This year I ran across this great vintage valentine a few weeks before the holiday and had time to secure it to give to Kim.

Of course it was the singing (yowling) kitty on a fence post that caught my attention, but it really is a nifty little item. This cat trilling on a fence is very close to the cover of a piece of popular sheet music simply called Meow which currently decorates my new office, while another copy hangs next to my kitchen door here at home. Shown below, I have written about it and my collection of cat related sheet music previously. A few of those many posts can be found here and here.

Pams-Pictorama.com Collection.

This miniature sheet music card has heart shaped notes emerging from kitty’s mouth, who has a perfectly curled tail and a few stars and moon thrown around for decoration. It boasts Words by – N Webster and Music by – HY Pitched, while at the bottom the credit goes to Ima Gossip – Publishers – Inc. Anytown, U.S.A.


The inside has music (maybe someone who reads music can tell me if the notes are nonsense or not) and the heart shaped musical notes continue within. Beee Myyyy Valentine-ine-ine-ine! You are reminded to intone Romantically at the top. At the bottom it declares, Note* Practice until you know it by heart! It was sent by Ruth Abrams although alas, we know not who to. It was printed on a sheet of paper and folded into quarters, rather than printed as a card. There is no publisher or printer’s information on it.

Inside of the card. Nice!

There is in fact a real song of this title. First published in 1884 it was composed by James Lynam Molloy and lyricist Graham Clifton Bingham. It was introduced that year by Antoinette Sterling at the St. James Hall in London.

Because the chorus starts with Just a song at twilight it is evidently frequently identified that way. It is evidently known for being referred to in James Joyce’s Ullysses where Molly Bloom sings it. Arthur Sullivan (he of Gilbert and Sullivan) was accused of using the first two bars for When a merry maiden marries in The Gondoliers, which he denied.

The lyrics are below:

Once in the dear dead days beyond recall,
When on the world the mists began to fall,
Out of the dreams that rose in happy throng
Low to our hearts Love sang an old sweet song;
And in the dusk where fell the firelight gleam,
Softly it wove itself into our dream.

Just a song a twilight, when the lights are low,
And the flick’ring shadows softly come and go,
Tho’ the heart be weary, sad the day and long,
Still to us at twilight comes Love’s old song,
comes Love’s old sweet song.

Even today we hear Love’s song of yore,
Deep in our hearts it dwells forevermore.
Footsteps may falter, weary grow the way,
Still we can hear it at the close of day.
So till the end, when life’s dim shadows fall,
Love will be found the sweetest song of all.


Just a song a twilight, when the lights are low,
And the flick’ring shadows softly come and go,
Tho’ the heart be weary, sad the day and long,
Still to us at twilight comes Love’s old song,
comes Love’s old sweet song.

There are numerous recordings and I am sharing two very different ones here. (For future readers apologies – these links are available at the time of writing although may not be in the future!) The first is by John McCormack, recorded in 1927. He is a favorite of Kim’s and we listened to this version this morning.

The other is from Bing Crosby’s radio show and it is a very different arrangement. Also note that Bing says it was written in 1882, not ’84 which is Wikipedia’s thought on the subject as above.

This is a super little card and I intend to frame it up for display – where Deitch Studio and the Pictorama archive align! I see a small spot above Kim’s desk, right at eye level where he can be reminded of my affection daily.

Riding the Pink Elephant

Pam’s Pictorama Post: It’s the great Valentine reveal. It’s a post-Valentine’s Day bounty today with this glorious page Kim made for me! For any new readers who aren’t familiar with our ritual, every year since we first started dating, Kim has made me a Valentine which is a sort of combined birthday and Valentine’s Day gift. (Some prior year posts can be found here, here and here.) These have grown in complexity over time.

This year is a bit different and really is like a full page story. I love that the way we are celebrating 30 years together is to ride a magic pink elephant! Yes! It has really been exactly like this.

My 2017 Valentine! Pams-Pictorama.com collection.

I’m pleased that Waldo even makes a rare Valentine’s appearance. I won’t say he hasn’t shown up before, but spending Valentine’s Day with us isn’t his usual beat. Of course he’s evidently responsible for inciting the elephant to charge while we cling to our perch – which is secured by a belt of hearts. Despite the gravity of our situation hearts bubble up all around as well – perhaps a dream? No way – I assure you, this is life at Deitch Studio.

Despite the fact that I spend the whole page wearing a nightgown, I am here as in life, the more practical of the two of us. Although Kim does maintain extraordinary calm in times of duress as illustrated – Don’t worry he always gets away.

2020 was a very Felix-y year for my Valentine! Pams-Pictorama.com collection.

Sort of funny that he has depicted me with my eyeglasses on in bed and even when we kiss in profile at the bottom. (I generally only wear them in bed to watch tv as I am a no eyeglass book reader person, at least for now. Talk to me again in a few years.) The page culminates at the bottom with us in bed reflecting on the adventure.

This box Kim decorated for me many years ago (and I posted about in 2015) inspired this year’s color scheme.

The word always plays throughout the page. It starts at the top with Kim, then I say it – and Kim does again and the whole page culminates with it in red. It brings us to the tune of the Irving Berlin hit Always. In 1925 Berlin wrote it for his wife (and gave her the royalties which certainly did not turn out to be insignificant) as a wedding gift. The lyrics are:

Everything went wrong,
And the whole day long
I'd feel so blue.
For the longest while
I'd forget to smile,
Then I met you.
Now that my blue days have passed,
Now that I've found you at last -

I'll be loving you Always
With a love that's true Always.
When the things you've planned
Need a helping hand,
I will understand
Always.
Always.

Days may not be fair Always,
That's when I'll be there Always.
Not for just an hour,
Not for just a day,
Not for just a year,
But Always.


Or if you prefer, the Bing Crosby version can be found below.

Or a less brisk version by Deanna Durbin can be found here.

Cookie and Blackie make an appearance having zoomies through the bottom – perhaps racing for the best spot at the foot of the bed, or more likely getting out of the way of our gooey human kissing as cats will.

Life here at Deitch Studio is a wild ride, but always my only very favorite place to be. Thank you sweetheart and here’s to the next 30!

Tuning In

Pam’s Pictorama.com: Last week I mentioned stumbling onto Radio Dismuke in passing. While in Cold Spring over our anniversary we happened into a shop where it was playing. They had thoughtfully provided a printout page by the register with the log on info. I snapped a photo. Later that week I remembered it and tuned in while at work. It is a glorious discovery.

From what I have gathered, the station started as one man’s hobby, programming and playing his vast collection. The documentation of it online seems to mostly date from 2016 when he (Dismuke) made the decision to place his collection and the station in the hands of an Austin, Texas archive. There is a Board and donations can be made to it as a 501(c) (3) organization. He continues to program it, although I gather there are evidently occasional guest programmers (I haven’t hit on those yet). It rolls along 24 hours a day, seven days a week, like an alternate reality.

Although occasional period commercials play and there are periodic station identifications, there is no disc jockey or voice of. The playlist is vast and the throughlines can be mercurial. The quality of the recordings is fairly universally good. There are radio transcription, 78’s and who knows what else. The variety is blissfully wide. I bless Mr. Dismuke for having the foresight to attempt to ensure and secure the future of his station this way.

Today while wandering around the site I discovered that there is a section of program notes and essays with music as well. I have to explore further. I have also subscribed to their emails so we’ll see what that brings.

As a young adult, even a teen, I shopped around for a music that suited me. Of course as a Jersey girl of age in the 1980’s, I listened to a bit of Bruce and other contemporaries of the time. My sister Loren had a prodigious interest in music and collected albums of both popular and classical music. She was musically gifted. Violin was her primary instrument, but she played piano and flute, and was even known to hop on bassoon in a pinch. Music both from her own making and from her stereo issued forth at all hours and whenever she was home.

I am old enough that radios were certainly ubiquitous and hugely inexpensively available. While there was a kitchen radio for family consumption, it sat atop of the fridge where we couldn’t reach it until we were old enough, tall enough. It was generally on news radio, (CBS News radio where mom’s brother worked), but mom would give into music occasionally.

This is remarkably close to the model I had.

I had a transistor radio that I was extremely proud of when I was about 8. It was a small black Sony. It really seemed like the height of technology and vaguely magical. It was later replaced by, in turn, a very swinging 70’s model that was sort of a twisting plastic donut that kept its radio bits where it swung apart. This was very cool, but didn’t have legs. At some point I found or was given a white table model with gold trim and all were eventually replaced by a series of clock radios. (We were a clock radio family – my father rose to one daily and I guess he figured we all should. In New York I still use one, although in New Jersey and for travel I depend on my phone.) This eliminated the need for batteries and as I often listened in my room I only missed the magic of portability slightly.

Found on Pinterest. I think mine was even yellow…

I loved finding radio programs where stories were told or books read. Think Jean Shepard. I’m not so old that I remember dramas or series acted out on radio. However, there were shows where snippets of books were read or the sorts of things that would be podcasts were broadcast. I wasn’t very good at remembering when these shows were broadcast so it was hit or miss, but I’d go looking on a weekend afternoon or lazy summer day an occasionally be rewarded.

In true Butler tradition I still use a clock radio and this Sony cube has long been the current incarnation. I wake to WQXR classical music.

Jazz started to interest me fairly early on, but what I heard was sort of largely to one side of what really appealed to me. Almost without realizing it became apparent that what I liked was early jazz, pre-1940, but it was awhile before I think I entirely put that together. And it was hard to find. Like the stories, I would stumble on it here or there, but certainly didn’t find anything dedicated to it until I was in college.

I have written at length about the period of listening in college and ultimately discovering Rich Conaty’s show. (That tribute post to him can be found here.) Therefore, I won’t go over that territory again. Rich helped me quantify that it wasn’t only jazz, but really all popular music of the 20’s and 30’s (and perhaps a bit on either side) that I most coveted.

Rich Conaty. While researching this I found that WFUV has made his shows available digitally on their website.

However, with Rich’s death I never found a radio replacement. His station, WFUV, is an eclectic college station and there is, to my knowledge, no attempt to replace his show, nor to play the many decades of archived material. Phil Schaap filled the bill, if differently, at Columbia University and on their station. Kim and I became weekend listeners to his show, trading Rich’s Sunday night spot for a longer one on Saturday nights. Sadly, Phil lost his battle with cancer in 2021. His daily morning show Birdflight, about the life and music of Charlie Parker, is still played in its morning slot.

Phil was also a fixture at Jazz at Lincoln Center where he had taught their Swing U adult ed courses for many years. I would catch up with him in the kitchen and chat – always jazz or baseball. (I know nothing about baseball and very little about jazz compared to Phil. He’d quiz me and I would fail.) Once in awhile he’d lope into my office and have a chat. That was more rare. His presence accounted in part for my interest in taking the job there. Despite my inability to remember dates and details, Phil was overwhelmingly supportive of my fundraising efforts on behalf of the music and always expressed his gratitude with enthusiastic abundance.

A young Phil Schaap.

I find it hard to listen to Phil or Rich now, both their voices so very distinctive, without getting sad so I don’t listen to the rebroadcasts of Phil’s shows. WKCR continues dedicated presentations of jazz beyond Birdflight, but I lost the habit of listening while I work entirely during the pandemic. Kim loves the music, but he finds it distracting when he’s working so unlike my office, I didn’t play it while working from home during the pandemic years.

Ironically, my discovery of Radio Dismuke has come as I finish my time at Jazz at Lincoln Center and popular music of the 20’s and 30’s pours out of my office there again for now. (The internet has of course long replaced the desktop radio that I had while at the Met – although I still have it and could probably put my hands on it right now.) It is of some comfort to me that when I am sitting in a new chair in a different office in a few months that I will take Radio Dismuke along with me. In recognition I made my first online gift to them. I hope that it will be the first of many.