Music

And the Season to be Jolly Continues…

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Pam’s Pictorama Post: I have a red velvet jacket, trimmed with a bit of black silk braid, that is probably a good decade (or even more) older than me. My guess is that it made its appearance on the scene in the late forties or early fifties. It is short and hits me just above my hips. It is a boxy cut so there is never a question if it will fit during and waxing and waining of weight. Mercifully the moths seem disinterested in it.

Since it is such an elder statesman of a jacket (showing some wear on the pile around the elbows) I only take it out for a few holiday runs a year, but without question it is a fan favorite and I always get so many compliments on it. Needless to say it dozed quietly in my closet over the pandemic years, and last year was a very abbreviated festive season with my mom in the hospital up to Thanksgiving and then with the time I stayed there. (A post from that time can be found here.)

Self-portrait in Christmas bulb on my run in New Jersey earlier this week. The NJ suburbs, as above, exude more holiday spirit.

So this year was the first in many years that I pulled it out again to wear yesterday, paired with high-waisted navy trousers and a silver (yes, silver – hotsy-totsy!) silk tank top. I have long found that dressing the part will get you part of the way to feeling it and I needed to pull out all the stops to find some ho, ho, ho this year for a dinner after work.

My evening out was preceded by a very long, frankly arduous and frustrating day at the office. As I alluded to in my post last week (it can be found here) fundraising is reaching a fevered pitch by this time in the calendar year. Some large events and important proposals have been layered on top of the usual frenzy truly making my head spin to the point of migraine meltdown early in the week. Yesterday I was sweating out the final version of a document right up until I had to leave to head over to a holiday dinner at our jazz club.

The evening was a mix of people I know and a few I did not, although even those I didn’t know only had a degree of separation really. I was a guest last night and so while I can never entirely stop my work brain when I am in our venues, the evening was not mine to run and fret over. Drinks and fried food eased us into the evening, always a good start.

Marilyn Maye performing at Dizzy’s Club last night.

The set featured Marilyn Maye. For those who do not know her, Marilyn is a 94 year young jazz and cabaret singer who is still belting out standards and last night with a sprinkling of holiday classics. Marilyn had her start as a truly tiny tot in talent shows in her native Kansas. Over time she moved from Wichita to Kansas City, and then later to the big time in Chicago where she began a long recording and successful performing career.

Evidently dinner club cabaret eventually gave way to more stage and theater work, and although I have seen her in our other, larger halls, she seems most wonderfully at home in the club atmosphere. In her sparkling sequin jacket, trousers and decked out in glimmering earrings and bracelets, she is every inch a dinner club diva.

As I settled into the music, my phone tucked away for the evening (although I did sneak this photo), which is rare for me because often when I am at a dinner in the evening I am working and need to be available to the staff who are also working. Last night as a guest I was able to focus entirely on the music.

The enthusiasm of these decorations inspired me to make my run past it so I could get a photo.

The love songs lulled me into musing over my own good fortune to have found Kim (as they always do) and that put me in a good frame of mind. By the time she got to some holiday music (a medley with Have Yourself a Merry Little Christmas and Santa Claus is Coming to Town among them) my harden, cold, Grinchy little heart had melted. Somehow even as it was unfolding I knew it was an evening that I will remember and look back on – just a very special moment in time which will stay with me. Thank you Marilyn!

Love’s Dream – a Listening Post

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Pam’s Pictorama Post: This sheet music wandered into my collection recently via an eBay seller in Tasmania! I believe it is British in origin, but does have a Sydney, Australia copyright within. The photo on the front sports the Porter & Higgenbotham’s Danse Band, all six gents lined up in their rooty tooty suits with their hands in pockets, in order of size, instruments lined up.

Of course it has come to me because these fellows were cool enough to have a nice Felix, fully credited, on the front of their drum. An excellent indication for any orchestra and I would have followed them for that alone back in the day.

This sheet music also included are the little known tunes, All I Want is a Stay-at-Home Girl, The Rose of Flanders and a page of Dream House on the back as an advertisement. For better or worse I cannot easily find samples for your listening pleasure. Tasma Ockenden (?) has written his or her name on the top and it was stamped by Cawthornes Ltd. Music Warehouse.

I went searching for a version of Love’s Dream to share and came up with the one below. Give it a listen and let me know what you think. Hang in there for it to start to swing!

Liebestraume or Love’s Dream on Youtube available at the time of posting.

This recording is sort of in the sweet spot of my musical inclination left to my own devices, although I definitely like a good vocal too. Working for the Jazz at Lincoln Center Orchestra has broaden my musical jazz tastes a bit as well of course.

I like to say that when Phil Schaap (music historian, producer and DJ extraordinaire) was alive he helped bring me into the forties, the latter part of the Swing era, as I used to say my musical inclination ended in 1939, although Bebop and its kissin’ cousins still elude me. (I have written about the start of this musical journey in a post about the wonderful Rich Conaty which can be found here.) But of course now I listen to the orchestra’s new compositions, some of them beloved to me, and arrangements and am reminded that indeed, all jazz is alive and modern.

I am partial to Wynton Marsalis’s Swing Symphony, (you can listen and download here) and I run to it frequently. I often think that when I hear it next in a concert hall I won’t be able to stay in my seat so strong the inclination will be to increase speed on what tends to be the last third of my run.

Recently I wrote about our season opening (here), a fall ritual I was viscerally pleased to return to this year for the first time since 2019. Wynton’s Shanghai Suite was on the bill and it sent me back to thinking about my early trip to that city for work, (I wrote about that rocky and wild trip here), but also how different it feels more than five years later. I also considered how being back to a program of listening to live music has returned me to my endeavor of learning to listen more actively. I am privileged to live in a world of rehearsals, concerts and sets at our jazz club. I return to it with ears still responding anew to live performance.

My pandemic music listening, aside from my job and what I listened to online for it, revolved largely around what I programmed for my runs once I started running in the November of ’20. Working in one room with my husband Kim at my side (happy 22nd anniversary Kim!) didn’t allow for a lot of music playing. My chatter on the phone was distracting enough for him poor man! Occasionally I would play some early jazz or dance band music when I needed serious mood enhancing, but mostly I would curl up on the couch and home renovation television, like eating junk food, to relieve stress.

Beethoven String Quartet Op. 135 in F Major, on Youtube at the time of posting.

Oddly, I mostly do not like jazz when I run however. Although I went through a long Billie Holiday phase, I generally listen to a sloppy compendium of classical and rock and roll from my childhood. (Yes, some Bruce Springsteen in there – cannot take the Jersey entirely out of the girl I guess.) This fall it has turned to Beethoven and there is something just right about the symphonies for the yellowing light of an east coast fall, temperatures rising and falling the way they do about now. Yesterday at my request Wynton suggested a Beethoven string quartet, opus 135, for my run which is slated for today. I am looking forward to it and will let you know how that goes.

Opening

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Pam’s Pictorama Post: As most of our readers know, I work for a well known performing arts organization and you may remember that last year I missed our opening weekend, pushed late into November to avoid inevitably Covid related early fall issues. My mom landed in the hospital and needing to be with her trumped even our long-awaited post pandemic opening. So for me, although I attended concerts later in the season last year, this was my first opening weekend since the fall of 2019. While it lacked the heavy emotion of last year, last night was more than suitably festive and, despite masks still dotting our landscape, came close to feeling like at least the return to a new normal. There was a real joy in the room.

For me it also marked the launching of many colleagues who joined the organization recently and wonderful to see them each fully assume their new roles. (I have written some about the interview process and the overall state of the office here and here.) Like the slow forward movement of a mighty ship, the gears slowly turned and it was something close to full speed ahead by the end of the evening. For my folks the weeks and months of getting to know the organization and about our supporters was like the musicians and their hours or practice and rehearsal.

Birthday cake for mom earlier this week. I started the week working from New Jersey so I could be there for a small, but festive birthday celebration. Being able to work from there periodically is a post-pandemic blessing.

An evening like this is marked with a certain expected stress and mishap as is the nature of our business. Tickets gone missing (and a supply chain issue with ticket stock having made us crazy), introductions needing to be organized and executed, catering issues. (Last night a vegan sandwich made with beets appeared – which oddly looked remarkably like corn beef. They were enormous – and well, made with beets. Ultimately we had them quartered which made them more approachable and in the end they were surprisingly good.)

I was endlessly pleased to see my folks embrace their new roles, talking with guests, moving the reception along seamlessly. Our fundraising work bounces back and forth between the administrative and in person, a delicate dance really between the two. It is a a miracle when it all meshes into a successful evening like last night and fascinating to see the new people embrace their roles, each in a different and singular way. The trained singer who came to us to be back in this milieu taking obvious pleasure in the music and in meeting the musicians, the talented and personable young man who has taken a flyer on working for an arts organization for a totally different experience finding his voice. Our events manager fully in charge and in his glory after a few spring trail runs.

Mixed in of course remains a core group of hard working and great long-standing colleagues who have stayed through it all and helped introduce the new people to their roles while continuing to keep things afloat, as we have for months and really years now. It was a moment to glimpse the future and how a new team will work together and for all the bumpy starts see how the road ahead will shape up. It is just the start of the season, but I return with a new sense of swing to my step.

String Band

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Pam’s Pictorama Photo Post: I’m not sure I remember where this photo hails from, possible @missmollystlantiques which means it likely comes from the Midwest, or maybe eBay.

However, frankly I can find no tracks either way. I came across it yesterday when I was assembling the photos which had come to me via jewelry vendors (that post can be found here) where I had mysteriously put it aside after receiving. (And after publishing my post I was tickled to find out that at least one of my IG friends – shout out to Karen! – is a purchaser from the same vendors and collects their photos too.)

I have a fondness for this sort of early band photo which is something of a genre; seems folks couldn’t resist getting the band together in the yard before taking off somewhere. I don’t own more of them as they usually command competitive bidding and go high. However, I stumbled across this one and bought it. I was lucky and it is a good example. Only a $2 mark on the back of the photo, nothing to identify it further.

This is a banjo-heavy quartet with just the one guitar. I wonder what their sound was like. I probably would have liked a violin in there maybe, just saying. However, a quick look at Youtube tells me that banjos do like to hang together in multiple, not unusual to see four or five together.

These fellows are not youngsters, but of a certain age. We’ll assume they knew what they were about. Could have been bluegrass or something else. (The Youtube below may satisfy if this is putting you in the mood for early banjo music – a great slide show of banjo related pics too!)

Kim and I are unable to decide what their sign says, although I suspect that to them it seemed perfectly clear. FALL what? UJM? These four fellows are in their cleanest, whitest shirts and, as Kim pointed out, each is sporting the very same barbershop hair cut, freshly and recently executed. It is an earnest photo. The fellow on the top left is leaning in, probably as he would when he played.

If you look carefully, in the windows you can see some folks watching this photo being taken, as is the fellow out by the wash drying in the side yard, hand on hip. The front of a car (perhaps their conveyance to gigs) has nosed into the photo on the other side.

In my mind I imagine that right after this photo was snapped, they packed their sign and climbed into that car and took off into the summer day, on their way to their next gig.

Fat Tuesday, 1928

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Pam’s Pictorama Photo Post: Today’s card is a bit faded, but nonetheless a great addition to the Pictorama collection. While I am pleased to have acquired some outstanding photos of folks sporting Felix Halloween costumes and Felix (and Mickey) in some great parade shots (some of those can be seen in posts here and here) I believe this is the first Mardi Gras Felix photo I have acquired.

Identified at the bottom as being from New Orleans La. February 21st 1928 I checked and confirmed that this was indeed Fat Tuesday, the kick off for Mardi Gras, that year. It is a photo postcard which was never mailed and there is nothing else written on it. (Fat Tuesday is of course the celebration on the Tuesday before Ash Wednesday when eating and drinking reaches a frenzied peak in order to tide you over through the period of Lent.)

Pams-Pictorama.com collection from a 2014 post.

All participants are in similar, mostly, black masks and all wear jolly hats in addition to their costume and a close look identifies that they are all women. While these clowns, in their silky costumes, in the front are perfectly lovely, it is of course the group of three wearing these early grinning Felix costumes that won me over. It should be noted that a close look reveals that there is a fourth participant wearing a perfectly great black cat costume on the end.

Neither of the occasions I was able to make brief visits to New Orleans were during Mardi Gras and many years ago now. While I wouldn’t be surprised if my work eventually takes me there again I unwittingly stumbled onto a Fat Tuesday tradition at Dizzy’s, the jazz dinner club associated with Jazz at Lincoln Center, this year.

A whole lotta brass with Alphonso Horne’s Gotham Kings.

Alphonso Horne’s Gotham Kings make an annual Mardi Gras appearance at the club and this year it could only be described as a raucous and joyous celebration of their return to Dizzy’s on Fat Tuesday after a two year online hiatus. When one of Alphonso’s trumpet players was unable to make the gig he engaged four others for a total of five on stage. Trumpet players called to each other from locations across the room as they emerged from the audience, kicked the show into gear and made their way to the stage where they joined the rest of the band and a tap dancer. (I do love a tap dancer!)

Tapping and drumming!

The performance was capped off by the vocalist C. Anthony Bryant singing What a Wonderful World. The tune is far from a favorite of mine, but there wasn’t a dry eye in the house that night. (You can see a variation of the band performing it – in a Manhattan apartment – on a Youtube video here.) So while it is unlikely that I will make Mardi Gras in New Orleans next year, I know where I am likely to be.

C. Anthony Bryant closing the show.