Pam’s Pictorama Post: I stumbled on the four Radio Girl novels advertised in the back of a Ruth Fielding novel which must have been a reprint as these were published in the 1920’s and that volume dated from 1915. (You will find my brief survey of Ruth Fielding in a post here.) Just a note that all four books are available on ebooks – I believe I read them all on Google Play rather than Project Gutenberg.
Although this clutch of novels was later repackaged with the Campfire Girls novels, they are more of the breed of The Automobile Girls or The Moving Picture Girls, (my prior post on those can be found here) than what turn out to be rather distinct novels devoted to the Campfire Girls and that real world movement which was picking up speed at the beginning of the twentieth century. (It should be noted that it is spelled both as one word Campfire and two, Camp Fire, at various times. Without really being able to lock it down I would hazard to say that the one word spelling is the earlier spelling. The contemporary organization uses two words.) While all belong to what I think of as the plucky young girl genre, the idea of exploiting the new inventions of the times – the new world opening up with the advent of the automobile, films and also radio – is the jumping off point for each of these.
As I have written about previously, the thrill of a changing (modernizing one if you will) world is at the center of each of these – and the evolving role of young women, emerging from their teen years pretty much at the same time as the century itself. It reminds us that society evolved slowly and these novels go to some pains to show that these are nice and average girls, in this series they are fairly affluent. (Unlike Ruth Fielding and some other plucky young dames who are of the poor and/or orphaned variety.)
I deeply regret that the Radio Girls series is only the four volumes because I liked the characters and the writing, as well as finding the topic endearing. These novels were published in the early 1920’s although the dates when penned are hard to figure out since the first three volumes all have publication dates of 1922, the last volume 1924 – I deeply suspect that at least the first three volumes, or even all four – were produced all at once like a long book. These were written under the pen name of Margaret Penrose, a Stratemeyer Syndicate nom de plume for a number of authors writing under a single name. I cannot find further information about who actually wrote them although they do seem to have all been written by the same unidentified person.
While it may sound surprising to say, these are chocked full of the thrill and excitement of radio as it was dawning. It amazes me how much mileage the author gets out of it. Most charming for me is where Jessie and Amy (our protagonists) speculate on what the future might look like – a world with radios and telephones you carry around with you – television! (I could not help but wonder what they would have made of the iPad I was reading the book on in bed that evening.) They reflect on the radio’s place in a world that was still reeling from the establishment of the telegraph and telephone not all that long before. Telephones and radios were just being adopted by middle class American families and were still indeed novel.
At the heart of the plot of each is a mystery of sorts – kidnapped girls, raising needed funds for a worthy cause, or perhaps alternatively being stranded on the water, an island or on a sinking boat and the radio helps save the day! It is worth noting that the author goes to great pains to make Jessie and Amy, but especially Jessie, the master of all things radio, where she outshines both her college aged brother and his friends.
Jessie’s mother, Momsey, tends to fret a bit about the radio – however it does seems that there was the very real possibility of the set-ups attracting lightening strikes so she wasn’t exactly foolish in her fears. (It comes to pass in one of the volumes where a fire is started in a house via lightening strike and an open circuit on a radio set-up.) Meanwhile, Jessie eschews purchasing a kit for her radio and uses instructions (from a magazine I believe) to set up her rig – which includes climbing a tree and out a window in front of their large home, in order to string the wires. In the end, both mother and father are in full support of the endeavor. Once an acoustical horn is acquired for the radio (at first each person had to wear headphones) the whole family and their guests endeavor to listen ongoing – even a ticketed demonstration for the community to raise funds for a hospital project takes place in the first book.
In a later volume the young girls get to perform on the radio too and we get a glimpse of the mix of the behind-the-scenes performers, professional and amateur vying for radio time. Kim turned me onto some of the radio magazines that existed at the time, ones that seem to mix the upgrades in equipment and mechanics with the emerging star power of the day – sort of a film star magazine for radio. These are very appealing and I may pick up a few on eBay and wander through them.
How the Radio Girls are repackaged as Campfire Girls and the republication schedule of these is a bit of a mystery to me – the original copyright is on the volumes I read. I see some evidence that maybe the subsequent publication was issued in the 1930’s. Each was originally published with the double name title convention such as, The Radio Girls on Station Island or The Wireless from Steam Yacht. Campfire Girls replaces Radio Girls in the titles and they are repackaged and presumably sent out again to another generation of young readers by the new publisher. I can only imagine that they must have been somewhat confusing to girls who were expecting not just plucky heroines, but some actual reference to the Campfire Girls – those novels are chocked full of Campfire Girl lore.
While a tad resentful at first that my Radio Girls were subsumed into another entity, I gathered a few early volumes of the Camp Fire Girls on my iPad. I hope to eventually see if the original characters and story lines of the Radio Girls were picked up – they do not appear to be. However, the very different charm of those lured me in and in a subsequent post I will write about the first volumes I have tackled in that very long and interesting series, the genesis of the series which predates the Radio Girls with the earliest volumes coming out around 1912. As I like to start at the beginning of things I am still in the early volumes published before 1920, so more to discover and come on that.