Pam’s Pictorama Photo Post: Ah, yes. A return to photos today and this recent acquisition which exceeded my expectations when I purchased it. I have discovered, the hard way, that purchasing photos off of Instagram sales is different than buying them on eBay. One must act very fast and can’t really study and consider a thing the way I like. Therefore, there’s been a fair amount of leaping and some purchases that have left me scratching my head when received. Such is the life of an online photo collector. Nonetheless, it has broadened my horizons and this example is a gem of the non-cat photo variety.
It is a smallish photo, the actual image is three and a half inches, square. It is permanently affixed to the white decorative cardboard mount. I am inclined to say it is a cabinet card, but I defer to some of my readers who are more specifically knowledgeable in this area to offer a correction or fine tune that assumption. On the back it reads, Brown’s house in pencil in one hand, and in pen below in another script, Medef’s Camera, Dec 16, ’01. I purchased it from a seller in the mid-west and I would make a guess that it depicts a scene there, but hard to tell of course. It was sold to me by a woman who runs two accounts, one for antique clothing and jewelry (@spakeasachildvintage) and another I first discovered her under, @_wherethewillowsgrow_, for old photographs. I frequent both.
What I find somewhat remarkable about this photo is both the subject matter and the ability of an early photograph to capture it so well. I not sure I envy the early photographer, perched on the shore, capturing this roaring and roiling body of water. It is winter, there is snow on the hillside on the other side of the water and if you look carefully you can also see the icy banks across from they stood to take the photo.
The moving water is in sharp focus meaning it was a pretty fast exposure for the day. The Brown’s house is presumably the pleasant looking house across the way, a bit hard to see but visible. Hard to say if their property was threatened by the rising, violent water. There appears to be a whirlpool, or perhaps just a deep cavity formed by the waves, to the right side of the photo. It is quite a maelstrom.
Pictorama readers know I grew up on the Jersey shore, on the Shrewsbury River and only a few minutes from the ocean. River flooding and occasionally violent hurricanes, were not uncommon and dot my childhood memories – mom picking us up early from school before moving the car to higher ground and walking home in advance of a storm; watching the river burst up over the bulkhead and into our yard and around the house; the cold feeling of the water rushing under the house during a flood; geese paddling by and peering in the back door.
Despite that, I don’t remember seeing our river in quite this state – perhaps because the Shrewsbury was not contained by the same sort of deep embankment as is shown here, maybe made yet more active by a nearby falls. (Hurricane Sandy was the first time my parents evacuated during a storm and after a lifetime there they moved not long after, being too elderly now to deal with the extremes of life on the water. Mom lives nearby but definitely inland now.)
As recent readers know, I have taken up running along the East River (attempting to anyway) as part of my pandemic exercise regime. (That post, Running Slowly can be found here.) The moods of the river remind me of my childhood and it is fascinating to watch its many moods each day. In general I am shocked by the current which almost always seems to be very strong and fast. Even without boats (and there are boats in winter, a more or less steady stream of ferries, tugs and cargo ships) small waves, sometimes eddies and whirlpools. On a very windy morning the water can slap the bulkhead and spray as I jog by. The extremely calm day is a rare exception. I find it irresistible to photograph in all its moods and record it ongoing, as seen here, often with the early morning sun playing on it. Being near it now reminds me of my childhood and endless days of watching the water out our windows.
Living by the water you are quick to learn that, much like life in general, one day it can be as calm and smooth as glass – and the next it can whip itself into a fury.
Pam’s Pictorama Post: Today’s post is a contemplative work/life missive by way of warning to my readers. (Toys, photos and Felix to return shortly.) We haven’t had one of these in a long time. And while I have posting a bit about things like setting up my office in the apartment, (some of those posts can be found here and here) I have not written about my job since New York shutdown, our concert hall closed and tours canceled, almost a year ago now, last March.
In the past I have written occasionally about my work at Jazz at Lincoln Center, often reporting in from trips with the orchestra to far flung places (some of those posts, from trips to Shanghai, London and South Africa can be found here, here and here), but I have not written much about our quarantine times professionally. (The photo above of the outside of our hall was taken in June on my first trip to midtown since March.) Frankly, I figured I didn’t have anything to add to what everyone was probably struggling with in their own way, living their own version of quarantine imposed issues and addressing them in your work life. Also, it has been exhausting to live it and I have not had much time for reflection. I will start though by saying that I know I am very lucky to be able to work from home (be it ever so humble), and of course to have a job at all. I think about both those things often. (For those of you who might be new to Pictorama and in case you haven’t figured it out yet, I work for the Jazz at Lincoln Center orchestra and Wynton Marsalis, fundraising for the organization.)
As we march toward the one year mark, one that seemed impossible and I among those who refused to accept as even a possibility last spring, new rhythms and routines have of course been established. The work day starts very early here at Deitch Studio and I have adjusted to Kim’s program. It is rare that I am not at the computer and having my first look at the day around 6:00. Some mornings find me working out in a nearby park, jogging and doing some of the exercise that is hard in our confined space, working off early pandemic pounds. Other mornings might instead mean lifting weights here in the apartment – trying to make it possible for Kim to work in on the mat between rotations. (My posts about teaching myself to run and working out at home can be found here and here.)
If Wynton has calls he is making during the day ahead, to thank people or sometimes to ask for a gift, he gets his notes from me early. Sometimes there is an official briefing on the schedule, other times a spontaneous call early after reading my notes. (When I was walking instead of running sometimes I could multi-task and do a call then, but talking is beyond me while trying to run.) Then the long day of being at my “desk”, an ancient drafting table, commences. (I have recently ordered a new desk chair, one with arms, which will hopefully relieve what is now a chronic aching lower back.) Kim is subjected to a never-ending litany of calls and meetings, which he is required to endure my end of, my office now used to mutterings that occasionally come from his side of the room. Him now deeply versed in my work, where we stand to goal and each and every gain and setback daily. Wynton’s voice via the phone has at times seemed like another resident of the apartment.
The work day continues, with a break to eat a quick lunch which Kim and I try to do together, until about six o’clock when Kim usually knocks off work and Cookie and Blackie get their (long awaited; by then they are on my desk and staring hard at the back of Kim’s head) dinner. I usually start our dinner around then, we eat together and then sometimes I drift back to work for awhile, or it might be another good time if Wynton and I need to talk. Sometimes there are events, me in front of Kim’s work table on Zoom doing a welcome and introductions.
Like everyone else, my days are now spent clad in variations of comfortable clothing. There are evening “events” such as online concerts and conversations, and those demand rare forays into applying make up (I really thought I had forgotten how at first), putting on a nice top and maybe even a pair of earrings. I, who always dressed for work and a roster of evenings out, who rotated a beloved array of rings on multiple fingers daily, and faithfully applied make-up every workday, I have embraced the soft trouser (think sweat pants; the Addidas ones are for dressy events although no one sees them) paired with a hoodie, or the workout clothes from an interrupted or abandoned exercise session earlier in the day.
I have worn out one pair of sneakers, the only shoes I wear these days, and I found recently that I had worn through my moccasin slippers which I wear in the house. Wore right through them and we started finding little diamonds of the soles around the apartment. The replacement, below, arrived yesterday and I am wearing them, quite contentedly, now. My feet resist the discussion of eventual progression back to hard shoes. I have coaxed my feet into snow boots on a few occasions as needed.
Earlier in the pandemic, Wynton was doing a live show, Skain’s Domain, on Monday night and each week kicked off with a night of 90 minutes of interviews followed by just regular folks who had logged on asking questions and telling stories. (A sample posted on Youtube can be found here.) It was usually about music, but politics and world events would creep in. People welcomed a chance to just be with other folks, even if it was more time on Zoom, late in the evening. It ran until the summer when we decided to take a break.
I won’t go into the details, but suffice it to say that a performing arts organization that once earned more than half of its revenue from concerts, touring, a jazz club and hall rentals, which suddenly found fundraising as its only means of income (and many of its expenses still pressing) has struggled mightily. That means me and a somewhat dwindling but devoted staff have been very busy for the past eleven months. As a fundraiser it is the challenge of a professional lifetime like I thought I would never have and that can also be exhilarating if exhausting. Someday I might write about that part of it, perhaps after I am not in the thick of it.
Wynton has, not surprisingly, been a great leader under these extreme circumstances. Although he has driven the organization hard and at times the staff almost to the point of breaking, as a result we have remained disciplined and continued to produce and remain in the public eye, despite the obvious limitations. He encourages, nags and at times if needed will even taunt us into action. A steady flow of online content, live shows, education programs, new music and archival concerts have been marshaled into being. My colleagues, who I always realized were amazing professionals each in their own field, have been incredible. I reflected the other day that among the very few people I have seen in person in the last eleven months (other than Kim and cats) have been folks from work. The absolute joy of in-person encounter leading to jumping up and down in excitement since hugging them was not possible.
Needless to say, there is no victory lap here though and like everyone else, we remain unsure of where we even are in this process – halfway through? Almost there? My mantra has been not to look ahead, but keep my shoulder to the wheel, easier not to speculate beyond immediate needs. The race, clearly a marathon, continues.
This week however I found myself required to live in the future for a bit and it was interesting to go there. I have been writing proposals for an audience development project, one to take place after we return to our hall, whenever that turns out to be. For the purposes of the request we are assuming we are back, playing live music in January 2022. The request is to help underwrite the cost of concerts so we can offer deeply subsidized tickets for a returning audience, re-engaging with post-pandemic live performance in a hall, and also use the opportunity to grow our audience. Around each of these concerts would be an Open House style festival with school kids, families, local mid-town vendors and restaurants. All kinds of people together in a space – mingling and enjoying music.
In the process of writing I realized that, while of course I reflect occasionally on what I call the time before I have yet begun to construct a vision of what the time after might actually be. I mean, I suppose we all have some vague idea about aspects of it – what will a commute look further than ten feet across a room look like, how will we arrange swing shifts in the office, will we ever sit in conference rooms again. (How much will I travel for work? Will I ever return to purchasing nice clothing and make up?) But to really imagine a time when we are gathering inside in groups again and listening to live music, all presumably without fear of infection, is both hard and liberating. Can we just throw off more than a year of how we are now living and working? Surely there will be residual changes from it, but moments of living in that time in my imagination has helped the future start to take root.
I am by nature a planner. I like to anticipate and know where I am going and how I will get there. I have had to release my grip on the need to know over this time which has not been easy for someone a bit compulsive like me. Still, suddenly it seems like maybe it might be time to start to let the future, the after time, to cultivate that glimmer in my mind and let it grow.
Pam’s Pictorama Post: Today is my second installment of framed photos that have wandered into the Pictorama collection recently. This little treat was a Christmas gift from Kim’s brother Seth who always sends especially thoughtful holiday gifts.
Much like yesterday’s post (which you can find here for those not following in real time), this hotsy totsy item is a wonderful object as he has assembled it, frame and decorative paper behind it spot on. It now has a special perch near my desk. While he has numerous talents, Seth has a great eye and came up with an equally special Christmas gift of a photo a few years back and I featured that one in a post you can read here, Merry Christmas from Seth. (Shown above.)
These mandolin playing women stand on either side of this Christmas tree, which is done up in holiday decorating charm of an earlier era – the lead based garlands and tinsel which sparkled a bit brighter I think, but must have been banned at some point. (I found someone selling new old stock of it this holiday season and you can see it has more heft as well.) The Butlers were a garland and not a tinsel family probably because of the numerous cats we had, although my mom may have been mess adverse as well.
I remember my cat Otto eating some tinsel the first year I had her and had placed a tiny artificial tree in my apartment. (She gobbled it before I could do anything – hell bent on it – she was a nutty cat.) Luckily it didn’t kill her or make her sick – no tinsel after that. Meanwhile, I do remember that my grandmother had ancient tree garlands that were heavier and brighter than what are sold now. They seemed old-fashioned even back in the 1960’s and early ’70’s, but I remember the hard, crinkly feel of them.
The women and the tree are set up in front of a mural of a pillars, sky and sweeping drapery. They are clad in somewhat sensible low-heeled shoes atop a patterned carpet. The mural and even the carpet makes me tempted to guess that this locale is a ballroom or other commercial venue rather than a home. Both are dressed nicely, albeit somewhat subdued – the woman on the right has a necklace on, the other a pin at the neck of her dress.
I itch to hear them play those mandolins. I admit I had not given much thought to mandolin playing until I started working at Jazz at Lincoln Center. I was introduced to the wonders of the mandolin at several concerts, but Marty Stuart really made me take notice. I notice the guitars at the ready in this photo, and somehow I just get the sense that we could hear these women in a great swing band.
Although the Jazz at Lincoln Center orchestra does not have a guitar player as a persistent member of the band, we are often fortunate to often have James Chirillo join us, and he was on the Big Band Holiday tour I joined on the road back in 2017. (You can read about that trip early in my career at Jazz at Lincoln Center here.) James was recently a guest for a Zoom member evening and it was nice to see him and talk with him again. Like all of us he is chomping at the bit to be back in our hall and playing live music again. (Someday I think people will wonder what the heck this Zoom was that we all talk about during the pandemic. Zoom, which I spend most of my days and some of my evenings on, tends to make me feel like I’m in a sort of bubble where I am almost with people, but alas, are not really. Ironically it is like the television phones of the future we all imaged and thought would be so wonderful. I just read speculation about such things in a 1922 volume of The Radio Girls series. More to come on that.)
This has set me off, thinking about the past and wondering about the future as I consume my second cup of coffee so I will leave it here for now, but with another final tip ‘o the hat to my brother in-law who can pick a mighty fine photo – with thanks!
Pam’s Pictorama Photo Post: Today is the first of at least three framed photos that have come to me recently, two were gifts, but today’s was purchased. I hope to post about them all.
As someone who collects photos I of course give some thought to frames. Shown below is the utility black postcard frame that virtually all of my photos on display are assigned to. In this way they are fairly uniform and I maximize wall space.
The wall over Kim’s desk is the exception however and those photos are in an array of frames purchased, found or otherwise cobbled together, which creates a nice effect too. (I pledge a future post devoted to the wall, perhaps in sections. It is a major source of entertainment for the Zoom evenings I put myself in front of it. Even Wynton has claimed to spend time parsing it during these endless months.)
But my wall of Felix photos (which I previously posted about here in a pre-apartment renovation post) has them all housed in their matching black plastic frames which allow the photo to be the visual star. I have a pile of unused frames at the always at the ready and (needless to say) a pile of wall worthy photo postcards awaiting installation.
You would think that pandemic life would induce me to spruce up my surroundings, but beyond the necessary renovations back in the summer, I seem to devote myself largely to work and being drawn into the daily unfolding drama of the national news. My mental health would undoubtedly be better if I spent more time on framing photo postcards. (I have, however, just purchased a new desk chair as my back has continued to remind me that the one I use was never meant to be a 12 or more hour a day perch. The new one at least has arms so let’s see if Mr. Back responds to that.)
Still, sometimes it is the frame or all about the frame. Frankly, I find interesting frames a bit intimidating and I can think of at least two that are sitting in this apartment, languishing until I figure out how best to fill them. I mean, you want to do the frame justice with the right photo, but also the photo needs the right home too. And if it is a spot for several photos it is additionally perplexing. Perhaps there is some sort of life lesson lurking there. Clearly, I overthink.
Today’s framed photo comes via a new indulgence which is an antique store in Dallas, Texas called Curiosities. I have written about a purchase from them before (that post about a unique Felix match holder can be found here) and over time purchasing from them has almost become like a trip to their shop a few times a month. I found them on Instagram (@curiositiesantique or their website, GetCuriosities) and much to my entertainment they turn up a continuous array of somewhat irresistible bits and pieces – toy cats (a future post there indeed), but also just interesting stuff.
I can’t help but feel if I lived closer to the store that I would probably buy twice as much – but of course that would mean I had a house and could fill it, rather than our tiny and increasingly crowded apartment. A phone chat to seal the deal with Sandi or one of her colleagues is always a nice interlude in the day too.
Obviously though things do make it over the transom all the time and the most recent purchase, which is so hot out of the box that Kim will be seeing it now for the first time, was this photo in a handmade frame. Now, while I confess I was hoping to purchase this and replace the photo with one from my collection, it is not possible – this framed photo was constructed specially for this photo and it would be wrong if indeed it were possible, to replace the picture.
The tramp art style wood worked frame is punctuated by stuffed bits of old silk around the sides and corners – now so old and faded that they appear more solid than cushy as I believe was the original intention. We’ll also assume that the colors were more vibrant, if not actually vivid. Still, a certain grandeur remains. The photo is inset into a gold stripe trim self-frame of glass. From the outfits on the girl and boy shown, it dates from the dawn of the 20th century. A careful look reveals that they stand on an elaborately tiled floor and I can almost make out a table and a wall mural behind them, making me wonder if this wasn’t taken in a restaurant – although that seems odd.
Girl and boy are in matching suits of sailor inspired design. These appear to be wealthy offspring, their clothes and shiny shoes stylish and well appointed. The girl wears a tiny necklace and the outfits are trimmed with bright brass buttons. They do not look to be especially robust, either of them, but I wouldn’t go all the way to saying anything more than that. The boy looks squarely at the camera while the girl has a slightly dreamier expression, looking off to the side.
The back of the frame is interesting because you can see the construction. A careful look shows it was made from some sort of light wood boxes or crates, bits of advertising cling to it. As side view shows how the layers, which are actually fairly thin, were carved and put together to create the dimensional effect. The maker of this was no slouch!
So I will go in search of a spot in the apartment for this where it will not be ravaged by the sun, but can still be seen (a perpetual challenge in this apartment, although we are grateful for the natural light from the northeast and the view of the East River), perhaps by some aging tintypes in the small hallway between bedroom and bathroom. We shall see. And maybe I can commit to getting a few more of my Felix-y photos framed up and on the wall, to be enjoyed each time I sit at Kim’s computer or go into the kitchen.
Pam’s Pictorama Post: Followers of Pictorama know that one of my new supplier of interesting stuff resides in St. Louis (as always, a shout out to IG friend @MissMollysantiques), giving my recent acquisitions a decidedly mid-western flair – such as last week’s Krak-R-Jak tin box post. (In case you aren’t keeping up in real time, that one can be found here.) That item is also from St. Louis and honors a hometown company.
As an aside, one branch of my family, my mom’s father, hails from St. Louis. They were among the folks who took a covered wagon west and that was where they put down stakes. A generation or so later, my grandfather was traveling the country with the dog races when he met my grandmother at the Jersey shore. I have written several times about her part of the family, a large brood of then recent Italian immigrants who were making their way with restaurants, deli’s and bars. (One of those posts based on a family photo can be found here.) Poppy (as I called him) didn’t go into the family business, but instead worked for the Bendix company while my grandmother continued to help her family’s bar and restaurant. There was travel back and forth to the mid-west to see his family and I have seen a great snippet of film where he and my grandmother are riding a motorcycle out there on their honeymoon to see, and for her meet, his family.
I am developing a real soft spot for it these days, but I have never been to St. Louis – that branch of the family used to come to us rather than us going out there in my childhood and they have all relocated or died now. There is a family story I always liked however about how my father was there on an assignment for ABC News (probably in the 1970’s) and ran into my greatuncle making a call in a phone booth – yep, a phone booth – in a diner or the like and they had a meal together – a city that is a small town story. If the world hadn’t fallen off course with the pandemic and I had continued my travel schedule with the Jazz at Lincoln Center Orchestra I probably would have found myself out there by now, and perhaps still will. St. Louis has a great jazz history and remains a good town for jazz.
I cannot find tracks on whether the Mound City Paint & Color Company exists in any form today, however their name comes down to us via their advertising efforts which seem to reside in the now living memory of what is collectible today. Their Horse Shoe house brand of paint was promoted with a variety of useful items that would remind you that it was their paint you wanted to use when the time for painting arrived. My 1905 calendar card falls into this category, purchased because I was enticed by this Evelyn Nesbit look alike and this nice looking tuxedo kitty, boasting a huge white bow. (Kim and I discussed the various options of if this was actually ripped off of one of the myriad of Evelyn Nesbit photos that would have been available, or just a model who had gotten herself up in the style of her – which must have also been hugely popular in the day.)
It would appear that this was one in a quarterly drop of The Season’s Beauties calendar cards. (You are urged to keep up with the full set on the back of the card – Look out for NUMBER FOUR. No duplicates. Preserve the collection. One lost breaks the set.) This one is referred to as The Pippin and places girl and cat in an apple (presumably a pippin) for good measure. It therefore makes sense that this card covered the months of September, October and November, prime apple producing months. Presumably there a special holiday edition of these cards. Sadly, I could find no trace of the rest of the series however, although this nice watch fob below (sold at a Worthpoint auction) is a somewhat rarefied collectible. The folding yardstick is the most available, but least interesting to see. They must have been produced in huge abundance, and given their ongoing useful nature have remained available.
The advertising on the back of my card seems to be devoted to their brush on enamel product and you are urged to use it on refrigerator shelves (I was a tad surprised to even see the term refrigerator, rather than icebox, although Google assures me the term was already in use at the end of the 1800’s), closet shelves – further down it gets to sinks and bathtubs. It came in WHITE ONLY and had special directions on every can. It then goes into a litany extolling why you should buy this brand instead of a mystery one – the promise that you knew all and exactly what it contained, no mysterious extenders.
I close with a few of their stickers which are available on eBay and a final tip of the hat to the longevity of the advertising for the Mound City Paint and Color Company, St. Louis. Like many companies of the era, their advertising turned out to be their corporate immortality.
I don’t know why, but the idea of a spicy version of Manhattan clam chowder started to nag at my brain recently. I enjoy the occasional cup of the stuff when out – either the red Manhattan style or even (although less frequently) the creamier New England version. I can’t say I go out of my way to get it, more like it is an acceptable option when navigating a menu at a diner with a desire to add a bit on, or alternatively maybe not indulge too much.
In general though, I find it lacking and I have never made it myself, nor thought much about it. But for some reason I recently began to think about how you could make a more substantial and spicier one, a zootier version if you will. I think it started because I had several cans of clams which I had purchased for the occasional fish pasta I make (usually with some shrimp, leftover fish bits and maybe some of the canned clams), but I am currently on a diet so pasta isn’t happening right now.
Ah yes, speaking of that diet, readers know I have opined a bit in previous posts about the comfort of cooking. I explored re-creating some family recipes during what I tend to think of as Pandemic Part 1: the First Six Months (those recipes can be found here and here), and some new comfort food (a lovely cheesy bread can be found here) which also made the first months of quarantine – TheWeight Gaining Months.
After a long period of thinking that dieting during a pandemic didn’t make sense, I have reversed course and I am now in Phase 2: the Dieting Months. However, I do not intend to abandon the comfort I take in cooking so I am now applying my skill to devising soups and stews. During these cold winter months they are wonderful and it is satisfying. I derive as much joy out of constructing them that I would from baking, and happily fill the apartment with the aroma of the newest concoction. I generally get several meals for the two of us out of each attempt which lightens the weekday burden of meal planning a bit.
Meanwhile, pandemic life has made me consider (and establish) what I euphemistically call my pantry. For the record, my pantry is one tall, narrow kitchen cabinet and a banker’s box in the entryway closet recently pressed into service. Until I remodeled our kitchen it was entirely non-existent and a few cans and whatnot were tucked in among the dishes, pots and pans, overflowing onto the limited countertop. It expanded (to the closet annex) during the initial phase of NYC lockdown when grocery shopping was most difficult. It now contains some extra pasta, beans, vegetable broth and the like. (The tale of the kitchen renovation can largely be found here and here – not a chapter I am personally willing to revisit at the moment.)
Growing up in suburban New Jersey we had an amazing pantry that was a large, sort of five foot cabinet of shelves which folded up on itself, once and then again. (Amazing!) I was fairly entertained by the engineering of it as a child (the long piano hinges to bear the weight of each heavy section of shelf), and I am now in awe of the amount it held. Still, were I to move to the suburbs I would likely opt for a walk-in space, a small room of shelves, where I could see everything and bulk buy to my heart’s content. (I come from a long line of if not quite hoarders, folks who like to buy in large quantity and to be well stocked on essentials. My mother has been buying paper towels and toilet paper in bulk for decades and never thought twice about purchasing industrial sized tin cans of olive oil which I remember having trouble hefting.) I also aspire to having a kitchen sink large enough to bathe a small child or good size dog.
It is not to be my fate and instead our tiny apartment (equipped with its bar sink, sigh), requires a certain vigilance around rotating through and using up food, buying just enough to feel well stocked, but not crowding us and the cats out of the house. (I confess that the aforementioned diet and my increased consumption of fruit and vegetables is skewing all this and you can barely open our refrigerator after a Fresh Direct delivery on Sunday morning and oranges constantly roll out when you open it as they are tucked into nooks.)
Anyway, all this to say my so-called pantry had this couple of cans of clams awaiting bouillabaisse (I made that for the holidays and the recipe and story can be found here, at the bottom of my Boxing Day post), but that was more ambitious than I was feeling. The fish pasta was too carb heavy for the zippy new diet so I went to work on this. This spicy chowder has the charm of being largely made from what can be kept in the house, an advantage in these days of not wanting to run to the store.
I read a few recipes online and constructed mine from there. It goes without saying that this is a very flexible recipe which encourages its own specifics around the general idea and framework. Most of the ones I read called for bacon, but we are a pescatarian/no meat household so I went in a different direction. However, I would think you would chop it and add it to cook in the beginning with the garlic, onion and carrots. As I say above – use it to use up whatever leftovers are languishing in the fridge, bits of veg and fish.
In the before time I was a bit of a snob about using frozen or canned vegetables, but these days, especially for soup they are handy and work just fine. Of course if you are making this in the summer you’d use fresh corn and maybe even throw the cob in for good measure and to thicken the soup, perhaps even instead of the potato, but no complaints about this pantry version.
The sort of mainstay ingredients are as follows:
Large can of clams, drained
Bottle of clam juice
Large bottle of Clamato juice (my favorite cheat for fish stock!)
Large can of diced tomatoes
One large or two small bell peppers; I used red
Garlic (lots! I think I used three or four large cloves)
New or creamer potatoes – help to thicken although I kept them to a minimum – four of the minature creamer ones, another recent discovery and I keep a bag of them in the house for various uses.
Jalapeño peppers (Pandemic pantry discovery for me – I keep a jar of them in the fridge – try them on grilled cheese sometime!) I used about 1/4 cup.
Herbs – I had a bunch of flat leaf parsley and some fresh basil so I used that chopped. I also added two bay leaves and a bit of thyme. I used Maras red pepper (a whole post could be devoted to the discovery of this gentle, but strong red pepper as a seasoning!), but you could use red pepper flakes (I’d chop them a bit), chili pepper or whatever you prefer to make things spicy. I always like a bit of ground coriander. Salt to taste. I adjusted the seasoning throughout cooking in a more rigorous way than usual and I used a fine salt rather than the rough ground salt I prefer on many other things – no idea if that made a difference.
Tomato and anchovy paste (optional but I like to add it for depth)
Wine or vermouth, about a half a cup
So I was feeling a bit lazy and I used the Cuisinart to chop the onion, the garlic and the herbs. Not sure it was a good idea, but I decided to Cuisinart the red pepper as well. Of course this meant that it was very fine and it also brought out all the liquid which I had not anticipated and really I ended up deglazing the pan when I added it. It’s soup so in the end it doesn’t really matter, but the result was a finer, less chunky soup. I think fine either way although my usual go to is to hand chop.
Anyway, I softened the garlic, onions, celery and carrots first, along with the tomato and anchovy paste (first go of salt and the Maras pepper at this point, but I added more later), then added the potatoes (sliced pretty small), then bell peppers and then you can deglaze the pot with the wine or vermouth; I keep vermouth for cooking as a wine alternative. This assumes you are using frozen or canned corn and green beans – if fresh you would want to add them before deglazing.
Add the Clamato, the diced tomato, clams, clam juice, Jalapeño peppers (rough chopped), corn, beans, etc. and the herbs. Bring to a hard boil for a bit. Adjust seasoning. Simmer for no less than an hour, but the longer the better. Keep checking the seasoning throughout – I wanted it very spicy but didn’t want to kill us so it was a fine line. This is another recipe that is definitely better after a day in the fridge. I am going to make a variation on it today with shrimp and leftover flounder, with perhaps a few cheese tortellini to keep things interesting.
If I wasn’t on a diet I would serve this with corn bread or muffins – or even some crusty buttered baguette. Nevertheless, it was so great I can’t wait to make it again.
Pam’s Pictorama Post: It likely won’t surprise Pictorama readers to know that I am the sort of person who embraces an opportunity to outfit a new space or venture. While I have bad things I could say about the pandemic induced change to working at home, one bonus is I have had the chance to equip an entirely new desk. I devoted some previous post space to my desk at my office in Columbus Circle (one of those posts can be found here) back in the before time, but a new desk where I spend my days here in the apartment called for some judicious acquisition. Some bits found their way back from Columbus Circle on the one or two trips I made there (the lucky waving cats are with me and remain on the job with me; their post can be found here), but for the most part I picked up some bits and pieces to make it more functional and of course fun.
The most significant item is this large-ish tin box for Krak-R-Jak Biscuits. I purchased this from my new Instagram source who resides in the middle west region of our country, known to me as Miss Molly (@missmollystlantiques) who has supplied me with an array of interesting photos (one of those posts can be seen here) and some Halloween items (one gem seen here), but she is also the purveyor of several interesting boxes that now hold my office supplies.
This large tin box, which I gather kept generations of biscuits and bread fresh, holds my collection of greeting cards which were transported early on from Columbus Circle. I have long been in the practice of purchasing nice cards (or especially funny ones) whenever I see them. In the before time when traveling for work I would often wander into a card store in a new town if I spotted one. As a result there is a card shop in San Francisco I have frequented for years and another in Boston. (There is also a lingerie store in Milwaukee and a nice junk shop in Santa Barabara, but those are other stories.)
Of course I have my sources in Manhattan, although frankly even pre-pandemic they were already rapidly closing down and getting sparse. I cling to the one near us just above 86th Street on Lexington, there are two others, further down Third Avenue, or at least there were. Therefore, if you have received a greeting card from me its origin may have been Manhattan or it may have been Chicago, or another destination along my annual work route.
I actually spotted this large tin in a post Miss Molly did for some other items and asked about it. While technically not on the block for sale, she was willing to sell it and now it not only holds my greeting cards, but also holds up the stand for my iPad which (for a variety of technical reasons) is usually what I do my Zoom meetings on. It brings the iPad to a relatively ideal height, although the bookshelves behind me distort and it looks like Kim and I reside in a very long, narrow library.
As it turns out, this is not a rare tin and if you desire one you can probably purchase it for about what I paid for mine by looking online. Pristine examples might get up there a bit, but one like mine which has some good sides and some less good ones won’t run you too much. One person has assigned this to the 1930’s which I could find neither confirmation nor contradiction.
Of course I immediately assumed that Krak-R-Jak was somehow a forerunner to the candy corn, Cracker Jack. I would mostly be wrong as it turns out, at least as far as I can tell. This spelling of Krak-R-Jak seems to take you only to the Union Biscuit Company of Saint Louis when searched online. The actual history of said Union Biscuit Company is not readily available, or I have failed in finding it. Although my tin tells you to always ask for Krak-R-Jak Biscuits my online research mostly turns up a perhaps more popular slogan, Keeping the biscuits fresh.
The etymology of Cracker Jack or crackerjack according to Merriam-Webster is easiest to share in its entirety and is as follows: The late 19th-century pairing of crack and jack to form crackerjack topped off a long history for those words. Cracker is an elongation of crack, an adjective meaning “expert” or “superior” that dates from the 18th century. Prior to that, crack was a noun meaning “something superior” and a verb meaning “to boast.” (The verb use evolved from the expression “to crack a boast,” which came from the sense of crack meaning “to make a loud sharp sound.”) Jack has been used for “man” since the mid-1500s, as in “jack-of-all-trades.” Crackerjack entered English first as a noun referring to “a person or thing of marked excellence,” then as an adjective. You may also know Cracker Jack as a snack of candied popcorn and peanuts. That trademarked name dates from the 1890s.
Therefore, while I think Krak-R-Jak plays on this same term, it is in this case evidently not linked to the eventual creation of the candy, which appears to have been introduced to the world at the Chicago Exposition of 1893 and later perfected and marketed by Fritz and Louis Rueckheim. This recipe for candy corn and peanuts was already in existence and merely perfected (they figured out how to keep it from sticking one big mass) and marketed by them. I wonder if companies like the Union Biscuit were forced out of using the term eventually, although their logo cold easily pre-date the Cracker Jack candy use. Meanwhile, they were just using what would become an archaic term for pointing out that they had excellent biscuits.
While I thought I would also meander onto a wonderful little velvet covered box from Clark’s Spool Cotton Thread, which now houses paper clips, and can be spotted in the above photo, I will save that for another day. The Pictorama desk is full of delights to be revealed.
Pam’s Pictorama Toy Post: Today tin is in and I am featuring this lovely, but very simple toy that Kim gave me for Christmas this year. It came from an auction and caught my eye. Pictorama readers may know that this falls well outside my usual area of collecting – nary a cat or even an animal to be seen, not a wind-up. Yet there is a sort of universal charm about this toy. If there was something akin to a toy archetype in my mind this toy might qualify.
The handle of the wood chopper turns and that causes the log to be sawed and the mill wheel to turn. The wear on this is a testament to the belovedness of the toy. The paint is gone on part of the roof from it’s proximity to the turning wheel, and also on the edges of the house where you tend to grasp it. There is something very satisfying and soothing about turning the wheel and watching the pieces move. The charm of the origin detail in the paint with shading and the texture of the house exterior and log – I think it was a very brightly painted toy in its day. There is something a bit amiss about the proportions – of house to log and mill, even assuming the “log” is indeed a tree.
My knowledge of this kind of tin toy is really about zero, but I assign it to the category of penny toys. These tin toys were the brain child of German manufacturing starting around 1885 these toys were designed to be accessible for purchase by working class families. In Great Britain they sold for the price of a penny – hence the term which has stayed with them. Although the manufacture of them continued longer, they were most popular from 1885 until about 1914 – I assume without knowing that the World War probably slowed production and export and killed the popularity for export. According to a brief entry in Wikipedia, countries of destination were considered in the making and marketing of these toys – British omnibuses, trains for the United States for example and we know they weren’t doing business with Germany much from 1914 on and for awhile.
In my mind penny toys are one notch smaller and less sophisticated in motion than this one, but I think that is my own prejudice on the subject. In reading about them online the term definitely seems to cover toys of this size and relative complexity and beyond.
This toy is marked with a tag it retains, DC Made in Germany and this was the mark of a company in Nuremberg, Germany called Distler – Johann Distler KG to be precise. The company was founded by Mr. Distler in 1895 making these sorts of penny toys in the early years, with a catalogue of about 500 items. An article I found in the Sheffield Telegraph mentions the company as having gotten on board with early licensed Disney toy production and cleaned up on early Mickey Mouse toys starting in 1928. (This seems early to me as the first cartoon appears in 1928.)
At Johann’s death, in 1923 (meaning he completely missed the Mickey Mouse boom) the company was taken over by his partners and then ultimately sold in 1935. The company and name is ultimately sold again to a Belgian company where in particular their line of race cars is produced until the late 1960’s. (Much of this quick history of the company comes to me via the Bertoia Auction site – which is where I purchased this toy, although the history was note in the listing for it.)
Images for toys associated with the company does not immediately turn up any like mine – it is car heavy, even in the earlier toys. Notably there is a Felix, circa 1925, I would certainly like to get my hands on, shown here. (An early indication on prices show is that I might have to mortgage the apartment however!) My wind-up Felix, shown below, does declare that he was Made in Germany, but does not give a manufacturer’s name. I don’t believe he’s ever gotten his own post and maybe I will set my cap for that in the New Year.
It goes without saying that these toys, originally designed to be affordable and accessible are now sold for many multiples of their original sale price, somehow making the appellation a bit ironic for collectors like me. Nevertheless, I welcome this first example of this type into the Pictorama collection.
Pam’s Pictorama Felix Post: As promised, today we have a very Felix day! These two sheets were a long time coming to Pictorama. First they sat on eBay for a long time while I was distracted by other things, and then I finally purchased them and then it took several weeks for them to arrive. I tend to hesitate before committing to very fragile paper items, but in the end I claimed them as mine. I am spying a spot at the top row above Kim’s desk, a bit hard to access, but not too much light. Could be just right. They are great. Here we have Felix at the zenith of his come hither appeal plying his trade to good use.
Both of these sheets of advertising are from Moving Picture World magazines and I will admit that I find the cutting up of these journals to sell for separate pieces distressing, although I understand some are likely worth more for their parts individually. These are fascinating journals in their entirety and I have purchased many a copy of the ancient periodical for Kim, mostly from the ‘teens, and I believe there is even a bound volume of them in the house, that I dimly remember picking up as a gift for Kim, out of an apartment somewhere in Chelsea. These pages have been carefully removed by the staple being taken out of one and a clean cut on the other. The one emblazoned, Felix the Cat Cartoons is from November 21, 1925 and the other is from July 7, 1927.
In the first Felix shows all his moods, like an actor auditioning for a part: thinking, musical, angry, worried and intellectual. He is shown horizontal on all fours (in what I think of as a catty pose) and even chasing a mouse at the bottom. Although he might be going through his paces for this ad, he was already at the height of his fame and auditions were hardly necessary. Here he proclaims, Put me on your screen and see what a bright little fellow I am. My tricks will put your audiences in the best of humor – and I’ll make ’em laugh nine times as many times as a cat has lives. I’m doing it now in five thousand theatres. Felix And below that the added encouragement, Felix means extra profit for the showman who exploits him.
Felix had recently made the jump to Educational Films (the spice of the program) which is mentioned here prominently at mid-page, as is a produced by credit for Bijou Films, Inc. EW Hammond is presenting up at the top (President of Bijou Films) and of course Pat Sullivan gets a huge credit with Cartoons by right next to a Felix running right at it. (That’s a lot of credits for one animated cat, even one as big as Felix. Not surprising, but sadly of course, no mention of Otto Messmer, Felix’s true progenitor.) Felix made 20 cartoons in ’25 by my count via Wikipedia’s filmography (about half before switching to Educational Films for distribution that year), and more than 20 the year before alone so production was in full tilt and there was plenty to watch.
One real gem from 1925 that I uncovered while doing some light research on that year was a nifty full length cartoon made for Mazda Lamps, The Cat and the Kit. It is 98% cartoon with only a smidge of commercial and is definitely worth the watch below. The story follows Felix on his wedding day and the drama around the headlights on his car (called lamps at the time and were much more like lamps than the headlights we have now) which keep going out. He is forced to buy inferior replacements and those don’t focus – requiring Felix to resort to snatching the moon out of the sky – only to be told by a policeman that there is no driving with moonshine in the car!
I can’t resist detouring over to Mazda Lamps for a moment, I’m sure Kim and I are not the only ones still shaking our heads over the beautiful Mazda Lamp display uncovered awhile back on the television show, American Pickers. One is shown below from a site called Design is Fine. History is Mine.
The second sheet, from ’27, shows a parade of Felix-es bringing us all the short features Educational Film Exchanges had to offer. As an avid fan of silent shorts I recognize some – Larry Semon and Lupino Lane. (Kim knows more of them and reminds me that John Arthur was Darla’s father of Little Rascals fame. Remember, Feed ’em and Weep, featuring Mr. Hood on his birthday trying to eat his celebratory meal?) Some are a loss to me such as Tuxedo Comedies or Mermaid – evidently series of comedies that folks, such as Snub Pollard and Lloyd Hamilton, would have come and gone through.
Felix’s own shorts are listed at the top and the large sign he holds up front, mounted on a striped pole, is for Educational Pictures. Meanwhile, I especially like the sign which is pointing toward 1927 and ’28 at the bottom. Pat Sullivan only gets a signature credit here (as if he had drawn it). I see 26 films listed in 1927 for Felix so he was certainly going full steam. I include one below in order to give equal time to 1927, Whys and Other Whys, which kicks off with a soused Felix leaving a nightclub. Watch these while you can – these links to Youtube don’t seem to last forever! (Although a quick search may turn up another source if these have disappeared.)
We are invited to Fall In! and Travel with the leaders of the short features parade. The art on this advertising sheet is hotsy-totsy – it is always a favorite moment of mine within the cartoons to see a virtually never-ending cycle parade of Felix. If studied carefully, two Felix-es on the sheet have been a tad mangled, you can note that the second largest (holding the Lupino Lane placard) and one about mid-page (with the Larry Semon ad) have had a bit of what looks like ham-handed revisions around the eyes. Not sure what anyone was thinking to improve upon Otto Messmer’s genius. (Just a note as well that some of these Felix’es only sport whiskers on one side of their face.)
The back of the ’25 sheet sports an article entitled, The Bar-G Mystery, New Western Patheserial Now in Production (Kim checking that one out in a book now), and ad for the Charlie Chaplin release of A Dog’s Life to be released on November 22, and a rather terrifying ad for Buster Brown with Buster and Tige looming large. Short pieces appear on the recovery of Walter Hiers from an injury sustained during filming which almost cost him his hand according to the article, and announcing Clyde Cook to appear in a new comedy. The verso of the ’27 sheet is an add for volumes on photography by the folks at Motion Picture Photography – one for professionals and the other for amateurs.
Tommy José Stathes (@tomatitojose) has just released the latest in a series of brilliant Cartoon Roots DVD’s featuring some new restorations of rare early Felix cartoons! It can be purchased on Amazon here. I am on the edge of my seat waiting for mine to arrive. His earlier DVD’s are also being re-released and can be purchased here. A bit of a review of one of those earlier DVD’s can be found in a prior Pictorama post here. And on that note I believe I have kicked off the year of ’21 as a Felix friendly one – enjoy!
Pam’s Pictorama Post: I am starting this post about six weeks into my jogging experiment. I have never run. Until my mid-forties I had never worked out in a gym either, but I became addicted to weight lifting and my time at the gym is one of the things I miss most in these pandemic times, although I lift at home now with an ever-growing pile of hand weights. (A previous post on my quarantine time work out, can be found here.) However, I have never enjoyed, only endured, cardio – stuffing a good audio book in my ears and taking my medicine, working my way up to 20-30 minutes of increasingly difficult cardio on an elliptical machine over time like medicine. It seems to me that although when left to its own devices, my breathing is just fine, but once I start to fuss with it – be it to meditate or exert – it becomes resentful and turns recalcitrant.
While I continued to lift weights and work out with my trainer (shout out to Harris Cowan @livestrongernyc) via Facetime and Zoom throughout the pandemic, the first quarantine foray of walking to my office in Columbus Circle from 86th Street and York Avenue made it very clear that I had lost both my wind and my strength – albeit a long walk, one I used to do it without thinking.
Walking has always been my strong suit and life in New York City usually provides for enough unscheduled walking in our daily lives that I have never had to think about it, but now long workdays in our studio apartment often resulted in my not leaving my desk (sometimes it has seemed my chair!) for 12 hour stints. No trips across Columbus Circle to the hall or even a few blocks down for a lunch hour errand or to pick up food. Evidently stretching and lifting (and the occasional trip up sixteen flights of stairs) quite simply were not cutting it. Regretfully and doubtfully, I began a program of walking, just as it started to turn cold of course.
I have nothing against walking, in fact I have always been fond of it and have also enjoyed hiking when it was available to me, but it wasn’t really raising my heart rate which was one of the primary goals and sufficient distance to make a difference was just taking too much time, my work out time being constricted by my work hours. It wasn’t long before I realized that there was no reasonable solution, but to pick up the pace and see if I could jog a bit.
However, another issue that has long prevented me from impact exercise is that I have a form of arthritis, Psoriatic Arthritis, that impacts both my large and my small joints. (Lady Gaga is the most famous person I know of who has this disease, diagnosed about the same age as I was, early 20’s. There was also The Singing Detective who was fictional and the doppelganger of his creator Dennis Potter who alarmingly actually died from it.)
Since my diagnosis, now decades ago, I have taken an increasingly large number of pills which generally keep things going mostly unimpeded, but I have always been a bit ginger and thoughtful about introducing new exercise. A Pilates class taken without supervision or hopping on a new machine at the gym without proper guidance has landed me in stew of inflamed and swollen joints for days. My hands will sometimes even rebel and swell against weights lifted improperly or gripped too enthusiastically. I sometimes wonder how it compares to the soreness of anyone trying something new, but of course as we are trapped in our own bodies it is hard to guess or know. I have been warned that running will speed the need for joints that want replacing or repair.
Nevertheless, I am nothing if not stubborn and one morning in late October I started the process of jogging. I had read up about it and done some HIIT (high intensity interval training) to know that I could start by alternating between running and walking. At first I ran about a block for another two or three walked. Surprisingly my wind picked up first, within the first weeks, and my body memory for that kicked in better than I would have expected. Unfortunately my legs, my hips, knees and feet (okay, everything below my waist) have balked mightily at the experiment.
Simultaneously and for better or worse, I figured I might as well resume some of my former workout our one room is too intimate for and so I added into these sessions with bands around my legs, deep squats, and lunges – I hop up from park benches and step up onto deserted pallets along the river’s edge or stone steps at the entrance to the park, turning it into an hour or more for the full regime. Before you start to think this is really admirable let me assure you that getting myself away from my toasty warm morning desk routine dosed with copious coffee and instead out into the park in the cold has been a sheer test of will. I deeply suspect that I am writing this so I will be ashamed to stop once I have told you all about it.
I also have no doubt that (and assuming anyone cares, although I am pretty sure these days they don’t) I look like an absolute fool – an overweight middle aged woman, in brightly printed leggings (I’ve always had a weakness for bright workout clothes) showing every inch I need to lose before we resume our post-pandemic lives, and a top layer piled on for warm. However, that is of course the beauty of the now time rather than the before time – everyone in that park is there for their own kind of escape. People reading, smoking, on their phones, staring off into space – a few young couples canoodling, but not so often early in the morning. I often think there are probably all sorts of life’s dramas unfolding, secretly around me there each day.
And of course, there are other people working out. There is a group that boxes and I must say that looks like great fun and is sort of tempting to try one day. (Yes, my aforementioned arthritic hands balk at the idea.) A variety of trainers have taken to the park, with its benches, fences and even some handy scaffolding along the waterfront to train individuals. Groups gather in the basketball court for a work out to blaring music. As I say, these days everyone is there to do their own thing and no one is giving me a second look – except dogs fascinated by my workout with the band (not sure why but they want to investigate) and the occasional trainer sizing me up to see if they can add me to their roster. Luckily for me I am not deeply troubled by embarrassing myself in public in this particular way anyway.
Like going to a gym, familiar faces and characters emerge to populate the ongoing drama of the park. In addition to the boxers and the trainers there is the elderly woman volunteer who picks up garbage each day and makes sure the storm drains are clear of garbage and leaves, the other nascent runners, an elderly woman in a down jacket who I always think is looking at me like I’m nuts. (Masks mean that normal cordial attempts to smile at someone is impossible so unless one wants to shout a hearty greeting – which I’ve started doing to the volunteer – we all largely pass without acknowledgment.)
As to the running, we should call it jogging really, it has been a slog. I reached a pinnacle of pain about two weeks ago and thought I would have to stop. However, I reduced the number of days I do the outdoor workout (now generally 3) rotating with the other days to do my indoor regime of lifting and apartment friendly exercise, or off to rest muscles. With the advice of my trainer (yay Harris!) I added more stretching on the front end (roller on the most offended leg muscles and joints before I leave the house), have pushed the non-running portion of my workout to the beginning to give myself a maximum warm up and have reduced some of that as well – step ups are on hold for awhile, and my post-workout stretching is more fulsome. It is not perfect, but it seems to be working well enough to keep me in the game.
I now jog with only short a few short periods of walking. I look on with frank envy at people of all ages and both sexes who appear to do this so much better than me, appearing effortless as they pass me by. However, I am determined to continue to just push that bit further each time – setting a new goal by at least mere yards beyond where I thought I could go. I tell myself that I should not criticize my body for what it is not doing well, but to be grateful for what it is able to accomplish. Patience and kindness works better and will be part of the ongoing lesson. No, I have not reached the fabled endorphin producing stage – I’ll let you know about that. Meanwhile, I have switched from listening to books to music that encourages swifter movement, as does the morning chill. I am always warm when I finish.
One unexpected pleasure has been seeing the East River in all its moods. As Pictorama readers know, I grew up on the Shrewsbury River in New Jersey and while the East River is technically visible from our apartment, I have been largely removed from the nuanced shifts in it. Now I am always surprised by the strength of the current and some days small, curled waves are even lapping at the bulkhead along the path. On stormy or very windy days it threatens to overtake the esplanade, gurgling up from storm drains below, which I know from experience it does, ultimately flooding the adjoining FDR drive. It brings my childhood watching of the water and the way it was a part of daily life back to me though. The river is home to a surprising amount of boat traffic, largely tugs, freighters and ferries this time of the year – some creating a ferocious wake in their path.
I try to remember, as I grumble and leave the toasty warm apartment, that I am generally happy to be outside once I get there and always feel better for having done the workout than not; that and a daily dollop of determination get me out the door more often than not. Busy workdays might mean only a part of the workout gets accomplished, but better some than none I remind myself and I try not to engage in work email or texts while on my breaks between sets.
I have recently adopted an oversized sweatshirt from my alma mater (Connecticut College – go Camels) the first I have ever owned. Seemed to me though that the college might as well get my money as anyone else and if I am to have some logo emblazoned on me, further adding to the ridiculousness of my appearance, why not at least one legitimately own. I commend the sweatshirt for being roomy and warm and exactly what was wanted, logo not withstanding.
The sun rising over the park and the water, the various guises of the clouds and water, have an allure – even when they turn dark and threatening. I would say I am at least well on my way to walking to Columbus Circle unimpeded when the time comes. I can honestly say I do not know how far my ambition and grit will take me. I guess it is a New Year’s resolution come early and we’ll see if I can stick with it through the coldest, and then ultimately the hottest, days of the New Year ahead.