Pam’s Pictorama Post: Today is a (somewhat) rare Pictorama painting post. Mostly these seem to be summer New Jersey posts as this is the home with enough wall space for paintings. Some of you may remember my pig painting purchase post from last summer (post can be found here), although cats are more typical and prior posts of some of those acquisitions can be found here and here.
Having said that, this one was acquired from a seller in Britain (@oldstockantiques, his website can be found here), via Instagram and has sat, still in the shipping wrapping in the New York apartment for several month until it could come out here. As a result, when I unpacked it I felt a bit like I was seeing it for the first time all over again. (Good thing my taste is consistent!) There are actually others still to come (largely but not all cats by far), but we start here today with this one which is my favorite.
I don’t know if you can see it from the photo but this painting is old and the surface is a bit reptilian in places as the top layer has crazed and crawled over time. I would guess that this top layer is actually a glaze and there might have been a moment when removing it and replacing it made sense but I think that day has passed and it doesn’t really impact the enjoyment of looking at it. The frame, which I like very much, came with the painting and from the back I would say they have been together for a good long time.
As you can see from the back, this painting was done on an old form of prepared board (Academy Boards prepared for oil painters it says) and sold by Geo. Rowney & Co. 18 Rathbone Place, London. I believe I have purchased both Rowney pastels and oil paints in my life. The nails holding it in are new but I think that is gratis the seller, along with the bit of string and hooks to hang it. It appears not to be signed, front or back although I won’t say there wasn’t something that is now obscured by the crawling surface.
To start, there is something about the pupil dilated wide-eyed look of this kitten that draws me in – I always think that it is as if he truly was asked to pose amongst this wild assortment of fruit and flowers and is wondering what the heck is going on. The cat is well done although we really only see his vaguely peevish head (note ear askew too) and sort of a nod to the rest of him – there is a bit of paw where the crazing is bad on the right side. A few trumpet lilies are at the top and wandering down to these somewhat oversize peaches, an oddly too small avocado (with a giant pit) and some grapes that look a bit like they are of the glass rather than the food variety.
Kitty is of course a tabby, pink nosed and bewhiskered. I would say the article was a better cat and flower painter than a fruit one. There is a moody background too – a sort of sunset horizon and a darkening cloudy sky – also a victim of the surface to some degree. I would say a careful look suggests that there are bits of blue sky among the dark clouds.
It may sound funny to say since I am far from being a kid, but I have only recently given myself license to buy paintings. I mean, I have made paintings, sculpture, prints and certainly photos myself, however the act of purchasing paintings always seemed like something only grown ups like my parents did. I have bought art on paper (in large quantities as you know) but never paintings. It took inheriting a house along with some paintings to prompt thinking about it as an option.
In my mind purchasing paintings was always something my father did. From the earliest time I can remember Dad (almost always him and only occasionally Mom) brought paintings home. He was a particular sucker for a seascape (future post on that), but also an eye for landscapes – never figures. Dad had a good eye. I wouldn’t say we have the same eye but nonetheless, the paintings he purchased are good ones and I have them up in the house now. It is nice to find an avenue of collecting like this so late in the game and it will be interesting to see what I can come up with.
Pam's Pictorama 