Riding the Big Bear

Pam’s Pictorama Photo Post: I have a general rule that if I see any early photos of people riding or posing with giant stuffed animals I just have to own them – pretty much regardless of condition and price. I admit to paying up for this one, despite the underexposure and probably some additional fading over time – its origins probably in a wash pail of dirty and over-used developer, decades ago. Kim has already performed the miracle of Photoshop on it and it is about 40% better here than in person.

I have the impression that the person selling it believe Mickey’s presence to be the come hither factor (and I have nothing against that nice, early Mickey next to our girl except that we can barely see him), but for me it was this splendid big Steiff-like bear she has climbed aboard that does it for me! Oh to live in a time when one had a choice of posing for a souvenir tintype photo with oversized Felix or Mickey – or riding an enormous black cat or bear! Gee whiz, those were indeed the days. (And still again I ask, why do none of these giant toys turn up so I can purchase them? Unfair fate!)

This photo is another tiny guy – only about 2″x3″ and tucked into this nice cardboard frame. It would be better shown if I was willing to take it out, but I love the little holder and removing the photo would destroy the now fragile holder. You cannot see it here so well, but it has a cardboard stand on the back so the photo can stand up on those cardboard feet you see. On the back, written in clear script in pen, it says, Esther from Erica Lee. There’s something a bit odd about that – why is Erica sending photos of Esther? Perhaps she is her mom?

Despite the lack of giant toys available to pose on or with, I tend to embrace every opportunity to have a souvenir photo made. I don’t especially like photos of myself, but for some reason photo booths and other like opportunities are different and fire up my imagination and desire. When at all possible, I drag my ever-patient and handsome mate into the picture. In addition to the link for this early blog kick-off post, Pam’s Pictorama Blog Debuts, I supply some long ago photostrip of photos below.

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Tintype

Pam’s Pictorama Photo Post: This is a tiny tintype which sat on my desk at the Met for many years. It almost was lost in the shuffle when I left – it had been turned over and stuck under something, but luckily one of my colleagues, Morgan, found it and sent it to me. I was very pleased to have it back and realized that, in a casual sort of way, I had been looking at it more or less every day for many years now. I believe it was given to me by a friend at the Central Park Conservancy, when I was first developing an interest in early process photography.

It is a nice scene, this long ago gathering under these lovely trees. The group is posed but there is something relaxed about them. Because of the nature of these singular images on metal, there is a lot of information even on this tiny one, only about 2″x 3″, a sliver of a picture – the snapshot equivalent of its day. Tiny though it is, this photo transports me to a different time and place.

One of the strange things about leaving a job after a long time is the things that you have accumulated in a more or less unconscious way are now piled in boxes, suddenly out of context, while you try to decide what is necessary and what fits into your new space, and to some degree new life. My office now is smaller than my former office and the folks at the new place tend to do all their meetings in conference rooms – each named for a jazz legend – rather than in each other’s office. (I now spend my days muttering about trying to figure out if something has moved to Lady Day, or if we can fit that many people in Jelly Roll or not – or where is Monk? And really, this is probably nicer than, I’ll meet you in 5A or 4B seems to be booked, but like so many things it is a learning curve.)

Some items moved without question and immediately to my new digs, such as the one-of-a-kind little wooden box Kim gave me which I featured in my post Kim’s Elephant Box. There is a lamp with a base made of old, black dice and the tiny, but nicely made plastic animals my friend Eileen has given me. Early sheet music of Pussy Foot Rag and Me-ow finding their way to the walls and slowly replacing a bad painting of a dog and some photos from the prior resident. However, at least for now, my beloved but fragile Happy Life Toy, in all of it’s gentle celluloid glory, has not yet found a perch in the new office. Since I find this toy has a calming effect on me, I might want to find a spot for it there soon.

Towser, Me and Tom

Pam’s Pictorama Photo Post: My collection of men and cat photos seems to be burgeoning starting with this splendid image. (For a taste of earlier contributions to this sub-genre check out prior posts Army Cats and A Man and His Cat.) Although this has the appearance of a photo postcard, and is printed on a similar paper stock, it is smaller and does not have a postcard back – there are bits of black paper stuck to it where it was in an album. Nothing is written on the back, just that neat handwriting at the top, Sincere Regards from Towzer and Me To say nothing of Tom. I love the name Towzer and he is clearly a very good doggie here, perched on the man’s lap, all proud of himself – the sun over-exposed him a bit and Kim has done his best tweak in Photoshop to bring him out some. Meanwhile, Tom requires what I call the hand scrunchy, we’ve all done a version of it to keep kitty in the picture. The bright sun of that day has him bleached out too, but a nice looking striped fellow.

The gentleman (the Me in question) is an attractive and well dressed fellow. If you look carefully he has a nice tie pin as well as one on his lapel, good shoes. His hat is great and probably the first thing I noticed about the photo. Oddly the suit seems a bit large on him if you study it all a bit. The suit also seems a bit heavy for what is clearly a tropical climate, with that giant palm-like plant behind him. It is the sort of photo that leads me to speculation. Vacation or visit? Relocation? Rest cure?

If it is a visit, I must say I can never imagine traveling with my pets. Dogs seem a bit more sturdy about the whole thing – after all, especially here in NYC they are out on a leash several times a day so putting them in a carrier for a plane or hopping in a car seems possible although not without issue. Cats however, don’t seem built for it. For us transversing the two blocks on foot to the vet with screaming kit in carrier is a somewhat hair raising experience. The idea of putting the same cat in carrier and hopping in a car or (I can hardly even imagine) a train or plane, does not in anyway seem like a good start to a vacation. Perhaps it is just my kitties – they one and all have objected strenuously to the carrier and yowl like the end of the world is coming. However, I have friends who do it all the time, so perhaps felines will adapt if it becomes ritual? In all fairness, my kitties never get to go some place nice – really the vet is the extent of their travel. In fact, I am quite convinced that every time I leave the house in the morning that’s where they assume I go – and they feel very sorry for me indeed.

 

OMI in Blue

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Pams-Pictorama.com Collection

Pam’s Pictorama Photo Post: There’s nothing like the blue of a cyanotype to add a bit of visual pleasure to an image. These (notably cat-less) images caught my eye for their particular attractive strangeness. I have been unable to pin the term OMI down specifically. I assume it is a fraternity, no specific tracks can be found – at least not by the folks here at Pictorama. Omi is also German for grandmother, and there also seems to be a use of it to refer to a diminutive high-energy (reads as somewhat annoying) person. Since we know that our O.M.I. bunch resided in St. Petersburg, PA the German allusion may make sense and tie out to this fraternity of sorts.

Neither of these cards were mailed and there is no writing on them, nor indication of the year they were made. Both are on the slightly fragile seeming cardboard that cyanotypes generally are found to be. (They required a porous paper, more like water color paper than photos are usually printed on.) To back up a moment, cyanotypes are literally “blueprints” made with ammonium iron and potassium ferricyanide. Founded as a process for reproducing things all the way back in 1842, it eventually enjoyed a somewhat limited, but persistent, use as a photographic medium into the early 20th Century.

Most striking for me is the array of costumes in the O.M.I. Bunch card on top. Frat boys, cadet type uniforms, a baseball uniform – the guy in whatever that athletic outfit of shorts might be – and of course the little fellow. O.M.I. sashes are worn by several. There are generally looking pretty pleased with themselves, especially the little guy with the sash which reaches the ground on him.

While I am very entertained by our boys in the car ready for their Automobile Tour, they are harder to see and the image is a bit blurry down one side. The car is the star here and it is enormous in the way that cars were at the time – like ships of the road. There are 7 seated in and around the car, and then the eighth gentleman perched on top of the hood. (I’m willing to assume some of the gents in the back are actually standing on a running board on that side, but the car still promises to hold a mass of people.) Their sense of adventure, as well as some pomp and circumstance, invokes the early days of car travel – as described in my post about the juvenile novels from the teens, The Automobile Girls. (Found in the post, Grace Harlowe, the Automobile Girls, and the Moving Picture Girls Novels.) I have pretty much located three men from the first photo appearing in this one – large hat guy, be-sweatered collegiate, and cadet with hat. I wonder where they went on their tour – was it far?

For those of you for who crave more cyanotype, I stumbled across a splendid small book a few years ago which is still available, Ipswich Days, Arthur Wesley Dow and His Hometown (this the link to the Amazon listing). It is just as described, an intimate look at a small town, turn-of-the-century by one man, rendered in cyanotype. Very pleasant indeed.

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A Cat Named Boy

 

Pam’s Pictorama Photo Post: This card caught my eye recently and I decided he was a fine addition to the Pictorama collection. At four years he has achieved quite a solid citizen look indeed, and I have long been a sucker for a fat boy cat with a spotty nose. I am especially fond of his very white bib and paws – and he is a big fellow weighing in at 24 lbs! My goodness, quite the guy. The name and information appears painted on during the photo process. I don’t really understand how, but it is very neatly and decoratively done here. Often these applied on messages of this sort look like white pen, and are usually neat if not this pretty; however sometimes such writing is more of a scrawl. I am always a bit fascinated by this – did they print it themselves? Seems unlikely. Did they send the information along with the film to be printed? Was it a kit of sorts?

I have seen photo postcard cameras and imagine that postcards like these came from a mix of home executed or maybe occasionally by itinerant photographers. According to Wikipedia, Kodak introduced the 3A Folding Pocket Camera which took film that could then be printed on a postcard back and in ’07 they introduced a service called real photo postcards which enabled people to make postcards from any photo they took so this was certainly in place by the time this card was made. I assume some place in this process they allowed you the opportunity for a title and a few words.

This card was never used or written on, but we know from the front that it was done in 1911. Until I read the Wikipedia entry I didn’t realize that the term real photo postcards originated with Kodak. Interesting, they also state that it was more widely used by the public than in Kodak marketing. These cards are still called that today, sometimes by the abbreviation rppc.

As for Boy, I wonder about his name. It seems like a careless name for a prize kitty who was ultimately beloved enough to be memorialized on film in this way. You never know about cat names though. Sometimes they just materialize and stick and you don’t know for sure how or why. I remember thinking that back when we were naming Cookie and Blackie a few years ago. Giving them names seemed so arbitrary at first. (The person who rescued them had been calling them Thing 1 and Thing 2. Although we teased them with that for a bit, and it even seemed somewhat fitting to the little crazy furry aliens they seemed to be at first, I couldn’t warm to it.) Kim christened Blackie and I named Cookie. (She’s a smart Cookie for one thing, but I once knew a glorious fat Tuxedo named Cookie belonging to a friend and I was thinking of him at the time.) You know that ultimately you will get so used to calling the kits by those names, until the idea of them and the name merges, and you eventually can’t imagine them being called anything else.

Riding the Big Kitty

Pam’s Pictorama Photo Post: We’re having a stop the presses moment here at Pictorama to bring you this latest acquisition. I initiated this blog as a way to bring some order to my photo postcard collection of people posing with outsized Felix the Cat dolls, other Felix related photos, and the even more rarified people atop of giant stuffed black cat photos. (For two earlier posts you can have a look at the very early Cat Chair or the more recent Cat Chair (episode 2) ) For those of you who have been on board for a bit you are probably aware that the blog has instead rambled, stretched and rolled in many directions to include toys and all sorts of personal whims. However, we here at Pam’s Pictorama still drop everything for the inauguration of these photos. They rarely come cheap, but after all, that is what we are here for!

Today’s photo has an especially great cat. I adore the agape and almost bejeweled looking kitty mouth, highlighted claw paws, white whiskers and a stitched nose which looks like a great arrow pointing down to that mouth! This cat has pop eyes, outsized bat-like ears and the very most glorious and enormous tail I have ever seen on one of these fellows. He is an extraordinary specimen. Not at all worn-out looking, this one is fresh and handsome. Another appealing aspect of this photo is this little girl. I don’t think even I could enjoy it more than she is. (Although I would love to try of course.) Children do not always embrace these opportunities appropriately, and they often look confused or generally put out by the experience. Not this kid – she’s astride this kitty and she’s got a great grin on her face. Her white strappy Mary Janes and outfit provide an excellent contrast to kitty’s black surface.

Like most souvenir photos of this type, this photo was not mailed. There is no writing on the back and, like all of the cards of this kind I own, this one came from Great Britain. (I have come to assume that giant cat chair photo opportunities were only available in Britain. Please do let me know if you have different information.) Looking at the background, and not being an expert in flora, I guess it is probably a seaside resort or amusement park.

While I am not sure where I would put it in our studio apartment, (get rid of the couch?) I do nevertheless dream that these giant stuffed cats and their Felix counterparts are extant somewhere and that one day I will acquire them. A girl’s gotta dream, right?

Say Cheese!

Pam’s Pictorama Photo Post: This photo could have been an easy one to accidentally pass by at first, but at closer inspection it really cracked me up! This little gal with her toothy overbite, which coincidentally and perfectly matches this great, somewhat over-sized Dean’s Rag Doll Mickey, has managed to place herself (or be placed) on a sort of platform. She makes a splendid photo and clearly she and the photographer have conspired to create it. Her lace dress provides a great texture against the pattern of the ferns and leaves – a perfect setting. She is placed atop of this small stage to make her look like a delighted, smiling toy herself. Her Mary Janes, slightly imperfect white knee highs and, best of all her period semi-bowl cut hair complete the image.

This photo came from Britain. Although the toys were made there, this surprises me as something about the image and the foliage seems very west coast American to me – California? But no. There is nothing written on this photo and no indication of date, or alas identity. These Dean Mickey’s (and truly, I wouldn’t mind owning this nice large one at all!) were most popular in the 1930’s I believe. I have written about the ones in my collection a few times previously – Big Mickey and Starting Small with Mice. Below is a photo of some of my smaller but similar fellows – note those toothy grins! I am so pleased this little girl and her Mickey have come to reside in my collection where she belongs.

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Mickeys from Pams-Pictorama.com Collection

Beer Break

 

Pam’s Pictorama Photo Post: While I am a fan of cat photos, and as my readers know usually buy photos because of the presence of a cat, in some photos like this one, it has to be admitted that the cat is coincidental at best. Although I do find it truly charming that the big fellow in the upper left snatched up that puss in time for the photo, it is not what strikes us most about this glorious photo of these men and boys in the midst of some sort of a beer break among whatever work was being done among these logs. This card is unused and undated – no identification of where or when this might have been taken. A guess puts it back in the teens judging from the clothing.

The kid with his hands on his hips and legs astride really helps make this photo – he is the only one who seems to be at the halfway point between the very young boys and the men. One can pretty much see him thinking that he too should have a beer in his hand. (However, as I look very closely, there are perhaps another one or two better dressed boys of tween age tucked in amongst the men.) There is a strange mix of those in working clothes and those in nicer shirts and even ties and jackets – some ties loosened against the heat of the day, relaxing a bit. Everyone is mixing however, and seem to be all of one mind – having a superb time. Not a hint of a woman or girl to be seen. This one is all men.

Many people have written about the demise of men’s hats and this photo tells quite a story through the hats. Every single man and boy is wearing one. The variety ranges from numerous bowlers on the suited men, a series of almost identical caps on the boys and then all sorts of well-worn broad brimmed hats on the men in work clothes. Everyone has pushed their brim back a bit for the photo. They are all photo conscious in a great way. And in some ways, this is why I collect these photos – to savor a moment of time in the past when everyone stopped for just a moment and said, “Look at us; we’re having a great time and we want to remember it.”

The Swimsuit Issue

 

Pam’s Pictorama Photo Post: I stumbled over this souvenir photo postcard while searching for something else on eBay as occasionally (blissfully) happens. I love the frothy waves in the charmingly artificial background. Rough seas for Mr. Sailboat! Even that grimy box she is atop is sort of interesting to me. Our gal is both shy and bathing suit proud at the same time – maybe a tad of defiance thrown in? While certainly not risqué by contemporary standards, I get the feeling that posing in this bathing attire was a bit racy. The card is unsent, but written on the back is To Miss Sara Huffnagle and at the bottom Beulah Huffnagle. 

This swimming costume looks fairly new to me – although I guess no reason to think it was brand new. I like the little black shoes! In some ways they seem quite practical really – hot sand not mention the stones and hard shells in the water we have all stepped on would be avoided. I have written about my childhood and adolescence growing up at the beach on the Jersey shore, so for Pictorama readers it isn’t surprising that for three or so months of every year I lived in bathing suits.

As a more or less average woman with a fairly healthy body image, I have over my life thus far, gone the full gambit on my feelings about wearing a bathing suit. I remember being very young and a cousin giving me a very psychedelic bikini I adored. There was another two piece in a broad orange and white stripe I was very fond of before deciding in a subsequent year that I didn’t like two piece bathing suits. (I didn’t wear another until a few years ago when I bought one – a tankini which looks like a tank suit but has the freedom of two pieces. A grand invention.) There were, of course, reams of Speedo racing suits, unremarkable in design and fading with chlorine and sun over time, made for more serious swimming.

Please understand, I was never a serious swimmer. Unlike my sister who swam laps and joined racing teams, I swam for fun only – in the ocean riding waves, messing around a pool. I never looked at it as a form of exercise or discipline. Therefore, the swimsuits that live in memory were, while essentially practical, entirely about how they looked. I happen to have a photo of another favorite. I may have even had this one in more than one color combination.

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Fast forward to New York City post-college (a place profoundly devoid of bathing suit wearing opportunities) and what followed was literally decades of not wearing or even owning a bathing suit. Later, as business travel became more part of my routine, pools at hotels became available. For the first time I was confronted with an older body and the question of whether or not I wanted co-workers to see me in a bathing suit. The answer was, largely, no and I rarely if ever threw a suit in my bag. (I will save opining on the horror of shopping for a bathing suit in florescent lit dressing rooms of department stores, which tend to turn your New York City pallor an overall greenish hue, for a future rant. All the women already know it.)

More time passed. In the past decade I became a gym rat and gradually grew used to seeing myself reflected in multiple mirrors, in running shorts, tights, and other revealing clothing and in equally unflattering light. I slowly adjusted to seeing colleagues in the gym at 5:30 AM in my exercise gear. My reluctance to do so has faded as my devotion to working out increased and I wouldn’t hesitate to pull out my bathing suit now. Good thing too, because I understand there is a pool at the gym near my new office, and I am looking forward to swimming some laps. I will never be as good as a teenage Loren was, but I am looking forward to getting back in the pool and giving it a try.

 

 

A Page of Life

 

Pam’s Pictorama Photo Post: This is more a doggie page than anything else, although I see a nice gray kitty at the middle bottom as well as one in the arms of the be-hatted woman, middle right. However, it is the feisty little Jack Russell terrier and the more thoughtful looking Pit Bull that grab you on this page. Like several other recent posts (Doggone and The Crimson) this came from the depths of that interesting drawer at the store I discovered on my birthday, Obscura Antiques and Oddities, and the resulting haul.

Several pages of collaged photos from the same source were in the drawer. I assume these were pasted onto the page at the time they were taken, but of course there is no way of knowing for certain. I regret now not buying them all and keeping the family together, but they were not inexpensive. I may need to go back and see if they are still there.

I have examined some early photo collage in Pictorama as in early posts Flapper Page – Photo Album cont. and Photo Collage – Blame It on the Blog! which deal with actual photos cut and pasted together like these, as opposed to the more numerous posts about collaged images designed into the photo process, like Cat Photo Collage. I think the person behind putting this together liked the border created by the paper used, which seems, according to the back of the page, to be illustrations and information on blast furnaces. You can see the tiny tip of the chimney of one, exhaust puffing out, in the top right corner, where the moirè pattern peering out from under the photos.

This page lacks the artistry and elaborate precision of the collage pages mentioned above, but it makes up for it by being a window into the sprightly life of what appears to be a fairly well-heeled family and their charming pets in the 1890’s. And despite the fact that each photo tends to suffer a bit from poor execution, somehow the effect of the overall page is evocative and interesting. The photos of the homes, which seem to be very different locations, show big, roomy houses – and I do especially like the photo of the three women from behind, their long, matching black skirts. It takes us off to a long ago, meandering summer, with family and beloved pets, and not a bad trip at all.

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