Pam’s Pictorama Photo Post: If there’s an area I am a bit completist in my collecting it would be Felix photos. Really, no early 20th century photo of someone posing with a Felix (of any size) is beneath my notice and consideration. Quite simply, I want them all.
As a result, in a safely dark corner of the apartment, in a hall (to the extent that one room can have a hall, but I will discuss that another time) near the bathroom a number of these tintypes hold court. I have written about some of them before, (posts can be read here and here) and some are clearer than others. I bought a collection of them from a reader that were remarkably clear (read about that here), but most are variations on murky.
Today’s photo is pretty much on the far end of overexposed and slowly over time sinking further into obscurity. Some readers know that I have made early process photographs and know the technique for tintypes (also known as ferrotypes) reasonably well.

As I understand it, these tintypes which were made at beachside resorts, carnivals and the like, were usually made and developed on site in what amounted to a bucket of chemicals and then water to wash them off. As the chemicals became exhausted and the water dirtier the chemicals and the image became more fugitive. Over time (let’s face it, this is about 100 years old) the chemicals which were never properly set or washed off, continue to react to light and the image gets darker and more obscure. While tintypes were waning in popularity by the 1920’s (a period while Felix’s fame was ascending) this remained a technique for roving photographers and seaside pics for another couple of decades. (And not just Felix of course – Mickey was another favorite as far as I can see.)

Shown here in this post (close up above) this image has been lightened and enhanced some and sadly what you are seeing is clearer than what you’d get with the naked eye by a fair amount. While I can make out this little girl sitting in a chair in her finest, dress, coat and hat, Maryjanes and ankle socks barely visible, I cannot see what she is holding in her hand and I do wonder. The background she is posed against is too faded to see.

Her other arm is of course around this nice big Felix. He’s a bit unusual actually, full circle eyes and smaller ears than most. For the record, he doesn’t look like any of the others I have in my half dozen tintypes of this kind on the wall presently. (See the one above however, which I briefly thought might be the same. Kim pointed out that the eyes are further apart though. I had to dig in my collection for it.) However, the large number of my tintypes are from Australia, several from a park in Katoomba, and this one hails from England, precise location also lost to us. I have another (equally fuzzy) one that is similar and also with a location unknown, but the Felix is different so it isn’t the same setup.
It’s hard to say why I have such a passion for these pics and rescuing them to reside here in the Pictorama archive. The postcard photos are easier to understand I guess. But somehow the appeal of these little tintypes which have been passed down through the decades of people cuddling up to Felix to remember a beachside holiday now long passed have also earned my devotion.
