Pam’s Pictorama Post: I’ve actually been in possession of this slim volume for a few years since purchasing it on eBay. I think it went to the shelf and somehow never made its Pictorama debut. But I was emailing about all things Felix with a fellow Felix-o-file and dug it out to show him. I have not seen it around much, but some digging shows that you can currently acquire a copy if you are willing to pay up. My copy is inscribed twice. The first is in a childish pencil scrawl which, oddly, reads, Elizabeth Butler, 1021 Craggmont. The other, in a neat pen, To Martha, from Mabel Crowe. Neither is dated.
It is a somewhat odd book. To start with, across the front it announces that it was Published by Harper & Brothers – Established 1817. A quick check and Harper & Brothers, which started life as J. & J. Harper publishing in 1817 (brother Jay and John at the helm) until more brothers from the clan joined and the name changed in 1833 to recognize them. Then it changed again in 1962 and became Harper & Row, before later finding its 21st century moniker, Harper Collins. However, while new printing methods made them a leading publisher of books and textbooks, the influence of the famed Harper’s Magazine could evidently be felt through their publishing empire and its influence is felt in this volume.
Felix himself travels under an American passport and Harpers a US publisher, however the author is British essayist, E. V. Lucas, giving this something of the feel of a British product like one of their comics annuals. While this Felix volume was published in 1927 there is an earlier, 1902, version which has different and more traditional cat illustrations by someone named H. Officer Smith and in fact published in Britain. The illustrations have a whiff of Louis Wain to them.
Lucas was a lifelong Punch author whose prodigious output of essays, commentary, verse, plays and was legendary in his day. His biography is sprinkled with references to hobnobbing with friends Barrie, A.A. Milne, Arthur Conan Doyle and the likes of his day, playing cricket and billiards. He has written the copy in simple verse with a sly eye to the beloved tricks, maneuvering and manipulation of cats.
Our volume (ostensibly illustrated by Pat Sullivan who signed each illustration, however we’ll assume it is of course Otto Messmer ready at the dip pen) is a slim one at about 30 pages, writing on each left side and illustration on the right. Felix takes on the role of a sort of every cat persona rather than doing a star turn as his famous film self here – although he seems to have some of the Felix wiliness and trouble-making charm as played out in the pictures.
The drawings show Felix in fine fetter and I can only imagine that for a pro like Messmer it didn’t take him long. However his skill shows in making every line count for maximum entertainment and raises it to the level of a Pictorama worthy Felix investment.
Ed. Note: After this was posted @judd_kid and @tomatitojose sent word that they think it was drawn by Dana Parker who drew many of the Felix theater posters and advertising art! Fact for the day!