Cat Chair Photo Sleuth

 

Pam’s Pictorama Photo Post: Frankly, there are mysterious things that go on with photo purchases I will never understand, and one stumbling on the weirdness of finding photos that must have started life together, or in some sense hail from the same source, and end up being sold by entirely different entities. I have examined this phenomena once or twice before, most memorably in The Mysteries of Felix where several tiny passport size photos of people wearing a Felix mask came to me via different sellers at very different times. In this case I recently purchased the photo above of this toddler in a cat chair – which I happen to think is remarkable enough with that great cat chair. However, it is also amazing that while I purchased this photo from a seller on eBay, located in Maryland (for less than $10) the other, which went on sale at the same time as mine did (was listed at $35) and is being sold by someone in Indiana. My photo has been slipped out of its stand up cardboard frame, long lost no doubt, while the other one still sports its display frame. While there is nothing about the cat chair that allows us to positively identify it, I think the carpet both are set upon is distinctive enough to tell us it was the same photo studio set. I have put them together below so you can see them side-by-side.

 

If the cryptic writing on the back of my card means what I think it does, my card also originated in Indiana. Here it is below and very hard to read, but look at the bottom, Evansville, Ind.

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Back of photo, Pams-Pictorama.com collection

 

For what it’s worth, I think the kid in my photo is the more winning of the two by far, and meanwhile who wouldn’t be charming perched in a nice cat chair like this one? I have never seen a chair like this before – in a photo or as an object. I reminds me in design of the ashtray stand I have below which I have written about in one of my most popular past posts, Wooden Novelty Co.

 

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Blackie with the cat ashtray holder, Pams-Pictorama.com

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Pip Chair, sadly not in my collection

The chair also seems to be something of a kissin’ cousin to the chair the Pip (of Pip, Squeak and Wilfred fame) chair I was unable to purchase in Close Quarters a few weeks ago. It is my assumption that all of the above were designs that could be purchased and executed by the ambitious lay person – however like the photo in Wooden Novelties, could also be purchased fully finished as well. And yes, space or no space, I would snap this cat chair up in an instant given the opportunity!

I assume we will never know the story of these photos, to what degree they belonged together and wandered away from each other. I imagine that there was some sort of a sale where they were purchased by different dealers and turned over on eBay by coincidence at the same time. What we do not know is if the connection is closer – were these siblings and was it an estate sale they came from? I am a bit regretful that they will part company, but they will at least coexist for awhile longer on this blog post.

 

Another Aussie Felix

 

Pam’s Pictorama Photo Post: I am ready to get back to the important work of discussing Felix photographs in order to kick this year off properly. This excellent example enters my small and (I tend to think) rarified collection of tintypes of folks posing with Felix. Some of those were made in Britain, but Australia seems to be the prime locale for them. I own two tintypes from Katoomba (the site of some gorgeous waterfalls located in a park in New South Wales) and two identified as being from the British [Empire] Exposition, one from 1924 and one from 1925, the best of which I memorialized in Little Gem – then several more tintypes which do not declare their place of origin. I have written about one of the Katoomba ones previously in a post which can be found here at Felix Featured on Tin. This one obviously hails from the Royal Agricultural Show Claremont, Western Australia which I gather is still an annual event there.

I wonder when this photo might be from – tintypes lasted in remote parts of this country and for use of souvenir photos like these into the 50’s and potentially even later. I assume at least that is true in Australia and the kids clothes don’t give us much of a clue.

As I have examined previously, people posed not only with Felix, but with Mickey as well. I own two Mickey Mouse tintypes, although only one (Mickey Too) seems to be taken at a fair grounds, pier or amusement park. I have seen real photo postcards of people posing with stuffed Mickeys, like my Felix ones, but was unable to claim possession of them. I also saw (and lost) an amazing image of people posing with a huge Spark Plug, Barney’s Google’s horse as well! I only ever saw the one, on auction via Morphy’s, and was very sad not to win it. (I am determined to find another to add to my collection someday.)

 

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Mickey Photo from a Morphy’s sale, not in my collection

 

While watching a rather excellent and truly gorgeous Australian Western recently (a Kim recommendation) from 1982, The Man from Snowy River, we were discussing the strange cultural parallel universe that Australia and New Zealand seem to exist in. Clearly they were the getting some of our early cultural offerings, as evidenced by these photos with our friend Felix. Meanwhile, they also had their own rich versions of early dance band music, films and literature that run along the lines of American popular culture, but are distinctly their own and those mostly did not make it to us. As for me, I can’t help but fantasize that I am in Australia at a flea market and finding dozens of obscure Felix items…

Rich Conaty

Pam’s Pictorama: A bit of a disclaimer on this post, as it is a radical departure from my usual posts. The recent loss of our friend Rich Conaty has me thinking and seems to require that I get a few thoughts down. For those of you who did not know Rich, he was an extraordinarily talented disc jockey who had a radio show for decades devoted to music of the 20’s and 30’s. Rich launched his career at the Fordham, NY college radio station, WFUV, in the 1970’s when he was still in high school. I caught up with him more than a decade later when I was in my senior year at college. I was commuting into NYC on weekends for a day-long life drawing class at the Art Student’s League and spending Sunday nights alone in an apartment my father used during most of the week here in Manhattan.

I just never was much of a fan of the music of my own day (the 1980’s for the most part) and while I had experimented with listening to jazz and while it held some charm, it ultimately disappointed me. Slowly as I started to discover Ella Fitzgerald and Billie Holiday it dawned on me that what I liked was music, mostly but not only vocal, from the 1920’s and 30’s. I bought some tapes (yep, 1986 and this was before cd’s) and started to get the lay of the land. Radio shows might touch on this music, but nothing seemed to focus on it. Somehow I stumbled onto Rich’s show one Sunday night in Manhattan and I listened weekly. That was great while I was in New York, but in those pre-internet days there was no way to pick it up from New London, Connecticut. Therefore, once my class in Manhattan ended, I was left high and dry.

Post graduation I ended up back in New York, cooking professionally. The hours I kept curtailed any late night radio listening, but I did manage to tune in occasionally. My cooking career ended with a bad fall and injury early on, and I found myself working at the Metropolitan Museum with regular hours. I rediscovered Rich’s show on a road trip with my then boyfriend, Kevin Hein. We were coming home from South Jersey late one Sunday night – must have been visiting his parents. I was hooked for good at that point and became a devoted weekly listener. In fact, I would tape them each week and play them throughout the rest of the week. Kevin liked the show too, and we could usually schedule ourselves to be home on Sunday night.

Another disclaimer – unlike Kim, I am not someone who can address and debate the finer points of this music and my brain has always been a bit of a sieve for these kinds of facts, so I cannot do Rich justice on this point despite listening dutifully all those years. (It’s a good thing I managed to marry someone who verges on being a savant for remembering dates and things associated with music and recordings.) I did begin to figure out what I liked and names like Smith Belew and Annette Henshaw, Connie Boswell became familiar. The fact was though, I pretty much liked it all, even Arthur Tracy grew on me over time – well, sort of. In looking back on it, especially in that first decade, I associated Rich and the Big Broadcast with the life I made for myself in New York. Like so many kids from the suburbs who move here, there are touchstones for how we found our way to who we wanted to be – and Rich’s show and the world of that music was that for me.

Over the almost three decades of listening, Rich was sharing bits of his personal life over his show until all us listeners felt like we knew him. Show anniversaries, AA, meeting and then eventually marrying his girlfriend Mary. As for me, after more than seven years together Kevin and I called it quits. I dated a few people, some who shared my musical interest – or at least had interests that intersected. I don’t think Kim knows this, but it was a passing comment about the Boswell sisters he made at a party once that really got me thinking about him. His comics were steeped in period musical references too – it piqued my interest indeed.

I guess Kim was thinking about me as well, but evidently he was surprised to find Fats Waller playing when he walked into my apartment for our first date – a random tape of one of Rich’s shows – Fats with Ted Lewis, Crazy About My Baby, Kim reminds me now. Kim focused on it right away and wanted to know more about the show – he became a devoted follower of the show and my boyfriend that night. A little more than a month later he and I made our only ever New Year’s Eve foray out to the New Yorker Hotel where Vince Giordano and the Nighthawks were performing, an event Rich had mentioned on his show. He and Mary were there, but we didn’t know them. I had heard the Nighthawks live once or twice before – at a film, an outside concert downtown, but it was the first time Kim and I heard them together. I was recovering from a horrible flu that night and we didn’t stay too long though and were amazed to get a taxi in that locale, not so far from Times Square.

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A music infused drawing that Kim did for me, Pams-Pictorama.com

 

Life burbled along. Kim and I moved in together. Sunday nights were pretty sacred and always reserved for the Big Broadcast. Rich left WFUV for a brief foray into commercial radio and we followed the best we could. It was a square peg in a round hole however, with playlists and other limitations, and eventually he found his way back to WFUV, to our great relief. He had his first bout with cancer, but seemed to recover quickly. His marriage ultimately ended over time; we eventually got hitched ourselves in 2000. Sadly, later Rich’s former wife Mary died years later.

On occasion we would go hear the Nighthawks at a restaurant in Chelsea, once or twice alone, but more often when someone with an interest in music was visiting from out of town. And somewhere in the years that followed Rich recognized Kim’s name and called it out as a thank you for being a supporter of the show. This lead to that over time and Rich invited us to join him to hear Vince and the Nighthawks at their then current gig at a place in the basement of a Times Square building that appeared to have once been a speakeasy, Sophia’s. Hard to find, but worth the effort.

I was beyond excited to meet Rich – yep, a total fan girl after all this time. I wasn’t disappointed. Rich was just the sweetest, most generous guy on the face of the earth. Despite the late hour he drove out of his way to drop us off at home after the show. After that Kim and I joined him several times, most recently at a new venue for the Nighthawks, The Iguana. He loved the story of Kim hearing Fats the first time he visited me and would always ask Vince to play it on those subsequent visits to hear the Nighthawks with him. He remembered Kim’s birthday too after we had a musical evening as a birthday foray for him. One night at a large table we met Rich’s mom. I was seated next to her and she was already a bit vague, but I had a good time talking to her.

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Kim’s cover art for the Big Broadcast Vol. 10

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An ad and calling card Kim drew for Rich

 

Kim did a great ad for the Big Broadcast for Rich to use and we have used it on our Facebook page to remind people of and introduce them to the show on Sunday nights. My good friend Betsy was one unexpected convert. Kim also did the cover art for one of the Big Broadcast annual premium disks for giving to the show. I counseled Rich on fundraising for his program – it was always so important to him that the show be seen as carrying its weight at the cash starved not-for-profit station. (We would also talk about his cats and, although I am sure he made provision for them, I worry about them now. I’m sure they miss him so much!)

While we would communicate via Facebook and Twitter and see each other periodically, our paths intersecting on and off throughout the last ten or more years, we were not in touch enough that I can fully adjust to the idea that he is gone. A second round of cancer came on hard and fast and claimed him this time. However, in my mind he remains at home upstate working on the next Big Broadcast and our next date to hear the Nighthawks remains alluringly in the near future.

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Rich and his ’53 Nash

Bonne Annee 2017

 

Pam’s Pictorama Photo Post: I have fallen for these European New Year’s cards before. The 2015 New Year’s installment was an array of French cards, also titled Bonne Annee, and I have owned this card for more than a year already waiting for the appropriate moment. (There was a post a French, April Fools card as well, April Fools? with goofy French cats fishing.) I purchased this card with the intention of giving it to my mother, she who is the protector of and interested in all things swan related. I promise to get it to her soon.

I am interested in the tradition of New Year’s cards. I had the extraordinary privilege of being present when John Carpenter, one of the curators at the Met, took someone through a collection of Japanese New Year’s cards and explained that at the time they were drawn, wealthy people commissioned these beautiful drawings as cards and on New Year’s Day they would go from house to house with them and present them as gifts. At each house they would be invited in for music and food. The drawings he was showing us were a recent acquisition at the time, and he hopes to do an exhibit of them. Somehow these rituals around New Year’s seem to suit me – better than freezing in Times Square I guess.

It appears the French have stuck with New Year’s cards as well – I am under the impression that they still favor them over any other form of Christmas or generic holiday card. Getting back to my card above, there is some strangeness in this image. First and most obvious, that little girl has that wicked smile on her face – is this the face of the New Year I want? I guess she is a variation on the baby New Year symbol. I have to admit that she actually looks a bit like my mother did as a kid as well. There aren’t tons of photos of her, but it does resemble the one photo I have of her at that age – minus the dangerous grin. Then there is the swan which a trick of photography has captured in between both two and three dimensional space. Stuffed swan or cut-out perhaps? It remains unclear to me. Also, I was always told that horseshoes should always go the other way so that the good luck would stay in, but I grant you, it is easier to hook on your arm this way and perhaps the French don’t subscribe to that theory. The swan can represent purity, but also strength and, clearly in this case, water – although I am not sure exactly what that says about the coming year.

When I was a kid I used to write the numbers of the outgoing year many times – thinking that I would soon miss writing it and in sympathy with the outgoing year. I have no such sympathy as I kick 2016 out and close the door on it today. Many of you were along for the ride while our apartment was torn up for months in the spring; we all suffered through the political landscape; and even the Met was plagued considerably which rocked my professional life. Saddest of all, in the closing days of the year Kim and I lost a good friend, Rich Conaty, to cancer; additionally a Met colleague, Ron Street; and heard of the illness of still another friend. We here at Pictorama and Deitch Studios are grateful to have scraped through the year of ’16 and will pull up our socks for a productive and best ever Bonne Annèe  and we wish the same for each and everyone of you!