Turkey Talk

Pam’s Pictorama Toy Post: Toys today again with this terrific turkey. This item made a rare route to Pictorama a few weeks ago by way of Kim posting an image of it on Facebook which was so glorious I went in search of the toy. A quick search turned one up in good condition on Etsy and he landed here a few weeks ago. Unfortunately, a tiny bolt on one side of his tail went missing, either in transit or the seller neglected to mention it. Kim has done a short term repair with a tiny bit of wire from a twist tie off a loaf of whole wheat bread. Click below for our best effort on filming him – we got his tail to stay together sufficiently to get him moving on film, but I don’t think he has a ton of runs in him. Watch the video through, the full rise and spread action of his tail is what makes it great!

He is the earlier model of at least two that I found online (see further below),with greater definition and better action than the later one. There is something wonderfully Art Deco about the colors and design of his tail feathers that I especially like as well and what attracted me in the first place; his color is pretty glorious. Mr. Turkey is marked Made in the US Zone Germany on his tummy, which puts his manufacture in the mid-40’s to early 50’s. A Google search turns up an auction listing which mentions it was produced by Blomer and Schüler (or Bloomer and Schüler), a company founded for making parts in 1919, but which started making its own toys in 1930. It had an early hit with a Jumbo Elephant wind-up toy which is described as running. I have a weakness for elephant toys so I may need to investigate this more closely. Toys do lead to toys and a good wind-up toy is just the jolliest thing I can think of. (There is also a very hotsy totsy peacock too, but I must say, his mechanism looks even more fragile than Mr. Turkey’s.)

I didn’t see many of these on the internet, but would love to see him move!

The turkey’s action really does recall a come hither Tom Turkey trotting, showing off his glorious tail feathers to attract a girlfriend which makes me think he was designed by someone who knew turkeys. When living in England many years ago, I was surprised to discover that not only is turkey not indigenous to Britain, nor indeed Europe, but that they don’t have much of a taste for it and do not import it widely. (My Thanksgiving dinner that year was a Chinese recipe for orange chicken as a result. In retrospect, and knowing more about cooking now than I did then, just as well. I had the tiniest oven imaginable which would have taken three days to cook the smallest turkey.)

I will add that my surprise grew when I discovered that pumpkin isn’t eaten there, and they aren’t big on corn on the cob either. (Corn is grown there but is fed to farm animals. As a result, I don’t think they produce corn flour either.) Although admittedly my first hand information on the subject is now decades out of date. All this to say, I believe it was the American influence which designed this turkey as I do not believe at the time Germans were widely familiar with the mating habits of turkeys or eating them either, although the internet says they have caught up with a taste for turkey in recent decades.

From the collection of Deb Mostert via Pinterest – the image that started it all!

Although I do not eat fowl these days, nor have I for many decades, I was in charge of the family turkey on Thanksgiving for many years after my brief stint of professional cooking – my mother happily ceding this responsibility to me, my father never much of a turkey carving dad either. However, I cannot think about cooking a turkey without remembering a French chef I knew going on in honest bewilderment on the subject – not only at the American fondness for them, but the cultural necessity for serving it whole and carving it at the table. He pointed out, the thickness of a turkey’s legs demand significantly more cooking time than the thinner breast and wing meat and to think that there is a way of getting the legs done without drying out the breast was, in his opinion, a fool’s errand. He would have had you cook the bird whole, let it rest, carve the legs and put them back in the oven to finish cooking. I venture that cooking the bird stuffed, while slowing the whole venture considerably, helps ameliorate this issue, but his point was well taken and an easy solve if you aren’t married to carving a full bird at the Thanksgiving table. (The attenuated cooking time needed for the bird cooked stuffed also set him going – in all fairness, he was not only French but a restaurant chef which is another bird altogether. Clearly he wasn’t familiar with Norman Rockwell paintings on the subject!)

Later version by same company.

Given my early defection away from eating (and therefore cooking) red meat and fowl, I have never attempted to cook a turkey in a Manhattan apartment. Our ovens run small though, as do our kitchens, and I can tell you that New York is evidently littered with beautiful turkey roasting pans purchased each year without measuring the apartment oven in question. From the stories I hear from first time turkey chefs, they often find themselves with pans and even birds that do not fit our abbreviated oven sizes. I encourage first time city cooks to use a doubled up disposable pan on that first go, but to go easy on the turkey size too. We are so used to our ovens that we’ve forgotten how comparatively enormous a regular one is. I glory in how many things I can fit in my mom’s oven by comparison.

As we finally slam the door on 2020 with my turkey post, we at Pictorama and Deitch Studio are wishing all the best in the coming New Year. I look forward to seeing you all on the other side, at the dawn of ’21!

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