Whose Afraid of the Big Bad Wolf?

Pam’s Pictorama Toy Post: Today is a toy post in its full glory – dedicated to the recent acquisition of this absolutely extraordinary Big Bad Wolf toy! This wolf comes to me as a Christmas gift from Kim-as-Santa via a Bertoia auction. Mr. Wolf made a rather slow trip to Manhattan and just arrived the other day, but he was certainly worth waiting for and slow Santa by post is more than forgiven.

I’ll start by saying my yen for a wolf toy dates back to a street fair decades ago. This was a very mom and pop affair, just a single city block with German delicacies and an um-pa band mid-block. I was just passing through and stopped at a table and saw a very nice Big Bad Wolf puppet. Now, I was younger then and I made a mistake that I have tried not to make subsequently, and that is I walked away, to think about it. And yep, by the time I walked back, positive I had to have it, the puppet was long gone. She who hesitates is indeed lost and it lived on in memory. The one below is close enough, although I am unsure the one I saw that day was indeed Steiff. So, in a sense, I have waited all these years to fulfill my errant desire for a Big Bad Wolf.

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Steiff Wolf Puppet, sadly not in my collection

 

Somehow, despite the world wide web and all, it was a mistake I have never rectified. I am, after all, a collector of toy cats first and foremost and generally that is what I end up looking for and at – living in a single room, I try not to follow my nose in too many other directions. However, while taking a very last minute twirl through this December auction, late one night, I saw this little guy and decided that he was sort of grand, toy lust kicking in. After a brief discussion with Kim the following day, we decided that if acquired he would make a fine Christmas gift. Lucky for us, everyone else seemed to have other things on their mind and he was acquired for a relatively modest sum. (You don’t want to know what toy collectors consider modest.)

Bertoia offered no real information on him however and, glorious as he is, he is without makers markings. If I had to go out on a ledge with a guess I would say maybe he was made by the Lenci company in the 30’s or 40’s? Lenci was an Italian toy company from 1919 to 1944 founded by Elena Scavini (her nickname was evidently Lenci) which is better known for regulation dolls. At least one individual has identified him as such on the internet, although I remain somewhat unconvinced. I will continue to research and am open to any suggestions or further discussion.

Dating on either side of my Wolf I found this very nifty Knickerbocker example which is earlier and although more primitive I would have snatched up in a minute as well. This one, shown below from a Hake’s auction back in 2013. I find his bear-like simple look very appealing in a different way.

 

 

Hake’s also had this listing shown below for a later Lars Wolf, probably made after mine, and Three Little Pigs.

 

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Better view of the Lars version.

 

This lead me down a charming rabbit hole of Mel Birnkrant’s website (always a great read) and his great story about acquiring his Lars Mickey, Big Bad Wolf and other toys. It can be found here and I highly recommend it. Mel did a drawing for a really smash up alternative version shown there as well.

Meanwhile, I also include an alternative universe Wolf that appears to be an unlicensed version, but clearly got around as I found several examples. It is shown as listed on Morphy’s auctions below. It might be a slight exaggeration to say these abound, but they seem to get around more than some of the others. I especially like his tuxedo!

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Back on my birthday in 2018 I purchased the Little Pig below and wrote about him here.

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Getting to the main event, my doll has some really splendid detail such as his felt tongue sticking out. I love his strangely spiky toothies and toy nails. He appears to be made of wool felt with cotton clothing and hands. His pre-tattered clothing has a few repairs and there are some moth holes on the soles of his feet, but otherwise he is in remarkably good shape. Details include some delicate coloring in this cheeks and on his toes and those strange painted eyes and I have to say he made me laugh out loud when I first unpacked him.

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Detail of Big Bad Wolf from Pams-Pictorama.com collection

 

He is unexpectedly articulated with a head that turns a bit and arms with full range; he does not stand as his legs are not movable and is permanently in a seated position. He is very jolly though and cheered me up immensely while confined to bed with my bad back this weekend.

Of course this post would be utterly incomplete without a link to the Silly Symphony Three Little Pigs and Big Bad Wolf which can be found here and here. These cartoons elevated our Wolf to ever greater fame, one way or another, inspiring all of the toys mentioned here. And I, at last, have a great Big Bad Wolf of my very own.

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Annie and Sandy Reunited

 

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Pam’s Pictorama Toy Post: Joyously I finally return to the world of toys as the chaos of our abode recedes at long last. Pictorama readers may remember that as part of a delightful birthday toy haul back in February of 2018 I purchased a hotsy totsy little Sandy doll. (Shown below and that post can be found here.) I concluded that post opining that there was a very nice Little Orphan Annie doll as well and I vowed to look into that. I had a weather eye out and at last this one found a home here at Pictorama earlier this week. It had been quite awhile since we made a toy acquisition and it was delightful when this box, slightly larger than expected showed up yesterday.

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Interestingly the history of oilcloth toys is not so easily found online, nor is the origin of these particular toys. For the information I did find I can thank Jeet Heer, Canadian author and comics scholar. His introduction to the Gasoline Alley volume covering the years 1925 and ’26 had the only information that satisfied my yen to know more this morning.

My collection of Little Orphan Annie toys is a very limited one. When I purchased the toy below I had no idea it was Annie and Sandy – although I was crazy about it! I found that out later when I saw one that was in better condition and had the box identifying it. I wrote about it last year in a post that you can read here.

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The discussion around dating this Annie doll dominated Deitch Studio in a heated debate over breakfast this morning. Kim taking the position that this Annie design had to be later than the other one shown below in two similar variations. It was he who dug out the Gasoline Alley volume, after a quick tour of Little Orphan Annie volumes up to about 1935, and found the scant information I share with you.

 

Meanwhile, my thought had been that the nicer doll with the dress (mine) was earlier and that they discovered they could do it more cheaply without. Instead it seems it is a case of starting with a more primitive toy and getting grander. I am not a fan of the design on the left, but there is something charming about the one with the hat.

It would seem that this series of comic character toys are the brainchild of Eileen Benoliel, creator of a company called Live Long Toys. There wasn’t a lot of information readily available about the company or Ms. Benoliel (or Mrs. William A. Benoliel as she is also identified) except that the Chicago company was founded in 1923 and folds in the 1940’s. I am making the assumption she made these Little Orphan Annie toys as well although I guess the concept could have been stolen from her and marketed by someone else. These toys are unmarked, with the exception of Annie’s sash which reads Little Orphan Annie by Harold Gray and under Patent Applied For.

There is not a lot of information about this company. I did find a reference to the company, via Google, in a book called Made to Play House: the Commercialization of American Girlhood 1830-1930. In essence this passage makes reference to how when companies started by women became successful that it was typical for their husbands to take control of them, rather than the women keeping control and growing it themselves. It is noted that Mr. Benoliel left his job in insurance, working for companies like Marshall Field and Sears, Roebuck, to manage the burgeoning company.

According to a snippet Jeet Heer includes in the introduction to this volume Ms. Benoliel began the craze with a Skeezix doll and then the other Gasoline Alley figures. The reprinted article from the 1924 Playthings magazine is shown from the book below as is the two-page spread from the book.

 

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Jeet also notes that the Skeezix doll (which I gathered aged over time but to what extent I cannot say) eventually had removable clothing, which means Mr. Deitch wins and clearly the dolls with the removable clothes were a later variation. The Sandy doll seems to have remained consistent with the original design going forward, although later ones seem have used the same template but is a tad more three-dimensional later.

I assume that these oilcloth toys came out of earlier, more homely, variations and that from them eventually come the premiums that you were required to sew yourself. I recently examined those via an acquisition of a Kellogg’s Crinkle Cat. (You can read that post here.) Oilcloth is sturdy and Annie is solidly made. There is evidence that she was much played with and beloved. As much as I like my toys in good condition, it is good to know they have been well used and loved too.

 

 

 

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Pam’s Pictorama Toy Post: This is one of those lovely occasions when I get to write about acquiring something I have wanted for ages! Today it is this wonderful Felix toffee tin turned toy pail.

Allow me to start by saying that I love toffee. Seriously, caloric concerns are thrown out the window as soon as I see sticky toffee…followed by virtually anything written on a menu. It is a little known fact about me, but a fact nonetheless. I came to it late in life, but I think that has more to do with having had limited exposure to it when younger. I believe if I had been introduced to it earlier I would have been a life-long toffee fanatic. Somewhere in a parallel universe I am simply ruining both my teeth and my waistline contentedly stuffing myself silly with toffee.

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So if nothing else for me the vision of this delightful pail stuffed with British toffees is a wonderful one indeed. Oh the gluttony! Oddly and somewhat mysteriously, the tin bears no label for said toffees sold, only the maker of the tin, E.T. Gee & Sons and this pail is always advertised by that name. One might imagine that a toffee maker of the time like Mackintosh’s might have filled it. The candy descendants of Macintosh’s Toffee exist today and are the makers of Rolos and other delights. Macintosh was definitely selling similar pails of toffee, but those are all emblazoned with their name leaving me wondering and somewhat stumped. It is possible that the lid had a name embossed inside perhaps, or that there was a paper label/sticker. One version online seems to have the remnants of an odd sticker that says …sweet little babies.

E.T. Gee & Sons is not especially well documented as a company – I could not find much history on them. However, I find tracks showing they made a whole line of similar candy containers that were also tin toys once emptied of their confectionary treats so this must have been the side of the street they were working. Although the Felix pail is the most prevalent one, I found evidence of two others online and sadly could only fine this single small image of the house which held creams. (Google images revealed no larger photos nor additional examples.) The house, doubling as a bank, is a photo from the Worthpoint auction site and the biscuit tin wagon from an auction site called Bukowski’s.

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At auction on Worthpoint, a toffee tin that doubles as a bank.

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A biscuit tin that doubles as a toy truck, image from the Bukowski auction website.

 

Meanwhile, I have been admiring this Felix pail for a number of years now, stealthy hunting of it on eBay, tracking prices and failing each time to be the high bidder. A version in condition only somewhat superior to my own, but with the top (shown below with this mischievous Felix whose tiny rendition of the toffee pail is stuffed with toffee – mine does not have the top sadly) went for more than $3,500 just several years back at Hake’s. I have lost several on eBay that went for much less than that, although probably all without the top. My example does come from Hake’s – just a bad day at auction?Maybe, but clearly for whatever reason the price of them has dropped considerably. I paid a tiny fraction of that for mine.

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From a Hake’s auction catalogue, lid to the Felix pail which mine is sadly missing.

 

The decoration is decidedly and delightfully cryptic – the scenes are certainly comical, but you really have to wonder where they came from. On one side Felix rides a white horse or pony (sort of Felix as Lady Godiva in my mind) along the water’s edge. He is being chased by a young boy (with an outsized head) brandishing a spatula? Or perhaps it is the shovel to a sand pail? The boy seems to be running full speed while the awkward drawing of the horse seems to have Felix at a slower pace. (His toes curling upward in an interesting manner.) Most bizarre of all however, is the female Felix in an old fashioned bonnet and dress, taking the scene in at the water’s edge. A broken fence in the foreground leads the mind further down the path of an unknown narrative. The horsey hardly looks like he’d break down a fence. Curious indeed!

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My very own Felix toffee pail! Pams-Pictorama.com collection.

 

The more benign scene on the other side is my favorite – a large family of Felix-es, Mom, Dad and three babies – having their photo portrait taken! Of course as someone who collects photos of people posing with Felix on the beach this is a very funny inside joke. They are dress for the occasion – the Dad in a vest, mom in a long dress – in this alternate universe Mrs. Felix evidently dresses like a Mennonite. One child splashes in the water with a small sand shovel, the other getting his feet wet while a small girl perched on a rock beckons to him. The photographer, complete with tri-pod, camera with bellows and (I think in my mind) long exposure film, appears to be a young boy. Daddy Felix is gesturing approvingly to the camera. A toy looking sailboat appears in the distance. A splendid Felix walking decoration rings both top and bottom of the pail.

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Pams-Pictorama.com collection

 

My version of the pail is about 8″ high and I understand that there is a slightly smaller version with a single row of Felix around it. (I’m glad mine has those!) It has a satisfying sturdy handle for holding and swinging merrily as you walk, and I think it would make a jolly pail at the beach, although I am pleased this one doesn’t appear to have spent much time in that capacity.

As a child who grew up on the shores of the Atlantic ocean I know a little something about playing in the sand at the beach and I can assure you much could be accomplished with a nice little pail like this, accompanied perhaps by a small sand shovel. One could dig deep caverns, carry water to fill moats or to dampen sand into the proper consistency for the construction of castles and related buildings. One’s pail was essentially a ticket to hours of beach fun and this would make a splendid addition to any discerning child’s collection.

 

Crinkle Cat – For Kiddies, not Kitties!

Pam’s Pictorama Toy Post: I have been hunting this fellow, Crinkle Cat, for a long time. Despite essentially being easily acquired item, I have been holding out for one that had been sewn well and was in good shape which took longer to find. Introduced in 1935 the characters Crinkle Cat, Dinky Dog, Dandy Duck, Freckles the Frog (and later Johnny Bear and perhaps others), were established and offered as Kellogg’s cereal premiums (two box tops please) which arrived as below, to be cut out, sewn and stuffed by the recipient. Considering that these were hand sewn, oil cloth dolls, these have an excellent survival rate. Crinkle Cat seems to lead the pack here but although you will work a bit harder if you want a Freckles the Frog, for example, these also appear to be obtainable.

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Beyond the survival rate which is notable, the frequently worn remains of these toys is evidence that they were played with and much beloved, perhaps a tribute to their Depression era timing. It was an inexpensive toy when finding toys for your kids wasn’t easy and just feeding them was a priority – this enabled you to do both. Many of the unexecuted oil cloth sheets are also in existence. (I could have bought one of those and made my own if my skills were up to it; they are not.) So back then, as is always the case, people acquired them and never managed to execute the sewing of the toy – but saved them for posterity.

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I like Crinkle’s slightly worried, pie-eyed expression and I am a fan of his sort of country gentleman tie and vest – sporting buttons on the back and a small patch on his bottom. Kellogg’s is also emblazoned on his back and I will volunteer that he is indeed a cat I would trust with my cereal needs.

Despite their survival rate as toys well into the 21st century these characters didn’t seem to gain much traction. Information on them is scant and I don’t see much evidence that they had a life beyond these premiums. Before 1940 they were supplanted a few years later by Snap, Crackle and Pop and eventually Tony the Tiger. I would say it is possible that Vernon Grant, the designer and creator Snap, Crackle and Pop may have designed these characters, but I cannot confirm so I defer to those of you out there who may be more knowledgable on the subject to please chime in. I was interested to see that a somewhat rare toy of Tony the Tiger of surprisingly similar design exists from a much later era. The example I found was dated 1973.

I cannot do justice to the fulsome and whacky history of Kellogg’s here but will give enough of an encapsulation to intrigue those of you who wish to go further down that rabbit hole on your own. Essentially the Kellogg brothers, Dr. John Harvey Kellogg and Will Keith Kellogg, invented it in 1896 (patented and into production in 1906) as part the answer to a need by the Seventh-day Adventists for vegetarian fare at the Battle Creek Sanitarium in Michigan where John was superintendent. As it unfolds into a commercial venture the company at Will’s urging (this caused a rift between the two) he not only makes the recipe a bit more palatable for the consumer by adding sugar to the mix, but is an early advocate of advertising and premiums. He kicks this campaign off with this rather splendid Funny Jungleland moving picture book for children in 1906. (I’m already working on acquiring one of these – so perhaps a future post there!)

Years later Crinkle’s little-known tagline was, For kiddies, not kitties! and perhaps for a company that went on to make pet food as well, this was a point worth making? Meanwhile, Crinkle has at last come to join the kitties (not kiddies) here at Pictorama.

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Pigeon

Pam’s Pictorama Toy Post: It’s joyfully back to toys today and I have been sitting on this beauty for a few weeks, waiting for the chance to share him with you all. Those very devoted early readers may remember a post about pigeons (which can be found here) where I first mentioned my fondness for the fine feathered fellows. Despite quite bad publicity here (rats with wings, etc.) I remain their champion.

Pigeons live quietly among us here, rarely kicking up a fuss, eliminating tons of garbage annually by consuming as their daily repast. For most New Yorkers they are ubiquitous fellow denizens, thought of with derision if thought about at all. However Kim and I share an affection for pigeons and I have always appreciated that I could point out a particularly nice one or pair to him for admiration. (There are some commonalities that married couples should share in my opinion and a fondness for pigeons is one is one in our case.) I have told this story before, but I love the idea that when Kim was a child and first came to New York he thrilled to find these birds just walking sedately among the humans.

When I worked at the Met I had a nesting pair out my window which returned over several years. I worried about them as we had many hawks nesting in the rooftops there as well. Whenever I saw one without the other I hoped for the best. Their nest was not visible, further down the glorified airshaft that I overlooked. I understand that they are casual nesters at best, eggs frequently lost or broken. As all New Yorkers know, they largely manage to nest out of sight and nests, eggs and baby pigeons are rarely on view.

While researching this I did find a rather delightful story from 2017 about a woman in Greenwich Village who returned home from vacation to find a pigeon nesting in the pasta strainer in her kitchen. She allowed her to stay and created an Instagram account for her. The story can be found here. Evidently young pigeons are almost adult size by the time they leave the nest and then blend with the adults, leading to the idea that we never see young pigeons. (It is said that they are identifiable by a patch of downy feathers at the back of their neck.)

When I saw this tin pigeon on auction I must say I immediately set my cap for it. Luckily for me and the old bank account, only one or two other folks had interest and I didn’t end up going to the wall to acquire him. He is marked VEBE on his chest, which appears to be one of the divisions of a French toy company Victor Bonnet. I couldn’t find out much about the company other than they produced high end friction and wind-up toys from early to mid-20th century. With a few exceptions, they seem to have made beautiful race cars and trucks – and pigeons. The pigeons appear to have been made in the early 1950’s and a number of them are extant, although generally much more beat-up than mine. (Children played hard with their pigeons I gather.)

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I thought this was a friction toy when I purchased him, but upon examination he turns out to be a wind-up. He was sold without a key but I found one in my collection that works, and he has a wonderful life-like pigeon head motion, life-like enough to capture Cookie’s attention this morning. I find his practical and almost industrial design very satisfying. If he only cooed he would be perfect indeed. For a quick look at his motion have a look below.

 

The concept of the homing pigeon, housed atop a New York apartment building has long lived in my imagination, fueled by period films. And as it is Memorial Day weekend I close with the reminder of how these birds, carrier pigeons, did military service in WWI and WWII carrying wartime messages across enemy lines. In fact, their military service did not end until about 1957. So consider a salute when you pass a pigeon on the street this weekend – his or her fine feathered forefathers did their bit too.

Steiff

 

Pam’s Pictorama Toy Post: I think it is fair to say that given any opportunity where I might ferret out a Pictorama worthy toy I am likely to achieve. After the first five minutes at yesterday’s East Coast Comic Con (Deitch Studio was fully represented and I did a somewhat real time post of our day which can be found here – for those of you who are wondering the cold I was fighting bloomed overnight, now complete with chesty baritone cough) I rapidly assessed it as not the kind of gathering that would produce much antique toy fodder. While I was generally right about that, I did find this little guy stuffed away on a shelf while Kim and I took a break wandering the con.

This little bear breaks several of the Pictorama essential guiding principles of toy purchase: he’s a teddy bear (I own very few and I have written about those here), made by the Steiff company, and a reproduction. Don’t get me wrong, teddy bears are wonderful and it is only because they are such a deep rabbit hole to go down that I generally have excluded them as potentially overwhelming my limited resources of space and funds. (Some early examples of Steiff bears have gone for hundreds of thousands of dollars at auction, but I could easily do a lot of damage at the hundreds of dollars level myself.) I have seen several that would indeed tempt me, but fortunately I generally don’t run across those rarified items and do not go looking for them.

If I did buy teddy bears many would actually probably be Steiff, as I have always felt that somehow the antique Steiff produced bears have an extraordinarily life-like and human look in their eye. They are unquestionably, beautifully made. For those of you who aren’t in the toy know, Steiff is sort of the gold standard of early stuffed toys, marked by a metal button and tag in the left ear of the toy. Started in Germany in 1880 by a Margarete Steiff, a seamstress who created a line of elephant pincushions which evolved into toys, Steiff evolved into a world renown toy maker. Margarete’s own story is an interesting one of perseverance as she was left paralyzed and never walked after an infantile illness.

With the help of her siblings and others Margarete attended school and ultimately bought a sewing machine, starting her own tailoring business which morphed into plush toys. A favorite nephew drew animals at the zoo for designs (hence the elephant and then the introduction of other animals) and his bear was turned into a plush toy, purchased in volume by an American company. It was this mohair fellow that was, in 1906, then christened the Teddy Bear in honor of Teddy Roosevelt. The toy company, whose motto was, Für Kinder ist nur das Beste gut genug! – for children, only the best is good enough! Well over a hundred years later the company still thrives today. (There is a strange and wonderful silent short from the teens where Steiff bears are animated into a Goldilocks and the Three Bears story – the toy bears are shot at the end by a Roosevelt-like character.)

So, now my Pictorama friends are wondering, why isn’t my collection chock a block full of Steiff cats? They did indeed make cats, including one model of my friend Felix, which has long eluded me as a very expensive item. Strangely, while I find the teddy bears very alluring and compelling, I have never been that charmed by their cats. A few small examples have wandered into my collection and I posted about them once before. (That post can be found here.) However, there is not much variation and somehow they lack an essential humanity (so to speak) of some of the bears.

Lastly, I rarely buy contemporary toys. The quality and sometimes patina of old toys is generally what interests me and I am rarely charmed by new toys. I have occasionally made exceptions however, for something especially well made or otherwise compelling. (I made an exception for a few toys by a company called Hansa which makes beautiful toys representing a vast variety of animals. I own a rooster and a beaver and my post about them can be found here – definitely an avenue of collecting that could easily swamp my resources!)

I have been aware of this line of reproduction Steiff bears. These were expensive toys when they were sold new and used fetch a generous amounts in resale too, as much as a few hundred dollars. I had never seen one in person and frankly I was amazed at how well the reproduction matches the quality and feeling of the original toys. Steiff was clearly aware that their reproduction was good enough to fool a casual observer and therefore it is well marked with its ear tag as a coll ed 1987 replica 1913.

According to the tag which Steiff used mohair and traditional (kapok) stuffing, pads of felt, as well as hand embroidery. As someone who handles antique toys daily, for me he truly has the look, feel and heft of an original toy – slightly prickly mohair and all. I am very impressed with all aspects of him. His arms and legs move independently, although his head does not turn. The label mentions a voice box which I find no evidence of – neither functionally, nor can I locate by feeling his body.

As I mentioned, he has his original tag with some history as well as his ear tag. Our fellow is identified as a Circus Bear. He was available in a selection of colors; green and yellow variations are available online, but a photo shows blue and red too. For the princely sum of $30 Kim purchased him for me yesterday and now he resides in the Pictorama collection, welcomed among his antique and largely feline brethren.

Felix in the Palm of Your Hand

Pam’s Pictorama Toy Post: As a determined and fairly thorough collector of Felix the Cat items, variations on these dexterity puzzles have come and gone over the years without my taking the plunge – or at least never landing one. I am always a sucker for this question mark tail pose myself and I have always liked Felix a bit squared off as he appeared in his earliest cartoons and reproductions. (He gets rounder and rounder over the decades until he is looking like Mickey Mouse by the 1940’s or early ’50’s – this seems to be an issue with cartoon characters as they age – they round off over time, a sort of gelding in my mind. I will write about this at greater length some time – I have theories!) He is also toothy in his early incarnation and I like the fiercer, cattier version of him best.

Here is is shown in quite a mood indeed. A (presumably) empty bottle labeled scotch whiskey at his feet with these sort of exclamation lines radiating out from his head. Felix is ready to take on all comers! Not so much angry as just very wound up. The scraggly mouse figure next to him exclaims, What O! Felix has the Kruschen Feeling! At the bottom is also marked Germany. There is no further information on the back.

Our friends over at Google inform me that Kruschen Feeling was an advertising campaign for Kruschen Salts, a popular packaged remedy of the day. This series of ads boasted visuals such as elderly gents leaping around and exclaiming something along the lines of – if this isn’t you it should be! The product and the company still exist today. In case you are wondering the salts in question are ingested.

The whole thing sounds a bit wretched to me, but evidently they turned the trick for Felix. This image and saying was also used in a series of game cards that were made with Felix. The version I have and have written about were more like premiums that came with chocolate and I wrote about them here. These were made of a flimsy not-quite-cardboard paper. As below, the top two are mine and then there was a boxed set you could purchase and those images are taken from the internet, the box from a Hake’s auction. These same images were also repurposed for a series of popular postcards that remain widely available but pricey.

 

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Pams-Pictorama.com collection

 

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Box for Felix card game, not in Pictorama collection.

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Felix playing cards, not in Pictorama collection.

 

It is not clear to me that this item was a premium to advertise the products, although I admit it is certainly a possibility. Weirdly the feeling I get is that it was a popular phrase of the day and aptly described the early ill tempered version of Felix and they adopted it. I sort of like the scrubby mouse as a sort of alter ego for Felix. He does chase mice in the cartoons – presumably with the intention of eating them. This one is remarkably undefined – ears, tail and whiskers readable, as are five fingers on each hand (unlike the four fingered look that most animated and cartoon characters sport) and even toes, but no face. There was no fear that the Mickey Mouse crowd would get their backs up with this fellow, if that was a concern.

This toy has seen many years and miles in pockets and undoubtedly in the grimy mitts of small children. It looks a tad more fragile than it actually feels and I immediately started trying to place the three balls. (It is hard to see, one needs to land in his mouth, one in his left eye and one at the bottom of the question mark.) It is harder than it may look. So far I have failed to nail it, but I have all the time I need to figure it out.