Tuning In

Pam’s Pictorama.com: Last week I mentioned stumbling onto Radio Dismuke in passing. While in Cold Spring over our anniversary we happened into a shop where it was playing. They had thoughtfully provided a printout page by the register with the log on info. I snapped a photo. Later that week I remembered it and tuned in while at work. It is a glorious discovery.

From what I have gathered, the station started as one man’s hobby, programming and playing his vast collection. The documentation of it online seems to mostly date from 2016 when he (Dismuke) made the decision to place his collection and the station in the hands of an Austin, Texas archive. There is a Board and donations can be made to it as a 501(c) (3) organization. He continues to program it, although I gather there are evidently occasional guest programmers (I haven’t hit on those yet). It rolls along 24 hours a day, seven days a week, like an alternate reality.

Although occasional period commercials play and there are periodic station identifications, there is no disc jockey or voice of. The playlist is vast and the throughlines can be mercurial. The quality of the recordings is fairly universally good. There are radio transcription, 78’s and who knows what else. The variety is blissfully wide. I bless Mr. Dismuke for having the foresight to attempt to ensure and secure the future of his station this way.

Today while wandering around the site I discovered that there is a section of program notes and essays with music as well. I have to explore further. I have also subscribed to their emails so we’ll see what that brings.

As a young adult, even a teen, I shopped around for a music that suited me. Of course as a Jersey girl of age in the 1980’s, I listened to a bit of Bruce and other contemporaries of the time. My sister Loren had a prodigious interest in music and collected albums of both popular and classical music. She was musically gifted. Violin was her primary instrument, but she played piano and flute, and was even known to hop on bassoon in a pinch. Music both from her own making and from her stereo issued forth at all hours and whenever she was home.

I am old enough that radios were certainly ubiquitous and hugely inexpensively available. While there was a kitchen radio for family consumption, it sat atop of the fridge where we couldn’t reach it until we were old enough, tall enough. It was generally on news radio, (CBS News radio where mom’s brother worked), but mom would give into music occasionally.

This is remarkably close to the model I had.

I had a transistor radio that I was extremely proud of when I was about 8. It was a small black Sony. It really seemed like the height of technology and vaguely magical. It was later replaced by, in turn, a very swinging 70’s model that was sort of a twisting plastic donut that kept its radio bits where it swung apart. This was very cool, but didn’t have legs. At some point I found or was given a white table model with gold trim and all were eventually replaced by a series of clock radios. (We were a clock radio family – my father rose to one daily and I guess he figured we all should. In New York I still use one, although in New Jersey and for travel I depend on my phone.) This eliminated the need for batteries and as I often listened in my room I only missed the magic of portability slightly.

Found on Pinterest. I think mine was even yellow…

I loved finding radio programs where stories were told or books read. Think Jean Shepard. I’m not so old that I remember dramas or series acted out on radio. However, there were shows where snippets of books were read or the sorts of things that would be podcasts were broadcast. I wasn’t very good at remembering when these shows were broadcast so it was hit or miss, but I’d go looking on a weekend afternoon or lazy summer day an occasionally be rewarded.

In true Butler tradition I still use a clock radio and this Sony cube has long been the current incarnation. I wake to WQXR classical music.

Jazz started to interest me fairly early on, but what I heard was sort of largely to one side of what really appealed to me. Almost without realizing it became apparent that what I liked was early jazz, pre-1940, but it was awhile before I think I entirely put that together. And it was hard to find. Like the stories, I would stumble on it here or there, but certainly didn’t find anything dedicated to it until I was in college.

I have written at length about the period of listening in college and ultimately discovering Rich Conaty’s show. (That tribute post to him can be found here.) Therefore, I won’t go over that territory again. Rich helped me quantify that it wasn’t only jazz, but really all popular music of the 20’s and 30’s (and perhaps a bit on either side) that I most coveted.

Rich Conaty. While researching this I found that WFUV has made his shows available digitally on their website.

However, with Rich’s death I never found a radio replacement. His station, WFUV, is an eclectic college station and there is, to my knowledge, no attempt to replace his show, nor to play the many decades of archived material. Phil Schaap filled the bill, if differently, at Columbia University and on their station. Kim and I became weekend listeners to his show, trading Rich’s Sunday night spot for a longer one on Saturday nights. Sadly, Phil lost his battle with cancer in 2021. His daily morning show Birdflight, about the life and music of Charlie Parker, is still played in its morning slot.

Phil was also a fixture at Jazz at Lincoln Center where he had taught their Swing U adult ed courses for many years. I would catch up with him in the kitchen and chat – always jazz or baseball. (I know nothing about baseball and very little about jazz compared to Phil. He’d quiz me and I would fail.) Once in awhile he’d lope into my office and have a chat. That was more rare. His presence accounted in part for my interest in taking the job there. Despite my inability to remember dates and details, Phil was overwhelmingly supportive of my fundraising efforts on behalf of the music and always expressed his gratitude with enthusiastic abundance.

A young Phil Schaap.

I find it hard to listen to Phil or Rich now, both their voices so very distinctive, without getting sad so I don’t listen to the rebroadcasts of Phil’s shows. WKCR continues dedicated presentations of jazz beyond Birdflight, but I lost the habit of listening while I work entirely during the pandemic. Kim loves the music, but he finds it distracting when he’s working so unlike my office, I didn’t play it while working from home during the pandemic years.

Ironically, my discovery of Radio Dismuke has come as I finish my time at Jazz at Lincoln Center and popular music of the 20’s and 30’s pours out of my office there again for now. (The internet has of course long replaced the desktop radio that I had while at the Met – although I still have it and could probably put my hands on it right now.) It is of some comfort to me that when I am sitting in a new chair in a different office in a few months that I will take Radio Dismuke along with me. In recognition I made my first online gift to them. I hope that it will be the first of many.

Frances Bowdon & Josyfeen

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Pam’s Pictorama Photo Post: Today’s photo postcard is of a kind that is just like catnip to those of us at Pictorama who are in charge of purchasing. Frances Bowdon and her cat Jo (short for Josyfeen) is an excuse to stroll down a path of time when radio ruled and the gossip of the day, which filled hard copy newsprint, was devoted to the comings and goings of the likes of the Boswell sisters, discussions on if Russ Columbo was really a tenor, and the interesting news that Paul Whiteman didn’t like to ride in elevators. (This via the December 19, 1931 edition of Radio Guide which appears to have been a weekly publication.) Of course, an interesting photograph of a girl and her cat is enough to pique my interest. But one of the other reasons I enjoy collecting and poking around about these items are these moments of time travel they afford as they lead you down some strange byways that Google hardly even knows it has.

Frankly, Frances Bowdon rated pretty low on this fiesta of radio news and I believe only showed in my searches because radio listings were included and her evening show, fifteen minutes daily except Sunday as noted on the card, of down home mountain talk from what I can discern, appear in the listings. I couldn’t find any little snippets of news about her in the sea of commentary. Ultimately I only found this small article on her shown below, which appeared in the Ithaca Journal, November 20, 1931.

Bowdon article

Sadly for her, Frances did not seem to make enough of a splash in radio that I could easily find tracks of her career much beyond this, although listings here and there for her show seem to wander into the mid ’30’s at least. I do wonder, at a minimum, how this young woman managed to make her cat part of her radio show. In fact, for that matter, I sort of wonder how she got on the radio – but sadly these tidbits do seem to be lost in the morass of time. Her history and what happened to her later is swallowed up. I couldn’t come up with an obit for her.

In my card, if you can read the script at the bottom, she is opining on Jo having moved while taking the photo, although I personally think it isn’t bad for a kitty on the shoulder photo. The card was sent with a commercial indicia so we don’t have a stamp or cancellation for a date, but then appears to have been hand typed and addressed to Miss Flo L. Roland, R.F.D. Kenmore Sta. Dellwood Road, Buffalo, N.Y. (I do wonder how people were chosen as the recipients of such cards – what sort of mailing list was that at the time?)

The writing at the bottom of the card says, R U disapointed n me and Jo? Frances and Joseyfeen P.S. Josy wood move whin the picture was took F. In addition, the card below, which Amazon is evidently selling along with a version of my postcard, sadly, thanks a listener for their condolences on the death of Joseyfeen. (I too am sorry of course to hear of the death of her kitty.)

Bowdon note.jpg

I am puzzling a bit over the studied bad spelling on both of these cards. Part of the act and the Ozark’s charm that was being put forth clearly, if a bit heavy handed. I also like the phrase invisible big time from the article above – and also that she asks if the recipient of the card is disappointed in how they look. (She and Jo seem more than passingly attractive to me.) Funny that in some ways the internet is like radio in this way – while imagery does abound, many of us have regular contact with people via things like Twitter, Instagram, Facebook who we generally never see. It is different of course, but recently a few internet friends have had reason to reveal their real names, and even that is a bit surprising if you have been thinking of this person for years as Movies Silently or Popculturizm and suddenly they are Fritzi and Rob. For those of you who didn’t read my fall post Camperdown (found here) I share a recent photo of me and Kim together…just in case you’re wondering!

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Images from the Boathouse, including a bonus one of me and Kim!

Rock ‘n Roll Blues

Pam’s Pictorama Post: The ear splitting sound of electric guitar and flashing, colored lights – fans standing and yelling. Radio City Music Hall on a Wednesday night on a chilly, wet summer night. How on earth did this big band girl end up there?

Pictorama readers know I have occasionally taken to reporting on various aspects of my life, and lately that has mostly taken the form of writing about my new job at Jazz at Lincoln Center. As someone whose interest in music has rarely budged beyond a stubborn point after 1940 or so since discovering early jazz and dance band music in college, it gave me some pause to take a job where, by its very nature, I would be immersed in not only contemporary jazz, but all of the decades between.

I was very upfront about this concern throughout my interview process, often declaiming unwarranted into much of the first months of my job, until I realized that in reality most of the people I work with also have strong preferences and being open to things in a general way is the only musical mandate of the job. Over the intervening months on the march through my first year, I have discovered that I really don’t have to love everything. While my ambivalence about be-bop may be shocking to some (it really is) it is true that I don’t have to love everything. For all of that, there has been very little I didn’t at least find interesting – there was one painful night at Dizzy’s with what I will describe as abstract sax, but for the most part it has been an interesting ride.

Therefore, in the spirit of exploration I will try most things and as a result I have learned a lot. So the recent offer of a ticket to hear Steve Miller, who plays a blues program at our venue annually, resulted in a trip to Radio City Music Hall where I have not been in more than a decade. I met him recently and he seems to be a lovely person. His music is sometimes described as an entry point between rock ‘n roll and blues and with this in mind I accepted the offer of a ticket.

My most recent visit to Radio City was to hear the Dalai Lama. The long line and wait to get in for that was sort of epic, although he was fascinating as always and worth the wait. I had not thought about that particular talk in a long time, but it came back to me when I arrived at Radio City on the Wednesday night of my late June vacation. (The only other time I remember being at Radio City was to hear Frank Sinatra shortly before he died. My then boyfriend Kevin, who had the tickets, had gotten the date wrong and we had to rush to the theater, arriving late with the concert underway.)

The flashing lights and shock of the opening act, Peter Frampton, knocked me back even further, to my childhood. After the initial shock, and admittedly thoughts about running immediately from the room, I was surprised to realize oh-my-gosh, buried deep in my brain were many of these songs, as if planted there by aliens. Not all of it, but about a third of what he played kicked off a sound track in my brain, of long forgotten AM radio. (This coming to mind recently with the death of Dan Ingram. DAN’ Ing-ram, his intro playing from another soundtrack in my brain.)

Popular music blared daily from the radio in our sea green Pontiac station wagon, and from the large brown and gold affair of a radio (a bit out-dated even then) atop of our refrigerator – as soon as my sister was tall enough to change the dial from the constant news radio of the day. (WCBS I believe. My mom favored them as her brother worked for the station at the time. News was a family business.) Music of the ’70’s also blared from my bedside clock radio, (the clock radio which I later, if only briefly, discovered jazz on but about that another time), and of course from a series of small Sony transistor radios I kept with me to the extent the batteries held out. Later, in high school, top 40 music would follow me to parties at the beach at night, and ring in each New Year with a countdown of songs. WABC, top 40 radio. Little did I realize that a small tape recorder was going off in my brain and decades later someone would hit the playback switch.

My co-workers filtered in around me shortly before Steve Miller came on. When Steve Miller started the tape recorder revealed a greater knowledge and memory of his music – albums on my sister’s turntable. Then he and Peter Frampton played some blues together, blues of course being what I really came for after all, and I started to get it – not so bad for a big band girl.