Author: Pam's Pictorama

Bow Wow-zer

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Pam’s Pictorama Photo Post: Today’s card arrives from the shores of France, although it appears to hail originally from Marienbad, a town of film fame and described as a Czech spa town by our friends at Wikipedia. (It is embossed with a photo studio name, as well as Marienbad, which I can’t quite read in the upper left corner.) It was, of course, the small and somewhat odd Felix toy in the foreground that brought it to my attention initially.

However, it was the seriousness of this fellow (or gal) posed here with Felix, ball held under one paw, that made me acquire it for the Pictorama archive. This is a formal portrait of Fido, beloved pup, and from the quality of it a high-end pro production, my guess is that it dates not much earlier than the 1930’s. Of course, the evidence of Felix being featured might point a bit earlier, although that is a pretty off-model version of the great cartoon cat. There’s no writing on this card and it was never sent – it is pristine. Marienbad, it seems, was a high end resort before the WWII, but suffered after and fell on hard times. I would guess this photo was the endeavor of a fairly wealthy person from whenever it was executed.

Much of the Pictorama photo collection is made up of attempts, good and bad but always sincere, to document beloved pets – those folks who scoop them up for a photo, or who tried to capture them from the early days of daguerreotype and tintype forward. The earlier methods of photography were of course less effective to catch an impatient puss or restless dog. The sweet spot of the photos I have amassed is largely the photo postcard, of which this belongs to the high end studio version. I see fewer early studio portraits of cats and dogs than I would imagine really. 

I believe I have mentioned that here on the east side of Manhattan I occasionally walk past a photo studio that features some animal portraits in their window, right next to charming photos of babies, small children and pregnant women. Of course dogs are much more likely to be hauled over to a photo studio for a portrait. The idea of loading Cookie and Blackie into carriers and finding them photo ready on the other side of that trip is not at all palatable or likely – and I will assume that our cats are not alone in that regard. My guess is that both the little Felix and the ball are the photographer’s props, not beloved objects of this pooch. However, I think that the sweet look in his or her eyes was all about pleasing a master, just on the other side of the camera – posing as requested, but happily trotting home after it was all done.

 

Cracker Jack Kitty

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Pam’s Pictorama Post: I would have been a fat kid with bad teeth if Cracker Jack toys were as good as this when I was little! I discovered this fellow on eBay the other day and paused to imagine a tot’s world endowed with such wealth. I should start by saying I have always loved eating Cracker Jack and plowing my way through many boxes of it would not have been considered a hardship. I would say candy popcorn sprinkled with candied peanuts remains pretty high on my list of favorite junk foods. The fact that a toy of some sort was tucked in amongst all that yumminess of course just made it all the better.

A lot of research has been done on Cracker Jack and collecting these toys. I spent a little time on the comprehensive site, theartiscrackerjack.com for some information and a quick history. While Cracker Jack starts being made and sold as early as 1871 it is christened in 1896. Toys make their appearance in the boxes in 1912. The 1920’s seems to be the sweet spot for metal toys like my cat, although the first toys were flat metal soldiers so metal was used early on. Paper was surprisingly popular, and since it went into the box unprotected, that which survives today generally still bears the residual sugary stains. Celluloid takes over, followed by other molded plastic later.

I can appreciate the fascination with those early paper toys which have somehow survived, evidently the most prized by collectors. However, it is the metal toys like this one that capture my imagination and would have kept me popping candied popcorn in hopes of making a charm bracelet or finding the ultimate special toy. In a quick search of images online I did not turn up my new blue cat specifically, although cats seem to have been generously represented over the decades. It seems that cartoon characters were favored at one point and evidently Little Orphan Annie and Popeye were among those featured. There is a rather stunning Toonerville Trolley whistle as well, shown below. It must be some sort of high water mark among these prizes!

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Some of the metal toys are unbelievably elaborate and my mind boggles at how it could have been cost effective to produce and include them when Kim says even in his childhood the price was a nickel for the longest time. Meanwhile, his fondest memory of a Cracker Jack toy is of a red Scottie dog. I have found Scottie dogs in both metal and plastic – another popular model with a myriad of variations. I cannot seem to produce an image of the exact correct one as of right now. Kim says nothing reached the pinnacle of that acquisition afterward.

While I have memories of plastic charms early on, replaced by paper later, I don’t actually have a specific memory of finding something great in particular. I always looked forward to the prize however, even after they had mostly been reduced to sorry little joke books. I believe it is possible I would have kicked off my life long collecting tendencies much earlier if I had found this kitty in a box of Cracker Jack I was munching. Sadly, the company has discontinued even a nominal prize. However it is fair to say that even now this discovery is threatening to kick off a whole new area of collecting here at Pictorama.

Peter the Great

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Pam’s Pictorama Photo Post: There are things that are so great that you would never even dream them up on your own – and this film still of Peter the Great with this marvelous stuffed (somewhat extra large) Bonzo dog toy falls into that category. I believe if this photo had identified Bonzo in the listing it would have sold more competitively, but Bonzo fans were left in the dark and doggie film lovers were also asleep at the wheel luckily for me. Having said that, I paid a bit dearly for it, but I consider it an absolute find.

For starters, please know that the white writing on the front of this photo is neatly hand-painted on the photo surface in raised letters. On the back, written in pencil is MGM 1924. It also says The Silent Pal Gothan (?), 1925 which is crossed out. (The Silent Pal is a film starring an alternate dog star, Thunder. As this is pretty clearly identified I can’t imagine the initial confusion.) Printed on the back is John Cocci, 613 68th Street, Brooklyn, NY 11220 and typed, EXPLOITATION STILLS SALE AS REPRODUCED IN THE EXPLOITATION SECTION OF THE SERVICE BOOK.

Our film did indeed feature Peter the Great in his first leading role. Like many of his human counterparts, Peter got his start as a stunt double for more famous lead dogs of the day Rin-Tin-Tin and Strongheart. (I garnered this and the following other bio facts about Peter the Great’s brief career from the site Hollywooddogs.com.) Two years after Peter has his starring role here, he is tragically struck by a bullet while jumping to the aide of his master, for whom the bullet was intended. After valiant efforts to save him over several days, he dies with his paws in his master’s hands – thus ends his nascent career and even more sadly his life. His owner, Edward Faust, was awarded $125,000 in suit in the dog’s death which was a sizable sum in 1926.

Our film, although noted as lost on Wikipedia, does have a review on the IMDB database implying otherwise. In addition to Peter, the cast included: Eleanor Boardman, Raymond McKee, Earl Metcalfe, Paul Weigel, and Edna Tichenor. The review is by someone who didn’t seem to think a lot of it, but who was rather taken with Edna Tichenor as the film’s vamp. It appears to have been a typical story of a man wrongly accused who will be executed if his girlfriend and stalwart dog don’t save the day against the ever ticking clock. It evidently provided many opportunities for Peter to show off his talents and stunts. Some internet grabs of lobby cards and another (albeit lesser) film still from the film are supplied below.

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Not in Pams-Pictorama.com collection

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Not in Pams-Pictorama.com collection

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Pictorama readers already know I have a soft spot for German Shepherds as I have written about growing up with a beloved one. (For a post that includes some stories about Dutchess have a look here at Mr. Frank, In the Dog House.) You also know that despite being of cat collecting fame I have nonetheless invested in some serious Bonzo in recent years. (For the toy curious, a few of those posts can be found by clicking on any of the following: Going to the Dogs – Bonzo, Blame it on the Blog 2: Bonzo Dog Edition and Happy Ooloo to Me!) It is hard to say whether Bonzo’s appearance ever made it into this film, if it hit the cutting room floor, or if this photo was actually somehow just promotional in nature. However for me there is no question that this splendid photo of Peter the Great posing with Bonzo of cartoon (and toy) fame, makes it wall worthy even in our cramped apartment.

 

Little Yellow Felix

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Pam’s Pictorama Toy Post: No bigger that half the length of my thumb, this little guy caught my attention the other day. I’m generally not a collector of these little lead figures, which are myriad and prized enough to be expensive in general, but I had never seen one like this guy before. I love his little yellow sweater and especially the jolly script Felix across his chest. He reminds me of a bumble bee. I usually like my Felixes of the pointier design variety. I also own a more typical one, shown below, by I admit I was very charmed by this little guy.

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Pams-Pictoram.com collection

 

The genesis of most of these types of toys seems to be a company known as Pixyland-Kew. The history there is in short that there were two companies doing mostly the same thing, Pixyland started in 1921 taking the lead on characters such as Felix and Pip, Squeak and Wilfred as well as nursery characters such as Old Mother Hubbard and Little Red Riding Hood. Meanwhile, in 1926, Kew started producing similar items pursuing cartoon characters aggressively, including Bonzo (must find one of those now that I know about them!) and other Daily Mirror strips. They also produced a line of farm animals and both seemed to be top players in the toy soldier market. Kew seems to have bought out Pixyland around 1929 and everything went swimmingly until lead was pulled for the war effort. The market for these little gems never recovered post-war and the company is later absorbed by another called Timpo.

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Pams-Pictorama.com collection

 

As you can see, the scale on my two toys differs widely. I can’t find much drill down history to have a sense of where my two guys fall in the grander scheme of the two companies. Alas, my larger Felix is missing his tail, which would steady him and allow him to be freestanding. I bought him at a bargain price, probably for that reason. Although the small scale proves amenable to our tiny Manhattan digs, the exorbitant prices of these has mostly discouraged my collecting. Also, in the visual noise of an apartment where a riot of toys, photos, art, cats and Kim and Pam exist, it is hard to find an appropriate perch for little fellows like these. For now they reside in a small mirrored cabinet, at the foot of our bed (on what I like to think of as the famed shelves of Felix and other toy cats) where the tiniest of toys make their home here.

Spare Dimes Many Times

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Pam’s Pictorama Post: Today’s item is the rare sort that I fret I mostly miss due to the absence of flea markets, garage sales and antiques marts in my life these days. I did manage to acquire it by chance and creative trolling online and I couldn’t be happier with the find. This splendid little bank is no longer change-worthy as its bottom is long removed, but this bulldog-ish kitty is a great addition to the Pictorama collection. Below where he urges you to Feed the Kitty there is tiny lettering which appears to read Trade Mark Reg U.S. Post Office and then my favorite part, Spare Dimes Many Times below that. I didn’t see that until he came in the mail and I love it.

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This bank is small, indeed it is really dime-sized with a grinning cat mouth just big enough for that denomination of coin, and a tummy just big enough to match, designed especially for small change. Somehow that makes this even better in my opinion – and the white metal of kitty is also dime reminiscent to match. He is very heavy, even without loose change added. His expression is a bit enigmatic, despite the smile, and lightly be-whiskered. He has lost the tips of both ears, as well suffered some scratches, with flecks of white paint on his back, but the overall effect is still shiny and jolly. His tail is neatly tucked around him and he sports slightly over-sized paws. I like to think that his presence entice a few generations of children to employ some thrift over the decades.

A tiny plaque has been affixed to the  back bottom of the little pedestal he sits atop. It reads, The Bridgeville National Bank, Bridgeville, PA. Member Federal Deposit Insurance Corp. I like to imagine this item being presented to me as a small child after opening a savings account and, at least for a little while, enjoying the rigors of saving my dimes (and perhaps here. nickels and pennies) here.

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A First National Bank appears to still claim turf in Bridgeville, PA, but it is hard to know for sure if it is a descendant. It is currently housed in a modern brick building according to a quick internet look. Their website declares, We’re not just your bank, we’re your neighbors! I looked under a tab labeled Community Involvement to see if they might say how long they had been in existence and instead found, among other things, an explanation of a somewhat unusual program where they evidently allow employees to wear jeans to work in exchange for a charitable donation. I am not entirely sure what I think of that – I am of the old-fashioned variety of person who wants to see my banker dressed like one, nor is it clear to me how much of a charitable donation is expected in exchange for this privilege. Nonetheless, they get points for a kind of creativity I guess. Unfortunately, no cat banks in sight however.

As a fundraiser I may bring this fellow to my office and employ him there, subliminally wooing a new generation of adults to feed the kitty in an entirely different way.

Bessie Loves Kitten

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Pam’s Pictorama Photo Post: Once in awhile I do a random search at the crossroads of my two interests, early film and cats. It rarely turns anything up, but once in awhile I find something of interest. (The first such score of a photo of a young Jean Arthur holding a toy black cat can be found here.) This interesting 8″x10″ of Bessie Love playing with a kitten materialized the other day.

Both in subject and in execution, it appears to be a candid photo snatched up at the studio on the spur of the moment. (The quality of the photo suggests that it isn’t a proper still or photo shot under optimum conditions, although an original photo.) It is inscribed only Bessie Love on the back and is undated. It has many pin holes poked in the corners and has obviously spent time, beloved, on someone’s wall or board, held by push pins. Bessie has her luxurious hair (in my opinion one of her outstanding features in her early years) tucked under this kerchief, protecting it between scenes.

The tiny kitten has an unreasonably large rope tied around him or her, a serious attempt at keeping it where someone wanted it, but still ready for a little play with Bessie however. The kitten has that vaguely adolescent look, getting a little leggy and a tad less fluffy adorable. Let’s hope the complicated rope corralling of this fellow or gal meant that someone was taking care of this kit and (for those of us who worry about such things) it ultimately had a good home.

For those of you who are not familiar with Bessie, a quick bit about her and an early few photos below snatched off of Google. Born Juanita Horton in Midland, Texas in 1898. The young Bessie was eventually introduced to D. W. Griffith at Biograph Studios by Tom Mix of all people. She generally played wholesome parts, although I think it is fair to think she was a tad less utterly wholesome in her personal life. I found reference to her liking to promote herself playing the uke in somewhat rougher joints and venues for which she was criticized.

I probably first saw her in The Good Bad Man with Douglas Fairbanks in 1916. (Available on Youtube here if you are curious.) However, my first distinct memory of her was seeing her in The Matinee Idol one afternoon at the Museum of Modern Art, a film notable for having been directed by a young Frank Capra, made in 1928. Bessie transitioned into talkies and, although her star fades decidedly by the 1930’s, she continues working at least in bit parts, for virtually her entire life. I tend to think of her as playing a lot of roommates and best friends in thirties films of a type.

Eventually she makes her way to England and continues working there on stage and film, embraces Christian Science as a religion. She has parts in both Hollywood films Reds and Ragtime notably however. The last entry listed in her filmography is in The Hunger in 1983. She died in 1986.

Meanwhile, I am glad someone managed to capture her on this sunny day, playing with this little cat between scenes, for posterity – and I am very pleased it has come to take its place in my kitty photo archive.

Rattled

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Pam’s Pictorama Toy Post: I have made much of my reticence to acquire these delicate celluloid toys known and a few of the times I have written about them can be found at these links here – Fear of Celluloid, Funny Little Felix and Ding Dong Kitty. However, I am here again today with an item I have purchased whose fragility in some ways defies its very creation as a baby toy. This rattle was made to be extra light and to a large degree expendable I would think. After all, they were purchased for baby to chew on, beat against things and, yes – rattle, and ultimately probably to lose if not mutilated entirely.

This one has a splendid rattle and kitty Cookie immediately took an intent interest, even as I removed it from the box and packing it was shipped in. Between the great rattle and the cat shape, I would imagine that this fellow would have been one of baby’s favorites. One of the weird things about celluloid is how light it is – it has no weight at all really, so it is easy to imagine that even a very small infant could have made this one of the first items it was able to clench in their tiny fists. Oh the better to command that rattle yourself!

As you can see below, he has not survived unscathed, and the back of his head is dented. He bears no markings of manufacture or place of origin. I have a nagging feeling I have seen the cat face before on something. It has to be said that he isn’t an especially jolly puss, is he? I might go so far as to say a sour puss. Still, with the shape of him, that big bow and the nice little handle (good for some chewing too) I can imagine being perfectly charmed by mom waving him in my face. I don’t pretend to know anything about contemporary toys for tots, but somehow I doubt there are rattles quite as charming as this one. If I am wrong, please let me know.

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Somehow he has wandered into this century and come to rest, for now anyway, among other cherished cat items where he will hopefully remain unscathed for a bit. That assumes that I keep him away from Cookie. Kitty claws and teeth can do more damage than a small child is likely to I do believe.

 

Backyard Kitties

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Pam’s Pictorama Photo Post: While the wonderful and somewhat strange symmetry of this photo was what appealed to me when I purchased it, there is a homeyness to it that scratches at my brain too. My grandmother was the last person I know who wore an apron like the one shown here so it makes me think of her. She wasn’t the person in the family to be feeding the cats however; she didn’t especially like cats – although she would occasionally allow if they were doing something cute. She was somewhat puzzled by our unlimited affection for them and generally took the German Shepard’s part in most pet disputes that erupted and would sneak her treats.

I am thinking of my mother’s mother and she was more of a dog and bird person. Growing up my mother had a small dog named Queenie, a dog which may doubled as a part-time hunting dog for my grandfather. This was her only childhood pet. Later when my mother was older, her mom adopted a parrot. Ironically my mother, who ultimately went onto become a champion of our feathered friends (mostly in the form of rescuing injured waterfowl) disliked the bird intensely. I believe his name was Mike. He was evidently allowed to fly free around the house and would attempt to take your breakfast from you. I had heard about Queenie over the years, but I think I was an adult before I even heard my mother speak about Mike. It gave me a very different perspective on my grandmother – who never struck me as the sort of person who would allow a beloved bird to fly around the house and try to drink your coffee.

Looking carefully at these two felines, while the one cat appears to be solidly black, there is a thin white line that makes me think he actually has a white tummy, escaping the bad luck label. The other is a friendly looking orange stripe – a favorite brand from my youth. I think we had four oranges over the course of time. Meanwhile, it is their precise positions and almost identical curling of the tails that make this photo a hoot. They are permitting petting, but were probably thinking more along the lines of food or treats of some kind appearing from this food-smelling cooking person.

These are backyard cats and remind me that the kitties of my youth were free range – in and out of the house, roaming the yard and neighborhood. It wasn’t unusual to see your cat in someone else’s yard as you drove by, although I believe it did make mom raise an eyebrow. To my memory they were generally collected in the house for the evening after they had their dinner inside. In the same suburban neighborhood, pet cats are now indoor only for the most part. Transgressors risk being impounded. While I understand the multiple motivations behind this, a longing for that bit of feline freedom tugs at me and perhaps it is still different in other communities. For us it is a time now gone by way of large cotton aprons and cats being fed out back.

 

The Elephant Eyes Have It

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Pam’s Pictorama Toy Post: Today’s Pictorama is an odd item in a few ways. It was found, not purchased and it was Kim who encountered it on the street one day, not me. (Kim casually, somewhat unconsciously and occasionally, collects detritus – generally interesting metal bits and tiny plastic toys – off the street. These pile up in his pockets and eventually migrate to shelves in the apartment.) Elephants make up only the tiniest subset of collectibles and collected here at Deitch Studios (although for one you can see this nifty box Kim gave me here), but Kim and I have a soft spot for elephants, both real and toy. I for one have always wanted a good size elephant on wheels riding toy and keep a weather-eye out for the right one. Today’s item isn’t an especially old toy like most of the early 20th century items in the house, some starting to bump up toward the 100 year mark now. He began life as standard issue contemporary. I sometimes worry about the child who must have been sad to lose him.

For those of you who follow us on a variety of social media you might know that we went to the Prospect Park Zoo this summer, following our noses on an elephant that was or might have been story, research for a tale Kim is mulling over for his next book. This September, in his work that combines dance and music about animals called Spaces, Wynton Marsalis informed that elephants can be trained to dance in tandem, perhaps the only animals to do so. In another performance he also reminded that, while elephant hide is advertised to be tough, it is in reality very sensitive both to touch and the sun, and therefore that you might want to bring one some lotion if you had the chance to meet one.

This little fellow was found by Kim many years ago now. His is a simple and economical profile, but somehow has just enough elephant charm. One day I came home from work and much to my surprise, Kim had replaced the elephant’s casually applied on and missing features (shadows of his former eyes and toes can be seen if you look carefully) with painted on Deitchien new ones, making him a one-of-a-kind. He has subsequently taken up residence on a shelf, after sampling several other perches in the apartment. He is shown below in a page from Kim’s book Alias the Cat, sitting on his desk. That was probably shortly after Kim christened his new features.

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The one thing we all know about elephants is their great memories, repositories of much which of good and bad. They hold long grudges and deep affections, almost as if these were in proportion to their out-sized selves. I like to think this fellow is grateful to Kim for rescuing him from the streets of New York and supplying him with a fine new set of sporty features. For us he is a lucky elephant and are pleased that he is a member of the family here, contentedly spending his days amongst the kitties and toy cats.

 

Doll House

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Pam’s Pictorama Post: I walked past this store yesterday while running some errands. I believe this establishment did a stint on Lexington Avenue, where I would occasionally admire the wares in the window. A number of years ago it moved to East 78th Street, oddly enough, in a storefront where I once bought high-end vintage clothing. I was pleased to see it hadn’t disappeared. While it isn’t a block I find myself on too often, when I do I like to take a few moments have a look in the window. (It is next to Orwasher’s Bakery and I have to tear myself aware from the temptation of the bread and bagels in their window – yesterday I was only saved by the line of people more or less going out the door!) However, I will say I have a complicated relationship with dollhouses.

I had a nice dollhouse when I was a kid – it was about the size and shape of the one top left, sort of a two story horizontal model. It was handmade, like these, but unlike the one indicated it was closed on three sides, with a cheerful exterior in some detail, although nothing like this intricate yellow number above. It was white with light blue trim.

I both loved it and was somewhat frustrated by it. For one thing, I wasn’t actually much of a doll playing child. (Barbies were the exception and they were a creative endeavor for me – I hope to consider those in a subsequent post.) I do not believe I actually had dolls which were the inhabitants of said house. Scale was issue – you have to sort of figure out what works in proportion to the size of your house and furnish and inhabit accordingly. I purchased furniture over time, but it was expensive and I was not good at making my own. Something about it was a bit intimidating, and I never embraced just playing with it. It somehow didn’t inspire creativity in me. I would set it up and marvel at the tiny pieces admiringly – periodically our cat Snoopy would crash into it, and decide it was a splendid place for napping and everything would need arranging again. (I was a bit annoyed, but never one to deny my cat any pleasure even then.) I would have loved to electrify it – to me that would have been the height of fascinating – have lights I could turn on and off, but although I saw such things I had no idea where to start with such a project.

The idea of miniature worlds continued to fascinate me. I went through a long terrarium stage as a child. I was stuffing dirt and plants in every container I could get my hands on with varying degrees of success. As an adult I have considered recreating some of those terrariums and photographing them. Climbing inside those little, interior worlds of my own creation and sharing my bird’s eye perspective. Kim and I talk occasionally and ongoing about the ideal miniature town, most likely to be given life through his drawings someday than anywhere else. It will have an elaborate train set up and jolly houses like the yellow mansion above. I briefly went through a stage of considering taking on a dollhouse again as an adult and approaching it more organically and creatively, making the furniture and shaping the interior less inhibited by the conventions of scale and reality. My own dollhouse was long given away however and the issue of space in a cramped apartment made it unattractive to pursue.

I was greatly under the spell of Rumer Godden’s book The Doll’s House which, if you are not familiar with it already, is a juvenile chapter book about the Doll family. It is a bit terrifying actually, with an awful, proud doll named Marchpane which is introduced into the lives of the happy Doll family – ending in the death of one of the celluloid dolls by melting! Oh my. I bought myself another copy of it a few years ago and can’t lay my hands on it right now, but found it almost every bit as frightening all over again when I read it. (In researching this I discovered she is also the author of the novel Black Narcissus, on which the somewhat creepy and alarming film with Deborah Kerr is based. Makes sense!)

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The sight of a great dollhouse, such as the Stettheimer one at the Museum of the City of New York which I think of as the ultimate version in some ways, still sets my heart racing and the wheels turning in my head. The Nutshell Studies of Unexplained Death created by Frances Glessner Lee is another such perfection, although her intention in creating them was forensic study rather than creativity or play. Fascinating! I realize that somehow my childhood dollhouse experience was somewhat stillborn and it still itches at the back of my brain. Perhaps this toy collector will have a chance to travel down that particular road still.