Buster Brown Bank

Pam’s Pictorama Post: I realize that there has been no reason to visit the history of Buster Brown in this blog. Today I will try to do him justice via this bank I purchased recently from my Texan friends, @curiositiesantique via Instagram.

For those of you too young to have owned these shoes (I barely slip into that category with a dim memory of the advertising at the shoe store when I was a tiny tot) the brief history goes pretty much as follows. Back in 1904 in an early advertising coup the nascent Buster Brown shoe company purchased the rights to an existing comic strip character created by Richard Outcault of Yellow Kid fame. Outcault was on the market selling the character and pressed them to additionally purchase the rights to the Buster’s girlfriend which they did – more about her in a minute.

From a Heritage Auction. Not in Pictorama collection.

Interesting to me that Outcault sold the rights to 200 companies at the Louisiana Exposition which is where the shoe company picked it up. Therefore, presumably, there are Buster Brown items or more likely advertising that does not belong to the shoe company. Clearly however the shoe company made the most of their acquisition and a long history of Buster Brown shelling for shoes begins and runs well into the middle of the 20th century and Buster Brown is virtually synonymous with shoes now.

Meanwhile, it should be noted that the cartoonist Outcault was quite the business man when it came to licensing and in 1904 was making $75,000 a year on licenses and employed a small staff to manage them. (If Google is telling me the truth this means he was a millionaire in his day.)

Speciman 1908 hand colored Outcault Buster Brown strip.

However, let’s get back to the shoes. The shoes were so popular that generically a kids shoes might be referred to as their Buster Browns. In addition to items like this bank there was reams of print advertising and purchase point items for stores. Midgets were employed to play Buster, in his unfortunate garb, with cheerful pit bulls enrolled to play his dog Tige. The merchandising for toys was glorious and I spied at least one stuffed Tige online that I covet already. By the time I wandered onto the shoe wearing scene in the 1960’s the merchandising boiled down to some balloons. (There is a vague memory that maybe there was something else, maybe a comic long reprinted but I don’t really remember.)

Buster Brown and Tige in front of a shoe store. The copy of this photo is credited to Mel Birnkrant’s collection although a few exist online.

The shoes had Buster and Tige inside, under your heel and I remember the jingle from early tv in a high pitched voice, I’m Buster Brown and I live in a shoe, that’s my dog Tige and he lives there too.

Buster Brown Shoes sign located in Thomasville, Georgia. It can be found on North Broad Street.

So to my surprise, I learned today that as above Buster Brown had a girlfriend (huh), and her name was Mary Jane – and that is how women’s shoes with the single strap were named Mary Janes and are still known by that term today.

Real Buster Brown Mary Janes. Can be yours on Etsy at the time of publication.

As for this bank, it stands at five or six inches. A trace of paint remains on the face and hands while the red tie remains fairly vivid. This seems to be the most common form of this bank although online I found versions in an overall green and one in red which I can’t decide if it is original or not. The face was the first to go and I can’t say I found it pristine on any of this design. Buster’s hair was painted a light brown and Tige’s mouth was also the vivid red and there were red circles around his eyes.

Back of the bank.

It is a simple bank with a screw in the bottom you would use to retrieve your saved coins. It is small so not like you were keeping a fortune in there. Kim starts to ruminate on restoring it as soon as he looks at it. Evidently it makes him itch to paint it although we know that he won’t – nor should he devote time to such projects when more creative work awaits him. (Although Kim’s next book is scheduled for release early next year he’s already deep into the one after it.)

So now that we have a first Buster Brown item we’ll see how long it is before the next wanders in the door. I am going to be looking sharp for that stuffed Tige.

Frank’s

Pam’s Pictorama Post: When I purchased this tray last summer in New Jersey I bought it assuming it was for beer without really looking – Pale Ale is what I was thinking. Although I really just liked the bold red and green of it and what great shape it is in. However, ginger ale is what it is actually advertising.

I think Kim may have spotted it first. I was looking for a serving tray for the deck, but I think we realized almost immediately that although I should buy it, it would be unfortunate to use and potentially scratch it when it is relatively pristine.

We had found our way to an enclave of antiques dealers in Red Bank, New Jersey during our summer hiatus there and whiled away an afternoon or two. We had visited them before but not been in many years and although at least one of the storefronts closed, we still managed to make a number of scores, most of which are residing and decorating the house there. (A few of those posts about acquisitions there can be found here and here.)

Brief research shows that Frank’s Beverages was founded in 1895 by Jacob Frank in South Philadelphia. He was a Russian immigrant who made lemon soda from freshly squeezed lemons and hawked it on the streets of the city. It was in its day and for much of the latter part of the 20th century, the largest privately owned beverage bottling company in the Philly area. It evidently prospered on the slogan, If it’s Frank’s, thanks!, one that perhaps seems a bit bland by today’s standards. Youtube houses some Frank’s sponsored puppet films from early television however which are a bit more memorable.

Thanks for Frank’s commercials!

While Frank bottled everything from Yoo-hoo to Nestle’s Ice Tea, Frank’s Beverages was best known for something called black cherry wishniak, described as a fruity, dark-red soda that accompanied cheesesteaks, soft pretzels and other famous Philadelphia fare. Evidently the Polish word for cherry is wisnia and wishniak refers to a cherry liqueur from Poland, hence the name. (I am not a cherry soda fan so this sounds wretched to me actually!)

The company was bought out in 1990 and the locally famous cherry soda disappeared from the Philadelphia shelves. It was briefly brought back by a company in Delaware which sold it as a pricey novelty item – try $80 a bottle. I guess not surprising that it was not a success – especially as I can’t figure out why people in Delaware would be nostalgic for a soda that was only popular in Philadelphia.

Further reading about the ginger ale leads me to the conclusion that it was a hard ginger ale – more akin to beer than soda and I guess like a hard lemonade or cider. The cherry soda may have been the favorite, but the green bottle on a red background was popular advertising and my tray is very available as a result today.

Reddy, Set, Go!

Pam’s Pictorama Post: This might best be described as a you may never have seen it coming post, but I do like to mix things up occasionally and these earrings were a recent unusual acquisition.

I believe my introduction to Reddy Kilowatt was the lightbulb lamp. I can’t now remember if I saw it on American Pickers or if it was an auction – I want to say I saw it both ways maybe and just can’t remember which first. I fell hard for it, but me and extremely fragile objects like this don’t have a promising future so I never pursued ownership of one especially at the rarified prices these fetch. Still, a seed of fascination was born.

Listing photo from a Hake’s sale catalogue.

I am surprised to learn that Reddy was designed all the way back in 1926, hailing from Alabama as a commercial ploy to increase electric consumption. (Yes, it is hard to imagine a time when we perceived the need to increase our use of electricity.) Wikipedia says he was imagined as an “electrical servant” and notes that his ears are wall sockets and of course his nose a light bulb. It is interesting to find that his image is still currently under copyright.

Also via the Hake’s listing.

As for the earrings, I was late to stumble on a sale by one of my favorite sellers on Instagram a few months ago (I think it was a @marsh.and.meadow.overflow sale) and realized that I had just missed these rather splendid Reddy Kilowatt earrings. I had never seen this rarified item before and I had a significant ping! of disappointment. Much to my surprise and delight howevr, this pair which sports their original card, turned up in my feed about a month later via @oldghostsofhollywood who happily sent them right off to me.

From the Reddy Kilowatt comic book?

As someone who cannot wear pierced earrings I was additionally pleased that these earrings re screwbacks so I can actually wear Reddy. The front of the card reminds you that Reddy is, The Mighty Atom and the Symbol of Your Investor-Owned Utility Company. Inside he greets you, Hello: I’m Reddy Kilowatt, your good Electric Servant who works long hours for low, low wages. Just think of the many jobs I do in YOUR home…office..farm…store or plant…then think of how little each job costs! The copyright here is 1955.

Inside of earring card. Pams-Pictorama.com collection.
Back of card.

He is also Your Favorite “Pin-Up” and on the back it reads, I’m a Busy Little Atom, I split myself in two and multiply as many times as I have jobs to do! I’ll work for you for pennies, I’m fast, efficient, steady…so any time…to ease your work – Just “plug in,” folks – I’m Reddy! Your Electric Servant!…

When I revealed today’s topic to Kim he shared that there was a Reddy Kilowatt comic book of some note. Although our research did not turn up one that precisely matched his memory, there was indeed a comic book which came out in 1946 as an EC giveaway. Stories and art are identified as by Del Porter and others in one listing. I am told that the book relates Reddy’s story from ancient times until modern day and evidently includes a special Reddy Kilowatt polka complete with music. A reprint seems to team him with the story of Thomas Edison in another edition.

Not in Pams-Pictorama.com collection.

The post war period created an opportunity for increased electric usage and Reddy grew in evidence with a proliferation of trinkets (tie, stick and lapel pins, cuff links and bracelets are all available online) and a litany of other giveaways. Disney was approached for a cartoon in ’43 which never moved forward and it was Walter Lanz who brought him to animated life in a short film which came out in March of 1946 and the comic book was actually produced in conjunction with this film.

Page from the comic book which is available on various sites online.

Wikipedia says that there was an attempt to trot Reddy back out in the 1970’s as a mascot for energy conservation, but somehow this spiffy little energy spendthrift dynamo could not make the transformation and he did not achieve renewed fame in his new role.

Drink and Enjoy Kenny’s!

Pam’s Pictorama Post: Those of us on the East coast are enjoying a massive snow storm, perhaps even blizzard, this last Saturday in January. If you read last week’s post about the January-ness of this particular year (it can be found here if you missed it) you know that my attitude toward this month in general is to usher it out the door as expeditiously as possible. Still, it is January in New York and it is a time to expect some snow and here it is. Meanwhile, there is almost always snow on the ground for my birthday in February, and so the year opens.

I thought we could all use an especially jolly post today to help kick January out the door and this bit of kitty advertising did not disappoint in this regard when it wandered into Deitch Studio earlier this week. It is simply identified on the back with Drink and Enjoy KENNY’S Coffee and Teas.

I was surprised by how quickly I was able to locate a bit of history on Kenny’s coffee empire. Kenny liked a good premium and a handful of mostly ceramic ones are still extant. I cannot say I find the aesthetic of most of these nearly as entertaining as this wacky carload of kitties however. This card is as if Louis Wain did a stint wandering into an otherwise rather staid establishment. Kenny seemed partial to generally less colorful, more sedate and somewhat pedestrian premium. Some of the more jolly however, snatched off current sales on eBay below.

For a quick history on Kenny I got the scoop primarily from an article in the Baltimore Sun published back in 1999. Kenny was C.D. (Cornelius David) Kenny who arrived in Baltimore from Rochester in 1872. He quickly established his first coffee and tea emporium and rapidly expanded his business across several nearby states. The retail stores were shuttered in the early thirties as a result of the Depression remaining solely as a wholesale operation until it was eventually swallowed into anonymousness by one of the enormous food conglomerates.

January 2009 © Frank H. Jump

Onto the kitties. My previous posts about Victorian advertising cards (one can be found here) proved out that generally they were produced en masse with the intention of personalizing the card for a given vendor, not designed for them. So in theory this card could exist with advertising for another vendor printed on the back. For the record though, I have never seen this card before and my nascent searches for information did not turn up other examples.

Our driver kit is on the right side of this sort of Stanley Steamer-type auto, as photos confirm they actually did. He looks a bit nervous about being in charge, but I especially like the white fellow with his paw arms folded across his chest! Indeed! The two boys in the middle section appear to be have a grand time of it and look full of beans – especially the one in the yellow jacket. Faster, faster he cries!

Card as it sits flat. Pams-Pictorama.com collection.

In the back of the car a cat couple canoodles while their chaperon looks nervously on. Ha! She has no bandwidth for the thrills of the ride and instead is burdened with her responsibility for fluffy white girl kitty in pink who is holding paws with her dapper boyfriend.

I think you will agree that’s a whole lot of card fun to devote to a bit of advertising which isn’t even a display featuring the company on the front. The card is ingenious in design and how it folds out into three dimensions, creating a great effect; solidly constructing which is why it remains in good shape 100 years later. Even the grill of the card is affixed in such a way as to create another layer. Just splendid!

Back of card. Sturdy despite the age and a few dinks.

While I am tempted to try to find a way of keeping this one on display it resists remaining in the unfolded position and although in very good shape is certainly a bit fragile so perhaps it needs to live tucked into the Pictorama archive.

Meanwhile, the snow continues to pour down and sweep wildly by the window of our 16th floor apartment, piling up on the sill, so I may follow the example set by Cookie and Blackie and, figuratively at least, tuck my nose under my paws and have a snooze filled day.

10:00 am view outside our window. A bit calmer than what I see now!

Mound City Paint & Color Co.

Pam’s Pictorama Post: Followers of Pictorama know that one of my new supplier of interesting stuff resides in St. Louis (as always, a shout out to IG friend @MissMollysantiques), giving my recent acquisitions a decidedly mid-western flair – such as last week’s Krak-R-Jak tin box post. (In case you aren’t keeping up in real time, that one can be found here.) That item is also from St. Louis and honors a hometown company.

As an aside, one branch of my family, my mom’s father, hails from St. Louis. They were among the folks who took a covered wagon west and that was where they put down stakes. A generation or so later, my grandfather was traveling the country with the dog races when he met my grandmother at the Jersey shore. I have written several times about her part of the family, a large brood of then recent Italian immigrants who were making their way with restaurants, deli’s and bars. (One of those posts based on a family photo can be found here.) Poppy (as I called him) didn’t go into the family business, but instead worked for the Bendix company while my grandmother continued to help her family’s bar and restaurant. There was travel back and forth to the mid-west to see his family and I have seen a great snippet of film where he and my grandmother are riding a motorcycle out there on their honeymoon to see, and for her meet, his family.

I am developing a real soft spot for it these days, but I have never been to St. Louis – that branch of the family used to come to us rather than us going out there in my childhood and they have all relocated or died now. There is a family story I always liked however about how my father was there on an assignment for ABC News (probably in the 1970’s) and ran into my greatuncle making a call in a phone booth – yep, a phone booth – in a diner or the like and they had a meal together – a city that is a small town story. If the world hadn’t fallen off course with the pandemic and I had continued my travel schedule with the Jazz at Lincoln Center Orchestra I probably would have found myself out there by now, and perhaps still will. St. Louis has a great jazz history and remains a good town for jazz.

Original can of paint for sale on Etsy.

I cannot find tracks on whether the Mound City Paint & Color Company exists in any form today, however their name comes down to us via their advertising efforts which seem to reside in the now living memory of what is collectible today. Their Horse Shoe house brand of paint was promoted with a variety of useful items that would remind you that it was their paint you wanted to use when the time for painting arrived. My 1905 calendar card falls into this category, purchased because I was enticed by this Evelyn Nesbit look alike and this nice looking tuxedo kitty, boasting a huge white bow. (Kim and I discussed the various options of if this was actually ripped off of one of the myriad of Evelyn Nesbit photos that would have been available, or just a model who had gotten herself up in the style of her – which must have also been hugely popular in the day.)

Mound City Paint & Color Co. calendar card; Pams-Pictorama.com collection

It would appear that this was one in a quarterly drop of The Season’s Beauties calendar cards. (You are urged to keep up with the full set on the back of the card – Look out for NUMBER FOUR. No duplicates. Preserve the collection. One lost breaks the set.) This one is referred to as The Pippin and places girl and cat in an apple (presumably a pippin) for good measure. It therefore makes sense that this card covered the months of September, October and November, prime apple producing months. Presumably there a special holiday edition of these cards. Sadly, I could find no trace of the rest of the series however, although this nice watch fob below (sold at a Worthpoint auction) is a somewhat rarefied collectible. The folding yardstick is the most available, but least interesting to see. They must have been produced in huge abundance, and given their ongoing useful nature have remained available.

Sold on the Worthpoint auction site.

The advertising on the back of my card seems to be devoted to their brush on enamel product and you are urged to use it on refrigerator shelves (I was a tad surprised to even see the term refrigerator, rather than icebox, although Google assures me the term was already in use at the end of the 1800’s), closet shelves – further down it gets to sinks and bathtubs. It came in WHITE ONLY and had special directions on every can. It then goes into a litany extolling why you should buy this brand instead of a mystery one – the promise that you knew all and exactly what it contained, no mysterious extenders.

Pams-Pictorama.com collection; back of Mound City calendar card.

I close with a few of their stickers which are available on eBay and a final tip of the hat to the longevity of the advertising for the Mound City Paint and Color Company, St. Louis. Like many companies of the era, their advertising turned out to be their corporate immortality.

Premium

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Something given as a reward, prize, or incentive…Early 17th century (in the sense ‘reward, prize’): from Latin praemium ‘booty, reward’, from prae ‘before’ + emere ‘buy, take’. From the Oxford English Dictionary.

Pam’s Pictorama: For me one of the amazing and tantalizing pleasures of existing in the moment of time and space that I do is the relative availability of various premiums from the past. These items, only obtainable previously through either luck (think Cracker Jack) or by dint of labor (collecting cereal box tops shall we say), the products of early, crafty advertisers, are available now to us for examination and purchase more or less at will. It’s hard for me to describe how entertaining I find this to be – booty is the perfect word indeed, treasure! To a large degree, just being able to actually see them is enough, but yes of course, sometimes I find myself with a hankering to possess them as well.

I first became aware of this particular bounty while working my way through a Hake’s auction catalogue. On the festive occasion that those folks sends me one of their fat color catalogues I like nothing better than to curl up in bed and read every page, pointing out the best stuff to Kim. (If the folks from Hake’s are paying attention I would like to point out that I rarely disappoint them on the occasion of receiving their missive and have made many a purchase I may have not discovered online. I wrote a little ode to the Hake’s catalogue once which can be found here.) In the process of this, I have discovered things I never knew existed that deeply interest me. Among these are strange political buttons of elections long past and a wide variety of premiums – give aways from everything, cereal to radio program tie-ins. Most with origins I am at least passingly familiar with, although some dimly at best.

Therefore it is fair to say my fascination with these items is not linked to a particular affiliation with the origin. I can deeply enjoy perusing Lone Ranger premiums (silver bullet ring anyone?) while being only passingly familiar or interested in the lore of the Lone Ranger, his comrades and their adventures, having personally only ever been exposed to the television show as fodder for Sunday afternoons in my childhood. The rings alone – those that might decode, magnify, signal or contain a bit of mythical meteorite – tempt. Truly I would like to own them all and have only barely contained myself, limited by space, money and time.

Obviously where advertising and premiums intersect with felines I have made acquisitions (for example I opine on some splendid pin trays which sit happily on my dresser in my post Corbin Canadian Cats which can be found here), however I do wander astray occasionally however and give into something. Today’s item, this wonderful Little Orphan Annie Ovaltine mug purchased for me by Kim, is an example I am especially pleased with. It was easily obtained – I imagine the bar for acquiring it set purposely low and therefor in a sense still is – and you can all have one if you want. We paid a nominal amount for this very pristine example. I believed that it came in this cream color or a white version when I bought it. I purchased a cream colored one – but I now realize as I photograph it that the cream reads white – maybe all are cream colored? Ultimately I chose this one because of it’s utterly unworn state. It looks like it just came out of the box.

These mugs, manufactured exclusively for The Wander Co., Chicago makers of Ovaltine (as per the bottom of the mug) were evidently a tie in with the Little Orphan Annie radio broadcast, sponsored by Ovaltine from 1931-1940. I gather this was an extraordinarily effective tie in and, in the day, one rarely thought of the radio program without also thinking of Ovaltine.

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I have only a passing experience with Ovaltine from my own childhood. It wasn’t a favorite by any means but wander through it did. In my mind it was a lesser cocoa additive than the Nestle or Hershey scoop-able brown powders or (best of all) syrup that was preferred. My memory is that I sort of liked that it was more granular than powder which made it more interesting to dispense. I am not sure that the concept of it being more of a malted drink than a chocolate one was entirely coherent to me although my tastebuds knew it and preferred chocolate. I gather there was a nominal component of it being nutritious?

This mug surprised me by being somewhat child-sized, not tiny, but as an adult more appropriate for expresso than your morning cup of joe, which means I will not be using it for that end. I dearly love the image of Sandy on the back. I deeply regret that I have never found a Sandy toy that seems to entirely capture his mercurial charm. I continue to search. I am very enamored of the one I wrote about in my post Sandy Finds a Home which can be read here, but cuddly he is not. I would like to find a nice mohair version, something you can imagine a child taking to bed at night.

Sandy front scan

Sandy, Pams-Pictorama.com collection

 

Little Orphan Annie is enjoying a prolonged vogue in our home. Kim is reading his way through the series, via the IDW volumes for the most part, and is currently enjoying and very involved in 1935. I read one of the volumes several years ago and intend to get back to it now that they are all in the house or will be. For now he recounts highlights and occasionally points out whole strips for my delectation. Weekend mornings are his primary comic strip reading time – while I work on these posts as a matter of fact.

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The siren call of premiums has started to take hold of me however and I think Pictorama readers can anticipate a trend here. The lure of these items, hard won and carefully hoarded for us future generations, is one I cannot seem to resist.