Pam’s Pictorama Post: Here at Pictorama we have been known to indulge the off-model, the fraudulent and in the case of Felix, sometimes even the somewhat demonic period renderings of his visage. Unlike the iron hand of Disney, Pat Sullivan (a faker himself who claimed to draw Felix when it was in fact Otto Messmer) didn’t seem to have the bandwidth to control the proliferation of fake Felix-es, especially those being churned merrily out by the British.
These jolly, and some might point out occasionally terrifying, toys form the bedrock of the Pictorama toy box. And yes, they leer happily over us in bed each night from their various shelf perches. (Some posts featuring those free-form Felix, presumably unlicensed, toys can be found here and here, just for starters.) Meanwhile, eBay listings for Felix may cover everything from Krazy Kat (see yesterday’s post about his identity crisis here) to, oddly, Mickey Mouse.
In his two-dimensional incarnation I have some examples of liberties taken as well. In my possession is a set of postcards made from stencils one could purchase for this purpose. The hand traced and colored results can be found occasionally in the sorting through of Felix memorabilia. A post about these cards before I knew about some postcards made from the stencils can be found here.
All this to say, I snatched up this odd card recently on eBay. It is a bit fragile and the postcard stock perhaps a bit lighter than it might be. I liked the hands on hip blocky Felix body – the tail curls up and around for a nice juxtaposition. Things get a bit odder up around the face – the ears are off and the nose too long and bulbous. However it is the filling in of the eyes and mouth that give him his distinctive oddness.
Upon closer inspection, there is a signature (people ripping off Felix rarely did that I thought to myself) of the renderer, Louis Ollier. A quick search mostly turns up work by Ollier and there isn’t much on his biography. I believe that folks have somehow conflated his biography with a famous bone surgeon of the same name who was born in 1830 and died in 1900 – clearly this is not the same person as he couldn’t have drawn Felix before his creation almost 20 years into the new century. This fellow was working mostly in the 1930’s, although I turned up some oil paintings that might be his from earlier decades.
In addition to a number of sketches for sale by Ollier what I was able to figure out is that his gig was he would do sketches of famous people, send them to the person and ask them to sign and return if they were pleased with it; Ollier would sign them as well. As far as I can tell, some of these were then made into prints which also bear Ollier’s name or sold as originals. Evidently there is a substantial body of his work devoted to race car drivers, although those were not among the ones I turned up. My guess without knowing, but based in part on the subjects I could find, is that he was British.
Ollier entered Felix into his pantheon of the famous and thus depicted. Felix seems to have declined to countersign this postcard – perhaps the likeness did not please him? And then question printed below, Puzzle – Why does he keep on laughing? Well, Felix does chuckle a fair amount, but usually only after he does something especially clever.
This postcard was never used and perhaps it is most notable that I never saw one before which means there probably are not a large number in circulation. I found frankly uninspired renderings of Robert Taylor and Edward G. Robinson online, but the drawing of Sydney Horler (a British writer of thrillers) is available on eBay at the time of writing and I share it below. I suspect somehow he was more successful with lesser known subjects – they feel looser and more free.
However, for what it is worth, his drawing of Felix, perhaps unexpectedly, brings Mr. Ollier a smidge more immortality here in the annals of the Pictorama collection today.