Margate Felix

Pam’s Pictorama Photo Post: Yes! Kicking off this Deitch Studio weekend with a new photo postcard purchase of Felix posing with a pint-sized friend. Since I collect deeply in this area I can cheerfully say with some certainty that I really overpaid for this card, but sometimes you just have to do what you have to as a collector and of course each of these cards is singular. (I assure you I have bitterly regretted every one that has gotten away from me.) Also notable, it is the very first time in all these years I have purchased one of these cards from a US source. Every other one I own has come from Britain, Australia (Katoomba!) or (I believe) New Zealand.

Compared to many others in my collection, this photo suffers a bit from exhausted chemicals in the making and has faded. Somehow however it has become more atmospheric and this little girl in her white frock and falling knee socks, holding Felix’s paw-hand, is sort of emerging out of the image at us. Behind her we can make out a white hatted woman (or taller child) in the white cotton beach garb of Britain in the 20’s, carrying some sort of lap rug. There are other blurry figures behind her and the outline of the tall buildings that surround this beach area.

Posing on a black cat chair at Margate. Pams-Pictorama.com collection.

I have several photos of Margate’s summer pleasures past in my possession, most notably numerous ones of a giant cat chair one could pose on as well. A few of those posts and photos can be found here and here, although there are many so shop around in the archive for others.

The Felix in today’s pic is a low-rise model if you will, a pint-sized version whose pointy ears just come up to her tiny shoulder. (Many of my photos show this size Felix as opposed to the much larger ones I think of as “life sized”, closer to the size of a midget.) At a glance I don’t think this particular Felix is represented in my collection – he has a rather singular appearance – his face is rather tidy and his arms are very long! (My theory is these were designed this way to encourage people to throw his arm around them perhaps?) I imagine the arms on Felix were somewhat moveable and the head probably swiveled and turned a bit for posing. I generally prefer my Felix-es with a slightly more maniacal expression.

Pams-Pictorama.com collection.

This card was never mailed although the inscription on the back also endeared it to me. In a faded script it says Taken at Margate 21st of Aug 24 and below Our Alana 2 years old 23 Months To Gran Daddy at USA. So it must have been put in an envelope or package and mailed to our shores all those years ago. It has a pinhole from where it spent time thump tacked up on a wall. It is faded and tattered but those are signs of having been beloved I think.

Margate photo postcard. Pams-Pictorama.com collection.

As this card creeps close to its one hundredth summer since it was snapped at that sandy beachside resort, I am reminded that simple summer pleasures have remained largely the same. On that note, it is time for me to throw on my running shorts, finish my ice coffee and get out for a run as this beautiful June morning beckons.

Verso of today’s card.

Mangold Felix – aka Uncle Felix

Pam’s Pictorama Toy Post: Today’s recent acquisition is a bit of a head scratcher. I purchased him at a Bertoia auction recently. I was laying in bed late one night when I saw the email for the auction. I threw a bid on him and more or less forgot about it until I won and an email invoice showed up, a happy moment indeed.

From a Bertoia sale. Not in Pams-Pictorama.com Collection.

I know I have seen this toy once or twice before, but the price must have been high or I was too late because I never remember bidding on him. While it is not a common toy; I did find one or two other examples online sold at auction previously. He is memorable though I think and you could almost think it was a hand-painted one of a kind. I have christened this jolly fellow Uncle Felix.

It appears to come from a pattern by a toy maker called Gunthermann (or Guntermann) which seems over the decades, to become something of the epitome of extraordinarily rare and expensive Felix items. I show the Felix merry-go-round below which fetches the price of a good used car at auction these days. (Someone prone to hyperbole on Pinterest called it the rarest toy ever.) Sadly it is unlikely to ever darken my door (I don’t play the lottery) nor am I even likely to see one in person although I would very much like to see it move. The maker is also responsible for a pull toy of Felix chasing mice (shown near top) which seems to always go for a mint as well.

Also sold by Bertoia Auction recently, the mysterious Felix merry-go-round toy! Sadly unlikely to ever be in Pams-Pictorama.com collection.

There is no information about my fellow in particular and whatever the relationship between Gunthermann (a German toy company that goes back to the 1890’s) and Mangold is not readily obtainable. The names around the Felix walking toys of this type seems to be interchangeable, although this odd variant seems to go under the Mangold name. Please do enlighten me if you know the facts here.

My version of the Gunthermann walking Felix. Arms are not missing, they are pinned behind in the thinking position! Pams-Pictorama.com Collection.

Above is my own early (albeit beat-up) version of the Gunthermann walking Felix which I wrote about previously in a post found here. Also shown below is the more common version of the same toy pattern. The obvious question is, why did someone decide to disguise Felix in eyeglasses and a cheery black, red and white suit? How many could have been made and sold and why take a popular character make a very popular toy of him and then change it up? His red glasses taking the place of the black circles around Felix’s eyes. Mine wears a nifty white vest with painted buttons, white gloved hands and red trousers (with a pinstripe!) that end in black spats – his tail is painted white.

The more common Gunthermann Felix walking toy. Not in Pams-Pictorama.com Collection.

Uncle Felix does still work, his key winds and his legs do a splendid sort of hopping walk. (He seems too fragile though to try to film it so you will have to take my word for it.) His paint is worn and chipped (and suffered a bit in transit despite careful packing), but his full glory is easy for me to imagine and dream about.

Walkin’

Pam’s Pictorama Toy Post: It is a drizzly Sunday, Mother’s Day, morning after a downright stormy yesterday. Kim and I were out and battling it as he needed a new light board. (Light boards hold a special place in my heart as the first gift Kim ever gave me was a light board – we used it for many years before it passed away.) The one we bought is sort of space age flat and bulb-free; we’ll see how that goes.

I needed to pick up a pair of prescription sunglasses (yep, lost mine recently) in the same part of town, but those required a Saturday pick up so no choice but to fight the elements which were fairly ferocious. Photos below from our adventure to the art supply store and the Ukrainian restaurant where we stopped for lunch and to see if the weather would improve a bit. It did not.

A herd of zebra and some giraffes at Blick’s.
The East Village Ukrainian Restaurant on a very wet day yesterday. Christmas lights appear to be a year round decoration.

However, I digress and now onto the toys!

The motion of toys captivates me – wind-ups most frequently, ones that bounce and roll, battery toys on occasion. For this reason I generally acquire toys that still work – granted, usually simple mechanisms and motions. Toys are designed to entertain however and so they bump and hop and scoot along – we are missing something if they can’t do their thing. They make me laugh. Toys are distilled happiness and joy on demand.

Sometimes though the look of a toy is so great I am reminded of what my friend Mel has said which is, it’s okay if it doesn’t work, after all how often are you really going to play with it? This Felix falls in that category, although I am sad not to see him walk, his striped ball bouncing up and down and rolling in his hands! He’s a rare toy – I don’t remember ever seeing this one before. (However, every time I think that I can usually find a pristine version of the toy tucked away in Mel’s collection.) I purchased him on eBay and I paid a king’s ransom for him in a bit of a dog fight.

Today’s Felix bares some resemblance to this French wind-up toy, shown below, which Kim me for Christmas in 2020 and which was sold under a Krazy Kat listing at auction. (I wrote a Boxing Day post about him that can be read here.) That toy is a wind-up however and this one is a more simple friction walker which would have taken advantage of an incline I think.

Pams-Pictorama.com Collection.

Unlike the French toy, this one is much lighter and simpler. The head on the one is made of a heavy plaster material and of a lighter version more like papier-mâché on this one. His feet are broad wooden slats which allows him to stand nicely on the shelf despite his disability. I do feel like if I was about 10% smarter I could repair the leg mechanism which seems to be a wire that has gone missing. As we can see, a wooden and cardboard construction make up his body. Sadly his silk suit has torn where his leg broke.

Pams-Pictorama.com Collection.

Felix’s garb is a sort of jolly clown costume however, a look which is complemented by his big clownish feet. I especially like his big bow. There is a tiny (very hard to read) tag remaining under one foot which reads, made in Germany.

Despite his disabilities, Felix has a place of pride front and center on a shelf devoted to some of the finest cats in my collection. Mel has a point. I enjoy him each day, just looking at him.

The Mysteries of Felix

Pam’s Pictorama Post: After a long hectic week I take refuge in toy talk today. When I rolled out bed this morning and walked to a shelf of toys and took this fellow out Kim looked at me inquiringly and said, “Somehow you’ve never written about that particular Felix?” I have not. He arrived at a very busy time around my birthday and just the other day I thought about him, went looking for him and realized that I had unpacked him and tucked him on a shelf without serious consideration.

It probably won’t surprise Pictorama readers to discover that I have many rather compulsive collecting habits, formed and honed over years of searching for certain toys. I receive myriad notifications about auctions and notices about toy cats for sale on various sites such as Ruby Lane which is the origin of this guy. I’m sure there are people who have more refined processes and mine requires mulling through a lot of really dreadful items before occasionally there is something worth investigating. Maybe it is the only way to do it, maybe not.

Pams-Pictorama.com Collection.

As I said, this fellow turned up on Ruby Lane whose daily listings are among the worst really, at least based on whatever search I saved there. Infuriatingly, on the rare occasion something great turns up it is generally already sold and don’t even ask me what that’s all about and why they need to tell me. Still, I give it a cursory morning glance each day. It’s like the lottery – you have to be in it to win it.

One morning in early February (while still in bed) I saw this and did a double take. He is 12 inches long (ears included) and made of a fluffy mohair which is unusual, however I have at least one other, very small and very old Felix made of a similar wool. He is, as you can see, oddly pristine making me wonder if he was somehow newly made. Yet a close look at his face pulls me in the direction of older.

This has happened to me once before, back in 2018, and I wrote about it in a post here and the toy is shown below. He is also rather pristine, but of an entirely different type. Although I thought there was also a chance he was somehow newer, he seems even less so than this fellow featured today.

Pams-Pictorama.com Collection.

He was very (relatively anyway) inexpensive so, after I had a cup of coffee and could reason a bit, I figured it was worth taking a chance. If I ended up with a weird modern reproduction of an old Felix so be it. I purchased him and he arrived on my birthday, with some other nice items since it was my birthday, and I unpacked him and placed him on the shelf until my examination today.

Pams-Pictorama.com Collection.

His head rotates, but his arms are not movable. Most notably his tail is just knitted wool whereas most Felix’s have a stiff tail for better tri-pod style standing. This Felix sports this brand new looking red bow, has shoe button type eyes and nose along with his stitched on Felix grin.

All Felix toys have an expression which helps define them and this one has a benignly slightly cross-eyed one, maybe not too bright but affable. He has long pointy ears, not unheard of in Felix design, but a tad less common. His most notable feature though is the fluffy mohair he is made of which hovers off him like a halo. As mentioned above and shown below, I have another very unusual one (featured in a 2014 post here) with fluffy mohair, but a very different design.

Pams-Pictorama.com Collection.

My final analysis is that he is old, but of somewhat mysterious origin. Much like the off-model ones hand assembled on the East End of London (one of my favorite posts about that can be found here) there is a story here about the who and the how this was made which I have yet to figure out. Please send any information you may have. Meanwhile, Pictorama is on the case and will of course share any discoveries ultimately made.

Fat Tuesday, 1928

Pam’s Pictorama Photo Post: Today’s card is a bit faded, but nonetheless a great addition to the Pictorama collection. While I am pleased to have acquired some outstanding photos of folks sporting Felix Halloween costumes and Felix (and Mickey) in some great parade shots (some of those can be seen in posts here and here) I believe this is the first Mardi Gras Felix photo I have acquired.

Identified at the bottom as being from New Orleans La. February 21st 1928 I checked and confirmed that this was indeed Fat Tuesday, the kick off for Mardi Gras, that year. It is a photo postcard which was never mailed and there is nothing else written on it. (Fat Tuesday is of course the celebration on the Tuesday before Ash Wednesday when eating and drinking reaches a frenzied peak in order to tide you over through the period of Lent.)

Pams-Pictorama.com collection from a 2014 post.

All participants are in similar, mostly, black masks and all wear jolly hats in addition to their costume and a close look identifies that they are all women. While these clowns, in their silky costumes, in the front are perfectly lovely, it is of course the group of three wearing these early grinning Felix costumes that won me over. It should be noted that a close look reveals that there is a fourth participant wearing a perfectly great black cat costume on the end.

Neither of the occasions I was able to make brief visits to New Orleans were during Mardi Gras and many years ago now. While I wouldn’t be surprised if my work eventually takes me there again I unwittingly stumbled onto a Fat Tuesday tradition at Dizzy’s, the jazz dinner club associated with Jazz at Lincoln Center, this year.

A whole lotta brass with Alphonso Horne’s Gotham Kings.

Alphonso Horne’s Gotham Kings make an annual Mardi Gras appearance at the club and this year it could only be described as a raucous and joyous celebration of their return to Dizzy’s on Fat Tuesday after a two year online hiatus. When one of Alphonso’s trumpet players was unable to make the gig he engaged four others for a total of five on stage. Trumpet players called to each other from locations across the room as they emerged from the audience, kicked the show into gear and made their way to the stage where they joined the rest of the band and a tap dancer. (I do love a tap dancer!)

Tapping and drumming!

The performance was capped off by the vocalist C. Anthony Bryant singing What a Wonderful World. The tune is far from a favorite of mine, but there wasn’t a dry eye in the house that night. (You can see a variation of the band performing it – in a Manhattan apartment – on a Youtube video here.) So while it is unlikely that I will make Mardi Gras in New Orleans next year, I know where I am likely to be.

C. Anthony Bryant closing the show.

It’s a Bonzo Valentine

Pam’s Pictorama Post: I am kicking off the Valentine’s Day season of ’22 with this somewhat unusual eBay find. This rather realistic looking black and white kit holds a very correctly rendered Bonzo dog!

The cat and Bonzo aren’t quite looking at each other and sort of look like they are from different planets. It is easy to imagine that the job was handed off from one artist to the next for the work to be completed, the two never necessarily meeting. I’ve got you for My Valentine is the sole sentiment dangling from Bonzo’s foot on a heart.

I like the designs of the paw pads on Bonzo’s feet! But that and something about his paws makes me wonder if he was rendered off of one of the stuffed toys, rather than the magazine published drawings. The design is more stylized than the drawings are. Meanwhile, Bonzo is reaching up toward kitty like a babe in arms. (I own several wonderful Bonzo toys and some past posts of those can be found here, here and even one with a stuffed version of his cat friend, Ooloo also shown below, here.)

Bonzo toy from Pams-Pictorama.com collection.

Kitty is fairly traditional for a black cat Valentine if printed a bit dark here. There are a few scars on this and a bit of white something which has gotten on it over time. On the cat’s white paw which is visible, it is marked Germany. This Valentine is unmarked on the back; there is a cardboard strip that enables this to stand, if shakily, for display.

Germany was square one for Valentines as it was the heart of the printing industry for several decades. Evidently Valentines Day as we celebrate it (as a commercial fiesta of chocolate, cards and jewelry) was introduced into Germany in the 1940’s by the American GI’s stationed there, although the printing of Valentines in Germany pre-dates WWII. Interrupted by the war it rebounds as a printing empire after and continues to reign on this front for awhile beyond. Being identified as German made carried a negative connotation after the war however and somewhat dampened enthusiasm for their Valentines.

Ooloo, Bonzo’s little known cat friend. Toy in Pams-Pictorama.com collection.

A Valentine history site informs me that the simple identification of Germany dates this card to before the 1930’s. It is not in the class of elaborate German Valentines however, which can be very three dimensional, large and made of heavy cardboard.

Studdy drawn Bonzo Valentine, not in Pictorama collection.

Meanwhile, Bonzo is no stranger to Valentine’s Day and a quick search turns up a number of variations available in addition to this one, numerous ones drawn by Studdy, but also many broad “tributes” we might say. We’ll see if some others make their way to the Pictorama collection in the future. I have a real soft spot for the stuffed toys so Bonzo fans keep an eye on Pams-Pictorama.com.

Going Sideways

Pam’s Pictorama Post: It is always a great day at Pictorama when I get to share a new Felix and a few have arrived at our welcoming shores recently. Due to a bad case of life in general Christmas arrived a bit late at Deitch Studio this year, but that made these acquisitions no less beloved as additions to the Felix family. The collection has grown so over the years it can be a bit difficult to find toys that are distinctly different enough to add, but these are worthy additions indeed.

These Felix-es hail from Peter Woodcock, the dealer who recently sold me the simply amazing Dean’s Felix this past fall in an online British toy sale. (That post can be found here.) In late December I threw myself on Peter’s mercy to supply both Christmas and birthday (February!) gifts this year and he responded splendidly with three Felix toys, the first which is being featured today.

A friend recently told me in an email that I was the first person to ever take her into an antique store. I am not sure I was aware that it was among my accomplishments, nor do I remember the occasion, however we went to college together so I assume it was during that time. Given a reasonable proximity to antique stores or even junk stores (New London, Connecticut was more junk than antique by far), it is hard to keep me out of them so it seems distinctly possible – putting aside for the moment the question of who hasn’t been in an antique store before reaching young adulthood?

Celluloid firefly in the Pams-Pictorama.com collection.

Meanwhile, I had been nattering to her about my recent affection for insect jewelry of the early years of the 20th century. (Subject matter insects, not made of insects – which yes, does seem to have been an early 20th century thing – I am more celluloid firefly than Felix depicted in butterfly wings. All about insect jewelry posts can be found here and here.) She pointed out that my aesthetic and interests had always converged on the dawning years of the 20th century.

Felix pendent made of butterfly wings. Not in Pams-Pictorama.com collection. (The concept kind of creeps me out!)

Pictorama readers know that in recent decades that interest has been directed largely to things early Felix the Cat and perhaps most especially those items which celebrate the somewhat off-model, askew evidence of the human hand. The revelation that some such a work force on the East End of London, (made up of indigent women as a social service scheme) in the 1920’s was one of the favorite fun facts I have ever turned up in my research. (That post can be read here.)

I suspect that maybe today’s little fellow hails if not from that collective perhaps from a similar British enclave of toy production. He is the second entry of a horizontal Felix in my collection and if I have seen many more I do not remember them. Christmas of 2015 brought the first to Pictorama, shown below. A post devoted to him, for those of you who are a bit completest like me, can be found here.

A Felix Christmas gift from 2020. Pams-Pictorama.com collection.

Today’s featured fellow is smaller, a scant five inches or so. He is made of a plushy velveteen-y fabric. His head is (was?) somewhat swerve-able. He maintains his sparse but prickly looking plastic whiskers on both sides; his pointy ears are an ancient felt. While he has glass eyes like the one above, his have a slightly more insane expression (right?) and his black nose maintains its gleaming black. I like his sturdy tail which sticks up, almost like a fifth leg. His muzzle has also kept its mohair fluffiness.

Pams-Pictorama.com Collection.

Although Felix as an early cartoon entry certainly spent a fair amount of time in a catty horizontal run, we tend to think of him in his anthropomorphic semi-human vertical form. While my previous acquisition was a bit more catty than Felix usually is, this one captures the spirit of the cartoon in that regard – Felix in motion.

Newly transplanted to the shores of the United States, this little guy joins the Pictorama collection with a place of pride on a Felix devoted shelf near my desk where savvy visitors via Zoom get to see him featured daily. Thank you Peter for parting with him!

Scarfing

Pam’s Pictorama Post: I woke to this 12 degree morning, bright as a new penny, here in New York City this January day and had no idea what I wanted to share with you folks today. Coffee in hand, I wandered among my possessions and reached into a pile by my desk of somewhat unsorted photos and odd items that seemed to need a bit of consideration before posting. I pulled out this item which somehow Kim hadn’t even seen come into the house; given the intimate dimensions of Deitch Studio this is indeed unusual.

This scarf struck my fancy when I saw it and I bought it on a whim knowing it wasn’t not my usual side of the street. The pointy Felix-es around the boarder tickled me – I am a sucker for a pointy Felix as some Pictorama followers know – and I like the color combination.

However, when it arrived I was a tad disappointed overall. The fabric is a bit thin and the design is a bit odd – the text which appears to be an interview with Pat Sullivan, an idea I sort of like – is strangely and unevenly cut off by the center image. While I realize that once you wear it as a scarf it wouldn’t much matter it offends my sensibility as an object.

Detail of scarf, Pams-Pictorama.com Collection.

The scarf has a (rather conspicuous think) note that it is the product of Determined Productions, San Francisco worked into the boarder design and it was produced in 1989 as per (yet) another note on the boarder which give the copyright of Felix the Cat Productions, Inc. which (Google informs me) resides in nearby Hamburg, New Jersey. I guess I give it a B- grade.

There was a time when I wore a lot of scarves and my wardrobe boasted many. It helped that the Metropolitan Museum produced them and I was able to purchase them at a steep discount for myself and my family. (I had learned to tie them, after a fashion at least, during my college year living in London, brighting a small number of outfits with bright scarves of different colors and prints. Nothing fancy but a method or two that work for me anyway.) The offices at the Met were often cold and a scarf made practical sense – many people had the same idea and in winter would find us all wrapped in them and wool shawls from the store there as well.

My current offices (when and if I visit them which is still rarely) are also chilly in winter, but somehow I have fallen largely out of the scarf habit although they still reside in my closet, languishing with a lot of other unused office clothes at the moment, a sort of a time capsule despite a recent clean out. (My efforts in this area and further thoughts on various aspects of the potential return to the office can be found in a post here.) I tended to layer on jackets and sweaters instead. Here, working from my perch at home, I also just ten to add a layer although this apartment and especially that corner of it, tends to be warm.

The spare room at mom’s house on the chilly morning in question.

Recently I was working from my mom’s house in New Jersey and assigned myself an unused upstairs room as my office. That room turns out to be quite chilly and as I had few items of clothing with me I did wrap myself in a big wool scarf I had with me for my afternoon of Zoom calls. Folks asked about it, never having much seen me in one and wondering where the heck I was that I was so cold. (A navy wool cardigan has been sourced as a permanent resident of the New Jersey branch of my operations, as a way of addressing this issue, but a scarf may still be required. I will be testing this out later this week anyway, but will arrive better prepared.)

The question of how daily work attire will emerge from this long hiatus of going to an office is unsure – as is the precise nature of said return. There are days when I think I should just toss everything (potentially piles of nicer trousers, tops and jackets) but the three pairs of nice jeans, two sweaters, two tops, maybe a jacket or two for “dressing up”, that are currently in rotation. They could rattle around in an otherwise empty closet with a lot of running tights and sweats. Meanwhile, a return to scarf wearing in the near term seems unlikely.

Felix Finds a New Home

Pam’s Pictorama Toy Post: Today we are continuing our New Year’s weekend with a Felix post. This fellow is the last in a big buy I did from an unexpected and wonderful online auction in Great Britain this October. It was one of those affairs which had been moved online because of Covid and it was my lucky, toy collecting day, because I would never have been treated to the likes of it otherwise and some of these dealers are not online sellers. Given the amount I spent I would say they were glad to have run into me as well! (I have written about the other acquisitions, the amazing Deans Eugene the Jeep and a great postcard here and here.) Christmas came in October this year without question.

There is in my collection, a rather huge and very impressive Dean’s Rag Felix, the likes of which I have never seen otherwise, nor have I even met any kissin’ cousins until this fellow crossed my path. The story of that guy I will save for another day as I have not yet memorialized him here in the Pictorama archive of toy tales, but it involves a trip to London, spending more than I ever had on a toy (and I have never, ever told how much that was…) and emptying a suitcase to bring him home safely – who cares about clothes?

Pluto in Pams-Pictorama.com Collection.

I have written about the famed Dean’s toy maker previously – a few times devoted to some beloved Mickeys and also a rather exceptional Pluto. (Those posts for fellow toy fans can be found here, here and here just for starters.) Deans produced Felix in a variety of sizes according some old catalogue information I have seen. I would like to be more educated about them and will share as the information comes to light.

This chap caught my eye immediately as I strolled through piles of photos from a variety of sellers and, as I remember, I started bouncing up and down in my chair with delight! To make it even better (how does it even get better, right?) the seller was including the photo below of a little boy with a very similar Felix! Pictorama readers know that this is truly a wonderful two-ffer for me as the Pictorama archive sports many Felix photo images as well. I could hardly email my desire to purchase them fast enough.

Felix real photo postcard, Pams-Pictorama.com collection.

The young man posing with this Felix toy seems to be at a photo studio. He is perched on something that looks more like a small table or piano bench perhaps. While Felix appears to be warmly embracing him, he seems a bit awkward with his arms are gingerly around Felix which makes it feel like it probably isn’t his toy but a prop. This is a photograph rather than a photo postcard and there is no information on the back aside from a pencil number (no studio information) and some evidence that this was at one time pasted into a photo album.

Felix stands about 17 inches high. He has rather bat-like ears, a tad over-sized. (Peter, the seller, kindly offered to reinforce Felix’s ears which I agreed to – as it happens they had also been reinforced on my other Dean’s Felix. They must have been made thin and wore out quickly. His head swivels to allow for a saucy pose or two.

As you can see, this Felix is missing his nose – and of course the photo shows us what it would have looked like with nose. I am considering fashioning a nose out of felt and maybe just pinning it on so it would be easily removable. However, you can also see that the shape of the nose is still there. The eyes are an interesting sort of celluloid, at least that is what I think they are. Oddly, both in my photos and the original ones from the sellers, his hands seem a bit clumpy although they are not in person.

Close up of Felix now residing in the Pams-Pictorama.com collection.

Felix has the delightful Deans Rag Book labels on the soles of his feet, shown below.

The soles of Felix’s worn but still legible foot labels.

As it turns out the seller, Peter Woodcock, is a somewhat reformed Felix collector who is just dipping his toe in the water of selling some of his collection although he and his wife Leanda have a robust antique toy business (many lovely bears),although I am not sure I would have found them online if it weren’t for the 200 Years of Childhood toy show moving online for this year. (I assure you that this is among the few silver linings I can attribute to Covid.)

I suspect that my tsunami of Felix enthusiasm is a tad overwhelming for Peter as I pepper him with questions and theories, but I so rarely get to correspond with a fellow Felix toy fan. Yay Peter! I have coaxed a few more Felix-es out of him so stay tuned as I think 2022 is going to be a very Felix year indeed.

Felix Portrait – Louis Ollier Faking It

Pam’s Pictorama Post: Here at Pictorama we have been known to indulge the off-model, the fraudulent and in the case of Felix, sometimes even the somewhat demonic period renderings of his visage. Unlike the iron hand of Disney, Pat Sullivan (a faker himself who claimed to draw Felix when it was in fact Otto Messmer) didn’t seem to have the bandwidth to control the proliferation of fake Felix-es, especially those being churned merrily out by the British.

These jolly, and some might point out occasionally terrifying, toys form the bedrock of the Pictorama toy box. And yes, they leer happily over us in bed each night from their various shelf perches. (Some posts featuring those free-form Felix, presumably unlicensed, toys can be found here and here, just for starters.) Meanwhile, eBay listings for Felix may cover everything from Krazy Kat (see yesterday’s post about his identity crisis here) to, oddly, Mickey Mouse.

Pams-Pictorama.com collection. A seriously off-model Felix toy!

In his two-dimensional incarnation I have some examples of liberties taken as well. In my possession is a set of postcards made from stencils one could purchase for this purpose. The hand traced and colored results can be found occasionally in the sorting through of Felix memorabilia. A post about these cards before I knew about some postcards made from the stencils can be found here.

Felix Porchoir – French stencils for making your own postcards. Not in Pams-Pictorama.com collection – but I would love to have them!

All this to say, I snatched up this odd card recently on eBay. It is a bit fragile and the postcard stock perhaps a bit lighter than it might be. I liked the hands on hip blocky Felix body – the tail curls up and around for a nice juxtaposition. Things get a bit odder up around the face – the ears are off and the nose too long and bulbous. However it is the filling in of the eyes and mouth that give him his distinctive oddness.

Pams-Pictorama.com collection.

Upon closer inspection, there is a signature (people ripping off Felix rarely did that I thought to myself) of the renderer, Louis Ollier. A quick search mostly turns up work by Ollier and there isn’t much on his biography. I believe that folks have somehow conflated his biography with a famous bone surgeon of the same name who was born in 1830 and died in 1900 – clearly this is not the same person as he couldn’t have drawn Felix before his creation almost 20 years into the new century. This fellow was working mostly in the 1930’s, although I turned up some oil paintings that might be his from earlier decades.

In addition to a number of sketches for sale by Ollier what I was able to figure out is that his gig was he would do sketches of famous people, send them to the person and ask them to sign and return if they were pleased with it; Ollier would sign them as well. As far as I can tell, some of these were then made into prints which also bear Ollier’s name or sold as originals. Evidently there is a substantial body of his work devoted to race car drivers, although those were not among the ones I turned up. My guess without knowing, but based in part on the subjects I could find, is that he was British.

Not in Pams-Pictorama.com collection.

Ollier entered Felix into his pantheon of the famous and thus depicted. Felix seems to have declined to countersign this postcard – perhaps the likeness did not please him? And then question printed below, Puzzle – Why does he keep on laughing? Well, Felix does chuckle a fair amount, but usually only after he does something especially clever.

This postcard was never used and perhaps it is most notable that I never saw one before which means there probably are not a large number in circulation. I found frankly uninspired renderings of Robert Taylor and Edward G. Robinson online, but the drawing of Sydney Horler (a British writer of thrillers) is available on eBay at the time of writing and I share it below. I suspect somehow he was more successful with lesser known subjects – they feel looser and more free.

However, for what it is worth, his drawing of Felix, perhaps unexpectedly, brings Mr. Ollier a smidge more immortality here in the annals of the Pictorama collection today.