Pam’s Pictorama Post: I have an unusual nugget of animation history today. It came to my attention on a search for Aesop’s Fable dolls which I have put out in the world. I asked for more photos because only a few pages of the inside were shown and I was afraid it was just the covers and a couple of pages. The seller quickly replied. In the end I offered a bit less than he was asking and he agreed. It was still a bit dear but something about it appealed and I went the extra mile to purchase it.
The instructions.
Try flipping the page by hitting the arrow!
In reality the book is more interesting even than it appeared at first. Every illustration has a second illustration under it and you are instructed to (gently, especially now) flip to the second page and you see “movement” between the two. It is rather ingenious and simple – a different type of flip book. (Flip the Pages…the Pictures Live.) The book is super worn and shows evidence of much use, flipping the pages. Every other page is several more short tales which are illustrated but do not flip.
It was published by Harcourt, Brace and Company of New York and we can see it was Book 2. A search on the internet shows that Book 1 was dedicated to Mother Goose which looks at least equally interesting. In the back we see that there was a Book 3 (which I now really want!) about the circus which seems to feature a very Koko the Clown looking character! Book 4 was called Once Upon a Time. These volumes are somewhat rarified and I can only find evidence of this one and Book 1 having been recently available for sale. There are eight pages in its entirety, counting the fold-out double pages as one.
One of my attempts to show you how flipping the page looks.
The artist/s do not appear to get credit for these so I am assuming that Charley Bowers is the artist and perhaps the writer as there are no other credits for the book. On the inside cover there is a 1923 copyright and W.F. Powers Co. On the cover we see that there is a Pat. Applied For.
Charles (Charley) Bowers started his animation career working on the silent Mutt and Jeff cartoons. By the early twenties he moved to Educational Films where he made slapstick comedies, some shorts featuring Rube Goldberg creations and a mix of animation, stop motion and live action short subjects. He is prodigious in his output through the twenties and does a stint with Walter Lanz in the thirties. At the end of his career he moves to Wayne, New Jersey and drew cartoons for the Jersey Journal. Sadly at the end of his life arthritis cripples him and he instructs his wife to execute drawing the cartoons under his instruction.
It is also noted in his bio that he was known for illustrating children’s books although the Wikipedia article mentions this for his post-film career and these were clearly made in the thick of it. He was largely forgotten until a Lobster Film dvd came out in 2004 and revived interest in him. It is still available however you will pay up. (It can be found on Amazon here or Flick Alley here. I would poke around eBay for a slightly better price.) As a result, not many videos are posted online, but one I offer is available here.
Not in the Pictorama collection.
Clearly a bit of a mechanical genius this is a tiny salute to Charles Bowers of early animation fame. This book is a remaining concrete tribute to his ingenuity.
Pam’s Pictorama Post: These are not only the dog days of summer but International Dog Day as I sit down to start this. No dogs here in the House of Seven Cats and I think the Jersey Five find the addition of the two New Yorkers two too many more let alone pups.
Blackie has wiled most of his days away in our bedroom when not hunting up Cookie (who resides in Kim’s studio upstairs) and eating her food. He’s also gotten into numerous tussles with Beau, the head of cats here and fluffed himself up into a righteously puffy Halloween-esque fellow. I am trying to resolve the problem with an extra can of food in the late afternoon. It might be working.
The view from the back deck one glorious afternoon.
I am on the back deck as I write, where I have spent many happy hours this vacation. Stormy, the gray tabby who seems to be perpetually surprised and terrified by the world, is at the back door looking out – hoping against hope that a fat fly will land on the screen door for her to chase.
A batch of popovers made by a friend.
Labor Day comes early this year but having said that the light in the afternoon already has a fall look and I have seen large v’s of birds starting to make their trek south. The evenings are chilly enough to warrant a jacket and I am starting to eye the little used fire pit. However, the earlier part of the day in full sun can be roiling hot so we are not there yet.
With heavy spring rain and subsequent dry spells the dahlias are slow to bloom this year but their show now that it has started is worthy. A few new entries are small in bloom stature but bursting with bright colors, red and white and an orange red and yellow. My beloved hummingbirds come to feast on them and they go from one to another and back to a favorite – like a bird buffet. ( Does anyone know what I mean when I say hummingbirds, hanging in the air, look like they are somehow stopping time?)
I can almost always find bees tucked in the centers of the dahlias, drowsily, drunkenly and dizzily covered in pollen. The strawberry plants are also enjoyed by the hummingbirds and are overflowing with flowers right now. I think I’ve mentioned before that they oddly produce only the tiniest, almost doll sized fruit – delicious but bizarrely small.
Kim working at his temporary desk.
The tomato plants promise produce, hanging green on the vine but ripening SO slowly. Another producing tiny tasty yellow cherry tomatoes is doing a great business – unusually small but tasty bits being the order of the day here I guess. We pop small handfuls in our mouth, still warm from the sun. The jalapeno peppers are bountiful (and perversely huge) and of course are the hardest to use up quickly without killing my diners with devilishly spicy treats.
Kim’s set up for work here.
This year has felt like a real vacation. Kim and I have taken long daily walks to the neighboring towns, shopped in the antique stores and scored some items. We brought piles of books from New York (and admittedly added to them) and we have worked our way through almost all of them. Kim has been catching up on some of my Rosa Mulholland recommendations including one I brought with me that arrived shortly before our departure. In addition he has made occasional trips to the comic book store in Red Bank (Jay and Silent Bob’s Secret Stash of Kevin Smith fame) where he has amassed books reproducing the Superman saga.
From my favorite perch at the comic book store, reading work email while Kim looks.
Kim and I both worked for the first two weeks here after arriving in early August and we’ll put in a few days from here after Labor Day. Last week I wrote about our pending visit with Bill which kicked off our vacation and below are some photos memorializing his visit. (Bill, if you’re reading this, we found both the Reed Crandall book AND the Pinocchio book after you left! They were on an overlooked shelf together.)
Ferris wheel view at fair.
Tonight is our first visit this year to the local Fireman’s Fair. (I wrote about it last summer in a post here.) Although I have reserved the right to go again when another friend visits from Manhattan this weekend.
I recently told Kim if he wants to sound like a native New Jersey-er he weigh in on the state of the summer’s corn and tomatoes – peaches for the bonus round. We take these things very seriously and the quality of Garden State produce is of great local importance. This year corn is small but good corn can be found with some work – it is perhaps just late as it has improved as the month has gone on. The tomatoes are somewhat underwhelming unless you hit one of the El Dorados of good ones (or can convince the ones on your deck to ripen) and eat them quickly before they go from ripe to bad. All but one purchase of peaches failed the test – however last night had some that had been purchased at the peach of ripeness before going bad, ate them with ice cream and felt like we really hit it at last.
Before andafter!
In this spirit I began to make tomato pie. After looking at numerous recipes I settled on a simple one which I share below. The tomatoes need to be bled of water briefly before starting and I used a pre-made crust. (For all my apparent cooking talents there’s something about pie crust which I have never gotten into the rhythm of properly.)
Fifteen minutes to throw together and this is in the oven cooking away for 45 minutes or more and it is without question best if consumed immediately – it is inferior when reheated. My only other word of advice is that you should pack it as full of tomato layers as possible because they shrink in the cooking and my first effort looked a bit woebegone as a result. Dan and Cathy Theodore were the first to try my pie and liked it enough to ask for the recipe, but more about their visit and the gift they brought in another post.
Recipe:
1 pie crust
1/2 red onion, sliced thinly into rounds
1/4 cup mayonnaise
6 ounces shredded mozzarella cheese
3-4 ripe tomatoes, sliced about 1/4-1/2 inch thin
4 tablespoons fresh basil, sliced into ribbons (chiffonade)
salt and pepper to taste
Instructions:
Preheat oven to 400F.
Line a 9″ tart pan with prepared pie dough. Poke a few holes in the dough with a fork, then cover with parchment paper and pie weights or dried beans. Bake for 15 minutes, until crust is starting to turn golden.
While the crust bakes, slice the tomatoes on several sheets of paper towels and sprinkle with salt. Flip and salt the other side as well. Let the tomatoes sit for 10 minutes, then blot off moisture with dry towels.
Mix together the mayonnaise and the shredded cheese, and spread the mixture in the parbaked pie crust. Sprinkle 2-3 tablespoons of the basil on top.
Top with one layer of the sliced tomatoes, the onions, followed by a second layer of tomatoes. Add a third layer if space permits. Sprinkle liberally with salt and pepper. (If like me you are worried that the tomatoes are salty from the bleeding the wiping them down wipes off most of the salt.)
Bake for 30 minutes, until crust is golden and some juices along the edge of the pie crust are bubbling. Remove from the oven and set aside for 20 minutes to cool before slicing. Tip with the remaining basil and serve warm or room temperature.
Note: Tomato pie is best served on the day it is made, but leftovers can be store in the refrigerator and reheated in the oven at 350 degrees for 12-20 minutes.
PS – At top, Beauregard, top cat of the Jersey Five, in a pout before we left today!
Pam’s Pictorama Post: I think Pictorama readers know by now that I am very susceptible to stumbling on something while scrolling through the internet, eBay and Instagram in particular. I see a heck of a lot and, if you think of it in proportion to what I see I inquire about a small amount and purchase and even smaller amount – although it does pile up. Anyway, this lamp popped out at me while casually strolling through Instagram and I went so far as to purchase it for the house in Jersey. It came to us via Mike Zohn @obscuraantiques whose antique store on the we used to visit on the Lower Eastside before his relocation to points south of here.
Pictorama readers might also remember that I have a soft spot for lamps and have posted about a number of them purchased for the house here and a few for the apartment in New York. (I was thinking about this the other day and remembering that for my father it was clocks and chairs. Man, my father would go way out of his way if he thought an antique clock might be in the offing. When he was a bit younger he was also that way about antique chairs – I grew up with an extraordinary number of chairs in the house – many were Shaker in origin. We could have seated small concerts or film viewing. They were like cat nip to him. Meanwhile, some of those past lamp posts can be found here and here.)
Somewhere in the back of my mind I was thinking that this lamp would look nice and be useful in our bathroom – I am not a huge fan of the overhead light. I was assured that it had been rewired and all I would need is a shade and the hardware for the shade however when it arrived the thingy where the bulb goes looked awfully gnawed away. It took a number of months before I could get it to the hardware store here which is a splendid place to get work done on lamps.
Fair Haven hardware is one of those rare thriving businesses that manages to look (and smell) both contemporary while remaining steeped in its longstanding past. Fair Haven Hardware is 72 years young this year and while it was sold by the son of the original owner to a employee a few years ago, he’s pledged to keep it going for the next 70 years. (I recently got on my elevator in Manhattan and was talking to a neighbor who used to have a home down here, when she talked about selling she said the thing she’d miss most was this great hardware store in Fair Haven!) Their 70th anniversary banner still hangs on the front of the shop.
Kim and I were trying to analyze what the smell is. It is reminiscent of an aging Woolworth’s or ancient five and dime of that variety with perhaps a bit more fertilizer and grass seed thrown in. You might say dust but it isn’t dusty, nor is it dark, quite well lit really.
Anyway, they replaced the bit that holds the bulb and now I just need the hardware for the shade and a shade. While it isn’t exactly light, it is not as heavy as it might look. It’s sort of a dotty design and the ageing patina improves its appearance I think. I continue to think it might have a place in the bathroom. (Although I recently purchased a night light for it and it seems a tad less pressing than it did.)
Buying a shade for a lamp online is a bit difficult and this has prevented me from purchasing one for Popeye as well. You have a desire to see how various shades look. I need to find a local store where I can take them and pop a few on, like trying on hats. Or I can gird my loins, order online and take my chances. I’ll let you know what I decide.
Pam’s Pictorama Post: This is a bit of a hold the presses Pictorama post. This arrived from Great Britain yesterday as I write and I ADORE it. Now I understand that some of you think I may have really gone dotty at long last. I admit that paintings have been a bit out of my purchasing purview (and buying them online seems really dubious), but I saw this one in an auction preview and was indeed interested. I ended up coming late to the auction and I was sure it had been snatched up however miraculously it had not and it was reasonably price. Mine, mine, mine!
It has taken a few long weeks to arrive at our shores and was dropped off on our doorstep here in NJ while we ate dinner last night. I was showing a friend out and there it was. Oh bliss!
The painting came to me from a new friend who sold me the cat match striker and the lovely green cat face dish. (For those posts with items from @oldstockantiques have a look here and here.) Eventually tariffs on antiques from abroad are going to come for me but I have been purchasing unbidden meanwhile. Or I’ll just go broke!
Anyway, it isn’t too large, about 8″x 8” (unframed) and surprisingly the cat is white rather than my generally preferred black. He (or she) is a little fluffball of a kitty, perhaps just out of kittenhood. There is just something pleasantly insane and maniacal in the cat’s eyes. Between that and the somewhat electrified look of the fur there is, for me, a slightly Louis Wain-ish look of influence about it. It appears to be an oil painting
There are a few bits of damage to the surface (rather charmingly under the circumstances, there is a cat hair or two stuck to it) and it is painted on an inexpensive bit of prepared board with a small hook at the top for hanging. I didn’t see it at first but it says Angela 1977. Whoever Angela was she did a splendid job and I wouldn’t mind finding the thrift store where more of her work is for sale. (That is fantasy worthy.)
I need to go wandering around the house to see where it is going to live, some place where I will get to see it frequently when I am here however!
Pam’s Pictorama Post: Today is white cat rather than black cat day here at Pictorama. This acquisition was made at the Red Bank Antiques Annex (a favorite haunt of our Jersey summer days) earlier this month. He (she?) is a doorstop it would appear. I found him in a display case of Halloween items and originally thought he was a decoration.
Back of doorstop.
He is rather perfectly aged in my opinion. His white faded to a brownish gray but pink mouth, painted whiskers and greenish eyes are still visible. You can make out his tail wrapped around his feet. The paint on the hard surface has cracked and crazed. He’s about nine inches high.
He is heavy but not as heavy as a doorstop would likely be. I think his super power is in that he is composed of some kind of heavy rubber. The barely still visible label on the back reads Kleistone Rubber and I cannot read the rest. Evidently the company operated out of Rhode Island in the first half of the 20th century with cast figures such as this – and for the record it seems this could be a doorstop or bookend which is something I was trying to figure out. Although the few I found online were black and identified as doorstops.
Ship doorstop, not in Pams-Pictorama.com Collection.
Evidently other options would have included a scotty dog or a pirate ship according to AI. I show the scotty and a black cat below.
Scotty and black version of cat. Not in Pams-Pictorama.com Collection.
I paid up for this fellow and had left him for further consideration the first time I saw him. However on a second trip I knew he was going home with me.
He will live here in New Jersey in the House of Cats and already has a nice spot under these geraniums (meant for outside but so happy in the house I have kept them here) poking out from their leaves.
Pam’s Pictorama Photo Post: Ongoing readers know that I have been on something of an animal impersonator role lately! It was true synchronicity when I saw this hit a favored account on Instagram (@Marsh.and.Meadow) during a casual scroll stroll. I snatched it up – my head was still full of last week’s post where Steven Phillips (@woodenhillstoys) shared his whacky and wonderful poster of a cat imitator. (That post can be found here.) And here was yet another photo of a cat imitator – my first French entry. (Animal imitators abound here at Pictorama and a few other posts are here and here.)
Subsequently Steven showed me where that imitator was named J. Hurst – to date I cannot find any information about him, aside from his stint for Black Cat Cigarettes. I am sorry to report that Reine Eymard appears to be equally lost to the sands of time. My own Pictorama posts are the only items I find!
There is an Aimee Eymard who appears to be a contemporaneous performer (chanteuse) and I wonder if it is a sister. There is scant information about her as well however. Just a couple of posters. It’s fun to think about sisters on the same bill in France of 1890 – one in a cat outfit and the other a singer! Perhaps the cat sang too. Me-ow!
Sadly I cannot decode the date that this was mailed from the canceled stamp that is on the front of this card. The back is covered with writing, in French. It is of note that this particular card appears to have sold on eBay recently. Clearly I wasn’t doing my work well and if I had I would have paid a tad less – still, just happy it landed here at Pictorama.
Am open to further translations!
The text on the back roughly seems to translate as, My Dear Cante, I hope this finds you well. Since you left something about mother and a bad head cold and bad weather. I hope it will be fine and it will ruin things if everyone gets it. With love, Gaby L.H. Weirdly, although it has a canceled stamp I do not see an address so no idea how it was sent.
Reine’s full hair barely fits under her cat ear hat and she looks coyly out at the viewer. Her hands curled into faux claw paws. Her cat hat has huge whiskers and somewhat googly eyes. Her flowing gown has some colored highlights added and falls almost entirely off one shoulder. She looks like a real handful – one can only just imagine that act!
I am a bit amazed that nothing comes up on the internet when I search these performers – no posters, no theatrical listings. For now, except for these photos, they are really lost in the cracks of time.
Pam’s Pictorama Post: For those of you who read yesterday’s post, you know that this little kitty came to me from Great Britain via an Instagram post where I spotted him in a flea market display. It was the first time I purchased something from @woodenhillstoys via Instagram, but I deeply suspect not the last. He caught my eye at the same time as the Louis Wain doily (yesterday’s post), on a shelf on the same table.
This kitty is tiny, only about four inches from his nose to his curled up tail. He is velvet and sports a ratty ribbon, the same yellowish color as the velvet on his tummy. A red nose and mouth are a stitched star between glass ears with rounded ears. Still, it is his sort of splayed leg stance, arched back and curled tail that catch your eye and give him his cat-titude. A tiny hole in the tip of his tail reveals a bit of straw stuffing. He is a prime example of less is more.
A closer look at this little addition.
Meanwhile, in the process of the sale, the seller Steven Phillips (@woodenhilltoys) shared a rather extraordinary piece he recently acquired for his own collection. For those of you who are regular Pictorama readers you may remember several posts devoted to animal imitators – dogs and, of course, cats. (Some of those prior Pictorama posts can be found here, here and here.) While I wouldn’t say that the Brits owned this occupation, they are definitely in competition with the us in this narrow area of expertise and this is a grand example.
Steven Phillips cat impersonator poster.
I just about fell over! Shown here in a glorious poster size in his cat suit with a small image of him, sans suit up in the corner. I pulled this off of Instagram where he direct messaged it to me. I love that he has himself perched on this illustration of a rooftop with neatly tended fields in the distance. The cat costume is notably comical. A note in the corner says, Elite Photo Co., Glasgow, Scotland.
A wowza of weirdness in this close-up.
A Google Image search tells me that this gent in his cat suit was in ads for Black Cat Cigarettes and I have grabbed a few images shown here. (One is a Getty Image with its watermark.) I cannot seem to get the name of the performer in question. Clearly he is a rather inspired imitator and his devotion did not go unrecognized.
Black Cat Cigarettes, it goes almost without saying, had a long and storied series of ad campaigns featuring black cats – both real, drawn and clearly imitated as well. (For a post highlighting a notable item of their advertising in my collection have a read here.)
Black Cat Cigarette ad I found online. I love the two mugs who are driving!Oddly this came up the first time I put it in Google Images but not subsequently. AI had all sorts of weird answers for me when asked!
So a real hats off to Steven Phillips (and my thanks for allowing me to share the images) for a real hotsy totsy find! I have a feeling this won’t be the last we hear about the lore of this particular cat impersonator and we at Pictorama will be looking.
Pam’s Pictorama Post: I have opined on my devotion to Instagram. While I understand the downsides for many folks, having programmed my feed to be a fairly delightful walk through antique toys, cats (toy cats of course), antique jewelry, and vintage clothing (a shout out to @katestrasdin who I always enjoy – and I never stop being fascinated to what happened to silhouettes in the 1850’s!) generally makes me happy. I have written about it, intertwined with posts about my purchases. I am a rare 100% fan.
The secret may be that, although I will occasionally pause to look at Isabella Rossellini’s pigs, I generally do not follow celebrities and I do my best to avoid all political discourse. Of course I look at cats and watch cat videos. The biggest problem (or advantage, depending on how you look at it) is that I buy things. I buy jewelry (you can see a post about that here) and disparate bits and bobs. The Midwest and the South of the US tend to feed this habit – and of course England, the spiritual home of the early Felix and, like today’s acquisition, Louis Wain. (Several Wain posts exist! A few are here, here and here.)
It probably won’t surprise many of my readers to know that I am crazy enough that while scrolling through Instagram I will pause and happily look as closely as I can at tables packed with wares at far off flea markets. This is usually on my phone and therefore takes a certain kind of skill, gently expanding the image to see bits better.
This is a photo Steven Phillips sent me after I asked about the doily while still on the table.
This has actually resulted in purchases but the other day was an exception. This gentleman (@woodenhilltoys) in Britain had two items I decided I wanted if they made it through the day at the flea market. Luckily they were not sold and this doily is the first of the two.
It is very interesting as it appears to have been made contemporaneously with Louis Wain (1920’s), in his style, but not him. Although I found one other example at auction they are not common in my experience. In a sense this surprises me – Wain stuff has long been collectible and you’d think a fair number were sold and would survive but evidently not.
As noted in the title of this post, Hamlet Castle is one sign on the wall and Rehearsal of company 12 noon the other. (The auction site lists the doily by this moniker as well.) A Wain inspired cat (Hamlet?) with a club is getting read to pop this other kit (Polonius??) with a properly maniacal look on his mug. Go cat, go!
I’m not exactly sure how or where I will choose to display this tidbit. I tend to think it will come with us to New Jersey (later this morning as you read this!) where I will find a frame for it and hang it somewhere. It is a real treat. Stay tuned for the other acquisition and a story about a rather splendid item the seller shared with me but sadly he does not wish to part with. It’s a real Pictorama piece!
Pam’s Pictorama Post: Sometimes here at Pams’s Pictorama it’s just a Felix acquisition day and today is that day. The other day combing through listings I came across a duo of Felix in Australia. The condition was sort of medium and the price right and the next thing I knew this fellow was on his way to me.
I have a few other examples of this Felix and this fellow in particular may next find his way to New Jersey where there is a shortage of Felix-es at my house. (Although there is an abundance of kitties who have a lot of unsupervised hours so I am mindful of that as well. The younger inhabitants there like some high jumping too and I have an Oswald Rabbit I worry for occasionally. A post about him can be found here.)
Years ago I was at a huge vintage toy show in Atlantic City where a dealer had a whole basket of these (such bounty!) and he said that they were used as carnival prizes in England. They must have been very popular because many exist today but somehow they seem a bit too well made, and therefore expensive, for that. Still, it makes my brain whirl a little to think of being able to bring home such a toy from a fair – perhaps after having had my photo taken with Felix elsewhere earlier in the day. (Throwing in a photo below from my collection of folks posing with Felix for anyone who is a new comer here!)
Pam’s Pictorama.com collection.
Also a long time ago I took one of these for repairs at a toy hospital that used to exist on Lexington Avenue near Bloomingdales. I wrote about it here. It turned out to be very expensive but, at least for me, worth the brief entrée to that somewhat ancient and particular place before it quietly disappeared a few years later.
This fashion of Felix has mobile arms and legs. (Legs had come off on the one that had to be repaired. I do not recommend moving them much – I learned from the broken one that there is just a rusty metal rod holding him together.) This fellow has a good look until you realize that oddly almost all of his mohair has worn away. His tummy in particular is quite bare as is the spot under his snout. He has such wideset eyes – they always contribute to a goofy look. His tail, as is often a design feature, sets him up like a tripod for steady standing.
While his felt ears are intact, Felix has a few places where his fur is completely worn through, revealing small spots of the straw stuffing underneath. It is my understanding that these were assembled by hand in England in small factories. (Read a very interesting and popular post about this here. Such a factory was set up on the East End of London to employ indigent women.) All this to say that these end up have a very individual character and look to each one.
Tummy is oddly barren. Pams-Pictorama.com collection.
I did express some concern about Felix making such a long journey from Australia to New York City with the small holes and stuffing in particular leaking through. I am afraid I offended the poor seller when I asked – it wasn’t meant to be a reflection on her packing ability – more just the reality of a certain amount of jostling he was bound to undergo. However, she pledged extra good packing and she came through so there was barely a smidge of stuffing loss in transit.
We will pack him carefully again as part of our exodus to New Jersey in a few weeks. Until then he is hanging out with his Felix brethren here in Deitch Studio.
Pam’s Pictorama Post: So today I take us back to the world of cat ephemera with a bang today. This little treasure came to me via a new dealer who I imagine I may see a lot of, Eldritch Oculum Antiques. (The website can be found here although I found them on IG as @eldritch_oculum_antiquarian.)
Our story unfolds, as it sometimes does, with an item someone (I believe it is my IG friend and gad about @fatfink) gave me a heads up about but had quickly sold. This was a photo of someone in a Felix costume that I would have loved to have scored for my collection – not least because I appear to own other photos from the same session!
Longstanding readers may remember a very early and popular post of these tiny photos I featured in the early days of this blog. I seem to have bought a few and then found more from a different dealer. When I told the story to the folks at Oculum I misstated that they came from Seattle but I just read my own post and it says that the came from Portland, OR – right where these folks are located. Portland seems to be an odd El Dorado of early Felix photos and I have that post and a few others devoted to this which can be found here, here and here!
Not in Pams-Pictorama.com Collection – sadly!Pams-Pictorama.com Collection
However, this was clearly an account I wanted to follow! It wasn’t a month later when I spied this gem and snatched it right up. This is an unusual piece and further nascent searching on the internet only turned up two other editions of the Merriment Series, and sister Lady-Bird’s Series. One edition I did find, shown below, devoted to Funny Stories, and the other on the Internet Archives (see my Rosa Mulholland post of last week!) which is a scan of The Alphabet of Flowers and Fruit.
It was published by Dean & Son, Printers, Lithographers, and Book and Print Publishers, 31, Ludgate-Hill. This company, founded in 1800, became known for children’s pop-up books in the latter part of that century. They are noted for publishing into the mid-20th century but it is unclear to me if they exist today.
From the Ontario Digital Archive.
So, to get to the heart of the matter, this little missive is the tale of a party in Cat-o-Land, where cats rule and dog servants in livery are footmen and butlers. (Although the monkey playing the drum on the cover is notable as well. A careful look at the top shows one half of the orchestra as monkeys and tthe others as cats – one with his bow in the air and dropping his fiddle.) This is a jolly affair hosted by Mister Peter Pussiana.
It is written entirely in rhyme – …While all around esteemed them most polite, (for cats, like Christians, may know what is right/So, of grimalkins they were thought the best, – Quite models of good breeding for the rest… No author claims credit. Printed oddly, a pamphlet (9.4″x 7.4″), it has blank pages inserted throughout – something having to do with the printing? It is in fair condition, with the binding still tight but worn with dirt and folding and cuts or tears on some pages.
Fainting after hearing a bit of gossip scandal. I like the art!
While the cover is without color (although the first page is the cover with color), the rest of the illustrations are in a sort of limited color, looking applied on in subsequent layers. The backcover has a rather tantalizing list of other titles in the series that were available. Every thing from The Toy Grammar; or Learning without Labour to Mouse in a Christmas Cake. There is no publication date.
The tale takes us thoroughly through the evening and its entertainments – from dancing and eating to playing cards and gossiping. (Some scandal so salacious that Miss White-coat actually faints!) One of my favorite pages is the company around a large table eating, kittens lurking behind chairs, family portraits on the walls and a dog serving.
I share it with you in its entirety below to flip through – blank pages deleted. Pay special attention to the art on the walls and sculptures!
Pam's Pictorama 