The Robbers Squeak

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The Robbers Squeak from Pams-Pictorama.com collection

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The Robbers Squeak from Pams-Pictorama.com collection

 

Pam’s Pictorama Post: I purchased this volume after researching another book I wrote about recently, Lady Pussy-Cat’s Ball, which featured illustrations by the more than capable artist A.M. Lockyer. This volume however credits only Mr. Lockyer so we must assume that it is not only illustrated by him, but that the story, written entirely in verse, is as well. (There is a song over several pages, Sergeant Sleek’s Song, with music and three verses in the middle of the book. However, words are credited to G.E I. and music by F.R. Cox. A casual search did not turn up any information on them.)

The book’s story is an odd one – and considering I featured dogs yesterday it is a bit shocking that I go out way out on a Pictorama limb and feature mice today, because this is indeed a story of mice. They are both the heroes and the villains of this story, which it should be noted, is a stretch for children, at least as we see children’s stories today. It is a tale of mice who are a marauding band of thieves, stealing feasts of food, but eventually kidnapping a beautiful girl kitten they adore. The image below is when Momma cat comes calling for her little girl kit. This interaction with maternal cat love reforms them and they turn over a new leaf and become monastic mice – who occasionally tell tales of the days of yore.

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The Robbers Squeak from Pams-Pictorama.com collection

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The Robbers Squeak from Pams-Pictorama.com collection

 

As best I can tell, it was published in 1889 – there is no copyright information in the book, although the publisher is noted as Marcus Ward & Co Limited, London, Belfast & New York. Given the availability of the book even now, it must have been relatively popular. The illustrations are beautifully executed, even if the story is a bit odd. Meanwhile, anthropomorphic cats and other animals seem to be A.M. Lockyer’s bread and butter and I have my eye out for other books by him – in particular on called The Cat Concert. I have yet to find a biography of him, although there is no shortage of his illustrations available when you search on his name.

The story of cat and mouse is one that goes back to the beginning of a certain kind of story telling as we know it. It starts with illustrated books and eventually winds its way to Felix and Farmer Alfalfa cartoons and beyond. It is of course an old, old story from life itself – going back to the domestication of our feline friends. Just this morning, as I sat on the phone during an out of the ordinary Sunday morning call for work, I noticed Cookie and Blackie united in an investigation under Kim’s desk. Despite being litter mates, our duo rarely unite in any effort so it is notable. As I attempted to carry on my conversation with the volunteer in Florida the cats chattered and meowed to each other about something under the desk. (Kim wasn’t home and I could not investigate.) By the time the call ended, the cats had tussled with each other and subsequently retreated to their own perches, but of course I do wonder what they saw, or thought they saw.

Living in a many decades old building in New York City generally means you have rodents (and roaches) and it is merely a question of keeping them at bay. To date just the presence of the cats, and their predecessors, have influenced the rodents to bypass us as a stop along the way as they search for food and fun. Still, you never know when a little mousie fellow or gal takes a wrong turn, or decides that they can take on the big guys, much like The Robbers Squeak. Even if I do not, Cookie and Blackie, meanwhile, live in anticipation.

 

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Good Cats and Bad Cats

 

Pam’s Pictorama Post: Okay, still rounding up the last of what was a Pictorama perfect holiday season with more magnificent gifts than I could have imagined! (We are indeed fortunate over here at Pictorama!) This entry is an extraordinarily thoughtful gift from a colleague at Jazz who clearly understands the Pictorama ethos. I am just mad about this little volume, the likes of which I have not seen before. For those of you who are wildly jealous (you will be) I will tell you that a less charming reprint seems to be available, but this original version seems far less easy to obtain.

In case the book itself was not perfect enough, the inscription, in pencil and dated Christmas, 1911, takes it over the top. It reads, To my good Kitten (and then in tiny script underneath which is hard to read) who is sometimes just a wee bit bad. Who wouldn’t love that? The volume, published by Frederick A. Stokes Company (September 1911 so this was hot off the press at the time) is author dedicated thus, To FUZZY WUZZY a Perfectly Good Cat Except WHEN SHE IS BAD or (as is usually the case) UTTERLY INDIFFERENT.

What follows are these wonderful cat illustrations and a volume that is one part children’s book, written entirely in rhyme, describing first a good kitty and then the naughty bad kitty:

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But at times it becomes an actual comic strip:

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There are also these sort of splendid full pages that seem to be something all their own:

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Alas, while we all aspire to being a good kitty, who among us does not as frequently identify with the bad?

Finding information about author/artist Frederick White tested my amateur sleuthing skills mightily and just about when I was ready to turn the question over to you, my erudite readers, I teased out some information from Mr. Google at last by searching his name and 1911 under comics. Born in Queens on December 4, 1869 he seemed to be a journeyman cartoonist, although the artistic trail sort of peters out as you will see below. The real information I found comes from the excellent work of fellow blogger Allan Holtz over at Strippers Guide. I quote from him and link to him below (all these links in color from his blog work) where further information can be found:

American Newspaper Comics (2012) said White did The Gol-I-Fings, from May 5 to June 9, 1901, for the McClure Syndicate. His Gol-I-Fing ran in the San Francisco Chronicle from October 12 to November 2, 1902. 

The Christian Register, January 2, 1908, reprinted White’s verse, Bill, a Cheerful Dog. Apparently it was the basis for the 1908 book from Holiday Publishing. The book was well received by The Presbyterian Banner and American Motherhood.

White created Good and Bad Cats for the News Syndicate which ran it from November 6, 1910 to March 19, 1911. The material was compiled in a book by the Frederick A. Stokes Company in 1911. For the NEA, White produced Kute Karols for Kitty Kats which debuted January 1, 1912. The Day Book (Chicago, Illinois) printed White’s Nine Lives of Kitty Kat from February 5 to 14, 1912. The Boston Globe published White’s Edie and Eddie from August 22, 1915 to March 19, 1916. Edie and Eddie also appeared on the inside back covers of Everyland magazine in the 1920 issues for JanuaryFebruaryMarch and May.

An interesting aside I enjoyed further is that the last home listed is with his sisters at 45 East 85th Street (between Park and Madison Avenues) a few short blocks west from the perch where I write from right now here on 86th Street, near York Avenue.

White one

Ad for The Nine Lives of Kitty Kat! in the Daily Day Book.