Doggett, Bassett & Hills

Pam’s Pictorama Post: Today’s post is kicking off with this great little advertising card I bought on a whim sometime over the last few months. I like a good cat advertising card and this kitty couple caught my eye. I love that they are holding each other’s paws and their curled tails. They walk on tip toed hind legs – Cookie and Blackie only stand this way in order to box with each other, or perhaps a bit of a stretch when something above interests them. Her expression is sweet and his a bit concerned – concerned being a bit of a go-to expression for kits I find.

She sports the human attributes of a parasol and bow. They are both nicely striped tabbies and the pattern creates some visual interest. Oddly, Doggett, Bassett & Hills Co. was a shoe company and these kitties are decidedly shoeless. Doggett, Bassett & Hills was one of Chicago’s first shoe dealers and manufacturers under the name of Ward & Doggett, founded in 1846. By the early 1870’s they had peaked, but then declined and disappeared in the 1880’s. (All this from an online encyclopedia of the history of Chicago which can be found here.) The website mentions a Lake Street address, but this card is for one at 214 & 216 Madison Street, Chicago.

Pams-Pictorama.com Collection.

Despite the fact that I think of Chicago as a city that has done an excellent job of maintaining many of its old buildings, a quick Google image search shows no extant old buildings at this address now. I am always hoping when I search for an old address I find that I will find the building intact even if its former moniker is long gone. I don’t believe I have achieved this to date.

Pams-Pictorama.com Collection.

These pre-printed advertising cards abounded in the period and cats were a favorite subject so they are a bit of a sub-genre here at Pictorama. Merchants must have gone to printers that had endless examples to pick from and chosen a card image to then have their text added at the bottom and sometimes also on the back. I often wonder about how you knew that you weren’t choosing the same one as your competitor just purchased yesterday.

Pams-Pictorama.com Collection

I have written about some of the others in my collection (above and below) and those posts can be found here, here and here. (All of these examples have their advertising text on the back.) Still, seems a bit odd that the folks at D,B and H would choose these barefoot felines, but who am I to tell them how to sell shoes?

Pams-Pictorama.com Collection

There are marks on the back from where this card once resided in an album of some sort, the way and reason many of these have survived. People did seem to hang onto them though – much more so than the boring business cards we generally see today – a few tucked under the plexi cover on my drawing table converted to desk and littering the surface remind me. No one is going to be saving the card from the pest control folks residing there. (Moths!) Cats sell and Madison Avenue has never entirely forgotten that lesson.

Pussy cat postscript: Ah, Caturday at Deitch Studio! Cookie is rolling and stretching at my feet and meowing for attention as I write this. She still chases her tail and was at it earlier, even at seven years old. (I must say, it does have a sort of come hither twitch at the end.) She is by far the chattier of the two kits and wants to converse every morning at some length – we are charged with responding or are subject to her wrath. (Meanwhile, if Blackie ever chased his tail it is a long forgotten practice and he snoozes most mornings after he’s eaten. The difference between boys and girls?) Kim is discussing how awful it would be if he were married to Cookie (I’m pleased I get a higher rating), and it would quickly end in divorce court with a sharky kitty attorney (one a bit smarter than Cookie he added) he says. We’ll have to see if there’s ever a story about Kim and his cat wife – and divorce court kitty!

Cookie also likes to claim my work chair in the morning.
Blackie, snoozing earlier this week and showing some fang!

Specs

Pam’s Pictorama Post: This card is one of my recent purchases. When all is said and done about this time one of things that I think I will remember is how I started purchasing things on Instagram. I had never even thought about it before, let’s say, April or so. I have always loved Instagram – my feed devoted to seeing what a handful of folks I follow are doing and of course, many cats – rolling, playing, posing. I don’t have interest in famous folks and I don’t want to know much about the sad state of the world while I am on Instagram – it is largely escapism for me. I realize that other folks have been buying on it for ages, just never occurred to me that I would find interesting old stuff there.

However, in checking out a new follower of mine, I realized she sells old photos and antiques, from there I realized another follower sells vintage photos, a third sells jewelry and other bits (some clothing, pin trays and the like), from the early years of the 20th century from her home in the British Countryside. (@MissMollyAntiques, @spakeasachildvintage or aka WheretheWillowsGrow, and @Wassail_Antiques respectively.) Over time you chat a bit and now I realize that one is a musician (as is her husband), selling out a space in an antiques mall she used to have, another is photographer of musicians, that work largely gone – a theme here. (I received something from her the other day and it was wrapped so lovely – like a gift!) The new economy evolves.

I’m sure other office supplies will find their way into this box over time.

Anyway, this bit of cat advertising turned up recently and I snatched it, along with a cute little box that was made to sell spools of thread which now houses binder clips on my desk.

Pams-Pictorama.com collection.

Today we boast this proper Victorian Mrs. Kitty who is both sporting and advertising eye glasses – fine steel specs according to the back of the card. These were available with Blue and Bronzed Colored Frames…Filled and Sterling Silver Filled Noses. Strangely the actual advertising on the back was printed and with only a rough approximation of the cat outline and therefore words are cut off in places. However, we can also make out that you could have beautiful styles of lorgnettes in shell and (probably?) celluloid.

Casually executed advertising copy on the back of the card.

She is wearing a locket in the fashion I opined on in a recent photo post, she models an out-sized hat in the style of the day, and of course she is bespectacled. (The photo locket post was the recent one which can be found here.)

As it happens, I was shopping for eyeglass frames yesterday so I pulled this card out of the pile from the recent haul. During quarantine the rimless frame glass I have worn for several years began to loosen, started sitting crooked on my face, and I began to fear that they would truly come a cropper while the world was closed down. I do have a spare pair, but they are behind one prescription – the lenses for my eyeglasses are very expensive and those frames aging, therefore right now these glasses and a pair of sunglasses are the only current ones I have. (Some of you might remember my sad tale of woe concerning losing these eyeglasses during a trip for work to California. It can be found here. You would think I would have learned my lesson!)

My specs – not so different from Kitty’s. Hard to see the smashed bit here, right side.

One of my very first forays into the post-quarantine world was to the East Village, to have these frames tightened. When they started this delicate manuever the guy on duty warned me about the possibility of the lenses breaking – tighten at your own risk. They managed to do it successfully but, alas, I noticed the other day that they are starting to shatter near where the screws are, so back downtown we went to begin the cycle of purchasing frames and updating prescriptions.

I purchase my eyeglasses from a shop in the East Village, Anthony Aiden Opticians, which came highly recommended by someone, cannot remember who now, on the basis of the execution of the lens measuring and fitting to be especially thoughtfully done. Having once, a long time ago, strayed and purchased a pair of glasses with my graduated prescription elsewhere I learned my lesson and never tried that again. Yes, you pay a premium for quality, but seeing is important and we are talking about something you wear on your face everyday. (Zoom presents its own challenges for the eye glass dependent. I have trouble finding a viewing range where I can both read notes and see participants. I could be wrong but it doesn’t seem worth adjusting my prescription for although I will ask the eye doc when I see him.)

Yesterday I discovered that Anthony Aiden Opticians had made it through the quarantine period by doing individual appointments, something to remember for the future although I think I would have been loathe to take the trip on the subway at the time.

Photo of their establishment pulled off Google.

It is a small store, just east of St. Mark’s Place. When we arrived they were too crowded and asked us to return in a bit. We complied by having lunch, somewhat precariously perched at a table outside of the B&H Dairy (where a stern but friendly woman with an Eastern European accent oversaw the delivery and consumption of our food), and wandered back after.

B&H from the inside, back in the days of indoor dining.

Trying on eyeglass frames with a mask on was interesting of course. Once I had a few finalists for Kim to help choose from, I unmasked. They also measured my eyes without a mask – their request. I believe the gentleman who waited on me was the owner – Mr. Aiden himself? I purchased gray plastic and metal frames. My long buying and prescription history was on file and I was able to order lenses for my sunglasses as well.

I have an appointment with my eye doc in about ten days and now am just babying my glasses along until I can have the prescription called in and lenses ordered. Hopefully I can be back in business, fully eyeglass-ed up within a month, all ready for whatever fall and winter brings.

Christmas in July – Part 1

 

This slideshow requires JavaScript.

Pam’s Pictorama Post: A month or so ago, someone on Facebook sent me some photos via Kim of really unusual Felix Christmas cards. They were not for sale, but on a site where they were on display as part of a collection. I had never seen them or anything like them before and loved their strangeness. I save the images for my own edification (shown here above), but unfortunately have lost both the link and the name of the person who sent them. (Apologies – and if you remind who you are I will happily update this post!) Shortly after, in that way that the universe seems to have sometimes, one of them turned up on eBay, in mint condition although used, and I snatched it up.

These cards are British and there is a tiny embossing at the bottom of the back of this one which says Raphael Tuck & Sons Ltd. Publishers to the King & Queen Produced in England with a crest of sorts which is very hard to see. A quick check online tells me that Raphael Tuck and his wife Ernestine, started the business out of their home in Bishop’s Gate in 1866. They received the royal nod in 1893 and carried the royal imprimatur from that point on. Evidently the company rode the crest of the Victorian novelty postcard and book craze and published the likes of my friend Louis Wain. The business stayed in the family, first bringing Raphael’s brothers in, and then Raphael and Ernestine’s sons. It flourished until their headquarters was severely damaged in WWII during the Blitz and, although they stay in business until 1959 they never fully recover.

Also, printed on the back is “Felix – Pathes Famous Film Cat” in tiny black letters. The outer wrapper is the glossy printed image of Felix and the inside is a separate piece of paper – held together by the ribbon like a tiny four page book. The inside is printed on slightly different stock. In case you cannot read it, under the black and white cats it reads, Snice World this! It is not technically the most festive holiday card I have ever seen – the front, Felix gets the Bird! Lucky! anyhow! doesn’t exactly scream Christmas to me. It is a nice, early Felix though, squared off and pointy the way I like him. Those exclamation points emanating from his head are cartoon great and embody his spirit nicely. If it wasn’t for The Compliments of the Season on the inside, and in spite of the jolly red ribbon, we would never know to mail this for the December holidays. This card, in splendid condition, was used and is simply signed on the left, inside, from Frank, in neat script.

inside xmas card

The other cards, supplied from the original link and shown on a loop above, are also super strange images for holiday cards, but nonetheless bear tidings for Christmas and the coming New Year on the inside of each. It almost seems as if the company printed a random series of Felix illustrated outsides and then neatly, if somewhat haphazardly, tied them together with holiday greetings insides. Felix being so popular at the time that appropriateness of message and image mattered not perhaps? In one, Felix with a sort of strange turnip which looks like a monster; Felix wearing a radio headset, and of course mine where he talks to a bird. The messages on the front of each are equally odd, Felix Gets the Bird! Lucky! anyhow! on mine and the others A Turn-up for FelixGood Luck to You! and Cherio! The supporting characters, inside and out, appear to belong to an entirely different inking hand. More mysteries of Felix here to uncover, but jolly for a Christmas in July I think.

 

The Cat’s Concert

 

 

This slideshow requires JavaScript.

Pam’s Pictorama Post: This little volume makes me imagine screechy cat voices lifted in song! This item is the direct product of collecting mania. Back in January I stumbled into purchasing the rather wonderful Lady Pussy-Cat’s Ball (which you can find here) which lead directly to finding and buying another A.M. Lockyer and F.E. Weatherly collaboration, The Robber’s Squeak (featured here) a month later. After doing some research I discovered the existence of The Cat’s Concert which turned out to be quite pricey and not terribly available. I went into a stealth hunting mode and five months later I acquired this copy for a reasonable sum. Sadly, it has fewer illustrations than the others, but it is a little gem in its own way.

It is a fragile little book, so apologies that the inside pages cannot be scanned as I would not attempt to lay it open and flat and instead have just taken photos of them. We are treated to five tunes here: The Cat’s Concert, Sambo’s Song, Serenade, Pompey’s Trouble and Finale. As in the other books I have noted above, this one is illustrated by A.M. Lockyer and has words and music by F.E. Weatherly. These were all published in both New York and London according to the copyright information. This copy came from England. One of the seller’s has dated it at 1885 (?) as the book bears no date of publication. A publisher’s circular dated 1889 cites it as being an excellent little booklet for the nursery.

The cats on the front cover, above, appear to have very long feet. Strangely, as I look through the book, they appear to be wearing long, odd shoes – they wear them for Sambo’s Song, and even don clogs for Serenade. This tiny pamphlet is well worn with age, is about 5″x7″ in size. I do wonder at the practical application of it – hard to imagine anyone whipping it out in the nursery and playing a tune, even in the late 1880’s. Instead we will imagine that these cheerful cats entertained enough to keep this booklet in circulation over a period of time sufficient that copies remain today.

My favorite drawing is for Pompey’s Trouble, shown below. I like the sharp claws displayed by these fellows and the one on the far right could almost be a Louis Wain kit; he’s having a high old time! Pleasantly maniacal expressions on the faces of all three.

The lyrics on all of these tunes are less than memorable and racist – a mini-minstrel show for the nursery. (Collecting black cat material can lead you unknowing down this road.) The one called Sambo’s Song is the most cat related however and praises the cats for catching the mice in the farmer’s grain and seems to end in a clog dance:

Three fat Mice, Dey lay by de farmer’s grain; Dey stuff away all ob de day, An’ couldn’t get home a gain.
Den dese three cats, Came over de old barn floor….An’ I think you  see, Tween dem and’ me, De Mice go back no more.
O come along, Di_nah, come along Di_nah, do! ‘Tis de middle ob de night, and de moon is bright, we all ob us wait for you? With a wow, wow, wow! An a m’you, you, you! Did you ebber see a clog dance done?…

pompeys-trouble.jpg

Clearly the British were as capable of writing racists ditties as the Americans (Weatherly the author of music and words is British), but perhaps like me, Lockyer and the cats sold it for them.

20180630-00006.jpg

Scrum

Pam’s Pictorama Post: Pictorama regulars know that I promised more Louis Wain and today is our next, although definitely not final, installment. Ah yes, as I curate the cat museum in my mind’s eye I now acknowledge that Louis Wain should take his rightful place, a collecting tributary of its own! This card is an image that I have favored from the time I started looking at Wain seriously. In some ways he is at the height of his powers here for me, making black and white work for him as well as color does.

Each and every one of these rugby playing pusses has this own expression of glee, pain, and even, my favorite, maniacal anger. Notice the one very happy cat who has his foot right in the eye of another on the ground – who in turn looks surprisingly pleased about this arrangement. The movement of these cats is great, but so is the sense of deep space with the lightly drawn house (rather British-suburban) and trees in the background. In the middle ground we have one cat covering the distance and the goalie, way back there.

This card was used and sent on January 11, 1905 from Freston. It is hard to read the address, but it appears to be something along the lines of: Miss Breaf Elle, East View, Bouds, Lancashire. The note reads, Moody Maureens next week are you & Kali coming? Let me know in good time as there is some one who will go with you. Evidently the sender assumed all would know who she was as she did not sign her name. (Handwriting and message makes me lean toward this being a woman.)

While this card is entitled After the Scrum is Over to me the scrum still seems very much in action. I guess the ball is technically back in motion so I won’t claim to understand the finer points of the game here. (Readers may remember I have a soft spot for rugby too since my sister played in college. Her trophies are considered in my post Trophies and also in The Crimson.) It is a ribald cat universe here and somehow Wain manages to capture the insane and slightly vicious, wild world that our cats would establish if someday they were indeed to take the evolutionary step toward being slightly more human. Quite a thought to contemplate fellow cat lovers!

Waxing and Wain-ing, Part 1

Pam’s Pictorama Post: I have been working up to a big Louis Wain post for a few weeks since my trip to London. I alluded briefly to my Wain purchases in my posts London Fog, Chapter 1 and London Fog: Chapter 2, a trip that was toy poor but provided other buying opportunities, it also most notably broke a long held prejudice I secretly harbored against acquiring Louis Wain associated artifacts.

For those of you who aren’t in the know, Mr. Wain (1860-1939) is attributed with single-handedly introducing comic, anthropomorphic cat drawings into world-wide post-Victorian popularity. Started as drawings and sketches of their cat to entertain his ailing wife, who it seems was dying of breast cancer, these drawings quickly captured public imagination and catapulted him into a career that was almost exclusively devoted to cats. Over time the cats became more pop-eyed and decidedly more human, the humor more pointed, occasionally a bit dark. I have, in prior posts (most specifically Kitten Class), referred to some Victorian cats advertising that likely pre-dates and may have even informed him, but it would seem that it took Mr. Wain to launch the cat as comic subject into popular conscience. One article I read said that there was a time in Great Britain when virtually every home had a Louis Wain print – not unlike the prints of dogs playing poker of a later, American era.

Louis_Wain_The_bachelor_party

Louis Wain painting (sadly) not in Pams-Pictorama.com collection, card playing cats just for fun!

Wain was hugely prolific – the same article claims that at the height of his career he was probably churning out more than 1,500 cat drawings annually. Given this, there certainly isn’t a dearth of Louis Wain art available today. Still, despite the vast number of prints, postcards, books, drawings and even sculptures, his work in every and any form fetches a huge premium, which explains one of the reasons I have been reticent to join the fray on the collecting front. However, I too have of course, always been entertained by them and have been tempted over time.

Also famously, Louis Wain eventually descends into insanity, but continues drawing, and his cats get quirkier and more abstract until they become a color psychedelic almost unidentifiable design. He is eventually institutionalized, but keeps producing drawings although I am unclear on the dissemination and publication of these.

I begin my Louis Wain odyssey with the purchase of this early print illustration I am sharing today. I purchased it on that dreadful snowy Friday morning I was spending near Leicester Square in a romantic mews I have always enjoyed. I was already realizing that the extreme weather was going to have a seriously negative impact on my limited free time in London however. I had a few hours before an afternoon meeting and I started with a print store I have spent many hours in over the years. My memory was that at one time, in contrast to the nice and pricey matted objects in trays upstairs, that there used to be boxes with scraps of old prints and even the occasional book, in the basement. If it was that store, or a similar one nearby that has gone out of business I am unsure. Regardless, the proprietor had made his way to work that morning, and when I discovered this item in the basement (sans boxes of lower end items) I decided to break the self-imposed Wain ban and reward the seller for his efforts to open his shop by purchasing this item.

This clipping, a page from a large publication, is identified as Christmas Number of the Sporting and Dramatic News, December 3, 1892. I am told that his break through illustration was sold as a Christmas drawing in 1884 and that it was two more years after that before he illustrated his first children’s book. This would put this illustration eight years after that first illustration sold, but before he achieves his later best known, more broadly comic style.

With the title, What’s This? and identified as L. Wain he perfectly captures the curiosity of these kitties eyeing this insect. He has signed the image itself and there is another mark I cannot make out which I assume is the engraver’s. I like the limited use of color which gives this a bit of warm and brings out the image. However, most of all, I like the little claws emerging on each of the kits! Cats #3 and #4 (in line, left to right) are emerging toward full blown Louis Wain style. All eyes are on that bug which is slated to be a snack for one of these fellers if he doesn’t skitter fast! For comparison, below is a later painting of a similar theme I snatched off the internet. Cats and bugs have legs as a subject.

louis_wain_for_what_cat_print.jpg

Louis Wain painting, (also) not in Pams-Pictorama.com collection, spiders remained a theme!

The tale of my purchases, more about my antipathy toward buying Louis Wain memorabilia and other strange tributaries of this story to be continued in subsequent installments. Pictorama readers take note!

Rough on Rats

Pam’s Pictorama Post:  Might seem hard to believe, but I have been hunting the purchase of this card diligently for several years. It is more popular than it is especially rare, and on the occasions it came up for auction it sold high. I decided to wait it out and see if I could acquire it for a reasonable price. Last week I must have caught most of the rest of the cat advertising collectors napping and scored it at long last. The image will not be new to any of you who have poked around in the area of Victorian advertising cards, however I don’t think anyone can blame me for feeling that it is a high water mark of sorts for its type.

Ephraim S. Wells, a Jersey City resident, invented said rat poison in 1872, and his wife jokingly called it Rough on Rats and the name stuck. (This story may be apocryphal, but we at Pictorama never underestimate the influence of clever wives on the endeavors of their husbands.)  The E. S. Wells story is a good one. He started with a patent medicine business out of a storefront. It did poorly and in those early years he was generally always barely one step away from financial ruin. The rat poison in question was developed and used first, with great success, in his own rat-ridden shop. He took advantage of the new federal trademark law and cleverly patented the Rough on Rats name – as well as multiple variations. He eventually abandoned the retail business and put serious money on the line for advertising the mail order business.  (Please note that for this background I have made use of a great online source by Loren Gatch and for those of you who want the whole story I suggest having at look at E. S. Wells was Rough on Rats.)

Wells had a good eye for copy and imagery and he made a fortune. The general theme of the advertising played along the lines of cats plunged into unemployment by the brilliant rat ridding product, and also of rats trying to educate their offspring in offensive maneuvers to avoid it. There was evidently even a song Wells produced, which included the dubious lyrics, R-A-T-S, Rats, Rats, Rough on Rats/Hang your dog and drown your cats! Please know that we at Pictorama cannot endorse such tunes. I am sorry, however, that I was unable to locate the sheet music illustration which is probably a pip.

On my card we see these shocked pusses, posed in front of the now useless rat traps hung up on the walls, above the caption Our occupation gone “Rough on Rats Did it. I am greatly enamored of these multicolored cats (a blue one front and center) who are giving this container of rat poison a wide-eyed and mostly open-mouthed, toothy frowns. Tails are neatly curled around cat feet in what is mostly a repetitive cat design formula. They are a great and colorful group.

Here are my other two favorite examples from the more rat-centric versions of the advertising. I especially like the line at the bottom of the top version, This is what killed your poor father. Shun it! Avoid anything containing it throughout your future useful careers. We older heads object to its especial roughness

6. Rough on Rats TC #2.jpg- C

Rough on Rats Lecture, not in Pams-Pictorama.com collection

 

5. Rats TC #3.jpg - C

Rough on Rats card, not in Pams-Pictorama.com collection

 

The back of my card, shown below, features some of the other products offered by Mr. Wells which include, perhaps a bit terrifying Mother Swan’s Worm Syrup which states if worms not expelled by it you may depend they do not exist. Never does harm. Always does good…It is sweet and nice. Taking into consideration that it was ultimately confirmed that Rough on Rats was nothing more than largely unadulterated arsenic, the thought of his patent medicines may take on a darker perspective. Nonetheless, Wells died a wealthy man in 1913 and the company continued with popularity through the 1940’s; it was subsequently sold in 1950, and later went out of business.

20170923-00006

Back of Rough on Rats card, Pams-Pictorama.com collection

 

In conclusion, having explored the darker side, I offer you a Van Buren cartoon I stumbled across as I did my research. It provided me with a splendid giggle this morning and I hope you will enjoy it as my parting offering as well. It can be found on Youtube here as Rough on Rats.

 

Three White Kittens

Pam’s Pictorama Post: This is another item dug out of the Pictorama archive. As you can see, it is quite fragile and frankly even the amount of scanning we did, as feared, seems to have injured it further. I do not have a clear memory of how I acquired it. At first I thought I bought it at a flea market, but no, it was a birthday gift from my friend Eileen shortly after I met her. It is odd in that the pages are not printed on both sides, so you have spreads of blank pages between those that are printed. Therefore it was unclear if it was complete with all its pages – in addition they are not numbered – however some quick research found a copy on Abe’s Books (you can own your own in significantly better condition for $75 at the time of writing this) and my copy does appear to be complete.

Three White Kittens was published in 1880 by McLoughlin Bros. Publishers, New York. McLoughlin was a publishing company founded in 1858 based on the new color printing methods for children’s books. They also produced board games and were eventually purchased and made a division of the Milton Bradley Company in 1920. Their game production ceased, but they continued to produce children’s books, paper dolls, linen books and the like for several more decades. A quick search on images shows a vast amount of this colorful material surviving in collections and archives today. The kitten theme was popular with the company and I supply another cover below. (I find it an interesting coincidence that both this one and my copy have handwritten notes at the top of the cover. This one a gift, and mine indicating ownership.)

798245488347e4ff8891a5d2649ec1f5--mini-books-childrens-books

3 Little Kittens, not in Pams-Pictorama.com collection.

 

The writing, however, is quite not aimed at children. As Wikipedia expresses it, these are slightly bowdlerized or retold versions of children’s tales for a more adult audience. As a result, these kitten stories, told in rhyme, are of kits trying to eat someone’s bird, or gold fish. They have titles such as The Greedy KittenThe Cross Kitten, and The Disappointed Kitten. By way of example I offer a verse from The Disappointed Kitten below:

I flew to save my darling,
The dreaded foe in view, –
Oh! never fear, my birdie dear,
No kitten shall dine upon you!

Alas, for those of us who worship at the alter of the fluffy and adorable kitten perhaps not the feline attributes we most prefer to be reminded of. For the record, the kittens appear to be named, Tit, Tiny and Tittens, which appears at the top of each page of verse. Below are some of the illustrations from inside the book, a slightly different look, highlighting the hijinks of those naughty white kitties.

20170819-00003

The Greedy Kitten (?) Pams-Pictorama.com collection

20170819-00004

The Foolish Kitten, Pams-Pictorama.com collection

Finally, this is clearly a deep area of collecting and I offer a few highlights of other covers and games, pulled off the internet and into a slideshow below.

This slideshow requires JavaScript.