cat collection

Tomasso Catto Singers

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Pam’s :Pictorama Post: Today’s post is an oddball card I picked up at the postcard sale recently. It portrays the never ending saga of cats atop a roof, singing their nightly woes and joyous howls. I have numerous entries in this bonanza of images although a favorite is an unusual panorama photo of cats on a fence (and dogs) shown below for a post that can be found here.

Pams-Pictorama.com collection

This is another of those postcards which is address and date by the sender but no evidence of mailing. On the back it says, For Beatie From Dad. Ramsgate. 24/3/07. Therefore this card is a bit older than maybe I would have guessed.

Cats on rooftops though is also a thing and I wonder about this. Blissfully, I have never found one of my cats, or a stray for that matter, on my roof. That might be because I lived in a very high two story house growing up, but even our more compact house in Jersey does not have rooftop kitties. I assume it is more of a function of houses and row or townhouses close together? How do they get up there and down again? Attics maybe? It must have been a thing because you see them portrayed on roofs as much as fences. Here it is a red tile roof, but definitely a roof nonetheless.

The artist has provided us with some cat diversity in this quartet, two marmalades, a dark gray and a white-ish tabby. Tails stick out handily for the composition on either side and peek up on either side of the Baritone and the Contralto, arguably somewhat strangely placed for the Baritone, sort of in front of him.

These musical felines clutch an advertisement sheet, with claw paws, that looks like it doubles for their music. It promises, Every Night Lessons in Howling by the Tomasso Catto Family Speciality Midnight Concerts/ Three Blind Mice Words by – Prowler Music by – Howler: Sung Nightly by the Mew Quartette. Their fluffy feet peer out below the paper. The orange on the end, Tenor, seems to look the most like a participant in and old-fashioned barbershop quartet. Meow!

(The post for this particularly good Louis Wain image below can be found here.)

Pams-Pictorama.com collection.

I don’t know about my Pictorama readers but I could never rest easy at night if I heard cat fights or howls in my yard. Although I know enough about cats to know the ruckus that can be raised, I admit to being glad that our colonies of strays is largely reduced enough that this is no longer a routine event here in Yorkville or in Fair Haven. A cat meowing outside will drive me nuts looking for it. Far from tossing a shoe at them I would of course be worrying about it. My mother was the same – hence the admission of Stormy and Gus into our family over time. They arrived at the back door with all paws on the ground however.

There were some good times for cats, even domestic ones, that managed to spend the occasional evening out with the fellas or gals as it may be. I have written out our cat Zipper who used to through parties in our garage for the local bunch after raiding a neighbor’s eel pail kept for chum. The price of domestication as I pointed out in a post last week where guest speaker Temple Grandin talked about a dog at the hospital that had eaten and entire shoe. For a quick look at that interesting talk see below. Our town in New Jersey seems to want to strictly restrict cat residents outdoors and the Jersey Five are all indoor cats. Needless to say, up on the 16th floor in Manhattan, so are Cookie and Blackie!

Bon Appetit!

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Pam’s Pictorama Post: Four little tabby kittens are playing on this sort of jerry-rigged see saw here. The see saw always seemed a bit fraught with discomfort. You generally ended up falling abruptly to the ground at some point. Ouch! You were somewhat at the mercy of the other person too. Can’t say I have overly fond memories of them as playground equipment goes.

We won’t examine the mechanics of this one too much – it doesn’t withstand study, just a plank on another it would appear. The cat who is high up has that slightly both excited and queasy look that one got suddenly being bounced up that high. Oh my!

The kit in the down position has his back to us, note his tail going off the page, and then we have the two in the middle, one who seems to be officiating in some role. I love that all four cats are tabbies here – it would feel very different if the artist had chosen several different kinds of cats. There is a leafless tree on the left making it feel wintery.

Back of the card – addressed but devoid of postage. You can see it is embossed here.

It is hard to see but the image on this card is embossed which makes it more dimensional. It was produced in Germany, but the writing on it, front and back, is French. I think it is worth noting that although the back is fully addressed there is no stamp – I am seeing this in my current pile of cards. I wonder if these were hand delivered or put in envelopes or what.

It took some careful study, but all of the writing on the front of this card was added by the sender. I scratched my head over Bon appetit! Are we munching on kittens? It is hard to see but each of the kittens has been named as well, Jeanne is the one on the right, standing on hind legs; Marguerite sits on the lower end with her back to us; Genevieve negotiates the middle space and Simone is up top! This writing is so very neat and printed so small! There is something in the lower right which I think was also applied by hand and it is debatable what it says, maybe CLts?

It was sent to Mademoiselle M. Briffant Mikel at an address I cannot make out – without postage as aforementioned. So perhaps this was sent to a young girl and the names are of sisters? Real cats? Wish I knew but it is charming.

From a recent post where the commentary and notes help make the image.

In collecting postcards I have come to realize that the writing on the front often significantly enhances the visual of the card. This is very often true especially on Louis Wain cards I have found where people are alluding to the action in the drawing. (See an example in the post here. Although Wain also tended to add notes in his own hand too. The post for the non-Wain one above can be found here.) Sometimes it is so spot on and seamless that, like this card, it is hard to tell that it wasn’t done by the artist.

Card Kim recently purchased at the Metropolitan Postcard Club show. It’s all about the writing!

There is another, not insignificant, bunch of cards from this period where the entire contents are written on the front and then maybe just addressed on the back. Kim bought this card below for that very reason the other day. (Yes, while I was buying the place out of cat cards he made a few discerning purchases as well. You’ll likely see them over time.) The dealer told him that she has one person who collects these but only when written in a certain language. I am unsure what language this one is in, although it is dated February 26, 1907 on the front (postmarked the 27th on the back) and it was sent here in New York State to Miss Maurtha Schwabe, c/o E. Rumert, Green-Ridge, Haaten-Toland, N.Y.

It is not intuitive but the writing on these cards, sometimes intentionally altering the image and other times just looking for space, enhances rather than devalues them – at least for some of us collectors.

Posting About Postcards!

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Pam’s Pictorama Post: Today I am taking a moment to revel in my postcard purchases, but also to celebrate the postcard show itself. To anyone who has been to the current incarnation of this sale this might seem a bit extreme as it is in a small church in the West Village and made up of about nine dealers.

The first reference to this show in my life dates back to college when one of my professors, collage artist Maureen McCabe (her site here), mentioned in passing that she loved to go to a postcard show in Manhattan. She would pick up vintage cards which she would use in her collage boxes. (She mentioned getting vintage paper dolls there which I have never seen!) Frankly, in my naivete I had never heard of or considered such a thing. Antique stores and flea markets were a part of my childhood but shows of such things for sale had never really occurred to me. And postcards no less. It set my brain mulling.

The art of Maureen McCabe. “Fate and Magic”, 2013, copyright of the artist. That could be a vintage paperdoll right there…

Fast forward a number of decades and somehow or other it came to my attention that there was a vintage postcard show (the Metropolitan postcard show) at a (then) old and tatty hotel on the far west end of 57th Street. In my memory at the time it was a Howard Johnson, it appears to be called the Watson Hotel now. (Another sliver of memory is that in my 20’s my then boyfriend, Kevin, and I would get day passes just for swimming pool access in hotels in Manhattan in the hottest of summer. This was one of those somewhat cheesy hotels.)

Who would have thought a room with nothing but postcards for sale would be of so much interest? In those years there was probably twice as many dealers and maybe even some ephemera that was beyond postcards. (How big was it when Maureen went?) If memory serves there were a few people of some note signing or roaming the space. I bought fewer cards and spent most of my time and money at a high flying dealer table groaning with Louis Wain cards.

Sadly, with Covid like some many things it shutdown and although I was on their mailing list it seemed to be a number of years before I caught up with them again. Now I find them in the West Village and reduced in size.

Oddly, for me it is perhaps a bit more manageable and I seem to come away with increasingly large scores and yesterday proves the point. It was a miserably rainy day which may have depressed attendance although business seemed reasonably brisk to me. Kim was with me and settled into a pile of photos of early actors and actresses and even made a few purchases and you will probably see those over time too.

View while digging through a box labeled “Cat”.

Today’s card was purchased by me early in the show as I made my way through each dealer; it is Mainzer at his best. I have written about Mainzer before (which can be read here and here) who is sort of the later heir to the Louis Wain throne. Mainzer, as a card producer, picks up that ball in 1938 and runs with it, arguably until at least 2005 when taking the reprints of the cards into consideration. Prior to 1955 the production address was 118 East 28th Street here in New York. (On a whim I did a Google Search on the address and it is worth a look, the Kaime Arcade building with a very interesting facade.) After 1955 it is just noted as Long Island City and that is what is printed on this card. Eugen Hartung was the artist.

While mama cat, dressed for a day of shopping with stockinged legs, heels, hat, gloves and fur trimmed coat, chooses between two postcards, her offspring are tearing the place apart – including I might add, her poodle on a leash! In case you are wondering, yes, each of the postcards has a tiny cat drawing on it. (The other prints on the walls appear to be flowers however.) Allow me to note some oddities about the store. It seems to stock not only postcards, prints and fancy wrap boxes, but oddly globes adorn the shelf too. Cut off at the top seem to be some written labels I cannot quite make out and appear to be written in Hartung’s native Swiss German.

Another view of inside the church where the Metropolitan Postcard show now resides several times a year.

The well appointed shopkeepers are both in a uniform dress with matching necklaces. While the one with glasses focuses on Mrs. Cat, the other tries to contend with the kits. She has come running with a pen in hand, clearly interrupted in her clerical duties. The kittens, two boys and a girl, are well turned out but unlike mom and the salespeople do not wear shoes – bare paws all the better to climb with. Each magically has their tail come out from their clothing – including the little girls whose pantaloons we see. Mom’s tail, and that of the saleslady, appear from under their overclothes. (I’m always curious about how tails are worked into anthropomorphic cats.)

Several kinds of cat are represented for variety – Mrs. Cat is a tabby, the boys a tabby and a tuxie, little girls is a marmalade. The saleswomen are marmalade and lastly an odd mix like maybe she has some Siamese in her. One final curi-oddity is that the pooch, having opened the cabinet below, has released two large mice. No one, even the dog, is paying any attention to their escape. A pleasant mayhem is enjoyed by all.

Back of card – how did it find its way back to the US I wonder.

Someone has penned card b at the bottom right. An addition mystery about this card is the back which shows that this was evidently mailed to Japan from an indeterminate place in 1976 and has, obviously, made its way back to the United States to ultimately be sold to me. It says in a neat childish scrawl, Dear Jacob, the school is very good and close. all the children are kind to me. I am learning and getting better. I will see you in camp. Nathan. It was sent to: Jacob G. Cohen, 1-32-28 Ebisu-nishi, Shibuya-Ku, Tokyo, 150 Japan. (And for your information, a postcard to Japan in 1976 cost twenty-one cents.)

Lastly (because I have clearly droned on a bit) may I just say that curiously this store reminds me very much of one I used to go to in New Jersey, near the house we now have. I cannot remember the name but was a true old fashioned stationary store and carried not only cards and assorted writing materials, but the more esoteric things a stationary store carried before the internet, such as form contracts like leases, which is what my mother used to go there for. It was long and narrow with windows all along one side. There were similar blond cabinets and perhaps more of a dusty business-like feel but something about this card nags at my brain with that memory. It is sadly now a Dunkin’ Donuts, just a few feet from the post office and grocery store we walk to frequently.

So there you have it – the postcard show and our first edition of the acquisitions.

Everything’s Swell!

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Pam’s Pictorama Post: It’s impossible for me to see this card without hearing a certain sort of cartoon cat voice from my childhood – vaguely sarcastic, probably based on a motion picture idea of what a citified gangster sounded like. His friend and sidekick would reply, Yeah, right boss!

This is among the last of the cards I bought at the big postcard show over the summer. (Never fear, there’s another show coming in early October.) This card looks like it could have been drawn by one of those cartoon animators as a side gig. It has a pro feeling to it. The cat on the fence with the big orange sun setting – a glowing sunset behind the fence we realize when we really look. We get a peek at a yellow field and a house behind. It is as if the world is very beautiful glowing yellow and civilized just on the other side of the fence from where these three cats gather.

The two males on the fence seem to be tuning up for a night of caterwauling, while the girl cat belongs to someone who has place a bow around her neck. I guess she matriculates through both worlds. There is a garbage can which has overflowed – I guess that can be investigated and raided later if the boys need a snack.

Blackie and Cookie on the bed recently. They have only just reconciled with each other upon our return to the NYC apartment.

Not surprisingly it has me in mind of what we called alley cats when I was a kid and which occurs to me right now to be a term you don’t really hear any longer. (Do we no longer have alleys? Or are cats no longer their denizens?) Instead we talk about strays and feral cats – terms people seem to use interchangeably which arguably are not. Domestic cats that have been abandoned are now strays but they are not feral.

I have written about our first stray found when I was a small child, Zipper. (I wrote about him and other tabbies I have known in a post here. Zipper’s interest in our tropical fish can be found here.) He was a classic alley cat, a tabby with a broken tail where the tip was always at an angle. Mom rescued him outside the laundry one day (this was before we had our own washer and dryer – yes, we’re talking quite a long time ago) where some boys were abusing him.

Zipper was super scrappy though and grew into a beautiful cat. I suspect in retrospect that our rather prim but gentle domestic cat Snoopy was probably utterly shocked by him. He kept his streetwise wits about him and became a ringleader of the neighborhood cats of the time. (Our cats were of the indoor/outdoor variety at the time.) Zips would round up his buddies and make raids on an eel box kept for bait up the street. What pussycat parties those appeared to be! Puking for days after and a need to hose down the garage. These two on the card would have happily attended and then gotten into a few fights.

Mr. Miltie, our old, old timer. A long ago rescue from Newark.

Spending time outside our cats would get into scraps and occasionally come home with a gaping wound which would eventually abscess and require a trip to the vet. Once I remember my mother couldn’t find a cat carrier and stuffed Zipper into a picnic basket which he promptly chewed right through – head sticking out and therefore somewhat stuck, on our the way there.

All of this was brought back to me by a snippet on Instagram this morning about a British woman and her son finding a cat in the backyard and enticing him inside over a period of a couple of years. Reminds me of our Hobo in New Jersey who we never were able to get inside and who disappeared last year. They call him Boysie, another tabby, and it was a bad wound that finally made them urge him inside and to the vet.

Gus, on the bed. He came to the backdoor in NJ one winter. He can’t decide if he wants to be petted all the time or is afraid to at all.

Now we have dedicated people doing TNR (trap, neuter and release) of cat colonies which have mercifully cut down their numbers. Strays with docked ears show this has been done and our Stormy bears that evidence. Here in Manhattan strays are much less common than they once were even in my lifetime. Still, Stormy and Gus both came to the backyard at Mom’s and the other three were otherwise rescued, Beau and Miltie from Newark and Peaches from a basement in Long Branch. We know that shelters are full to overflowing and I am told that in the spring a never ending parade of kittens were dropped at our doors at work despite our not even being a shelter.

Recently an older friend lost her sister unexpectedly and the sister had just adopted a stray. I was very tempted to invite her to join the tribe although eight might truly be the tipping of that scale.

Peaches. I actually touched her for the first time recently. She was asleep on a chair and did not appreciate it. Peaches will generally only let me get within a foot or two of her. Still, she seems very happy. Stretches and rolls around. Just a no-touch kinda girl.

I think of our cat companions and how very special they are. Cookie is asleep atop a Chewy box surveying her kingdom as I write and Blackie is wondering if he looks longingly enough I will give him a Churu treat. (I am the soft touch for these and secretly am always trying to put a bit more weight on Blackie. He is a willing participant.) It makes me sad to think of those kitties that could have happy lives in homes but don’t get the chance. Here’s to finding them all their very best homes.

Holding

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Pam’s Pictorama Post: Today is white cat rather than black cat day here at Pictorama. This acquisition was made at the Red Bank Antiques Annex (a favorite haunt of our Jersey summer days) earlier this month. He (she?) is a doorstop it would appear. I found him in a display case of Halloween items and originally thought he was a decoration.

Back of doorstop.

He is rather perfectly aged in my opinion. His white faded to a brownish gray but pink mouth, painted whiskers and greenish eyes are still visible. You can make out his tail wrapped around his feet. The paint on the hard surface has cracked and crazed. He’s about nine inches high.

He is heavy but not as heavy as a doorstop would likely be. I think his super power is in that he is composed of some kind of heavy rubber. The barely still visible label on the back reads Kleistone Rubber and I cannot read the rest. Evidently the company operated out of Rhode Island in the first half of the 20th century with cast figures such as this – and for the record it seems this could be a doorstop or bookend which is something I was trying to figure out. Although the few I found online were black and identified as doorstops.

Ship doorstop, not in Pams-Pictorama.com Collection.

Evidently other options would have included a scotty dog or a pirate ship according to AI. I show the scotty and a black cat below.

Scotty and black version of cat. Not in Pams-Pictorama.com Collection.

I paid up for this fellow and had left him for further consideration the first time I saw him. However on a second trip I knew he was going home with me.

He will live here in New Jersey in the House of Cats and already has a nice spot under these geraniums (meant for outside but so happy in the house I have kept them here) poking out from their leaves.

Reine Eymard – Cat Impersonator!

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Pam’s Pictorama Photo Post: Ongoing readers know that I have been on something of an animal impersonator role lately! It was true synchronicity when I saw this hit a favored account on Instagram (@Marsh.and.Meadow) during a casual scroll stroll. I snatched it up – my head was still full of last week’s post where Steven Phillips (@woodenhillstoys) shared his whacky and wonderful poster of a cat imitator. (That post can be found here.) And here was yet another photo of a cat imitator – my first French entry. (Animal imitators abound here at Pictorama and a few other posts are here and here.)

Subsequently Steven showed me where that imitator was named J. Hurst – to date I cannot find any information about him, aside from his stint for Black Cat Cigarettes. I am sorry to report that Reine Eymard appears to be equally lost to the sands of time. My own Pictorama posts are the only items I find!

A sister perhaps? Royet, Hyacinthe. “Eldorado Aimée Eymard”. Lithographie couleur. entre1880-et-1900. Paris, musée Carnavalet.

There is an Aimee Eymard who appears to be a contemporaneous performer (chanteuse) and I wonder if it is a sister. There is scant information about her as well however. Just a couple of posters. It’s fun to think about sisters on the same bill in France of 1890 – one in a cat outfit and the other a singer! Perhaps the cat sang too. Me-ow!

Sadly I cannot decode the date that this was mailed from the canceled stamp that is on the front of this card. The back is covered with writing, in French. It is of note that this particular card appears to have sold on eBay recently. Clearly I wasn’t doing my work well and if I had I would have paid a tad less – still, just happy it landed here at Pictorama.

Am open to further translations!

The text on the back roughly seems to translate as, My Dear Cante, I hope this finds you well. Since you left something about mother and a bad head cold and bad weather. I hope it will be fine and it will ruin things if everyone gets it. With love, Gaby L.H. Weirdly, although it has a canceled stamp I do not see an address so no idea how it was sent.

Reine’s full hair barely fits under her cat ear hat and she looks coyly out at the viewer. Her hands curled into faux claw paws. Her cat hat has huge whiskers and somewhat googly eyes. Her flowing gown has some colored highlights added and falls almost entirely off one shoulder. She looks like a real handful – one can only just imagine that act!

I am a bit amazed that nothing comes up on the internet when I search these performers – no posters, no theatrical listings. For now, except for these photos, they are really lost in the cracks of time.

A Sprightly Black Cat

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Pam’s Pictorama Post: For those of you who read yesterday’s post, you know that this little kitty came to me from Great Britain via an Instagram post where I spotted him in a flea market display. It was the first time I purchased something from @woodenhillstoys via Instagram, but I deeply suspect not the last. He caught my eye at the same time as the Louis Wain doily (yesterday’s post), on a shelf on the same table.

This kitty is tiny, only about four inches from his nose to his curled up tail. He is velvet and sports a ratty ribbon, the same yellowish color as the velvet on his tummy. A red nose and mouth are a stitched star between glass ears with rounded ears. Still, it is his sort of splayed leg stance, arched back and curled tail that catch your eye and give him his cat-titude. A tiny hole in the tip of his tail reveals a bit of straw stuffing. He is a prime example of less is more.

A closer look at this little addition.

Meanwhile, in the process of the sale, the seller Steven Phillips (@woodenhilltoys) shared a rather extraordinary piece he recently acquired for his own collection. For those of you who are regular Pictorama readers you may remember several posts devoted to animal imitators – dogs and, of course, cats. (Some of those prior Pictorama posts can be found here, here and here.) While I wouldn’t say that the Brits owned this occupation, they are definitely in competition with the us in this narrow area of expertise and this is a grand example.

Steven Phillips cat impersonator poster.

I just about fell over! Shown here in a glorious poster size in his cat suit with a small image of him, sans suit up in the corner. I pulled this off of Instagram where he direct messaged it to me. I love that he has himself perched on this illustration of a rooftop with neatly tended fields in the distance. The cat costume is notably comical. A note in the corner says, Elite Photo Co., Glasgow, Scotland.

A wowza of weirdness in this close-up.

A Google Image search tells me that this gent in his cat suit was in ads for Black Cat Cigarettes and I have grabbed a few images shown here. (One is a Getty Image with its watermark.) I cannot seem to get the name of the performer in question. Clearly he is a rather inspired imitator and his devotion did not go unrecognized.

Black Cat Cigarettes, it goes almost without saying, had a long and storied series of ad campaigns featuring black cats – both real, drawn and clearly imitated as well. (For a post highlighting a notable item of their advertising in my collection have a read here.)

Black Cat Cigarette ad I found online. I love the two mugs who are driving!

Oddly this came up the first time I put it in Google Images but not subsequently. AI had all sorts of weird answers for me when asked!

So a real hats off to Steven Phillips (and my thanks for allowing me to share the images) for a real hotsy totsy find! I have a feeling this won’t be the last we hear about the lore of this particular cat impersonator and we at Pictorama will be looking.

Hamlet Castle Wain

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Pam’s Pictorama Post: I have opined on my devotion to Instagram. While I understand the downsides for many folks, having programmed my feed to be a fairly delightful walk through antique toys, cats (toy cats of course), antique jewelry, and vintage clothing (a shout out to @katestrasdin who I always enjoy – and I never stop being fascinated to what happened to silhouettes in the 1850’s!) generally makes me happy. I have written about it, intertwined with posts about my purchases. I am a rare 100% fan.

The secret may be that, although I will occasionally pause to look at Isabella Rossellini’s pigs, I generally do not follow celebrities and I do my best to avoid all political discourse. Of course I look at cats and watch cat videos. The biggest problem (or advantage, depending on how you look at it) is that I buy things. I buy jewelry (you can see a post about that here) and disparate bits and bobs. The Midwest and the South of the US tend to feed this habit – and of course England, the spiritual home of the early Felix and, like today’s acquisition, Louis Wain. (Several Wain posts exist! A few are here, here and here.)

It probably won’t surprise many of my readers to know that I am crazy enough that while scrolling through Instagram I will pause and happily look as closely as I can at tables packed with wares at far off flea markets. This is usually on my phone and therefore takes a certain kind of skill, gently expanding the image to see bits better.

This is a photo Steven Phillips sent me after I asked about the doily while still on the table.

This has actually resulted in purchases but the other day was an exception. This gentleman (@woodenhilltoys) in Britain had two items I decided I wanted if they made it through the day at the flea market. Luckily they were not sold and this doily is the first of the two.

It is very interesting as it appears to have been made contemporaneously with Louis Wain (1920’s), in his style, but not him. Although I found one other example at auction they are not common in my experience. In a sense this surprises me – Wain stuff has long been collectible and you’d think a fair number were sold and would survive but evidently not.

As noted in the title of this post, Hamlet Castle is one sign on the wall and Rehearsal of company 12 noon the other. (The auction site lists the doily by this moniker as well.) A Wain inspired cat (Hamlet?) with a club is getting read to pop this other kit (Polonius??) with a properly maniacal look on his mug. Go cat, go!

I’m not exactly sure how or where I will choose to display this tidbit. I tend to think it will come with us to New Jersey (later this morning as you read this!) where I will find a frame for it and hang it somewhere. It is a real treat. Stay tuned for the other acquisition and a story about a rather splendid item the seller shared with me but sadly he does not wish to part with. It’s a real Pictorama piece!

Back Up? Why Yes…

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Pam’s Pictorama Post: This scrappy little feline is issuing a warning – Back up! Cigar in mouth, claw paws and fixed stare, he chomps on a cigar which casts a reddish glow on his face, spewing a plume of smoke. His scratching paws show claws on the ground. He might be old and tatty but he can still fight a good fight. Although I think the admonishment means Get Back I think it also alludes to having your back up.

There is a small squiggle in the lower left corner and while I thought it was a spider or other insect, I now think it is someone’s way of signing their images. Google Images was not able to help me, however I now know that this was actually a woman’s suffrage image which I had not guessed. (I have a few suffragette items, which are frequently about cats, and a post about one is here.) It does make some sense now that I know it. It belongs to a series of cards featuring this tatty tom. This card was never used or mailed.

Votes for Women statue. Pams-Pictorama.com Collection.

Cards like this referred to the changing social role of women and aligning them with cat like characteristics. I look at Cookie and Blackie this morning and I am not quite sure what characteristics they are referring to – I may be missing the point. (Cookie has been pacing the apartment and meowing at us and Blackie is napping on the couch. Neither seems politically idealistic.) I am not so thick however, that I don’t understand that this is a flinty, tough kit who is ready to engage their claws on all comers. Me-ow!

From the same series but not in Pams-Pictorama.com Collection.

I think I chose today’s card because we are mid-summer here in NYC and I am at sixes and sevens. A thoughtful colleague asked what I had enjoyed most about summer so far and my first thought is how hot and wet it has been and I could hardly come up with a pleasant answer. Work has been busy (event in Sag Harbor a week ago) and other than the temperatures and the humidity it has not felt like summer at all. We are generally frayed and on edge here. My fur is standing on end!

Next week sees our month long move to the Jersey shore and some vacation. I am hoping to restore my equilibrium and my spirits with long evenings on the porch among the dahlias and the hummingbirds which come to snack in the evenings. I want to eat my homegrown Jersey tomatoes, local corn and peach ice cream, along with grilling some fish. I want to drink an iced drink and read on the deck with Kim also reading in a chair across from me. (We have a towering pile of books we are bringing!) August is designed to smooth our fur and get us ready for the coming fall ahead.

It’s a Felix!

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Pam’s Pictorama Post: Sometimes here at Pams’s Pictorama it’s just a Felix acquisition day and today is that day. The other day combing through listings I came across a duo of Felix in Australia. The condition was sort of medium and the price right and the next thing I knew this fellow was on his way to me.

I have a few other examples of this Felix and this fellow in particular may next find his way to New Jersey where there is a shortage of Felix-es at my house. (Although there is an abundance of kitties who have a lot of unsupervised hours so I am mindful of that as well. The younger inhabitants there like some high jumping too and I have an Oswald Rabbit I worry for occasionally. A post about him can be found here.)

Years ago I was at a huge vintage toy show in Atlantic City where a dealer had a whole basket of these (such bounty!) and he said that they were used as carnival prizes in England. They must have been very popular because many exist today but somehow they seem a bit too well made, and therefore expensive, for that. Still, it makes my brain whirl a little to think of being able to bring home such a toy from a fair – perhaps after having had my photo taken with Felix elsewhere earlier in the day. (Throwing in a photo below from my collection of folks posing with Felix for anyone who is a new comer here!)

Pam’s Pictorama.com collection.

Also a long time ago I took one of these for repairs at a toy hospital that used to exist on Lexington Avenue near Bloomingdales. I wrote about it here. It turned out to be very expensive but, at least for me, worth the brief entrée to that somewhat ancient and particular place before it quietly disappeared a few years later.

This fashion of Felix has mobile arms and legs. (Legs had come off on the one that had to be repaired. I do not recommend moving them much – I learned from the broken one that there is just a rusty metal rod holding him together.) This fellow has a good look until you realize that oddly almost all of his mohair has worn away. His tummy in particular is quite bare as is the spot under his snout. He has such wideset eyes – they always contribute to a goofy look. His tail, as is often a design feature, sets him up like a tripod for steady standing.

While his felt ears are intact, Felix has a few places where his fur is completely worn through, revealing small spots of the straw stuffing underneath. It is my understanding that these were assembled by hand in England in small factories. (Read a very interesting and popular post about this here. Such a factory was set up on the East End of London to employ indigent women.) All this to say that these end up have a very individual character and look to each one.

Tummy is oddly barren. Pams-Pictorama.com collection.

I did express some concern about Felix making such a long journey from Australia to New York City with the small holes and stuffing in particular leaking through. I am afraid I offended the poor seller when I asked – it wasn’t meant to be a reflection on her packing ability – more just the reality of a certain amount of jostling he was bound to undergo. However, she pledged extra good packing and she came through so there was barely a smidge of stuffing loss in transit.

We will pack him carefully again as part of our exodus to New Jersey in a few weeks. Until then he is hanging out with his Felix brethren here in Deitch Studio.