The Well Dressed Puss

Pam’s Pictorama Post: Ah, what is the well dressed cat wearing these days? At work I saw a few sporting Knick’s attire (dogs wear it better I am afraid), some need newborn baby style onesies to keep them from a surgical site (kinder than the cone of shame if it works), and there is this strange meme on the internet to put them in yoga pants, which turns out to be a stunningly bizarre look. I may have mentioned that we have a policy against dressing the cats here at Deitch Studio and they seem to be grateful for it. Once again, this seems to be a fundamental difference between cats and dogs. I have handed over many a branded bandana to a pup at work and most seem to embrace it.

This off IG. Oh my…

The imaginary sartorial bliss of these well drawn felines from 1908 certainly provides a counterpart in the space of time and imagination. I’m hazarding a guess to say this artist (it is unsigned) is an early US pretender to the Louis Wain throne.

These four gentleman cats all duff hats, jackets – three have monocles, two have walking sticks – one sort of shillelagh-esque on the end. Each kitty has a different model hat, but each one is stylish in keeping with the period. I was actually in New York City’s oldest hat store yesterday, JJ Hats, founded in 1911. It was doing a fairly booming business, and I admit I made a not insubstantial contribution to their income for the day. (Maybe some hat related posts in the near future. I stocked up.) It was there, several decades ago, that I purchased the black Stetson cowboy hat Kim wears as one of his first birthday gifts from me.

It’s actually currently under scaffolding but it looks like this!

Hats of all kinds on display.

These kitties have a variety of top hats, a stove pipe and a sort of bowler/deer slayer model. They wear fancy pointed shoes and dressy sort of smoking jacket style coats – one with a boutonniere. Their trousers, some cuffed and others not, all have a decoration down the leg I associate with tuxedo pants. (I just looked this up, the stripe down the side of tuxedo trousers is to hide the seam and give them a more cohesive look. Who knew?)

Tempted to buy Kim a new straw hat…these can survive a rain storm.

Even their collars represent a variety of styles of the day, mostly the high, white stiff ones that would have been attached by a few buttons, although our fellow in blue with the top hat seems to be wearing a different, long flat one. We have a few different cat kinds here too – from stripe-y short hair to a fluffy Persian look. Hands (paws) are mostly conveniently tucked in jacket pockets, with the exception of one gloved one holding a walking stick on the end.

The top of the card poses the question, Are we top-notchers on dress? Well, look at our clothes. This seems to arise with a bit of smoking detail around it. Behind the gentleman cats a vague landscape of mountains and perhaps water and grassy fields is sketched in. I would have thought these natty kitties belonged in a more urban setting.

Hats purchased.

Someone has written, Love to Leslie From Margaret at the bottom. It is addressed to Master Leslie H. Stauffer, 5314 Addison Street, West Philadelphia, PA. It was mailed from Braddock PA on February 5 1908 at 9 AM. I always think about these lucky children getting these fun cards in the mail at the turn of the century.

Cookie is, of course, always in formal dress, even when napping behind Kim on the couch.

As it happens, Kim and I head off to Philadelphia shortly. He will be reading at Partners & Son bookstore tonight. I hope to report on that and a whole bunch of other Deitch Studio activity around Kim’s book, How I Make Comics tomorrow so stay tuned.

Crying Kits

Pam’s Pictorama Post: Today I have cat tales. Cats are of course the foundational interest of Pam’s Pictorama although we do stray – Kim’s comics, the occasional dog. We are All Pam, all the Time, but albeit not quite cats all the time but much of the time.

Today’s card came as a purchase from the most recent incarnation of the postcard show and we have the Boulanger card with crying kitties to consider. I’m not exactly sure what in particular Maurice was thinking about. We have a dark gray and white matched pair of kittens who are looking at each other with tears running down their faces. The white one is a bit pudgier and a smidge bigger than the gray one, one with yellow eyes and the other a very light green.

In my opinion Boulanger (b. 1910, d.o.d. unknown) was something of a pretending to the Louis Wain (b. 1860, d.o.d. 1939) throne so to speak, as there are a few decades of overlap between them. I reckon there was more than enough demand for the images produced by two cat artists. (Some prior posts for Boulanger can be found here and here. Louis Wain Pictorama posts abound but a few are here and here.)

This image is evidently called, Tendrement (Tenderly) and on some versions evidently in German it is also written, Apfelblüte. Daut un daut lüschen Hoffen – Apple Blossom. That sweet, soft glimmer of hope. I did wonder about the image of weeping pusses. It does raise the issue of who you might have sent this card to and what their reaction might have been. Mine was not sent and does not have any useful information on the back.

Yesterday was a major cat event here as Blackie has been doing sort of poorly with a lack of appetite. Ahead of the holiday weekend I managed to get him into his local vet in the late afternoon. Have I ever mentioned that Blackie seems to have an uncanny need to go to the ER on a holiday weekend or otherwise inconvenient (reads as more expensive too) times? He does. Long story short, no sooner had we gotten home than the vet called to tell me that after looking at his tests (a small amount of ketones in his urine) he needed to go to the ER.

The little man, feeling more himself, today.

Of course, these days the kitty emergency room is at the hospital where I work. So yes, on what should have been an afternoon off I was hopping in a cab and rushing Blackie down there. (Kim, still recovering from back surgery did the first vet trip but we decided he should stay home for the second.)

I took him fully expecting that he would need to stay overnight. A young resident saw him and ran some more tests. Blackie hates going to my place of employment, but this time I had reason to bless working there. He enjoys a low-key celebrity status as an employee kitty (people came and visited with us and even with him in the back, reporting out to me) and despite it being the Friday night before the long weekend, one of the senior docs who has seen him before came by to have a look at him.

She mentioned as had the other two vets, that he had a lot of bowel not moving in his intestines – kitty constipation. The difference was she gave me instructions for giving him a tiny kitty dose of Miralax. Since eating and resolving constipation were the main issues we decided I would bring him home – he has an appetite enhancer and an anti-nausea drug. Even when we came home last night, he was ready to eat! That combined with the Miralax appears to have set him absolutely right today. I woke to a hungry boy cat and a rather impressively full litterbox. Yesterday reminded me of why I love the hospital where I work. Yay for Blackie!

Beauty

Pam’s Pictorama Post: Yesterday’s postcard show did not disappoint, and Kim and I wiled away an hour or two perusing the wares. This is a single day show and therefore a bit smaller and folks say they don’t bring as much stock but we made out just fine. We will wait for Friday and Saturday, June 5 and 6 for that. Meanwhile I present one of my purchases which caught my eye, however it is more fun now that I have transcribed the message on the back. The message is for a new kitty, named Beauty, that has clearly joined the family.

It would appear that these cats are ice skating – and this Mom (?) cat is putting a skate on the young cat (boy? it has a blue bow) although there is only one, which she has just placed on his foot. (Where is the other skate?) The chair is somewhat mysteriously placed out on the ice, another cat skating with what appears to be a cane in the background. In the foreground there is a black kitty, who looks like my Blackie with just some white on his neck, also standing with a cane. (Do cats need canes to stand like humans? Is this something we should know if we want them to become bipeds?)

Youngster looks like the one I am calling Mom and has a matching tabby stripe to his fur. The skater in the background also appears to have stripes but is at a distance and somewhat indistinct. The weird sea green ice (which makes them appear to be actually standing and seated on water) goes to an only slightly lighter background. Dad pokes out of the frame and Mom perches right on it.

Back of card – very embossed indeed! Makes it a bit hard to read at first.

This card is embossed, creating a very three-dimensional effect, and around the edge is some snow decoration, also embossed. The postcard was made in Germany, however no artist is identified with it. Youngster is eager to get skating I’d say.

We stopped for lunch at a place called Bagel Pub.

I didn’t understand the message at first as it took some decoding. Despite the neat script the back of the card is pitted with the embossing making it hard to read. Anyway, it reads as follows, October 2d 1910. Well, my one eared Beauty how are you? Snoozing in your mother’s big chair I presume. Be good to little Georgie and never scratch him. Hope you will live many years. Auntie B. It was mailed to, Beauty Dunham, 782 Commercial S, East Weymouth, Mass. and just in case below that, To Georgie Dunham. It’s nice that she dated it because the postmark does not show the year, although October 3 and 6 AM show, as does New Jersey, but only Brio…? shows on the postmark for location which I cannot figure out. And gosh, what happened to one of Beauty’s ears?

Spotted this interesting building – the old bit in front seems to have actual gas lamps. The ancient building on the other side is interesting too. This is 13th Street, I think between 7th and 6th, southside of the street.

Meanwhile, Kim had his maiden voyage on the subway, his first long trip out since surgery. I think a change of scenery swept away any cabin fever he had, although admittedly he has been deep into his work so I am not sure how much he was suffering from his time at home as a result. However, all is onward and upward here at Deitch Studio.

All Wet

Pam’s Pictorama Post: This March Sunday, a much yearned for spring thaw let alone summer, seems quite far away still. This Manhattan morning can’t quite make up its mind if it is going to be gray all day or not, but the temperatures will hover in the low forties – not unreasonable for March but we can’t help but yearn for the halcyon promise of summer. So for my part it seems that the least I can do is immerse us in a swimming cat card today.

It appears to me that in the early days of the 20th century, the Tuck company put all their eggs in the cat card basket it would seem – and emerged victorious. Churning out first Louis Wain cards, then these Boulanger ones and eventually making their way to Felix ones a few years later. (Examples from prior posts and a bit about Tuck can be found in posts here and one of the Felix Christmas cards here.) Clearly cats helped build the Tuck empire. By the time Felix rolled around they were card publishers to the King and Queen and I can’t help but wonder if that means that maybe George V was mailing Felix holiday cards?

This card is credited to Maurice Boulanger – the not-quite-Wain – whose cat antics are of a slightly less sardonic variety than those by Mr. Wain. (Albeit he is usually less pointedly ironic, this card as below which I posted about recently where Mr. Cat is preparing a rat feast!)

Pams-Pictorama.com Collection. A post a few weeks ago.

Today’s card is from the earlier days of Raphael Tuck, before royal recognition it would seem. It was sent in 1908 with a sloppy postmark (marring the front a bit) on September 5 from Marblehead, Massachusetts – a lovely beachy place. (I have visited a childhood friend there and it is a wonderful seaside area not far from Boston.) This card was mailed to Winthrop Stacey and then simply Orne St. Town. On the message side it says simply, H.T.S. R.F.N. W.P.S. Don’t stay in too long. E.

This is sort of a pitch perfect message to go with this image of happily splashing cats, adult and two kits. (Splashing is printed at the top with lovely little flowering plants winding through it and a nice decorative frame top and bottom.)

The execution of the splashing cracks me up, a bit primitive but gets the idea across. The kittens are splashing dad (or is it mom?) and little white caps indicate some movement in the water. Two seagulls wheel in the sky above them unnoticed. Their catness does not extend to that at the moment – they pay them no mind. And of course traditionally cats eschew water so in that regard these are anthropomorphic kits too.

View coming into the Sandy Hook Bay recently on the ferry.

A lighthouse is perched on land in the distance – it reminds me of the Sandy Hook bay where I land when I take the ferry to New Jersey. (And really quite near where I myself learned to swim as a tiny tot.) As mentioned above, an errant postmark registration lightly mars the front of this image over the grown up cat on the left but doesn’t take away from the overall card. The yellow in the sky indicates either sunrise or sunset – I vote for the latter – and of course picks up at the top of the card.

Summer will arrive here as suddenly as winter did I suspect. The Farmer’s Almanac says that it will be a hot spring season and while I am not a fan of heat and humidity I look very much forward to evenings on our deck under twinkle lights and the hummingbirds and bees feasting on the dahlias and strawberry plants. Here’s for contemplating summer days!

Kitten Card

Pam’s Pictorama Photo Post: Today I have plucked this hand-colored card out of the pile. It was used as a birthday card and it certainly is cheerful enough to make a good one. Kitten pictures are like dopamine hits and during stressful times if I can, I find watching videos of them or looking at pictures of them very soothing. Given the feline nature of Pictorama this is probably not surprising.

Meanwhile, I have seven cats, no shortage here, and yet looking at more cats still appeals to me, although I do recognize that I do not need to acquire any at the moment. (I’m not sure I documented the sudden acquisition of five cats when my mother died, although longstanding readers probably figured it out. For new readers, that is how I went from always having two to having seven more or less overnight. It’s a lot of cats.) All that to say I am cheerfully contributing to your dopamine acquisition online today, a bit of cat fluff to cheer your weekend, (another) rainy one if you are in Manhattan. (Not to mention to help get with the time change – that certainly snuck up on me.)

This young woman might be from the early 1920’s to as late as the 1930’s when we take her clothes and hair (careful marcel wave) into account. She holds two very likely little suspects, a tabby (always a good look on those) with his small paws wrapped around her arm, and fluffy white one with spots, the true color of which is hard to peg.

The kittens are small enough to be easily subdued by the young woman holding them. Her dress has a wild print and has been painted in this interesting orange, red stripe running down the front and a sort of Keith Haring-esque pattern. She sports a bracelet which appears to be silver and has a charm hanging off of it. Her ruffled cuffs and collar have been left a bright white. There are some sort of illegible decorations down the front of her dress and artificial looking ropes of flowers are color sketched in behind her. If she wasn’t such a pretty woman, she would recede behind all this visual noise, however she holds her own.

Inked on the back in neat script is says, Dear Kathie, Wishing you many happy returns of the day. From Lily & John. However, there is no postmark, it must have been handed to her or on gift perhaps.

Given my affection for such antique missives, it probably isn’t surprising that I am still a sender of cards. Although the circle is smaller than it used to be, physical cards still go out for birthdays and for some, Valentines, Easter and for a large group (as you have seen) Christmas. Are the best of my cards being saved to turn up in the future? It’s hard to say, but I believe the folks I send them to seem to appreciate the physical reminder that I am thinking of them and have chosen a card for them. (And who doesn’t love a bit of unexpected mail that isn’t a bill?) However, it is undeniably an anachronism, albeit one I hold dear. So this is a cat card for all of you today – I will say that personally I needed a cat pic today and this one has done just fine.

Any Luck?

Pam’s Pictorama Post: It’s a Wain wannabe card again today. While Mainzer has the most Pictorama posts (one of those can be read here) dedicated to his pursuit of the Louis Wain feline illustrator fame, today’s card is a very fair competitor in this race.

This card reminds me of where I used to go running along the river here in Manhattan and where often in the warmer seasons there would be folks fishing – some looking quite business like about it and others more at their leisure. Although I haven’t done a lot of it myself, I grew up around fishing and long-time Pictorama readers might remember that my maternal grandfather repaired outboard motors and made lead sinkers – weights for bottom fishing. There was a time when I would clean fresh caught fish in the backyard – making me very popular with the cats – and although I guess muscle memory would take over I have no desire to gut fish these days.

It’s a sunny day in the cat neighborhood here and our protagonists are an orange striped fellow wearing a sporty sort of huntsman’s hat and City kitty, tricked out in a bowler, bowtie and carrying walking stick. Fishing cat has a tin of bait and a straw bag to hold his catch; his line is bobbing in the water and the look he gives the other kitty distinctly lacks welcome – annoyed that his fishing is being interrupted.

Tiny boats are way off in the distance on the water, including way that appears to be steaming along at the very tip of the horizon. Gulls have been sketched in, wheeling above in a sky with puffy clouds and there is some pretense at water current. A cheerful blue border puts the finishing touch on this as a summery scene.

Meanwhile, our town puss has a genial look with his white collar and paws that could almost pass for white cuffs too. He is clearly the one inquiring, Had any luck? His hat is set straight on his head (no wise guy this one) and I like the way he fills the space – it is a dynamic composition even if a bit awkward. His stick points one way and the fishing pole another. It might be fair to say that neither of these cats is very firmly installed on the ground below him – they both float a bit in space despite a light shadow cast by each.

The image is signed VR and a quick search turns up Cornelis Van Vredenburgh as a Dutch cat card artist with that signature. Clearly riding the wave of Wain and active during part of the same early 20th century period Van Vredenburgh has a less ironic and sometimes sweeter attitude. Nor does he find his way into the psychedelic realm of Wain’s latter period. I show a Wain beach scene from my collection for comparison. (The post can be read here.)

Pam-Pictorama.com Collection from a 2018 post.

Evidently cat cards were a sideline for VR who signed his full name to his Impressionist landscape oil paintings (example below) for which he is perhaps better known although these cards are sought after today as well.

Landscape by Cornelis Van Vredenburgh – found online. It is possible to buy prints of some of his non-feline work.

This card was mailed from Luzern, Switzerland in 1913, not sure how to read the month and the day. In a light blue ink it reads, Luzern, Aug 1 I leave for Mayence then a boat ride down the River Rine, EGA and mailed to Master Jamie Thayer, Farmington, New Hampshire, USA. In pencil and likely a more contemporary note, it says in caps, VIOLET ROBERTS. The publisher is The Photochrom Co., L1D, London, Tunbridge Wells and it is the Celesque Series. Photochrom was a significant publisher of postcards (they started with Christmas cards) which were characterized but a tri-color Swiss photochrom process.

Verso of card.

It is snowing – yet again – as I close this post. Luckily I think today we will get away without any real accumulation. However, not a wonder as this snowing winter makes its way into March that I needed to pull a sunny summer’s day card out of the pile this morning.

Dear Louise

Pam’s Pictorama Post: Here at Pictorama we’re in lucky black cat territory today. When I reflect on the difference between the British who honor their black cats with being lucky and our own culture’s tendency to assign them bad luck, I think I may have been born on the wrong side of that big pond. This is an English published postcard, never used postally so hard to get a date on it. The image is a fairly common one and I would say this postcard could be from any time from the ‘teens to the forties.

Although the phrase on the card, I will meet you in the evening dear Louise, seems to bounce around (I found it on at least one other, albeit mundane, postcard) I cannot find the precise origin of it. However, one can imagine this sharp looking little fella being a popular image on a postcard. Red bow, tongue out, looking over to the side with huge eyes, he is perched atop a brick wall, rooftops and pipes in the distance with a huge yellow moon rising from the mist. I can see it being just the right cheeky card to send to your loved one for an assignation of sorts.

I have written about the roots of British black cat good fortune before. On the maritime side, they believed that a black cat on board a boat was good luck (perhaps not for the cat although maybe a mousie and rat filled paradise of sorts), and my favorite tradition of giving a bride a black cat on her wedding day – what a very nice wedding gift that would be!

Blackie on the bed in NYC in a recent photo.

As mom to two black cats, Blackie and Beau, I often profess to their particular good nature. I remember that my mother wanted to adopt Beau especially because he was an all black cat and I gather they are less likely to be adopted. There seems to be some truth in that but meanwhile certainly she found herself the most devoted little friend ever. Beauregard would sit on her lap happily for hours if allowed and there is not enough petting in all the world for that cat. He is a great companion.

Beau possessively on my lap one morning in NJ recently.

When his weight became too much for her as she grew more frail, he shifted first to next to her and eventually to the chair next to her where he kept persistent watch over her – really of his own accord and understanding. He did not need to be reminded after he first realized it. At times it would be my job to move him to another room – doctor coming etc. and at first it was difficult. As experienced as I am with cats he wasn’t used to being picked up and carried and he is, frankly, an enormous cat. He allowed it and over time he accepted me as one of his spare humans while mom was the unquestionable primary.

With mom gone more than two years now I am the closest thing to her and when I spend time in NJ he claims as much lap time as he can get. His preference is still sitting in my mom’s recliner chair, and I like to think my way of petting, learned at her knee, is somewhat reminiscent of hers.

Milty, who is actually a small cat, looking like an evil genius in a recent photo.

At times I have felt bad about not trying to bring Beau to New York with us, but he rules the house and the other cats in New Jersey, and I am not convinced that displacing him would make him happier. It was my mother’s wish that they would all continue to live in the house and I promised to at least try and it has worked for the past few years. Beau, Gus and the two girls (Stormy and Peaches) are quite young cats, only Milty is a senior citizen (of slightly indeterminate age – late teens, early 20’s) and he is quite tenacious. Therefore, the Jersey Five remain intact at the house there.

Yum! Un Repas Succulent

Pam’s Pictorama Post: Today’s card is a favorite that has been in my pile clamoring for attention. This by the artist Maurice Boulanger who was one of the heirs apparent to the Louis Wain throne. (I wrote about another one in my collection recently and that post can be found here.) Here we have not the chef kitty, but instead a bibbed-up consumer cat served up this very large rodent, albeit unadorned by trimmings, on a platter. Mr. Rodent hardly looks deceased, but we will assume he is. Kitty is toothy and anxious to dive right in it seems.

Boulanger cats have a Wain-esque tendency toward an anthropomorphic wackiness, but they seem to not to be as sly and are less of a commentary on human nature, more feline in a way. This grinning fellow clearly has a ferocious appetite and can’t wait to dive into munching on this rat on display atop this dish, from whiskers to the tip of the tail. He stands on two feet and wears a bib (which probably covers a white bib of tabby design fur no less) but only his paws are in evidence – we imagine just teeth and claws in play. No human utensils for him. Below this dish at the bottom it declares, Un Repas SucculentA Delicious Meal. Or in my mind the more descriptive, a succulent repast!

Obviously, this is a French postcard for all intents and purposes as I believe that the writing across the front and the back is in French – although the postcard actually appears to have Eastern European produced. (If anyone wants to take a stab at translating the message I would love to have a sense of what is written here.) And as is often the case, the neat scribble on the front adds to the decorative element. It was mailed to an address in Paris in March of 1906, but I can’t read much else from the cancellation. Again, the small, neat writing on the back escapes my rudimentary translation skills.

Reverse side of card – can anyone out there read and translate this?

For those of you in the same neck of the woods as us at Deitch Studio, you know that at the time of writing this it is the end of another frigid week of weather in New York City. Although I can think of several equally impressive snowstorms, I cannot remember one where it stayed so cold that that snow just didn’t go anywhere and here we reside a week later in piles that are still knee high, garbage piling up even higher where trucks cannot get it. (Speaking of rats!) The City makes attempts to dispose of the snow manually while Mother Nature continues to deliver a bit more here and there.

Clearly, we will have one of those spring thaws where things long buried will emerge on the streets. The temperature in the early morning and the nights hovers in the single digits and dips well below zero with the wind. The (blissful) heat in the apartment runs constantly and despite being 1.5 small rooms I expect the bill to be high. The cost of heating the house in New Jersey, even without us there, is a bit staggering this year. Meanwhile, the heat in my office is oddly mercurial and reduced substantially by an ill-conceived wall of windows so it has been a very chilly week indeed and I hunker down with a mug of hot coffee to write this.

All this to set the stage to talk about the wonders that hot food can manifest in this weather. Recent weeks has seen me doubling down on soups and stews. (I shared a miso based soup recipe recently – you can find the post here.) We don’t eat meat, so pots of bubbling beans and tofu make up the stews along with whatever greens or leftovers in the fridge need cooking up. Each one tends to come out different for that reason – black beans seem to be the winner recently, although the chickpea curries are gaining ground. There is a simply wonderful spicy chili crisp tofu recipe that I retrieved from the New York Times (it can be found here at the time of writing) which has become a bit of a staple.

Last week I had a yen for a brothier soup after lots of thick ones and threw together one I will make again. Roughly it was ginger, garlic, onion, and carrots to start with two containers of vegetable broth, some miso, a small can of diced tomatoes and flat leaf parsley and finished with a package of cheese tortellini added at the end. I let it simmer all afternoon on the stove and really, it was heavenly! This week I am experimenting with a simple potato leek soup a friend makes but boy – last week’s soup will go into a regular rotation.

Soup and stew, hot food in general, the ability to make it, afford it and eat it, is a blessing especially in the cold weather. As I mentioned a few weeks ago, the very act of making it calms and reassures me. Hot meals for the cold week ahead. Lower perhaps in pure protein than this feline repast but will fill us up and keep us going nonetheless.

Jack and the Giant Kitty

Pam’s Pictorama Post: It seems only fair to launch 2026 with Pictorama’s best foot forward so today I share a tatty but wonderful Louis Wain card to help set the tone.

As always, it is impossible to entirely follow Wain’s train of thought. While we all know Jack and the Beanstalk, what might have possessed him on a given day to make a one off cat version? Hard to say, however I will share that frequently as Kim and I go through the world, he pops with one-off ideas that could be one or two page comic strips but because of the nature of his work (long, complex stories) he will likely never use. We might blow them out a bit while we’re walking but know they are unlikely to ever go anywhere. For example I pointed out the other day (we were discussing the idea of a short piece about the orderly way he tends to eat food – I call him a largely linear eater) and he took it down the line a bit of how it could be a comic. That would be if he had a weekly deadline, like back in the days of papers like New York Press, and then he’d be using them all.

Anyway, I imagine Louis Wain, at least at one protracted point in his career, was just grasping at every single idea and utilizing it. Either that or his brain just overflowed with them. Hard to say. (I have happily embraced writing about Louis Wain, his life and work, via a number of items which can be found here, here and most recently here for starters.)

Wain is in his full glory in this card. His humanoid-ish giant cat wields a bread knife with a small potpie in front of him and an oversized mug (stein?) which tiny (rat-sized) sword wielding kitty hides behind. (Would the giant be less dangerous if he had a larger pot pie? Just asking.) The giant has a three-prong fork grasped (awkwardly) in his other fat, white tipped paw. It is a formal table setting and another fork and spoon are in front of his pie. There is a lit candle and, sort of funny, a salt cellar and pepper shaker to his right, our left. A potted plant on a doily is on the other side which is sort of a funny middle-class household look. You can almost imagine Wain added that touch from his own tabletop.

Early Wain post from ’18. Pams-Pictorama.com collection.

The giant and Jack are both brown tabbies – a coloring I am not sure is prevalent in the real world of cats. (Putting Bengals aside as I don’t think they were known at that time.) Giant bully kitty has his ears back (same color as the tapestry design covering the back of his substantial throne-like chair so they blend a bit) in a very real annoyed feline fashion. His fangy toothies show in his whiskered grin, but it is the look of merry mayhem in his eyes that tell the tale! Yep, he sees Jack and he’s thinking a bit of extra protein on the run for today.

Meanwhile, we only see Jack from the back, tiny sword in hand. As noted, he is a slightly darker odd brown version of a similar tabby stripe. He’s sort of portly (hang-y kitty tummy) to be our hero – usually portrayed as a kid or in this case kitten. At the top right it just says, The “Louis Wain” Series. Bottom left says, Jack the Giant Killer and Louis Wain. This card is a bit grimy and found its way to me with some folds – there are indentations (although not holes) which might mean it displayed somewhere – hence the grime but also the survival.

The back sports a somewhat illegible postmark but I can make out April 19 and 1907. This was sent in the United States (most I have seen were sent in Britain) and addressed to Miss Miriam Hall, Bangor, ME 395 Center Street. He writes, Dear Miriam, What do to you think of these Pussies? Papa. I think that’s what it says – Pussies looks more like Jussies though. (However, to go off on a bit of a sidebar – have any of you seen the articles about how the post office is no longer saying that mail will be postmarked on the day it is picked up? It is now going to sorting centers where it will be postmarked before distribution, hence days later. So much for a world where there were AM and PM postmarks!)

Back of card.

Despite the card having been mailed in the United States, it was printed in Great Britain by the ever popular Raphael Tuck & Sons company of Wain fame. The card, it is noted, was designed in Britain and chromographed in Germany. It also bears the indicia that Tuck was the fine art publisher to their majesties the King and Queen, and to TRH the Prince and Princess of Wales.

This jolly card joins a growing subset of Wain cards in my collection. Whatever else that can be said about Mr. Wain, more than 100 years later, he always puts a smile on my face.

On Christmas Day Have Mirth and Laughter

Pam’s Pictorama Post: We have a cat Christmas card entry of a jolly sort today, something to get us tuned up for Thursday.

Here in Manhattan, after about four inches of snow last week, we were awash in rain yesterday. (We’re talking street flooding – a lot of rain!) Although there is precipitation in the forecast for later this week, I’d gamble a guess that it will be a green Christmas in New Jersey. A few degrees either way though and we’ll see. Pretty as the snow is (see below for some photos of the house last week) I guess I am old enough to see the disadvantages of shoveling (or paying someone to!) and the slippery sidewalks and roads. We do like to take some long walks when we are out there. However, I wouldn’t mind a sprinkling for Christmas though to see if it could put me in the holiday mood a bit which I could use.

Snowy front yard in NJ last week! From a friend’s phone video.

The end of the calendar year is always a very busy time for fundraisers. I believe I have opined on this in the past and since the earliest days of my chosen career, the last weeks of the year have been fraught with either being too busy (at the Met) or not busy enough (my first years at Jazz).

My current gig combines its Top Dog Gala and its fiscal year end at the already very busy calendar year end. It’s pretty boffo. However, now in my second year end there I understand it a bit better and I am hoping for some down time, even while keeping an eye on things at the office. I am also old enough to know that we have a plan we’re executing and what will be will be. It isn’t really the sort of place, like the Met, where someone is going to decide they want to donate a valuable mortgaged piece of property in the last ten days of the year.

Decorating and setting up for Top Dog earlier this month.

Therefore in my adult life there has never really been a holiday season that has been free of work concerns. There was the year I left Jazz right before the end of the year, but that was a year of other losses and the holidays were a bit sad and full of the anxiety of a new job. Sometimes you just do the best you can do over the holidays.

The card at the top of the post sums it up well, Whatever fortune my come after, on Christmas Day have mirth and laughter. Mom and Dad cat (perched on an ottoman) are in an interesting composition of paws and tails. (The adult cats form a really great sort of central square with a paw and a tail leading us in and out!)

Their progeny, in kitten form, giggle and poke each other next to mom on the couch. There’s something about the furniture that makes me think that it is so specific it refers to real furniture somewhere in the artist’s life. It’s a very suburban and somewhat prosperous scene. Whatever their world weary worries are Mom and Dad cat chuckle together.

The artist knew cats. Dad cat is a proper orange marmalade and mom a darker orange and brown mix – producing an orange kit and as well as a black and white tabby. This combination certainly within the possibility of likelihood.

The copyright on the card is actually 1890 by a company called L. Prang and Company of Boston, USA. Below I share (in its entirety) an entry on Louis Prang via the Boston Public Library:

Louis Prang (1824-1909), a German immigrant, ran a highly successful printing firm in Boston during the late nineteenth century. His company produced high quality reproductions of major art work and greeting cards using the complex technique of chromolithography. Prang is often referred to as the ‘Father of the American Christmas Card’ because holiday cards were rarely exchanged in America until his factory began producing them in the 1870s.

A quick look at his other wares in terms of Christmas cards does not show many of this type. He generally seemed to go in more for arty reproductions of flowers and holly. There is a tiny signature for the artwork, EBW. I cannot find tracks on him, perhaps his foray into cat cards was brief – or he eventually expanded his signature.

This card was never sent but in faded pencil on the back, in script, it says, John Peckham.

78th Street on our way to Orwasher’s last Sunday.

So today’s card is a shot over the bow for those of us who are having trouble getting the the holiday spirit. I will spend my day packing us up for our 2-3 week sojourn in New Jersey. And cleaning the apartment – I like to come home to start the New Year in a reasonably clean apartment.

Tomorrow is the 2025 Deitch Studio card reveal. For ongoing readers, you knew it was coming! For now however, try to insert a bit of ho, ho, ho into your proceedings and if not, at least for the day later this week!