Here Piggy Piggy!

Pam’s Pictorama Post: This little piggy showed up at our local haunt which has supplied us with a few other items over the past year or so. Most recently a rather splendid elephant bank I wrote about here. (A glorious reveal of another one pending for a near term future post!)

The other day without really meaning to, Kim and I wandered in on one of our trips to or from on that particular block. This block is on the path of our trips to a Vietnamese take-out place we favor, our pet food store and is the block we stroll up and down while waiting for our Mexican food to be prepared for pick up. I like to stop and look in the window and occasionally I breakdown and purchase something. The fact that they keep odd hours makes it easier not to resist actual purchases as our strolls seem to rarely matchup with their being open.

A fairly recent view of the store window.

However, a week or so ago we were out on a Saturday afternoon and they were open and we wandered from front window to being in the store. We had noticed this little fellow through the window a week or so before. He seemed rather singular and so he has joined the ranks here at Deitch Studio.

This piggy turns out to be very popular and widely available (currently examples are available on Etsy and other sites) and seems to have been produced over a long period of time starting in the teens, by the maker Hubley. (Another item from this shop is a great dog bank that was made by Hubley. You can find that post here. Seems like I am starting a de facto bank collection via these folks!)

On my version the sign he sports is easily read, The wise pig/ Save a penny yesterday another save today tomorrow save another to keep the wolf away. Below that, on his little stand, it proclaims Thrifty. I feel he is both smiling and yet has a concerned expression. Encouraging you to save and concerned for your future well-being. Other versions of the bank feature the pig with a big pink mouth – making me think of the phrase, lipstick on a pig.

The lipstick on a pig version of the bank. Not in Pictorama collection.

He is pleasantly chipped and handled. I alway wonder about these banks how many pennies, nickels and dimes you could realistically have fit in. The effort to loosen and remove the bolt at the back seems beyond a child – perhaps the whole point? Or maybe kids just jiggled the money out of the slot again. I would say none of my banks, for all their decades in existence, show any evidence that they were ever unscrewed and opened. Teaching children thrift indeed.

I wrote a bit about banks I had as a child in a post here. The one below is a reasonably close clone of my memory of the very traditional one that was beloved to me as a child. Mine may have been a model that was slightly older or newer. I don’t remember the one ear down, but it was a long time ago. This piggy had a cork holder in the bottom I believe. I may have kept coins in him (her?), but I think mostly I just liked it.

Perhaps the model of piggy bank I had as a child, for sale on Etsy. Not in Pams-Pictorama.com collection.

My “real” bank was a small safe someone gave me. Loren and I were each given one and I used mine for many years, tucking away both bills and coins. Later in life I adopted the habit of keeping bills in my dresser drawer – Loren was fond of the sticking it in old purses method of storage. We had proper savings accounts as kids too.

The exact toy safe I had as a kid – down to the red knob. Loren’s had a blue one.

I also remember Christmas Clubs – does anyone else? A small amount would be deducted throughout the calendar year and put into an interest bearing savings account. Those must have been an administrative nightmare for banks, but it got people into the bank and to create savings accounts I guess. A quick search tells me that there are still a few that do it, although of course now it is an automatic deduct from your account, not the charming little passbooks of years ago.

Following Up, Filling in and Fall-ing

Pam’s Pictorama Post: It’s an overcast fall morning and I am waiting for hot coffee to finish brewing so I can wallow around in a few mugs of it. Our windows are open as a nod to plaster from recent repairs to dry and as a result our shades are uncharacteristically wide open, also as an assist to the workmen and to keep them clean in the demolition and repair of the ceiling and wall around them. (Some posts devoted to the clean up post Hurricane Ida can be found here and here.)

View from our currently denuded windows this AM.

October showed up last week and I still feel only a reluctant recognition of the fact. However, there is no stopping the march of the seasons and I no longer run in shorts and have even layered the occasional long-sleeve top. While I haven’t seen many leaves start to change yet, some trees have already lost theirs. There is a final hurrah of fall flowers in the park which I am grateful for and in the way that October has yesterday was downright hot in the sun, while today is gloomy and chilly.

Kim and I were married in October – our anniversary comes up this week. It was a freakishly warm and gloriously sunny Saturday, after a prior weekend when a tropical storm had raged here in New York. October turns this black cat collector’s mind to Halloween and some related posts are likely to come soon.

Miniature boat pond in Central Park this week. This pair from a family which hatched early this spring and are now mature. They seem to like this little raft which is sort of funny since they are ducks.

For those of you who follow the adventures of my work life, I can say that there are more days I wander in and out of the office and evenings at our jazz club, Dizzy’s. I have always been fond of Dizzy’s, but somehow it has really been a bit of a beacon from the past as I formulate a work vision of the future. Our concert season doesn’t commence here in New York until November which seemed like a long time ago until now it does not. But somehow a few hours of live music and dinner at Dizzy’s, overlooking Central Park and Columbus Circle, is comforting in a way I had not imagined. It is a bridge between the then time and now.

Finding a new routine, tried a new diner near work for breakfast this week.

Otherwise, I largely trot around the city in a rotation of breakfast, lunch and drinks meetings related to work, largely seated outside. (My 3 mile morning run expanding to include daily walks to locales around Manhattan, now racking up as much as another 7 miles a day!) It will be interesting to see if these meetings move inside as it gets chillier or cease for the moment. My team joins me with a combination of trepidation and some enthusiasm. An October date for a full on return to the office has been pushed back, but for how long we are unsure. I understand the peevishness of my staff at the uncertainty, but remind them we are getting the job done and there is nowhere to go but forward.

Drayton in an undated photograph.

Meanwhile, I have a rare post follow-up (last week’s post can be found here) and discoveries made post publication. I had penned my post on a cast iron puppy piggy bank I acquired earlier in the week and when Kim read it he informed me that the designer noted, Grace Gebbie Drayton, is actually of some commercial art and comics note.

Puppy bank designed by Drayton, shown here in shop window. Pams-Pictorama.com collection.
Speaking dog bank also in the window of the store – this just because I missed it last week!

Born in Philadelphia in 1878, her father an art publisher, she attended Drexel and the (then) Phildelphia School of Design for Women where she studied under Robert Henri. She married, and divorced, twice (she seemed to have a hard time getting much passed the decade mark with husbands) and Drayton is the moniker of husband number two.

Campbell Soup Kids figures by Drayton.

Her significant claims on fame are the creation of the Campbell Soup Kids advertisements beginning in 1904 and a comic strip called Dolly Dimples. In reality she had several such comic strips, all with somewhat saccharine names, among them – Naughty ToodlesDottie DimpleDimples,  and The Pussycat Princess, some strips (The Adventures of Dolly Drake and Bobby Blake in Storyland and The Turr’ble Tales of Kaptin Kiddo) were written by her sister, Margaret Hayes and illustrated by Drake.

Fairly rare kiddie volume from 1910 by Grace Drayton, under her first married name, Grace Wiederseim. Not in Pictorama.com collection.

Cuteness seemed to be her professional beat although there is something about her bio which suggests it may have been less in evidence in her personal life. Drayton owns the title of first woman to be a cartoonist for Hearst. She specialized in round faced, chubby child characters and in addition to the comics and commercial work she illustrated children’s books. An abundance of her Campbell Soup Kids and Dolly Dimples work survives (the Dolly Dimples paper dolls proliferated), and Drayton’s work is in the collections of several museums here in the United States and Great Britain. Drayton died young at age 56 in 1936.

September Morn by Drayton, not in Pictorama.com collection.

Kim had recognized the style of the bank even before knowing that Drayton had a hand in it. While researching her we turned up this nifty cat bank and doorstop variations, shown below. It is a bit less available than the pup, but I wouldn’t be surprised if it (or a slight variation) doesn’t enter the Pictorama collection. More on that if it it comes to pass.

Cat doorstop designed by Drayton and produced by Hubley. Not in Pictorama.com collection.
Cat bank designed by Drayton. Not in Pictorama.com collection – yet!

My bank had the rattle of a few coins in it and Kim was itching to see what they were. I was reluctant to unscrew the bank which shows no evidence that it has been apart in many decades. Much to my surprise Kim displayed his adeptness of a childhood skill which involves coaxing coins out of a bank through the deposit slot. Only a bit rusty, he had four wheat back pennies, and one Lincoln, out in no time. (I do wish I had taken a photo of this process!) Wheat backs were minted between 1909 and 1959. One of these is dated 1924, three are from the 1940’s and one is from 1975. As Kim cheerfully volunteered, this proves all of nothing, but somehow is still interesting. I am toying with the idea of putting them back in the bank, but Kim has the finders keepers on that one and he can decide.

And that, dear readers, is my update for today.

How Much is That Doggie in the Window?

Pam’s Pictorama Post: Pictorama is generally and decidedly devoted to things feline – Felix finds, people posing with giant cat chairs, and photos of cats gone-by – but occasionally we wander into the dark side and we have a dog day. (For the canine lovers out there a few other posts can be found here and here.)

Even pre-pandemic, for decades really, Kim and I have had take-out on Friday night. We rarely have it during the week and frankly, although I eat out for work frequently, we rarely eat out at all. I generally cook (you can read more about my adventures in cooking, complete with recipes here and here) and find it healthier and less expensive (this is Manhattan!) to cook at home, and what’s more I like my own food. However, after a long hard week of work, signaling the start of the weekend, we have a date for take-out. There was a long stretch of Mexican take-out from an extended Korean family across the street and I would often meet Kim after my Friday evening work out at the gym.

The pizza guy figure who graces the entrance to Arturo’s Pizza take-out on 85th and York.
View of First Avenue from inside Taco Today, waiting for our Friday night order last year.

During Covid days the Mexican take-out was shut (it had actually closed right before for renovations and did not reopen for eight or more months) and we supported local from dwindling choices in the form of pizza (our beloved Arturos on York and 85th which kept its tiny storefront open and feed the neighborhood throughout the leanest time here) and a somewhat swankier Mexican restaurant on 86th Street. However, at the suggestion of my trainer who is very fond of it, we tried a Vietnamese place, the aptly named Vietnaam, on 88th and Second that had shutdown except for take-out. We fell in love with their soups and dumplings and have become devotees ever since landing there most Fridays. A line streams out their door on weekends.

The pick-up window at Vietnaam, with Kim paying for our take-out a few weeks ago.

In addition to the treat of laksa and canh chua soup it means a lovely walk of several blocks which helps us separate our minds and begin the transition from the distraction of work as we start to reacquaint ourselves with the idea of time off. In the winter it means bundling up, but the promise of hot noodle soup spurs us on and it is a good respite for a week devoted largely to chair sitting at desks.

Recently, over a period of months, someone was decorating a tree just east of the restaurant. I documented the additions periodically on Instagram. Then, just as abruptly, it was all gone without a trace.

Over the past year or so an antique/junk store had the courage to open on First Avenue between 87th and 88th, right near where my favorite bakery used to be. (That Yorkville moment post can be found here.) I saw stuff being moved in and then, there it was lights on a ready for action on summer Friday, back in ’20. Take out in hand we wandered in for a quick inspection and the stock was an eclectic mix, skewing slightly higher end than I might have thought. Some research shows that it is actually called Spellman Gallery, and would probably not be pleased to be put in the category of antique/junk store, although I mean it with the greatest fondness and deep affection for both antiques and junk. They do sell art, some early photographs of interest, but the bits and bobs interest me most.

The paper dresses in the window of the store caught my eye a few months back.

Although I’m unsure if we even went in again, I liked to look in the window. A few months back in February they had vintage newspaper dresses in the window which entertained me. And recently they launched a display of dog banks and door stops which garnered my attention. First one (nice!) cast iron door stop, but rapidly filled in with the others. Banks followed, a barking dog bank which made us curious about what the action might be. Now they had my full attention, wondering each Friday if there would be another addition – or would something have been sold and disappeared?

An earlier incarnation of the doggie window, pre-my pup.
This early entry sold quickly and was replaced with a “talking” dog bank and a dog jumping bank.

Over several weeks I enjoyed looking at this little fellow. Something about his cast iron cushion, the colors and his expression attracted me. I kept hoping he wouldn’t be sold and disappear. I appreciated the entire display and while I hated to be the one to break up the party, Saturday Kim and I looped around and wandered in to inquire about him. The store had grown pleasantly fuller since our initial visit. There was a large display of lovely early cooking bowls – yellow ware she called it when someone came into inquire. I own a few bowls of this type, given to me by a friend clearing out her attic, which I have used almost daily for years. I was shocked at the prices of them, but have no intention of taking mine out of daily rotation.

Our doggie was more dear than I think Kim or I anticipated, but when I started to hesitate Kim offered to substantially defray the cost and out of the shop window and home with us he came.

Our cheerful fellow off his pillow base.

Our pup is a bank and he is not attached to his light blue metal cushion he is perched upon – the stored coins accessible through a screw in the bottom. (Unscrewing this would make him come apart in two halves.) He is very heavy and although his paint is chipped in a few places it does not affect his overall jolly appeal. It took us a few minutes to even find where coins go in at the back of his neck. One jingles alluringly in the bank, but I am not taking him apart to find out what it is!

Coin slot just above his collar.

He is the product of Hubley, the early manufacturer of cast iron bank and doorstop fame, founded in 1909, and his brethren and tracks about them were surprisingly easy to find online. I did fail however to find him precisely. The earliest version of this bank I found was back in 1914, another slight design change is evident in one from the ’30’s. Originally sold under the name Puppo in the teens and s/he was designed by Grace Gebbie Drayton. (On his light blue cushion it is a he for me but interestingly always referred to as she in the online listings and information.)

The later incarnation morphs into Fido on a Pillow; it is unclear if the earliest version sported the pillow or not. (The later version had Fido embossed on the collar, mine doesn’t.) Not surprisingly, the pillow was often lost and I read that it was also sold sans pillow, and a black and white version of the dog alone proliferates online in various states of condition. (I’ll just say, it is all about the pillow for me.) Somehow I place mine roughly in the 1920’s, looking at the arc of designs.

Identified as the earlier, 1914 version, Puppo.
For sale on eBay, another differently painted version, closest to mine.

Having made a purchase from them I suspect I will wander back into the Spellman Gallery to poke around. Moreover however, I hope their window continues to entertain me on Fridays. Welcome to Yorkville Mr. Spellman.