January Madness

Pam’s Pictorama Post: It’s an overcast Saturday morning here in New York City and there is a light bit of snow blowing outside. This has put my deep desire for a late morning run in question and makes me vaguely peevish. Kim has misplaced several key drawings for his next story (five or so luscious large pencil pages) and is slowing spreading the latter part of an almost finished graphic novel across our one room apartment in search of them. The pages have not left the apartment so we know they are here. A thorough search of piles of original art is underway. A certain frantic undertone to the commencement of our weekend here at Deitch Studio.

The desk in question, being searched.

Meanwhile, Blackie is snoring softly behind me on a very large box which contains an air fryer. While I am a bit curious about air fryers I never would have purchased one (let alone such a large one) except we’ve been informed that a city mandated gas inspection, which commenced Friday, has our cooking gas turned off. It will take a minimum of 6-8 months, but many buildings report that it has taken up to two years or more. (Yes, you read that correctly – they are turning off our cooking gas for what could be years.)

The model chosen after reading the NYT Wirecutter and other reviews.

I have moments of thinking that maybe it would be worth getting involved in City policy long enough to eliminate this bit of idiocy which is based on an incident where someone tied out an illegal gas line with a garden hose and the building ultimately blew up. Manhattan, perhaps all five boroughs, are looking now to eliminate gas cooking. This is a concept that could ultimately roust me from my perch here in New York City – gas cooking is beloved to me.

Life without making soup seems dreadful so I purchased this as well. Let’s see how I do with these new toys.

So, for now and despite Blackie’s fondness for the aforementioned box, I will spend this weekend unpacking the air fryer and an Instant Pot. (I cannot live without soup. One of several recipes can be found here.) I will rearrange our tiny kitchen and somehow fit these new appliances in – some of my beloved larger pots and pans can live in the oven I guess. (An ode to a dying fry pan can be found here.) Of course the adventure of learning to cook with them remains – I suspect you will receive further details. We have a microwave as well which I have generally only used to heat leftovers, but will be pressed into service. I have tried to amass groceries for easy execution at first, baby steps.

Blackie in full possession of the air fryer box.

Maybe the toaster can live in our storage locker and give us back another 12 inches of counter space? Electrical outlets have become prized real estate overnight and we are grateful for a renovation which added one. Additionally, there are two electric burners which the building assigned to us as a stove top. I hear rumors that the power draw for them is huge and that they cannot be used in tandem with the other appliances. Note taken, but I think we can look forward to the odd days when we space on that and blow a fuse.

At work Covid is stealthily making its way through the office again. We talk about it less, but staff are sick with it or living with people who have it. Most of the rules and protocols have fallen away and we are left to our own devices, instructing people to stay home and test – five days clear? I think there is a sense that people will just get it and get it again and again, but we do need to think about the people for whom it can be dangerous for various reasons, or like me have someone in their life who is fragile physically.

A pot of soup from a former post.

Along those lines my mom was diagnosed with pneumonia last week, not surprising given her immobility. I have home tested for Covid, but will go out and get a PCR test in case I need to go back to New Jersey. I mentally add it to the list I am making for this weekend.

I have long thought that TS Eliot had it wrong – it is January not April which is the cruelest month. For me it has uneasy memories of illness commencing and death, truly the nadir of each year which then needs to be reincarnated annually. (Oddly I am a bit distrustful of August too.) There is a gentle but persistent, burgeoning insanity that is barely kept in check in the month of January.

However, the pages in question above have been located at last. Kim is now contentedly inking a page which was his intention when he discovered the pencils missing, so a calm has returned to the house. He has promised to bring me a cup of take out coffee from the diner so I don’t have to face the electric burner and coffee pot quite yet. Blackie has moved onto the bed making way for me to unpack the air fryer and at least for the moment the flurries have paused so maybe I will get my run in. January is half over, we’re turning the corner and soon February will dawn a bit brighter.

A bit of Deitch Studio effluvia that surfaced this week.

A Room with a View

Pam’s Pictorama Post: Drum roll please…because today we have our annual Christmas card reveal! Here at Deitch Studio we have been producing a holiday card for a few decades now. One day we’ll have to see who has old number one because, although I knew we kept some, I am not sure we can lay our hands on it. In the first year, and maybe the one that followed, we hand colored each one (differently) with colored pencil – but we had a smaller distribution back then.

A better look at this year’s card! Deitch Studio collection. Click on it to make it larger.

For those who are new to the card this year the general process is that, after discussing the general subject first, I do the initial drawing. Kim responds with his version and then we might negotiate this or that, back and forth until it is an amalgam of our styles. In general, if we appear on the card, the rule is you draw yourself. (A few card reveals from year’s past can be found here and here, but the archive is chock-a-block full of them!)

Kitty cooks in the kitchen! No, we don’t really let them cook. Deitch Studio Collection.

This year however, Kim has been admiring the view from our window and it permeated my thoughts when I sat down to draw the card and it fell together quickly.

For those who haven’t visited Deitch Studio for awhile, yes, the plants have indeed increased in number and lushness this year. A friend commented on that. For those who follow Pam’s Pictorama regularly you know that Blackie had a rough year and we almost lost him to a bad infection and subsequent diabetes. In fact we had a mini-emergency with him just this past week as his sugar dropped too low. Despite that he is looking like his old self, has gained his weight back and his coat is thick and shining as shown here.

An exuberant Blackie showing tummy and fang recently.

Cookie would have been just as glad (or so she says – frequently) if we hadn’t bothered bringing him home. They are sister and brother and fight as such – love to hate each other I say. It gives them something to do. Cookie is the talker in the family and at nine years old still chases her tail (daily) like a kitten; often in the bathtub. Go cat go! I say she has one cat joke and that is to hide behind the shower curtain in the bathroom so she can jump out, meowing, at an unsuspecting type coming in. I fall for it several times a week. She does a victory lap with her tail after.

Cookie, always a card, a Noir Alley kitty a few weeks ago.

The view out the window is obviously much simplified, although I like to think it somehow captures the overall sense and mood. Kim was very light in his touch this year and really let my original drawing shine through. The view is quite wonderful, but it is especially nice at night when it is a twinkling wonderland. When I can’t sleep, I come and sit down on the couch (usually with Cookie these days, who in turn requires ear scratching) and spend some time looking at it.

Our view – a dim rainbow in upper right corner.

One of the interesting aspects of the view is that in recent years it is also the northern end destination of my frequent runs. Now when I look out I know it differently and I know the trip under the bridge and up to 114th Street intimately firsthand. I have written more about running in New Jersey than here in the City, but it is in reality my more frequent, if somewhat more static route. (A New York running post can be found here – and one from New Jersey here.) The path along the river is soothing, if windy in winter and hot and sunny in summer, whereas the suburban New Jersey path is more varied perhaps and has surprises like visiting deer and suburban highlights.

The northern part of my Manhattan running route one morning recently.

When I purchased this apartment I had no idea how beautiful the view was as the windows were too dirty to see out. Now it is our escape, bringing the whole world into our single room and we wouldn’t trade it.

So as the holidays approach and 2022 comes to a close, Merry Christmas and the best of New Year’s to all from the four of us at Deitch Studio!

Matching

Pam’s Pictorama Post: I had to ferret around the apartment this morning as I had no post in mind having lost a number of auctions lately. (And later today I will be scribbling advance posts to keep you all in Pictorama while I travel to Denver on business next Saturday!) However, I reached deep into the Pictorama archive and pulled out this rather wonderful little gem. It was a gift years ago from Richard Greene, match collector extraordinaire, who had us as guests for a weekend at his home when Kim agreed to do a con in Philly at his request. Richard and his wife live in a house chock-a-block full of interesting bits and pieces he shared with us and they were the very most generous hosts.

Fellow cartoonist (the sadly now late) Jay Lynch was also there for the weekend and it was the only time I ever spent more than an evening with him. I forget the exact year, but it was summer and terribly hot like it is now. The con was in an old, wooden, un-air conditioned building and I remember spending the day stationed thoughtfully in front of a fan.

Richard gave Kim a hat he still wears (if I remember he did advertising lay out for a living) when not in the old Stetson I gave him, and Richard gave me this splendid matchbook from his glorious collection.

Front. Pams-Pictorama.com Collection.

Kernel Lew Mercur’s (Original) Nut Club is pretty darn interesting (and colorful!) in its own right. The back promises dinners, dancing, and laffs. Located in Miami Beach (Alton Road at Dade Blvd.) it was open all night. Cuisine by Delmonico is noted along the top fold. Mr. Mercur’s image, or what we offered as such, is on the front in top hat with a carnation and musical notes.

Verso. Pams-Pictorama.com Collection.

Not surprisingly, there are few tracks on Mr. (Kernal) Mercur or the Nut Club, although I did find a reference to it in a book about the bygone hey day of eating establishments of Miami (Lost Restaurants of Miami by Seth Bramson) and it would seem that the Nut Club was among a proliferation of Jewish cafeteria style restaurants and delis that became popular in Miami at the time. Bramson notes that Mercur did indeed preside over the restaurant in a top hat.

Other restaurants of the time (1940’s?) and place included The Five O’Clock Club (acquired by Martha Reye and which made it into the 1970’s) and Bill Jordan’s Bar of Music, an eponymous piano bar. Interesting that these establishments liked to label themselves as bars and clubs rather than restaurants or cafeterias. (And Cuisine by Delmonico doesn’t much scream Jewish deli to me either.)

Full inside view. Pams-Pictorama.com Collection.

For me of course it is all about the inside of this matchbook which reveals (voila!) the matches, lined up like a picket fence, emblazoned with a black Tom cat atop a fence with a favorite wheeze, Ya gotta make calls…if you want results, as the other black cat and kittens march below. Devoted and early Pictorama readers will remember a post I did devoted to a celluloid match safe with the same saying. (That post can be found here.) I used to have a postcard with the same image pinned up in my office at the Met.

Celluloid match safe. Pams-Pictorama.com Collection.

Not a spot on this matchbook goes undecorated and the inside cover goes on to assure the visitor, be entertained at the funniest and screwiest place outside an asylum, yes it’s Kernel Lew Mercur’s Nut Club. Never a cover charge! It gives the exact address (1827 Alton Boulevard) and a phone number (5-9952) for reservations tucked behind the matches. At the bottom it says, We’re Never Too Busy to Say Hello! Who wouldn’t want to go and nosh a knish? But most of all, who wouldn’t pocket these matches? So glad somebody did!

Rainbow Moon; Wishing Seat

Pam’s Pictorama Photo Post: There’s a first time for everything and today I claim a Pictorama first. Our featured photo is one of my husband Kim and his brother Simon. Family photos make occasional entries here, although usually a few generations back and until now always my family. However, Kim’s currently working on a story that involves his Mom, Marie, and her Mom, Kim’s grandmother which means a number of family photos have wandered out of storage and into the apartment for perusing. (See last week’s post here for a pencil detail of the story which also boasts an elephant bank I recently purchased.)

Pams-Pictorama.com Collection.

This photo would be Pictorama perfection even if it wasn’t of a young Kim and Simon, which of course does make it that much more interesting. Moon photos are a bit of a sub-genre of the Pictorama library, although it is a competitive market and so I tend to only buy those when opportunity presents itself. (For a moon photo or two you can look early posts here and here.)

Deitch Studio Collection.

I am crazy about this weird rainbow moon with its big lips, staring eye and bushy eyebrow! Kim looks like he’s having a pretty good time and Simon looks a little less sure. (I can’t blame Simon – it would be fair to be terrified of this as a small child perhaps.) Wishing Seat is painted in wavy letters behind them.

A careful look and we see that the “rocks” are all concrete and in a wavy design like hard clouds. There’s a nice little bench to perch on for your photo however and you can lean back against one of the rocks. There are trees behind them and a nondescript bit of greenery up front. The photo is a bit torn on the lower right corner – it looks like it was in an album and removed.

Pams-Pictorama.com Collection.

Kim’s already growing into a lanky build that will define him going forward, his hair already thick but cut short so mastered for the moment. Simon will remain a bit shorter, his hair straighter here at least. Kim thinks this would have been taken in about 1951 making him about seven and Si about four I think. (Sadly, Simon died recently and his passing was noted in a post found here. Youngest brother Seth yet to be born.) They were living in Detroit at the time, but Kim speculates that they could have been there or on vacation elsewhere. Car vacations were far flung affairs according to him, so there’s no real way of knowing. It was unidentified on the back so I put some notes in pencil for future generations.

It goes without saying that the moon is eerily and almost comically Deitchian in its demeanor and one can’t help but wonder if a young Kim’s brain was busy recording it and tucking it away for future artistic anthropomorphic cartoon contemplation.

Remember to Save?

Pam’s Pictorama Post: Elephants are a sub-genre here at Pictorama, a casual collecting category here at Deitch Studio. (A few previous elephant posts can be found here and here and an especially Deitchian one here.) Without really trying or thinking about it we have amassed not that many, but some choice elephant bits, and when this one caught my eye the other day (in the middle of negotiating a very large purchase to be revealed in a future post) I didn’t miss a beat before adding him onto the bill.

He is wonderfully modeled with his elephant skin well defined, nicely wrinkly just like the real thing. His trunk is proudly up – I’m a trunk up girl although I understand that there are those who believe good luck result only from down as well as those of us who believe in up. (And I gather still other cultures which believe either will do and all elephants are lucky!) His trunk is curled up onto his head, revealing short tusks and his empathetic elephant eyes.

Pams-Pictorama.com Collection.

I am very pleased with the shade of red they saw fit to paint him and find his worn and chipped spots create a nice patina effect rather than take away from his appeal. I have some trouble imaging him all neatly painted actually, but I am sure I would have adored him as a child if I had seen or been fortunate to receive him in his nascent state.

He is, as the title of this post implies, a bank, small slot at the base of the back of his head – albeit a small bank which could only have held a few dollars worth of silver saved by an industrious child. His bottom is painted a wonderful sea green and Vanio 1936 is embossed in the bottom.

This one credited to the Minneapolis Art Institute Collection.

Mr. Google doesn’t reveal much about Vanio, but these banks are referred to as penny banks since they are so small. I saw examples in two different greens (one for sale on eBay – I’m very tempted to buy a mate, one example belongs to the Minneapolis Institute of Art), black and a dusky white in addition to my red. There would have been a key for the bottom, a few examples had theirs, but it would be hard to see on my example. They made a fairly righteous Scotty dog bank too in a similar array of colors.

Scotty version of a Vanio penny bank for sale on eBay at time of publication.
Bank bottom on mine – oddly I paid less than $48 for him, that is an old tag.

This elephant wandered into the house just as Kim was designing the decor in a 1940 room in a new story that will go in his upcoming collection, How I Make Comics. He added our fellow in, turning him into an ashtray which was more appropriate for the story. Shown below, I close by sharing a bonus detail from the pencil sketch here – look out for the finished product in his next book in the story called The Two Maries.

Kim’s pencil sketch for an upcoming story called The Two Marie’s.

Bouncing Back?

Pam’s Pictorama Post: It’s been a rough road back here at Deitch Studio this week. Pictorama readers know that last week we were working to get on the other side of catching Covid. (That cheerful post is here if you missed it.) I rallied enough to go to Jersey to check in on my mom on Sunday night for a few days.

It rained early on Monday so I didn’t run. It cleared later and although I have largely lost my sense of taste (and smell) I still managed an appetite for a strawberry ice cream cone, belatedly in honor of my dad for Father’s Day. A friend and I stopped at Ryan’s where I used to buy ice cream for him weekly. Summer is in full swing there and even on a weekday afternoon it was abuzz. I felt like I could taste it at about 40%.

True enough!

Therefore, I didn’t attempt my maiden voyage, post-Covid run until Tuesday morning; which very agreeably, dawned not just sunny but unseasonably cool. I took the route north through the woods and did a neat 3.7 miles, not bad if very slow. My body seemed willing to partake, but I could see my limit pretty clearly. Tired, but no coughing.

Gorgeous cool morning for a run in Jersey Tuesday.

I had piled a bunch of appointments up for this visit to my mom and post run I met with a flooring guy named Mike who was very pleasant and looked like this was probably his first job. One of mom’s folks had her grandchildren with her as it was the first day of summer vacation for them and their camp has not started yet. They were thrilled with a friend’s visiting Bichon puppy (Ariel looks like a toy and stays in a playpen when she visits the Butler house) and so, among increasing chaos, I retreated upstairs for a Zoom meeting.

Visiting puppy, Ariel. Have I mentioned that mom’s cats are not pleased?

It was just after the call that I found out my brother in-law Simon had died. He had been in the hospital but I hadn’t expected him to die. Kim and I were on the phone when I was called back downstairs as a mattress was being delivered. Puppy barking, children shrieking, a queen sized mattress coming in through the garage held by two confused looking men – poor Kim I had to call him back.

My brother in-law Simon Deitch in an undated photo.

It always amazes me that my housebound mother’s house is like Grand Central Station compared to our apartment in Manhattan. It is the crossroads of the universe.

I headed back to NYC that afternoon. I found Kim fielding the kind of calls you get on those days – friends checking in and whatnot.

Kim is the one who will write about Simon. (He already wrote something this morning which will appear in the Comics Journal, online shortly.) I really only knew him slightly, but he and Kim were living together when I first met Kim and their creative collaborations were still underway during the first years of our being together. (Simon subsequently did a stint in jail for selling his methadone, which arguably saved him from a potential overdose. That period effectively ended their active collaboration on Southern Fried Fugitives, a comic strip they did for Nickelodeon Magazine.)

A Wing, a Breast, a Thigh, and a Drumstick on the run in a world that hungers for their flesh!

Luckily Kim’s brush with Covid seems to have been lesser than mine and he seems more solidly back while I continue to have periodic coughing and sneezing fits which come on me simultaneously and flatten me briefly. I got up early today and violated my rule about writing this blog very first thing in order to be out and running before it got hot. Even before 7:00 today the temperature was climbing.

Still running slow, but topped out at more than 5.7 miles. It was good to check on all my usual haunts which I have seen so little of. (I walked part of the route last weekend and said a quick hello to those who follow my running journal on Instagram stories.) I am hoping it kicks my overall energy into gear.

So life has not quite resumed its normal stride here, but we’re working on it. I feel like I have to give a shout out to the folks at NYC Funeral and Cremation. It appears to be an enormous company here in the five boroughs, but Mary has thoughtfully guided me through an extraordinary labyrinth of online paperwork the likes I have never experienced.

On the East River earlier this morning.

She called on Friday when I had paused in the process (to work), making sure I understood next steps and the need to complete them. They answer their phone at all hours and whoever I have gotten on the other end was unfailingly lovely without being smarmy. I think I will remember their thoughtfulness for a long time to come. I always appreciate someone who does their job well and of course being treated kindly is also good. I would highly recommend them, but obviously prefer not to have to use them again.

So that’s where we are late morning on this Saturday at the end of June. The world is turning upside down politically and so we are swamped from the outside as well as from within. Nonetheless, we’re taking a few deep breaths and moving slowly forward here at Deitch Studio.

Bendy Felix

Pam’s Pictorama Post: This little fellow showed up recently in a package for me along with two other cat contributions as a gift from our friend cartoon artist and Zorro enthusiast Pete Poplaski. Pete stopped by to see us recently, one of the first of our traveling friends to return to visiting the beaten path here at Deitch Studio in New York City, as he makes his way on regular stops triangulating between France, Wisconsin and other locations along the Eastern seaboard. (A nice brief bio of Pete by Robert Crumb can be found here.)

Seeing him made us feel like the world was that much closer, if not exactly to our past lives, at least a version of the new world that included seeing friends again.

One of Pete’s dashing Self-Portraits as Zorro.

Pete is wonderfully comfortable to have around. He is not the sort of person I need to pick up around the apartment for and he and Kim happily and readily settle into picking up long conversations about everything from the film locations that a certain early Western was shot in, to art and philosophy. Pete and Kim have a book and film exchange that extends over the periods between Pete’s visits, but occasionally result in packages exchanged back and forth.

Photo of the girlfriend to this cat I found online, but with no information.

On his most recent visit Pete gave me a heads up that he had some cats for me (yea!) and the package showed up several weeks later. Of the three cats it contained this was the one I found the most intriguing.

For all of my toy cat searching I have not come across him previously. He reminds me very much of the Cab Calloway ghost character in the Betty Boop and Koko the Clown cartoon which features Cab singing St. James Infirmary Blues. I imagine that at one time he could be bent into various poses, but those days of pliability are gone. His back is stamped Made in China. While he certainly isn’t a straightforward Felix I would think he could be called Felix influenced.

Pams-Pictorama.com Collection.

He reminds me of a litany of toys that passed through my hands as a small child. These toys are a kissing cousin to the articulated cat above, a purchase awhile back in a large haul from my friends at Curiosities Antiques down in Texas. (I have written about them before and one of those posts can be found here and their website here.)

They have put together several cat packages for me and this fellow was in one buy. Like Pete’s gift, I am afraid to ask his aging joins to do any of the tricks my childhood self would have asked of them. However both bring back memories of long hours of contented play as a small child. Lost in a toy world of my own making and one I continue to celebrate here at Pictorama.

Dreams of Krampus

Pam’s Pictorama Post: Welcome to the Pictorama reveal of the Deitch Studio holiday card memorializing the year that was, 2021. A tip o’ the hat this year to Kim who carried the ball a bit more than usual and this one has a slightly more Deitchian appeal which is always a good thing. (For those of you just joining this year some previous card reveals can be found here and here for starters.)

I only learned about Krampus as an adult, although years ago now. I do find this sort of shadow Santa fascinating and the idea that not only was Santa watching to make sure you were nice and not naughty, but this dark side Santa was going to come after you if you were a very bad kid. It makes sense though that Santa wouldn’t be all sweetness and light – I mean, how interesting is that after all.

The stuff of holiday nightmares.

While the concept of Krampus has its roots in a Norse underworld character the name Krampus is derived from a German name. I gather that there are German and Austrian festivals (which not surprisingly involve some drinking) where the Krampus story is played out via a run through town by Krampus glad participants. The runners carry sticks, like those used to beat said naughty children, and scare onlookers. Can’t say I am sorry to have missed this. The Catholic Church at one time made an effort to ban Krampus which was, given his increasing popularity, clearly unsuccessful.

Cookie and Blackie – photo taken because they so rarely sleep together! Inspiration for the card.

Our Krampus has all of the key characteristics – a hairy beast with great lolling and pointed tongue, goat horns and cloven feet, but we’ve replaced the beating chains and sticks with lightening bolts.

Poor Cookie and Blackie are clearly fretting about and totting up their misdeeds this year – poor kits! – and sharing a mutual dream of this monster. Oh gosh though, who in thinking about 2021 doesn’t feel a bit like this sums it all up? No worries though – Cookie and Blackie will receive toys, catnip and ear rubs Christmas morning just as they always do. And 2022 will dawn in a week and we’ll all turn the page and hope for a truly great New Year!

All Wet: Oil Paint and Beatifica Somnambula

Pam’s Pictorama Post: As I write on this (chilly) October morning I have a large standing plastic Santa and suitcases wedged behind me, piles of dry cleaning around me, and a mini mountain of off-season clothing tucked into plastic bins within view. These bins are of course filled with clothing that, due to the pandemic and not traveling into the office – or even seeing much of anyone – I haven’t touched in two seasons. I did have a moment of thinking I should just get rid of all of it.

It should be noted that this tower of tubs is so beloved by Cookie, who now spends her day lounging on top of them, lording it over everyone else in the apartment how high up she is, that I have decided that when this is all over I need to buy her a tall cat tree. I dislike them and we have so little space, but it makes her excessively happy.

Cookie on an earlier and somewhat shorter incarnation of the clothing tubs, during initial drying.

When I left Pictorama readers last week we were drying out Kim’s notes on our visit to the whorehouse museum in Butte, Montana by spreading them across our one room studio apartment. (That post about our trip to Butte and the story that came out of it can be found here. The beginning of this three part tale can be found here.) I failed to mention that, in addition to the clothes that were destroyed by the storm, the rest were damp from having sat in the water filled basement – so those also were spread out here and the combination giving the apartment a distinct musty smell. I bleached cleaned the locker and the objects that encountered the water and I thought I was done. However, a few days later the building required that everything be removed from the basement for the duration of “several weeks” while they put in new dry wall, paint, etc. And so we find ourselves more crammed than usual.

Ida also forced the hand of two leaks in our ceiling and we have the delight of spending the coming week intimately acquainted with workmen tearing out these sections of ceiling and making repairs. Sometimes I marvel at how much can really go on in our 600 square feet. I laugh when I look at tiny houses and think they have nothing on us here on 86th Street in Manhattan. Anyway, an industrial dehumidifier is on loan from the super and runs day and night. At first I was dumping gallons of water daily. It seems to be doing its job, decreasing amounts of water are disposed of twice a day, and it will disappear with the ceiling repairs. (Blackie loves the dehumidifier, Cookie hates it. It is loud.)

Cookie, the Queen of Everything, enjoying her perch atop of the containers.

I am very aware that although annoying, our damages are nominal compare to that of others suffering from this and other recent storms. However, this apartment which is perched at the very top of an aging white brick building, which was erected in 1960, seems to attract leaking and flooding and pipe issues which we fight, repair and hold at bay ongoing. This is merely another in a long line of repairs, all of which we tell ourselves must be the ultimate one.

Still and all, as I pointed out last week, part of becoming intimate with the basement relegated possessions has had a silver lining. For me, it came in the form of a long forgotten oil painting. It is mine and by this I mean I painted it. I have shed much if not most of my artwork aside from my photographs which are tucked into boxes. However, a few favorite paintings are tucked under the bed and this one was in the basement. It is largely unscathed by the experience although I have cleaned it up a bit after its probably decades long sojourn in the basement.

I have painted since childhood. I learned to use oil paint in high school and I knew I had found my medium in paint. I love the smell, the texture, the colors and really just about everything associated with it. The stink of the paint, turpentine and linseed oil immediately relaxes me and takes my mind elsewhere, even if I just catch a whiff as I walk past the Art Student’s League on my way to work. I have also always drawn and I began life and figure drawing also in high school. In college and beyond this slowly morphed into a long series of self-portraits. This is one of the last I did, back in the apartment prior to this one where I had space to paint, and it shows me in bed with my beloved cat Otto who frequently slept on my pillow in that fashion. My other cat Zippy on top of me. I don’t smoke (never have) so the cigarette is just an addition to the composition.

Rare extant oil painting by yours truly.

Lack of space when making the move to this apartment meant that painting eventually gave way to photography – early process photography including daguerreotypes and platinum prints. But, as they say, that is another story.

I find that I have enjoyed looking at this painting, currently propped up against some boxes by the front door. One day Kim suggested, out of the blue, that we hang it. Funny, I had been thinking the same thing. Some rearranging of photos to be done, but we think we found a spot for it where a wooden mask from Bhutan currently resides.

Meanwhile, even before the contents of the locker migrated up to the apartment, one day Kim wandered out of the apartment and downstairs where he retrieved an entire box devoted to story boards for a film of one of his stories that was never made. It is dated 1983 and I share the first few pages here. It is made up of a compilation of a number of stories that appeared in various publications over the years (I remember one reprinted in his compilation Beyond the Pale, one about a potato headed boy) with the goal of tying them together into a Deitch flavored film.

This was in conjunction with Brian Yuzna, of sci-fi and horror film fame, during a fabled stint in North Carolina, in the pre-Pam days of yore when Kim lead a somewhat nomadic life down South, dotted with intervals in Los Angeles. It seems to have reached a zenith with Brian turning his hand to his film Re-Animator (Kim makes a small appearance at the end) and somehow Beatifica Somnambula never being finished. However, Kim regaled me with stories about props that were constructed, giant fiberglass potato head and others.

Kim Deitch story board from Beatifica Somnambula.
Kim Deitch story board from Beatifica Somnambula.
Kim Deitch story board from Beatifica Somnambula.

Oddly Kim had been mulling over a bit of business from this odyssey for a future story – not the upcoming book, but the one after that – so the rediscovery and chance to paw through the box of story boards was especially welcomed. I won’t spoil any future story surprises, but when you eventually read Tales of the Midnight Demon think of this post.

I guess all this to say that creatively what is made is never completely lost. I am mulling how in a small way I might start painting again, although paint covered cat paws immediately come to mind. While I will be (very) relieved to have our storage restored to us and maybe have the apartment back to a semblance of normal before Thanksgiving, I think I will bring Santa upstairs this year. Maybe instead of a Christmas tree, we’ll get that cat condo and decorate it this year.

Postal Felix

Pam’s Pictorama Post: Today’s post comes with thanks via Christina Valenza, a west coast Facebook friend of Deitch Studio. I am sorry to say it had disappeared into a nook with a cache of photos and was just rediscovered as I was pushing cats and photos aside to make a desk for myself to use during the course of our current captivity. It found its way to Deitch Studio from Oakland, California last year and while I usually don’t find contemporary cards of interest I do love the documentation of this artwork.

As you can see, someone has painted a cheeky tongue out Felix on the side of one of those boxes that the post office uses to hold the mail on the street. I don’t claim to really understand that process – actually I should ask Kim as he did a brief stint with the post office in the East Village in his youth. This one is a rusty brown – they are generally army green in New York City. What I really like about it is that he is an old style toothy Felix and reminds me of the early dolls of the 1920’s.

The photo is identified as having been taken by Albert L. Morse in 1971. Christina Valenza has a book of his photos available here. It appears that Mr. Morse was an attorney in the Bay Area, as well as being a self-taught photographer. A young Albert was given a camera by his father and started taking photos at the age of 12 and as an adult he took it upon himself to document that early ’70’s comics scene. Below is a page of photos which includes a sort of mug shot-ish one of Kim and a less than flattering one of Simon on the end of the top row.

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Albert Morse acted in a legal capacity on behalf of numerous cartoonists in the greater Bay Area in the 1970’s. According to Kim, if you asked a favor of Morse he would ask you to do a page for his anthology Morse’s Funnies, shown below with a Crumb cover. Kim tells me that there is an interesting Simon Deitch page within, but that he never did a page for him because (imagine Kim here, deadpan) he never asked him for a favor.

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Without getting too specific or colorful, suffice it to say that Kim was not a fan of Mr. Morse (who it appears died in 2006) as he feels that Morse took advantage of some of his comics colleagues. Enough said, just in case some of the litigious relatives of Morse roam the internet today.

So with thanks to Christine and apologies for the long wait for a Pictorama nod. Wowza! I thought I was going to spend the morning on Felix, but instead was taken down an entirely different tributary of Kim’s life, long before me.