postcard

In the Mood for Love?

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Pam’s Pictorama Photo Post: I have a Pre-Valentine’s Day post today to get us all in the high mystic mood for next week – when I will have a super great Deitch Valentine reveal this year. I don’t think I am spoiling the surprise when I say it is the height of hotsy totsy this year.

I admit to having accidentally left Kim to open his Valentine’s Day gift which arrived early last week! It was an early hardcover edition of a book called Lefty of the Big League by Burt L. Standish of the Merriwell book fame. I saw it in a Flat Lay Friday group photo of objects for sale on Instagram and grabbed it up on a whim for Valentine’s Day. Kim is a Merriwell fan and miraculously it seems he has not read this other book by Standish. I was performing well until I handed him the package to open! Alas, timing is everything but the love and the thought were there nonetheless.

Not Kim’s copy but this edition.

Meanwhile, today’s card, purchased back in the fall, is wonderful and wild. This woman is a “spider” who has cast her love net and scored this man who is now quite literally her puppet! He looks to be a well-heeled sort of the day, a watch chain stretching across pronounced ample girth, top hat, glasses rather than monocle although they sit atop his head in a jaunty fashion. He wears a print waistcoat, bow tie and jacket with some sort of other print on his fat legs ending in tiny, shiny shoes.

This fellow is smiling and I might point out that he also has a bottle of champagne in one hand and a full glass in the other – if the strings that bind him are obvious, may I say he does not appear to mind in the least.

The hand-colored beauty who is the woman-in-charge sports a green top, trimmed in red hearts (!) and stripes that really make this card for me. (Can I just say, oh to find such an item at a vintage sale and snatch it up!) A slight blush is added to her cheeks, skin and her curly hair which is highlighted brown – all adding to her winsome appeal and, shall we say, allure.

Our manipulating maiden emerges from this spider’s web (tiny tear to her left so maybe it isn’t the first rodeo for this photo set) with fat cloth hearts pinned on in a circle around her. Aside from the green label of his champagne bottle (borrowed from her shirt) and a bit in the top of his champagne glass, our puppet man is left in black and white, aforementioned strings top and bottom quite visible.

I can only really confirm that this card was sent in 1907 – there are three cancellations, two overlapping and European and I cannot verify the month or day although it might be August. This card (which the internet attributes to being Russian maker – again the cancellations make it a bit hard to see) was sent to a Mademoiselle L. Guilloim… on the Avenue de la Gare, Vielsalm, Luxembourg.

Thanks to several readers I now know I can put the image of the note into Google and get a (very) rough translation:

It is a pleasure, my dear,
for the good wishes you sent me. Like a verse, I thank you for it, and I think of it often. For short nights, I will be accused afterwards. I slept very well, a big thank you that the present during your trip? Please reply. Best regards to all your team.

Maria

Sort of interesting to chose such an extraordinary card with no mention of the image, but it seems Maria had other things on her mind.

Whoever Mademoiselle G. was, I am very glad she saw fit to keep this card in fairly pristine condition for me to share with you today and wishing you a romantic week leading up to next Saturday.

Whisper and I Shall Hear.

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Pam’s Pictorama Post: This is a very odd card and while I rarely purchase things on the basis of that, I somehow just needed to see this card and what it was in person. It appears to be a photograph of a painting, and I would guess that it is actually done by painting over a photograph which gives it the almost photo quality it has. Not just a photo but some sort of a mash up of photos I would think. It is on glossy cardstock which is unusual for a card in 1909 in my (let’s face it not insignificant) experience.

I assume given the title of the image that the cat is whispering in the ear of this strange doll. It looks as if it is illustrating a fairy tale none of us are familiar with. If you look at that cat’s expression I would say, cat lover though I am, he’s up to no good. The doll looks inert but there is a frightening bit of a lifelike glimmer in its eyes – he shall hear alright! Very strange and more than a little creepy. They are perched on a rooftop, some snow in evidence, with a night sky and cloud obscuring a full moon behind them. Cats seem to be depicted on rooftops a lot although my personal experience of them does not bear this out. I can’t think of the last time I saw a cat on a roof. You?

The card was printed by the Shamrock Co. Photographic Printers & Publishers London, E.C. According to internet intel, Shamrock was a card printer active in the 1890’s – 1910’s. It was particularly known for producing high-quality religious devotional cards, postcards, and sentimental photographic prints. I could not find any compelling further evidence of their product online to share.

The handwritten message at the top says, Writing Wednesday if at all possible. I was just writing to someone else (hey Wayne!) saying that it seems postcards were frequently used to say that a letter was coming, buying time. Funny that after all these years it is the postcard that has been saved and the letter likely lost. (People do still write letters folks – as I type this out, Kim is at his desk across from me handwriting a letter right now. That lucky recipient is getting a preview of the color sketch of my Valentine – hopefully that reveal next weekend. Kim often writes using xeroxed sketches and other bits for his letters. Lucky recipients! He is a frequent and thoughtful correspondent. I on the other hand, send cards – birthday, condolence and with this job, sadly, frequent condolences for the loss of a beloved pet.)

The postcard is dated by hand, 30.10.09 (a European style of writing the date) but the postmark is obscured so I don’t know where it was sent from. It is simply addressed to Mrs. Herbert, Millertown. Millertown, New York in Dutchess County is the likely destination – even today Wikipedia only puts it at 900 occupants so I can imagine that in 1909 you could address something this way and it might get there. Odds are much better than a fully addressed postcard today I dare say.

Back of the card which seemed legible at first but actually a bit challenging to decipher.

The (also unusual) note reads, Mr. E.S. away till afternoon. Case will go next week with (illegible) from attic. Mrs. M. unable to meet – (something) two weeks. Had a splendid trip around, but sat up at Junction on acct it coming from Typhoid region, but only got 5, a-on (?) Had nearly all five day (?) here. Enjoying everything very much. Love (name unclear). It was sent from P. Isld. Not clear where that is – Pennsylvania was suggested by the internet but I do wonder about the reference to Typhoid – yikes! Also, this is sent in October and most of the P. Island’s I can find are summer locales. It was mailed with a penny stamp so I assume this was mailed domestically.

These days I am having my own travails both with US Postal Service and with UPS the company – finding both of them falling down massively on the job. As I worked to (finally) try to close my mother’s estate there are papers that company swear to have sent that never arrive, a Christmas card from North Carolina I fear I will never see and more. Kim had two letters show to their destinations empty – one torn in transit and the other just…empty. Meanwhile, at the building that houses my office they have informed us that mail will no longer be picked up on a regular schedule. We’d long discovered that the mailboxes on the street are an iffy proposition so now it is either the one in our apartment building or all the way to the post office to mail things.

As for UPS I can only vouch for a long series of phone calls to outpost calling centers in India where no one seemed to be able to help me with my package (sitting in Newark) and who kept urging me to go online where an AI assistant could only answer the most routine questions. I will spare you the details, the package eventually returned to sender despite my ongoing efforts, but I do think these issues will start to impact my collecting, much of which has always come from abroad.

Dear Louise

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Pam’s Pictorama Post: Here at Pictorama we’re in lucky black cat territory today. When I reflect on the difference between the British who honor their black cats with being lucky and our own culture’s tendency to assign them bad luck, I think I may have been born on the wrong side of that big pond. This is an English published postcard, never used postally so hard to get a date on it. The image is a fairly common one and I would say this postcard could be from any time from the ‘teens to the forties.

Although the phrase on the card, I will meet you in the evening dear Louise, seems to bounce around (I found it on at least one other, albeit mundane, postcard) I cannot find the precise origin of it. However, one can imagine this sharp looking little fella being a popular image on a postcard. Red bow, tongue out, looking over to the side with huge eyes, he is perched atop a brick wall, rooftops and pipes in the distance with a huge yellow moon rising from the mist. I can see it being just the right cheeky card to send to your loved one for an assignation of sorts.

I have written about the roots of British black cat good fortune before. On the maritime side, they believed that a black cat on board a boat was good luck (perhaps not for the cat although maybe a mousie and rat filled paradise of sorts), and my favorite tradition of giving a bride a black cat on her wedding day – what a very nice wedding gift that would be!

Blackie on the bed in NYC in a recent photo.

As mom to two black cats, Blackie and Beau, I often profess to their particular good nature. I remember that my mother wanted to adopt Beau especially because he was an all black cat and I gather they are less likely to be adopted. There seems to be some truth in that but meanwhile certainly she found herself the most devoted little friend ever. Beauregard would sit on her lap happily for hours if allowed and there is not enough petting in all the world for that cat. He is a great companion.

Beau possessively on my lap one morning in NJ recently.

When his weight became too much for her as she grew more frail, he shifted first to next to her and eventually to the chair next to her where he kept persistent watch over her – really of his own accord and understanding. He did not need to be reminded after he first realized it. At times it would be my job to move him to another room – doctor coming etc. and at first it was difficult. As experienced as I am with cats he wasn’t used to being picked up and carried and he is, frankly, an enormous cat. He allowed it and over time he accepted me as one of his spare humans while mom was the unquestionable primary.

With mom gone more than two years now I am the closest thing to her and when I spend time in NJ he claims as much lap time as he can get. His preference is still sitting in my mom’s recliner chair, and I like to think my way of petting, learned at her knee, is somewhat reminiscent of hers.

Milty, who is actually a small cat, looking like an evil genius in a recent photo.

At times I have felt bad about not trying to bring Beau to New York with us, but he rules the house and the other cats in New Jersey, and I am not convinced that displacing him would make him happier. It was my mother’s wish that they would all continue to live in the house and I promised to at least try and it has worked for the past few years. Beau, Gus and the two girls (Stormy and Peaches) are quite young cats, only Milty is a senior citizen (of slightly indeterminate age – late teens, early 20’s) and he is quite tenacious. Therefore, the Jersey Five remain intact at the house there.

Yum! Un Repas Succulent

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Pam’s Pictorama Post: Today’s card is a favorite that has been in my pile clamoring for attention. This by the artist Maurice Boulanger who was one of the heirs apparent to the Louis Wain throne. (I wrote about another one in my collection recently and that post can be found here.) Here we have not the chef kitty, but instead a bibbed-up consumer cat served up this very large rodent, albeit unadorned by trimmings, on a platter. Mr. Rodent hardly looks deceased, but we will assume he is. Kitty is toothy and anxious to dive right in it seems.

Boulanger cats have a Wain-esque tendency toward an anthropomorphic wackiness, but they seem to not to be as sly and are less of a commentary on human nature, more feline in a way. This grinning fellow clearly has a ferocious appetite and can’t wait to dive into munching on this rat on display atop this dish, from whiskers to the tip of the tail. He stands on two feet and wears a bib (which probably covers a white bib of tabby design fur no less) but only his paws are in evidence – we imagine just teeth and claws in play. No human utensils for him. Below this dish at the bottom it declares, Un Repas Succulent – A Delicious Meal. Or in my mind the more descriptive, a succulent repast!

Obviously, this is a French postcard for all intents and purposes as I believe that the writing across the front and the back is in French – although the postcard actually appears to have Eastern European produced. (If anyone wants to take a stab at translating the message I would love to have a sense of what is written here.) And as is often the case, the neat scribble on the front adds to the decorative element. It was mailed to an address in Paris in March of 1906, but I can’t read much else from the cancellation. Again, the small, neat writing on the back escapes my rudimentary translation skills.

Reverse side of card – can anyone out there read and translate this?

For those of you in the same neck of the woods as us at Deitch Studio, you know that at the time of writing this it is the end of another frigid week of weather in New York City. Although I can think of several equally impressive snowstorms, I cannot remember one where it stayed so cold that that snow just didn’t go anywhere and here we reside a week later in piles that are still knee high, garbage piling up even higher where trucks cannot get it. (Speaking of rats!) The City makes attempts to dispose of the snow manually while Mother Nature continues to deliver a bit more here and there.

Clearly, we will have one of those spring thaws where things long buried will emerge on the streets. The temperature in the early morning and the nights hovers in the single digits and dips well below zero with the wind. The (blissful) heat in the apartment runs constantly and despite being 1.5 small rooms I expect the bill to be high. The cost of heating the house in New Jersey, even without us there, is a bit staggering this year. Meanwhile, the heat in my office is oddly mercurial and reduced substantially by an ill-conceived wall of windows so it has been a very chilly week indeed and I hunker down with a mug of hot coffee to write this.

All this to set the stage to talk about the wonders that hot food can manifest in this weather. Recent weeks has seen me doubling down on soups and stews. (I shared a miso based soup recipe recently – you can find the post here.) We don’t eat meat, so pots of bubbling beans and tofu make up the stews along with whatever greens or leftovers in the fridge need cooking up. Each one tends to come out different for that reason – black beans seem to be the winner recently, although the chickpea curries are gaining ground. There is a simply wonderful spicy chili crisp tofu recipe that I retrieved from the New York Times (it can be found here at the time of writing) which has become a bit of a staple.

Last week I had a yen for a brothier soup after lots of thick ones and threw together one I will make again. Roughly it was ginger, garlic, onion, and carrots to start with two containers of vegetable broth, some miso, a small can of diced tomatoes and flat leaf parsley and finished with a package of cheese tortellini added at the end. I let it simmer all afternoon on the stove and really, it was heavenly! This week I am experimenting with a simple potato leek soup a friend makes but boy – last week’s soup will go into a regular rotation.

Soup and stew, hot food in general, the ability to make it, afford it and eat it, is a blessing especially in the cold weather. As I mentioned a few weeks ago, the very act of making it calms and reassures me. Hot meals for the cold week ahead. Lower perhaps in pure protein than this feline repast but will fill us up and keep us going nonetheless.

New Brunswick, NJ

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Pam’s Pictorama Post: I grabbed this up as soon as I saw this little collaged beauty. I am not sure that I immediately digested the weirdness of it entirely but being a Jersey girl at heart I thought it was pretty hotsy totsy. Like many recent posts it came from the postcard show last fall and it went into a pile I am only recently digging into.

Born and bred in the Garden State I admit that I may never have so much as driven through New Brunswick. Looking at the map of the state I must have (may have?) as it is nestled in the crook of the state, just above Monmouth County, heading north and a smidge west. This sounds a bit odd but we didn’t drive west all that often growing up. North of course took you to New York but generally we went up the coast. South brought you to Freehold which seemed to be required occasionally; Princeton where my sister went to school, and ultimately Philadelphia on occasion – we had a cousin there. I rarely made it to the bottom corner of the state, probably not until college and after.

For those of you who don’t have the map of the state handy in your head.

The northwest of the state was a rare event. Flemington is up there (I have a friend who moved there recently – hey Hope!), where I can remember going only a few times – it felt exotic. Even our forays into Pennsylvania were usually made by going more south or directly across the state. Years ago I spent some time hiking with a friend along the beautiful Delaware water gap. Christine grew up in that area and knew it well but it was the first time I spent much time there. All this to say that New Brunswick always sat slightly north and west of where I had my formative years and somehow I never much got there or maybe knew if I did. It belongs in a vague category of North Jersey that I would have used when I lived there.

This card is hometown proud indeed. A rendering of a pansy has a collaged-on head and shoulders of a woman in turn-of-the-century finery, wearing a be-ribboned or flower covered hat. She wears the pansy petals like a dress and on each petal is a local building of note shown as actual postcards of significant sites on each petal. They are: Washington public school, Livingstone Avenue High School, St. Peters Parochial School, Carnegie Library, and the Post Office. Clearly they thought highly of their educational institutions.

New Brunswick Carnegie Public Library, in a contemporary but undated photo.

The Carnegie Library, shown above, seems to be the only one that is definitely unaltered. I’m on the fence about the post office, shown below, which could be the same building from another angle and with different things around it obviously. The schools have long been replaced (or in the case of the parochial school possibly disappeared) by newer structures. (My own high school in Rumson still exists intact with its old building but a certain amount of building on has happened. You can still see the bones of it however.)

The Post Office in New Brunswick – I believe it is the one shown in the postcard. The windows are the same.

Someone has written the initials JHB in the lower right, under Greetings from New Brunswick, NJ. On the back, also written in pencil it says Miss Ethel Hardy, 5 John Street, City. However, it was never mailed and it is incomplete. Another version of the card I found online was mailed in 1908 according to a cancellation mark.

The card was published by Hammel Bros., New Brunswick, NJ. It was made (printed) in Austria however. Hammel Brothers, not surprisingly, seemed to special in cards of a local nature in New Brunswick, NJ, although I do wonder how they would have made a business out of that bit of limited fame and for how long. They have not left many tracks and mostly there are references to a brewery of a similar name and time in New Mexico.

As you read this I will be packing up and heading to New Jersey this morning. As per yesterday’s post, there is snow on the ground (more overnight and a fair amount coming down now) and still a bit more throughout the day, hopefully in a desultory sort of way. Anyway, a tip of the hat to my home state and the undiscovered treasure of New Brunswick from a time passed.

Jack and the Giant Kitty

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Pam’s Pictorama Post: It seems only fair to launch 2026 with Pictorama’s best foot forward so today I share a tatty but wonderful Louis Wain card to help set the tone.

As always, it is impossible to entirely follow Wain’s train of thought. While we all know Jack and the Beanstalk, what might have possessed him on a given day to make a one off cat version? Hard to say, however I will share that frequently as Kim and I go through the world, he pops with one-off ideas that could be one or two page comic strips but because of the nature of his work (long, complex stories) he will likely never use. We might blow them out a bit while we’re walking but know they are unlikely to ever go anywhere. For example I pointed out the other day (we were discussing the idea of a short piece about the orderly way he tends to eat food – I call him a largely linear eater) and he took it down the line a bit of how it could be a comic. That would be if he had a weekly deadline, like back in the days of papers like New York Press, and then he’d be using them all.

Anyway, I imagine Louis Wain, at least at one protracted point in his career, was just grasping at every single idea and utilizing it. Either that or his brain just overflowed with them. Hard to say. (I have happily embraced writing about Louis Wain, his life and work, via a number of items which can be found here, here and most recently here for starters.)

Wain is in his full glory in this card. His humanoid-ish giant cat wields a bread knife with a small potpie in front of him and an oversized mug (stein?) which tiny (rat-sized) sword wielding kitty hides behind. (Would the giant be less dangerous if he had a larger pot pie? Just asking.) The giant has a three-prong fork grasped (awkwardly) in his other fat, white tipped paw. It is a formal table setting and another fork and spoon are in front of his pie. There is a lit candle and, sort of funny, a salt cellar and pepper shaker to his right, our left. A potted plant on a doily is on the other side which is sort of a funny middle-class household look. You can almost imagine Wain added that touch from his own tabletop.

Early Wain post from ’18. Pams-Pictorama.com collection.

The giant and Jack are both brown tabbies – a coloring I am not sure is prevalent in the real world of cats. (Putting Bengals aside as I don’t think they were known at that time.) Giant bully kitty has his ears back (same color as the tapestry design covering the back of his substantial throne-like chair so they blend a bit) in a very real annoyed feline fashion. His fangy toothies show in his whiskered grin, but it is the look of merry mayhem in his eyes that tell the tale! Yep, he sees Jack and he’s thinking a bit of extra protein on the run for today.

Meanwhile, we only see Jack from the back, tiny sword in hand. As noted, he is a slightly darker odd brown version of a similar tabby stripe. He’s sort of portly (hang-y kitty tummy) to be our hero – usually portrayed as a kid or in this case kitten. At the top right it just says, The “Louis Wain” Series. Bottom left says, Jack the Giant Killer and Louis Wain. This card is a bit grimy and found its way to me with some folds – there are indentations (although not holes) which might mean it displayed somewhere – hence the grime but also the survival.

The back sports a somewhat illegible postmark but I can make out April 19 and 1907. This was sent in the United States (most I have seen were sent in Britain) and addressed to Miss Miriam Hall, Bangor, ME 395 Center Street. He writes, Dear Miriam, What do to you think of these Pussies? Papa. I think that’s what it says – Pussies looks more like Jussies though. (However, to go off on a bit of a sidebar – have any of you seen the articles about how the post office is no longer saying that mail will be postmarked on the day it is picked up? It is now going to sorting centers where it will be postmarked before distribution, hence days later. So much for a world where there were AM and PM postmarks!)

Back of card.

Despite the card having been mailed in the United States, it was printed in Great Britain by the ever popular Raphael Tuck & Sons company of Wain fame. The card, it is noted, was designed in Britain and chromographed in Germany. It also bears the indicia that Tuck was the fine art publisher to their majesties the King and Queen, and to TRH the Prince and Princess of Wales.

This jolly card joins a growing subset of Wain cards in my collection. Whatever else that can be said about Mr. Wain, more than 100 years later, he always puts a smile on my face.

Still Young

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Pam’s Pictorama Post: The year is still young enough flash this New Year card, found in the pile on my desk back here in our New York HQ at Deitch Studio. We made the trek back, cats tucked unhappily in their carriers, a few days ago, this past Wednesday. A food delivery (love ya Fresh Direct) will arrive in a bit. After spending the morning with you all here at Pictorama, I will finish unpacking us, break down a bunch of boxes that we moved art supplies and food in, and life will slowly resume its Manhattan manifestation until the summer when the whole crew will decamp again. I will of course be in New Jersey periodically looking in on the Jersey Five (cats) and continuing my efforts to convert Peaches to a pet-able house cat.

Like almost everyone around me, I have started the New Year with a bad cold which is hanging on tenaciously. Meanwhile, Blackie seems a bit morose which leaves us scratching our heads – we know he doesn’t miss the other cats there. Was his spot on a chair in the sun that nice? Or under another chair and near a heat vent? He’s eating but carrying an expression of world weariness. He hisses at Cookie as if he never met her before – something he does when we return to the apartment.

Okay, onto the postcard! I don’t know how I missed this brilliant card when piling up ones for New Jersey, but I did and I cannot wait a whole year to share it. This one has weirdly wonderful all over it. It wasn’t cheap but it was among some items I considered a bit of a bargain when purchased last fall.

I am a longstanding sucker for a good moon face and this one certainly qualifies; I could not ask for better. What really kills me is the weird little skirt-wearing body they have attached it too. (Is the moon a woman?) Weird nebulous feet on sort of fat baby-esque legs and the amorphous body is finished off with hands that look like they belong to yet something else. That moon head just floats though and is more substantial so at first you don’t put it together with the body, but then you do and chuckle!

The cheeky cherubs, in the arms of the moon, have a champagne bottle, held by one while the other toasts (or is it offering the glass to the moon?) with a glass full of bubbly. Dark clouds fill an even darker blue green sky behind them. Because it is dark it is hard to see but this card is lightly embossed, the cherubs in the highest relief but the clouds are gently shaped too, the moon’s dress also in low relief giving it texture. It wishes us A Happy New Year at the bottom in an Arts and Crafts writing so decorative it takes a minute to read it.

Back of card – what is the aunt’s name?

This card is postmarked on December 30, 1907, from somewhere in Pennsylvania; the town is illegible. To the best of my ability to read the brown ink script it says: Hello! Auntie: – How you feeling by this time red’d your letter this morning am very glad your roommate studys [sic] harmony once in a while. Your niece Ethel. It is address to Miss Grace Mangst, Warrin. Ohio D.M.J. No maker mark is in evidence on the card – which is too bad because these folks had something going on. I don’t usually hang seasonal cards but this one’s a gem.

Cover of upcoming book.

Of course the big 2026 news here at Deitch Studio is Kim’s book, How I Make Comics is coming out in April. It is on pre-order – find it here. We find ourselves already deeply immersed in how to help launch this book. In the service of promoting it, I am toying with doing a podcast where Kim and I will talk about the origins of the stories and his history in comics. As I have previously with other intimidating projects (I know nothing about recording and editing), I share this with you all to help keep me honest about working on it. However, I am also asking you to weigh in on the idea. Is it a good one? Will folks listen? Or should I keep to my tip tap typing? Please weigh in below or leave a comment.

Snow Person

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Pam’s Pictorama.com Photo Post: Today we woke to several inches of snow and more falling so this card seemed like the logical item for today. Purchased a few weeks ago on eBay, I brought it to New Jersey figuring I might have a big opportunity to post it – and right I was.

No judging my nascent shoveling as shown from upstairs.

First thing this morning had me out for a rare morning of snow shoveling. Ouch! I am perhaps a bit long in the tooth to adopt this as an occupation – today’s snow, shoveled early, was pretty light but already forming and icy layer under it so it was best to get it done early, or at least the first go at it. I don’t have much skill at this shoveling thing although my mom always did it until she grew too old and then she hired someone. I have someone who comes when I am not here or it is too hard, although he is nursing a bad respiratory infection so another reason to give Fitzroy a break.

Snowy backyards from upstairs.

Clearly, we are here in New Jersey, having our holiday break. The New York cats adapted fairly quickly to their surroundings and even Cookie is wandering down the stairs with some curiosity about the house at large. Peaches, the meanest of the Jersey Five, is still hissing at us but allowing me to get every closer before she starts. (Not Kim, he still gets the big hiss early on!) Blackie has made his way upstairs to see his sister, eat her food and give her a hard time. (We separate them here for that reason – we’d never get any rest otherwise. The fighting will continue back in NYC for a bit before it subsides.)

Yesterday, we wandered into Red Bank despite the plummeting temperatures ahead of the snow. I made some interesting acquisitions but more about that to come in future posts.

Kim in his temporary studio earlier today. Snow out the window.

Anyway, this is an odd card. It was sent from Berlin to Monte Video on September 9, 1908. It is too hard to read the full foreign address but it was sent to Herr Christianson with no note on the back and one I am unable to translate on the front. (If someone else can, please share a translation!)

What got me was this strange snowman, slightly strange looking girl (with a bit of a wicked expression on her face) who looks like she is whispering in his ear. She sports a pointed, witch-like hat with a bow. The snowman is complete artifice, is he painted? Perhaps painted on wood and cut out so she can be solidly behind him in her fur trimmed attire. He wears a sort of smushed (top?) hat, has a sort of long pipe and this cheery little broom. I especially like the snow, which I am guessing was a post production addition.

The top of the card, the best I can read it, has Gluckuches and Neujahr printed at the top. The latter seems to bring up German New Year’s cards which is what I think this is. Below is another (very delightful) card that came up when I search Neujahr. Sorry I missed this one on eBay!

Unfortunately not in Pams-Pictorama.com collection and produced by the same company. Champagne! Money falling! Not clear to me what the other woman is dropping – bills? cards?

So on a snowy Saturday in New Jersey less than a week before the New Year, I consider the upcoming one, more than a hundred years since this card was sent. I wonder what secrets of the New Year she whispered into the ear of the snowman and what tales of the year she’d have for the year to come for us today.

On Christmas Day Have Mirth and Laughter

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Pam’s Pictorama Post: We have a cat Christmas card entry of a jolly sort today, something to get us tuned up for Thursday.

Here in Manhattan, after about four inches of snow last week, we were awash in rain yesterday. (We’re talking street flooding – a lot of rain!) Although there is precipitation in the forecast for later this week, I’d gamble a guess that it will be a green Christmas in New Jersey. A few degrees either way though and we’ll see. Pretty as the snow is (see below for some photos of the house last week) I guess I am old enough to see the disadvantages of shoveling (or paying someone to!) and the slippery sidewalks and roads. We do like to take some long walks when we are out there. However, I wouldn’t mind a sprinkling for Christmas though to see if it could put me in the holiday mood a bit which I could use.

Snowy front yard in NJ last week! From a friend’s phone video.

The end of the calendar year is always a very busy time for fundraisers. I believe I have opined on this in the past and since the earliest days of my chosen career, the last weeks of the year have been fraught with either being too busy (at the Met) or not busy enough (my first years at Jazz).

My current gig combines its Top Dog Gala and its fiscal year end at the already very busy calendar year end. It’s pretty boffo. However, now in my second year end there I understand it a bit better and I am hoping for some down time, even while keeping an eye on things at the office. I am also old enough to know that we have a plan we’re executing and what will be will be. It isn’t really the sort of place, like the Met, where someone is going to decide they want to donate a valuable mortgaged piece of property in the last ten days of the year.

Decorating and setting up for Top Dog earlier this month.

Therefore in my adult life there has never really been a holiday season that has been free of work concerns. There was the year I left Jazz right before the end of the year, but that was a year of other losses and the holidays were a bit sad and full of the anxiety of a new job. Sometimes you just do the best you can do over the holidays.

The card at the top of the post sums it up well, Whatever fortune my come after, on Christmas Day have mirth and laughter. Mom and Dad cat (perched on an ottoman) are in an interesting composition of paws and tails. (The adult cats form a really great sort of central square with a paw and a tail leading us in and out!)

Their progeny, in kitten form, giggle and poke each other next to mom on the couch. There’s something about the furniture that makes me think that it is so specific it refers to real furniture somewhere in the artist’s life. It’s a very suburban and somewhat prosperous scene. Whatever their world weary worries are Mom and Dad cat chuckle together.

The artist knew cats. Dad cat is a proper orange marmalade and mom a darker orange and brown mix – producing an orange kit and as well as a black and white tabby. This combination certainly within the possibility of likelihood.

The copyright on the card is actually 1890 by a company called L. Prang and Company of Boston, USA. Below I share (in its entirety) an entry on Louis Prang via the Boston Public Library:

Louis Prang (1824-1909), a German immigrant, ran a highly successful printing firm in Boston during the late nineteenth century. His company produced high quality reproductions of major art work and greeting cards using the complex technique of chromolithography. Prang is often referred to as the ‘Father of the American Christmas Card’ because holiday cards were rarely exchanged in America until his factory began producing them in the 1870s.

A quick look at his other wares in terms of Christmas cards does not show many of this type. He generally seemed to go in more for arty reproductions of flowers and holly. There is a tiny signature for the artwork, EBW. I cannot find tracks on him, perhaps his foray into cat cards was brief – or he eventually expanded his signature.

This card was never sent but in faded pencil on the back, in script, it says, John Peckham.

78th Street on our way to Orwasher’s last Sunday.

So today’s card is a shot over the bow for those of us who are having trouble getting the the holiday spirit. I will spend my day packing us up for our 2-3 week sojourn in New Jersey. And cleaning the apartment – I like to come home to start the New Year in a reasonably clean apartment.

Tomorrow is the 2025 Deitch Studio card reveal. For ongoing readers, you knew it was coming! For now however, try to insert a bit of ho, ho, ho into your proceedings and if not, at least for the day later this week!

Paul Pilz

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Pam’s Pictorama Photo Post: I am taking a break from holiday influenced item posts (but evidently still devoted to dogs), to bring you an item I purchased at an odd venue last weekend. An ad on Instagram for an Oddities Flea Market (@odditiesfleamarket) caught my eye and on a whim I paid for tickets for Kim and I to go. I knew most of it would not be of interest to me, but I figured that maybe 25-30% of the vendors might be interesting. The line to enter (even with tickets) went down West 18th Street at the Metropolitan Pavilion and evidently it is an annual affair with a devoted following I have just never heard of previously.

The percentage of Pam’s Pictorama type vendors was perhaps a tad lower than 25%, but black cat items sort of did have a big moment there and I ended up making a not insignificant number of purchases in the end – and could easily have spent even more. One thing that got away at this table was an old orange ceramic cat that lit up. It had already been broken and repaired and I would say the ability to get it to light up seemed dubious, but in the end it just seemed too fragile to come live here at Deitch Studio. Still, I imagine that it must have a great orange glow if you could get it working. Anyway, you will be the beneficiaries of those interesting tidbits I did buy in coming weeks and this is the first of them I am sharing.

This photo postcard came from a vendor who had a nice little cache of black cat and other interesting items. After shelling out for some bigger items I pawed through some excellent (and reasonably priced) boxes of photo postcards. I plucked out two, and Kim one, and today I share the first of them now.

A quick search of Paul Pilz turns up a fairly thorough blog post on him which can be found here. I have nicked this other photo of Pilz from that site. It is a larger shot of him but very similar.

Alternate version of the same publicity photo, seems like this one was used pre-War however – not in Pictorama.com collection.

I won’t endeavor to repeat what that post has to say, but between that site and AI I learned that Pilz was evidently part of a traveling troupe on what is described as very small stages with a dog act, accompanied by him on the trumpet and doing comedy. This popular act ultimately morphed into one where he was a featured performer entertaining the German troops during WWI. (Wanderfheafer Armee Abf. A. on this card – they were already an army headliner. I shudder in horror some indeed at the idea of what traveling with a troop of dogs entertaining troops during WWI might have been like although for the dogs it might have been the best of gigs and options.)

Although I generally collect images of animal imitators (some posts on those can be found here and here for starters) I do have a sub-genre of photos that feature acts (here is one of several) and these seem to belong here too.

There was a recent article in the New York Times about a dog act at the Big Apple Circus (at this time it can be found here, entitled The Show Stealing Dogs of the Big Apple Circus) and so I had a moment recently to contemplate the treat filled world of dog tricks. I like the part where the trainer says if they mess up (balk at jumping through a hoop for example) he just makes it part of the act.

From the NYT article, performing pups.

Years ago Kim took me to a cat circus (Russian) performing downtown here in New York. I even had my photo taken with the ringmaster – for a price of course. I loved it! The photo hangs on an overflowing corkboard near our computer where a drawing of Kim (by Dave Collier’s son who visited about a year ago), something about Carter De Haven and an long ago article on a nascent Ugly Betty cover it. I wanted to pet the kitties which was, understandably, not encouraged. From the perspective of having seen that, I will say, cats or dogs, performing is a treat filled activity and I can only assume it is the rigorous work outs that keep the animals trim.

Under his name it says, roughly translated, with self-written repertoire – I guess a way of saying original gags? It declares Humor at the top, in case the photo didn’t alert you. The sort of masked characters on either side of that are a bit terrifying. Urns of flowers are on either side and a decorative bow tied image of him make up this card.

In the photo he presents a comical character with his trumpet, and his dog in his arms held like a baby. He looks at the dog and the pup looks out at the camera. I’m not sure but this photo may have been artificially put together from two – it doesn’t quite fit as a real image. I’m not sure I can entirely follow the concept of a dog act driven by trumpet playing. It sounds – loud!

This card is a bit tatty but was never mailed, no writing on the back and therefore no date certain, except that it clearly was during the war. I wonder if these were given out to troops when they were performing – and how strange that if so it has survived all these years just to land here in December of New York City of 2025 and find its way to the Pictorama library.