The Bowers Movie Book: Aesop’s Fables

Pam’s Pictorama Post: I have an unusual nugget of animation history today. It came to my attention on a search for Aesop’s Fable dolls which I have put out in the world. I asked for more photos because only a few pages of the inside were shown and I was afraid it was just the covers and a couple of pages. The seller quickly replied. In the end I offered a bit less than he was asking and he agreed. It was still a bit dear but something about it appealed and I went the extra mile to purchase it.

Try flipping the page by hitting the arrow!

In reality the book is more interesting even than it appeared at first. Every illustration has a second illustration under it and you are instructed to (gently, especially now) flip to the second page and you see “movement” between the two. It is rather ingenious and simple – a different type of flip book. (Flip the Pages…the Pictures Live.) The book is super worn and shows evidence of much use, flipping the pages. Every other page is several more short tales which are illustrated but do not flip.

It was published by Harcourt, Brace and Company of New York and we can see it was Book 2. A search on the internet shows that Book 1 was dedicated to Mother Goose which looks at least equally interesting. In the back we see that there was a Book 3 (which I now really want!) about the circus which seems to feature a very Koko the Clown looking character! Book 4 was called Once Upon a Time. These volumes are somewhat rarified and I can only find evidence of this one and Book 1 having been recently available for sale. There are eight pages in its entirety, counting the fold-out double pages as one.

One of my attempts to show you how flipping the page looks.

The artist/s do not appear to get credit for these so I am assuming that Charley Bowers is the artist and perhaps the writer as there are no other credits for the book. On the inside cover there is a 1923 copyright and W.F. Powers Co. On the cover we see that there is a Pat. Applied For.

Charles (Charley) Bowers started his animation career working on the silent Mutt and Jeff cartoons. By the early twenties he moved to Educational Films where he made slapstick comedies, some shorts featuring Rube Goldberg creations and a mix of animation, stop motion and live action short subjects. He is prodigious in his output through the twenties and does a stint with Walter Lanz in the thirties. At the end of his career he moves to Wayne, New Jersey and drew cartoons for the Jersey Journal. Sadly at the end of his life arthritis cripples him and he instructs his wife to execute drawing the cartoons under his instruction.

It is also noted in his bio that he was known for illustrating children’s books although the Wikipedia article mentions this for his post-film career and these were clearly made in the thick of it. He was largely forgotten until a Lobster Film dvd came out in 2004 and revived interest in him. It is still available however you will pay up. (It can be found on Amazon here or Flick Alley here. I would poke around eBay for a slightly better price.) As a result, not many videos are posted online, but one I offer is available here.

Clearly a bit of a mechanical genius this is a tiny salute to Charles Bowers of early animation fame. This book is a remaining concrete tribute to his ingenuity.

Felix’s…finger?

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Pam’s Pictorama Post: This card, not surprisingly, hails from Great Britain. It was mailed on December15, 1923. It was mailed from Saffron, Walden at 9:30 AM to Miss Lucy Piggot, St. Wilfords, Mill Hill, Sudbury, Suffolk. I picked it up on eBay and had it sent to the house here in NJ.

It is a hand drawn and inked card and is a good Felix likeness for that early 20’s period – square and blocky. His pose is an X and one could even see a swastika in it although I don’t think that’s the case. Mystically it says, I’m Felix, Mascot to the “Sudbury Happy-go-Lucky’s” and the signature, I assume of the artist, R Good in a design. (For another Felix fake try another post from my collection here.)

Felix has a big bloop of a nose and a couple of fangy teeth. Kim thinks he is giving us the finger which is undeniably a reasonable assumption. I thin it is more likely an insipid sword. The other hand is a bit odd too and the least Felix element. He has a rounder tummy than I associate with Felix and perhaps a less perky tail – still something about him captures what I think was the Felix mood of the day. The Happy-go-Lucky’s must have been quite a group.

The message on the back does not enlighten us much. It says (to the best of my ability to transcribe): c/o Mr. Penning, 28 Church Street, Saffron, Walden SX. Dear Lucy, Many thanks for Ple. (?) I am glad I’m not there to “sit down”. have got that other song its not bad. I thought I saw someone at the window Monday. I was in the carriage with the bright lights. What do you think of my mascot not bad eh? Will you take care of him until I return then I will disclose to you y plan now I will disclose to you my plan now I must close. I hoping your cold is better. Well best of luck and love to all. Jack (I have mostly added some punctuation which Jack seemed to feel unnecessary.)

So more than a hundred years later this message is a bit cryptic if intriguing. Something to ponder on a sunny Sunday here in New Jersey.

It’s a Felix!

Posted by Pam's Pictorama

Pam’s Pictorama Post: Sometimes here at Pams’s Pictorama it’s just a Felix acquisition day and today is that day. The other day combing through listings I came across a duo of Felix in Australia. The condition was sort of medium and the price right and the next thing I knew this fellow was on his way to me.

I have a few other examples of this Felix and this fellow in particular may next find his way to New Jersey where there is a shortage of Felix-es at my house. (Although there is an abundance of kitties who have a lot of unsupervised hours so I am mindful of that as well. The younger inhabitants there like some high jumping too and I have an Oswald Rabbit I worry for occasionally. A post about him can be found here.)

Years ago I was at a huge vintage toy show in Atlantic City where a dealer had a whole basket of these (such bounty!) and he said that they were used as carnival prizes in England. They must have been very popular because many exist today but somehow they seem a bit too well made, and therefore expensive, for that. Still, it makes my brain whirl a little to think of being able to bring home such a toy from a fair – perhaps after having had my photo taken with Felix elsewhere earlier in the day. (Throwing in a photo below from my collection of folks posing with Felix for anyone who is a new comer here!)

Also a long time ago I took one of these for repairs at a toy hospital that used to exist on Lexington Avenue near Bloomingdales. I wrote about it here. It turned out to be very expensive but, at least for me, worth the brief entrée to that somewhat ancient and particular place before it quietly disappeared a few years later.

This fashion of Felix has mobile arms and legs. (Legs had come off on the one that had to be repaired. I do not recommend moving them much – I learned from the broken one that there is just a rusty metal rod holding him together.) This fellow has a good look until you realize that oddly almost all of his mohair has worn away. His tummy in particular is quite bare as is the spot under his snout. He has such wideset eyes – they always contribute to a goofy look. His tail, as is often a design feature, sets him up like a tripod for steady standing.

While his felt ears are intact, Felix has a few places where his fur is completely worn through, revealing small spots of the straw stuffing underneath. It is my understanding that these were assembled by hand in England in small factories. (Read a very interesting and popular post about this here. Such a factory was set up on the East End of London to employ indigent women.) All this to say that these end up have a very individual character and look to each one.

*Tummy is oddly barren. Pams-Pictorama.com collection.*

I did express some concern about Felix making such a long journey from Australia to New York City with the small holes and stuffing in particular leaking through. I am afraid I offended the poor seller when I asked – it wasn’t meant to be a reflection on her packing ability – more just the reality of a certain amount of jostling he was bound to undergo. However, she pledged extra good packing and she came through so there was barely a smidge of stuffing loss in transit.

We will pack him carefully again as part of our exodus to New Jersey in a few weeks. Until then he is hanging out with his Felix brethren here in Deitch Studio.

The Spice of the Program, 1927-1928

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Pam’s Pictorama Post: I’ve had this interesting advertising book in my possession for a number of weeks and am just getting around to sharing it with you all. Obviously I purchased it for the Felix page, but I do find the whole publication of interest.

For starters I am impressed with the idea that these were sent out en masse to theaters to encourage bookings. For all of it’s heft and embossed-ness it doesn’t go into any detail about the packages you would be ordering for your theater. These were all short subjects, like Felix, so each page highlights a topic.

The opening page, with a photo and a letter from E. W. Hammond. While I cannot seem to trace his title over at Educational Films, I have run across him advertising Felix films previously. The link to two rollicking pages advertising Felix cartoons can be found here. In his letter at the front of this volume he refers to the proven success of these shorts. He writes, It is a group of pictures without an element of a gamble – backed by seven years of specialized experience – a product of proven value.

I am giving you a slide show to page through the entire holding at the end of the post but want to highlight a few. I will start with Felix, although he is found toward the back of the volume. These years were Felix in his heyday and 26 new one-reel cartoons were in the offing. He strums his banjo and eyes the girl cat, Kitty, peering out around a building. There is a frowning faced moon on the other side. Felix is perched on a bit of fence but I like the way the buildings curve in around behind him like they want to break loose and frolic. It is a jolly nighttime scene with stars in the sky and all the buildings lit up – occupants no doubt listening to Felix’s serenade for better or worse. A careful look shows that his snout, as it were, is the same pink as the buildings. Someone named E. Ritt claims illustration credit and that is someone other than who has executed the other images. Such popularity means patronage and profit…

*These are the ones I am curious about.*

Beyond Felix there are a few other highlights for me. 12 One-Reel Curiosities The Movie Side-show catches my eye. This one is also signed by E. Ritt and here his imagination has been let loose a bit. We have a tree with eyes watching a witch stir a caldron producing smoke which reveals owl eyes, and a three-headed cat eyes us! A spicy dish concocted from many oddities gathered from all corners of the world, and served with a dash of wit and humor. Oh man, I wonder how they delivered on this?

I like the page of Dorothy Devore comedies – she’s shown with this nice teddy bear. The artist of the spread seems to be someone else and they are identified as E.R.H. It states, A girl comedy start — a real star — is a rare asset. Well, I like that! This was toward the end of Dorothy’s working life. Wikipedia says she stopped making films in 1930.

There is a sort of centerspread which has Cameo Comedies on one side and 12 One-Reel Lyman H. Howe’s Hodge-Podge, a medley of clever ideas offering more variety to the foot than any other sing reel on the market. Across these two pages we see everything from a girl with her sax to camels, African-type natives and a coolie to whales and the Sphinx. I assume these were largely cartoons – a fact also confirmed by Wikipedia.

So quite a year, ’27-’28. A fraction of these films may still exist – luckily with a good survival rate on Felix. I’ll likely never really get to judge the one-reel curiosities, although you never know what will turn up.

Flip through the whole book below.

Orange, New Jersey

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Pam’s Pictorama Photo Post: Today’s Felilx loving post is an unseasonal Thanksgiving tribute, but I couldn’t possibly wait that long to share it.

In addition to the neatly typed ORANGE NJ on the front of the photo, handwritten on the back it reads A Rubber Felix Thanksgiving Day East Orange, NJ. It is also stamped with what appears to be…CMA L. Simpson…17 Pleasant Ave. Montclair, NJ. It was glued onto something black at one point much of which remains here, likely a photo album, and the full address is obscured.

This is an overexposed and not especially good print so this establishment must have just processed and printed pictures for people.

Still, it clearly has its charms and I am glad to take the trip back in time to see the scene. In addition to this large Felix balloon, what I like best is the Felix headed and clad retinue around him, like Felix-y mice around the big cat! We can see four, my guess is there was at least one more who is out of the shot.

*I thought at first that this could be the same balloon butclose inspection says no. Pams-Pictorama.com Collection.*

It is sadly undated but a very close look reveals that many of the women are wearing distinctive cloche hats. Those were popular from the early 20’s to the early 30’s. Randomly I would guess this is the mid-to-late 20’s given Felix’s rise to popularity and the rest of the clothing I can discern. Someone smarter about cars could probably tell more about the date from the one or two in this shot.

Thanksgiving is already a wintery scene here and people are bundled up to watch this parade. A close look reveals that the crowd extends up the stairs of this unidentified but official looking building. (If there are any Montclair historians or residents who can identify this building give a shout.) You can’t see it without magnification but in reality most of the people across the street seem to already be looking at and pointing to something coming up next.

I have written before about my love of Thanksgiving Day balloons in the parade and how I always wanted to go see them as a child. As a young adult here in New York City I would often go to see them blown up and strapped down the night before although I have never made it to the parade. My father had the freezing detail of filming it and the night before in his days as a junior cameraman for ABC News and there was no enticement I could find to get him to take me.

I love that New Jersey had their own rival, early Thanksgiving parades complete with balloons and I have shared a few parade pics here from my collection. Felix was popular coast to coast and one of these photos which lives by our front door in NYC is from Portland. The posts for those photos can be found here and here.

So while today would have been more appropriate to have an Easter parade this weekend, I conjure up another long past if somewhat unseasonable holiday for you today.

Esoteric Felix Photo Find, Seeing Double

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Pam’s Pictorama Photo Post: Today’s post is a bit of Pictorama inside baseball as it were, with some coincidences which occurred nicely and a bit of a divergence down another tributary. If nothing else lots of eyeball kicks from my photo collection today.

Recently I jumped, as I do when I see them, to purchase this postcard of three children and Felix. It is a particularly nice one. Like virtually all of these souvenir postcards, this one was never mailed and on the back is only more contemporary writing noting, Felix the Cat.

When it arrived I realized that I already owned one from the same session or the very card. As it turns out, according to the number at the bottom it is a, more or less, identical image from the same negative. They are both originals and it is virtually the first time I have collected two contemporary copies of the same photo. Surprising to me on some level considering how many I purchase and how many people must have ordered more than one copy of a fun family photo. (The notable exceptions in my collection would be once or twice when I purchased a full lot of photos from one shoot – on two occasions I think once a batch of tintypes from Australia and a strange bunch of photos a a giant Felix at an intersection in Kuala Lumpur of all places – and ended up with a repeater in the group.)

*The photos side-by-side*. *The one on the right is the earlier purchase and slightly better version. Pams-Pictorama.com Collection.*

Another interesting fact is that this one was purchased from a dealer in the UK as most are (some, tintype versions as far as I know, come from Australia), and the original one was that extremely rare occasion where it was purchased from a US dealer, whose card it happens I saved in the sleeve and just found. I have bought very few of these photos from US dealers, they generally don’t seem to travel far from their place of origin, at least until they travel to me. These do not ever appear to actually have been produced in the United States which always leaves me wondering what was wrong with the folks at Coney Island anyway? They missed a great opportunity.

So one wonders why one photo traveled far from its origin and mate. I guess a family member lived or moved abroad, or it was somehow separated and sold off to a dealer and found its way here. By way of comparison, it should be noted that today’s was developed poorly, a bit of overexposure – note that the wooden floor is bleached out as is the background a bit and the printing in general is lesser, chemicals a bit tired on that day perhaps. Although the one recently purchased is also a tiny bit larger meaning that there is a bit less information too. Pure speculation but my guess is that one of these was ordered subsequent to the first one when a copy was desired, perhaps to give away to a doting relative.

*One of the ones that may show the same windows and likely Felix. Pams-Pictorama.com Collection.*

The post from March 2023 can be found here and investigates another coincidence which is that I have at least one other photo (possibly three now that I have a look around), taken at this very location and with this Felix. These were taken on the beach itself rather than near a studio so identifying the location is always a bit iffy. These distinctive windows are the key here.

*Pams-Pictorama.com Collection. I think someone in Australia selling reproductions of this one.*

Meanwhile, while on the subject of seeing double, I occasionally find one of my photos reproduced for sale. At top above is one where I have assumed that the seller scanned the image (shown above) at the time of selling it to me and another is one I missed at auction and now reproductions are being sold – a bit different admittedly.

*Pams-Pictorama.com Collection. Reproduction prints of this one turned up recently.*

However one (shown above) turned up after I had owned this photo for a period of time and I was curious. (Posts for these pics can be found here, here and here if you are curious.) I did wonder if somehow they had lifted them off of my post, but I doubt the fidelity would be good enough for an even halfway decent reproduction.

Of course the possibility that the seller owned another print of the same photo occurred to me as well. I reached out to them with a friendly and polite inquiry and their response surprised me. He had purchased a box of items and at the bottom was a disk and the image was on it so he was printing and selling them. Interesting!

While some less utterly compulsive folks might see duplicates as an opportunity to sell one off, at least in the short term I am just tickled to have these photos reunited once again.

I Yam What I Yam!

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Pam’s Pictorama Toy Post: It’s a Popeye post today! I am not sure how much I have shared my real affection for the sailor man here, but I am a fan. Years ago I was in a particular funk and I cheered myself immensely reading all of the daily Segar strips over a period of weeks.

Some readers may know that I have an unusual predilection for daily strips rather than Sundays. I understand what the fuss is about when it comes to Sundays – they are gorgeous and I admit that it is an odd preference. There is something about the day in and out of a weekday strip that I love, a real whiff of the past, reading them as folks would have followed it in their paper daily. I feel the same way about Krazy Kat.

*These were the volumes I read, but others are more available now.*

Anyway, I had not given Popeye significant thought since watching an endless loop of the cartoons as a child. Seeing his origin and those elegantly drawn strips by Segar made me a fan. If you’ve never read them do yourself a favor and pick up one of the volumes – I think Fantagraphics has them collected again. I know they have a book of the Sundays too. At the time I read them I acquired a shelf of hard bound volumes that Fantagraphics had put out years before. I am in New Jersey or I would provide a shot of them in a place of pride in one of our bookcases there.

*Not my toy, but this is what the parrot looks like.*

Speaking of New Jersey – today’s toy was an unexpectedly great Jersey buy last weekend. Kim and I spent an afternoon poking around at the Antique Annex in Red Bank near here. I’ve written about this establishment which I have frequented for decades. When I was in college my Dad used to buy antique jewelry there for Christmas and my birthday. We’ve seen it through many iterations. A post about finds there last year can be found here.

While the merchandise had definitely turned over since our last trip at Christmas, it had a slightly picked over quality overall. This is their peak tourist season and a train leaves you just blocks from this couple of buildings of goodies so it is convenient for day trippers to our shore town.

*We had lunch at a pizzeria called The Brothers – a blast from my past, Dad and I used to frequent it. Some very fine NJ thin crust pie here.*

However, buried deep in a cabinet of toys which clearly bore investigation, there was Popeye. He was a bit dear, however a bit of bartering (cash is king) and he became quite reasonable. Frankly I have seen this toy for more previously at auction so I felt good about the purchase.

*A rather great display of Santa’s at the Annex. I might have to go back for one of these.*

In doing some research I realize he is missing a parrot which would have perched atop the cart. One auction site says that the parrot popped out but if that it is true it is a variation on the toy because that would not have been possible – he probably wiggled back and forth though.

I like Popeye’s striped trousers, his pipe and of course his identifying moniker on his tattoos. His cart, the Popeye Express, has labels for Asia, Turkey and China on one side and my beloved New York on the other side. (Sorry, New York was the only city worth mentioning guys!) His shoes are sort of funny, but of course are designed to help him scuttle along on the ground, rather than a sartorial statement.

Kim gives Popeye a little push this morning for this video.

There are some scratches and paint loss but he’s in pretty good condition. There is no maker’s label but it is identified online as Linemar Marx. I gather Linemar was the Japanese made division of Marx toys – manufacture was less expensive there and the toys were shipped back to the United States for sale. Many were character toys of the time. In the biz from 1918 to 1980, Marx holds a somewhat legendary name in toys. Known for their trains and cars in particular, they will always be character toys like this one for me.

Some of you might remember a Popeye post from several months back, a lamp which currently graces Kim’s work table here in New Jersey, but may be making a move downstairs soon where I can see him more. (That post is here.) Maybe Popeye is becoming a sub-genre here at Pictorama. We’ll have to see what toy treats might be in store for me and all you readers.

Pencil Felix In

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Pam’s Pictorama Post: I did consider saving this item for a back-to-school post after Labor Day, but here we are, in need of a post and here it is. For those of you heading back to school in a few weeks, you can consider it a shot over the bow in advance of that event.

I have looked at Felix pencil boxes for years – it almost seems like no two are alike so many variations on the theme turn up. I have bid on numerous ones and never won one to call my own. I guess I had an idea in my head about how much I was willing to pay and I just kept being outbid.

Finally this one, a rather superior one I might add, appeared online for sale with a flat price I was willing to pay and I jumped on it. Then I did something with a bit of foresight which was I had it sent to the house in New Jersey. Then, in all honesty, I utterly forgot that I had purchased it! It was tucked in a box with another purchase and I was very excited to discover it.

*Back of the pencil case – Felix as artiste!*

Condition is often a major issue in these as kids used them hard and they are after all meant to be somewhat disposable. Often they have crayon or pencil marks or they have been opened and closed so often that they are tattered and torn. By comparison this one is in virtually pristine condition aside from a bit of wear in the lower right corner.

Felix and two junior Felix-es march across the front with some sort of towers in the background. Felix the Cat is penned across the top quite nicely and while these are the rounded off version of Felix the bodies have a nice blockiness. The image and writing is somewhat etched into the cardboard which, in addition to this rich green color, has an interesting texture.

The back has more towers (castles?) and Felix perches while painting or drawing a picture held up by a friendly mouse. The cat and mouse depictions on the tiny top side of this are perhaps less friendly and Felix is bizarrely stretched – chasing a mouse but also held back by one. The bottom side has, instead three mice holding his tail which is stretched, as opposed to his entire body. The short sides have a great sort of Deco pattern.

*Lovely mostly intact inside of the case.*

For Felix fun we aren’t going to beat the outside, but the inside was a surprising treat! Tiny ruler, an eraser (which is as hard as a rock now) and a darling little series of watercolor pans, one broken and one missing but four still perfectly in place. Three pencils remain – two unsharpened and that wonderful Deco pattern paper continues inside.

This lovely item appears to come to us from the American Pencil Company, New York, U.S.A. The American Pencil Company appears in a marking on the front under the flap and also bears the number 1964. Pat Sullivan also gets a copyright mention across from it.

There is the same figured paper on the flap but in a simple golden beige. The whole thing snaps open and closed and that closure is still in good shape.

All in all, as a kid I would have returned to school with great confidence if given this dandy case, an excellent start to the school year.

*Some of my peppers, tomatoes and cucumbers by special request yesterday!*

Louise Groody with a Little Bit of Felix

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Pams-Pictorama.com Post: Today’s Pictorama oddball exclusive is this April, 1928 Theater Magazine page featuring stage star of the day Louise Groody. Shown here at age 21 by my calculation she grasps a perfectly delightful fluffy white pooch and a mysterious equally fluffy (if unable to achieve the same level of actual cuteness) creature in the other arm. She herself is dressed in fur. A very of-the-moment cloche hat covers her hair and shades her eyes in this carefully composed composition. A well trained smile outlined in carefully colored lips and revealing very even pearly teeth.

The bottom of the page reads, Pets, All of Them, Especially Louise Groody, the Hit in Hit the Deck. Below: After more than a year’s successful run in New York, Miss Groody, with the rest of the company, have folded their tricks at the Belasco and silently stolen away, despite the insistent demand of late-comers. They are now on tour, covering the principal cities. (Confidential: The small animal clinging to Miss Groody’s right arm is a honey bear, sweetness – and quite light.) Felix the cat is left out in the cold.

Hit the Deck was one of Groody’s most popular hits. Here she sings Sometimes I’m Happy from the show.

The little Felix is odd – no idea really why he is there, arms folded, smiling. Below him it says, Posed exclusively for THEATER MAGAZINE, photo by Harold Stein. He is indeed the little bit of Felix in this photo and post. (He does not appear on the back of the page where there is a similar of June Collyer.) Just a small paid advertisement? An inside joke about the show long forgotten? I wondered that about the dog and baby bear too – did they have some bearing on the show? Or does she always travel with a menagerie? A quick look at the storyline of the 1955 film version doesn’t show any reason for a baby bear. And no, Felix does not seem to have appeared in the show!

*Unidentified photo of a young Louise with a parrot, continuing the pet theme.*

According to Wikipedia, Louise was on the stage and discovered in her teens. Groody was in ten Broadway shows, four were major hits with hundreds of performances. The same article claims that Hit the Deck was a favorite of hers. She was perhaps best known as Nanette in No, No, Nanette and for her rendition of Tea for Two, although I was unconsciously familiar with her singing Sometimes I’m Happy.

*Kinda looks like Louise here. LooLoo was evidently one of her favorite roles.*

Louise married a few times. Number two was a shyster who chiseled money out of folks, her included – although she was originally named in the indictment. She divorced him while he was in Sing Sing and moved onto husband number three who seems to have stuck. Groody made a pile of dough in her early years on Broadway, subsequently lost most of it in the crash, but continued to work and lived affluently again by the forties. Louise joined the Red Cross during WWII and has a small discography of early recordings. As far as I can tell, she doesn’t appear to have much of a film career, although I can’t imagine she wasn’t in any films before becoming a fixture on early television.

As for Felix I can only say that he was so ubiquitous in 1928 that even a theater publication was sneaking him in, odd considering that in some ways film was slowly eating into and ultimately eclipsing their business. However, in 1928 no one seems to have been able to resist his charms entirely.

Tee-d Up

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Pam’s Pictorama Post: T-shirts are yet another sub-genre of Pictorama. I never made a conscious decision to add them to the collection, but I find I occasionally snap one up.

I generally eschew the older used ones – not that I have anything against used clothes; I have bought from thrift stores and vintage for years. However, there is a convention on eBay where, oddly (at least to me), people sell old t-shirts (or attempt to) for vast sums. I guess there are some super rare Felix t-shirts out there that fetch those sums, but I have a sort of a mental cap on what I think a used t-shirt should cost, no matter what is on it. Anyway, despite all of this, a slow trickle of t-shirts are archived here. (A few of those posts – including some vintage Kim Deitch designed t-shirts – can be found here, here and here.)

I say archived and that is not entirely accurate either. Some are archived and others find their way into favored wardrobe. There was a post about an especially Waldo looking cat on a baseball shirt I bought from a company in Japan – after a considerable international exchange! (That post can be found here.) I purchased two (by accident) and I wear them all the time. They are among my favorite shirts.

*Poshmark was selling it black recently.*

Baseball shirts are preferred – love the three quarter sleeve for running. Actual t-shirts are of less interest for wear. I run in sweat wicking fabrics because I don’t like a soggy cotton shirt and my preference for wearing has always been sleeveless. I find short sleeves constricting. I have been known to cut the sleeves out of my t-shirts, but am not especially inclined to do that to these purchases of somewhat rarified tees. Another option is sleeping in them (atop of my beloved elephant toile pj’s which I memorialized here – I am wearing a new flannel version even now as I type!) although I am a bit partial to v-necks for that purpose. (Yes, I cut the necks out sometimes too!)

Therefore, somewhat unconsciously, these items are more collected and kept than purchased for consumption. Today’s acquisition is an older and considerably worn item, but it wasn’t much money and I liked his faux Felix self. His body is the bike and rider with wheels added. He has claw paws which grip the wheels and his mouth is pursed in a whistle – to alert folks that he is streaking by. Sweat is flying off him and his butt fur is a bit ragged with effort. Someone did a fairly splendid job drawing this.

*Both shop photos from the Men’s Journal article below.*

Close attention made me realize that he sports a little cap that says GSC and he has what could be considered a tattoo on his arm which says LA. This t-shirt originated at the Golden Saddle Cycle shop which was founded in 2011, but appears to have closed in 2022 due to the loss of its building at 1618 Lucille Avenue in Los Angeles. It was, according to online testimony, a much beloved repair and sales shop owned by Kyle Kelly that carried some of their own line of merchandise. Described in an online Men’s Journal article as part shop and part clubhouse it was a place where bike enthusiasts might show up for a part and find themselves instead whiling away an afternoon.

If the thought of riding a bike on the streets of Manhattan fills me with some trepidation the idea of riding one on the streets of Los Angeles really sets off warning sirens, but I am not fearless that way. I will stay trotting along slowly on my two feet, although I may reconsider doing it in this nifty shirt.