old photo

Paul Pilz

Posted by

0

Pam’s Pictorama Photo Post: I am taking a break from holiday influenced item posts (but evidently still devoted to dogs), to bring you an item I purchased at an odd venue last weekend. An ad on Instagram for an Oddities Flea Market (@odditiesfleamarket) caught my eye and on a whim I paid for tickets for Kim and I to go. I knew most of it would not be of interest to me, but I figured that maybe 25-30% of the vendors might be interesting. The line to enter (even with tickets) went down West 18th Street at the Metropolitan Pavilion and evidently it is an annual affair with a devoted following I have just never heard of previously.

The percentage of Pam’s Pictorama type vendors was perhaps a tad lower than 25%, but black cat items sort of did have a big moment there and I ended up making a not insignificant number of purchases in the end – and could easily have spent even more. One thing that got away at this table was an old orange ceramic cat that lit up. It had already been broken and repaired and I would say the ability to get it to light up seemed dubious, but in the end it just seemed too fragile to come live here at Deitch Studio. Still, I imagine that it must have a great orange glow if you could get it working. Anyway, you will be the beneficiaries of those interesting tidbits I did buy in coming weeks and this is the first of them I am sharing.

This photo postcard came from a vendor who had a nice little cache of black cat and other interesting items. After shelling out for some bigger items I pawed through some excellent (and reasonably priced) boxes of photo postcards. I plucked out two, and Kim one, and today I share the first of them now.

A quick search of Paul Pilz turns up a fairly thorough blog post on him which can be found here. I have nicked this other photo of Pilz from that site. It is a larger shot of him but very similar.

Alternate version of the same publicity photo, seems like this one was used pre-War however – not in Pictorama.com collection.

I won’t endeavor to repeat what that post has to say, but between that site and AI I learned that Pilz was evidently part of a traveling troupe on what is described as very small stages with a dog act, accompanied by him on the trumpet and doing comedy. This popular act ultimately morphed into one where he was a featured performer entertaining the German troops during WWI. (Wanderfheafer Armee Abf. A. on this card – they were already an army headliner. I shudder in horror some indeed at the idea of what traveling with a troop of dogs entertaining troops during WWI might have been like although for the dogs it might have been the best of gigs and options.)

Although I generally collect images of animal imitators (some posts on those can be found here and here for starters) I do have a sub-genre of photos that feature acts (here is one of several) and these seem to belong here too.

There was a recent article in the New York Times about a dog act at the Big Apple Circus (at this time it can be found here, entitled The Show Stealing Dogs of the Big Apple Circus) and so I had a moment recently to contemplate the treat filled world of dog tricks. I like the part where the trainer says if they mess up (balk at jumping through a hoop for example) he just makes it part of the act.

From the NYT article, performing pups.

Years ago Kim took me to a cat circus (Russian) performing downtown here in New York. I even had my photo taken with the ringmaster – for a price of course. I loved it! The photo hangs on an overflowing corkboard near our computer where a drawing of Kim (by Dave Collier’s son who visited about a year ago), something about Carter De Haven and an long ago article on a nascent Ugly Betty cover it. I wanted to pet the kitties which was, understandably, not encouraged. From the perspective of having seen that, I will say, cats or dogs, performing is a treat filled activity and I can only assume it is the rigorous work outs that keep the animals trim.

Under his name it says, roughly translated, with self-written repertoire – I guess a way of saying original gags? It declares Humor at the top, in case the photo didn’t alert you. The sort of masked characters on either side of that are a bit terrifying. Urns of flowers are on either side and a decorative bow tied image of him make up this card.

In the photo he presents a comical character with his trumpet, and his dog in his arms held like a baby. He looks at the dog and the pup looks out at the camera. I’m not sure but this photo may have been artificially put together from two – it doesn’t quite fit as a real image. I’m not sure I can entirely follow the concept of a dog act driven by trumpet playing. It sounds – loud!

This card is a bit tatty but was never mailed, no writing on the back and therefore no date certain, except that it clearly was during the war. I wonder if these were given out to troops when they were performing – and how strange that if so it has survived all these years just to land here in December of New York City of 2025 and find its way to the Pictorama library.

Dog Show

Posted by

0

Pam’s Pictorama Photo Post: Today’s card showed up while I was looking for holiday gifts for a few staffers – it was a gift fail so to speak. I never would have found it however, if I had not been searching around in dog photos on eBay, where I generally do not belong.

Some of you more longstanding readers might remember its sister card shown below which I wrote about all the way back in 2016. At the time it was a hotly contested card which I had lost and subsequently won as outlined in that post which you can read here. Obviously that one turned up in my feed because of the cat reference.

Pam’s Pictorama.com Collection. From a previous post.

While these two cards are definitely of a piece, the Dog Show sign is definitely the same, there are some differences. While I am fairly certain this is the same woman and dog (same Dog Show sign) she is wearing a different outfit in each. The Cat Show Next card is entitled Beastly Affairs.

However, most notably the Cat Show Next card has a different, patterned floor, the other one is a plain wood. A very careful look (lower right corner) shows that the copyright for these two cards is a year apart with the cat version being earlier by a year, 1907 although my copy of that card was mailed in 1909. So did it prove so popular they brought out this variation the next year? I wonder if there are more.

Today’s card is called Going to the Dogs. Unlike the earlier card, this one has writing on the back although no stamp or evidence of mailing so I don’t know when the writing, in pencil, was added. To the best of my ability to read it, it says, Bascom this is Ednice Jain. Look good & she has gone to the Dogs good – Ha Ha Ha. She is a Dog catcher & not 1/2 as good as one. An odd note, no name signing it.

I prefer the earlier card somewhat and it is more than the cat show reference. The composition with the additional sign is a bit better and somehow holding the dog, and even the patterned floor, make it more dynamic. She has a bit of a smile in the first shot and a hat full of flowers – the hat in today’s card notably appears to have a whole bird on it. She wears a different fur trimmed jacket in both.

Unidentified card online with a Pitbull and similar woman but not the same series.

The card was made here in New York City by the Rotograph Company but printed in England, oddly enough. A quick search online does not turn up more cards in the series, but neither does it tie these two cards out to each other. I don’t even find more copies of either of them online, however above I have shared one that turns up that could almost be in the series.

My colleague will now get a card from 1908 with a big footed puppy, vaguely reminiscent of his own recently acquired little fellow. I will dig out my copy of the other card and a find a place to install them side by side, either here or in New Jersey. They make too a good story together to break apart.

Kiss Me Good-Night

Posted by

2

Pam’s Pictorama Post: I love a good moon postcard and this one above was one of several I have to share from my recent big buy. I ended up purchasing the other two for Kim, similar but not the same series and from an entirely different source (spotted them online and picked them up for our anniversary – they arrived in the house day of!), and since these will go up on the wall soon, I wanted to give them a moment in the Pictorama spotlight.

Postcards that belong to a series like these seem to have been popular in the early 20th century. It’s curious to think about – so was the thought you’d buy the whole series and send them, one by one, to the same person? With them waiting to see how the “story” comes out? It’s hard to believe that, even at a time which saw daily postcard mailing, that such continuity existed in the real world.

These are remarkably alike in some ways – it is hard to believe that they are not at least by the same company, however no, they are not. The hand coloring of Kiss Me Good-Night is more lurid, although perhaps the others have faded. Kiss Me has a great moon face with a sort of open-mouthed expression. The couple, surrounded by cushions and drapes prepare to embrace in a good-night embrace. That moon looks a little judge-y maybe he suspects something about this couple canoodling the night away that we don’t.

Back of the card at top.

Unromantically, this card was sent by Ruthie to her sister, Miss Lana Russell, 2025 Chestnut Street, Philadelphia Pa. It was mailed on January 17, 1917 from McConnellstown, PA and says, Dear Sis – Just a card to see how you are. I am at Mc at the Present. Just here for a few days. Will write later. Ruthie. Very little romance in that!

However, the two other cards have a bit of a story as both were mailed to Miss Addie Clask, 1715 Pitt Street, Dallas, TX. These share the idiosyncrasy of a big flourish around the M in Miss and are from the same series of romantic cards. I like the card where Teddie signed with the little stars or flowers! Both appear to have been mailed in May (May 4 and 21 respectively – although weirdly 22 has been penciled in on the latter and he has in fact hand dated it May 23) 1915 as far as I can read the year.

The more practical, thank you card from a brother or friend.
Somewhat illegible back of the May 4 card.

The earlier of the two is the more prosaic, What’s on your mind which seems appropriate as the message is distinctly more fraternal. It appears (roughly) to read, Helluw Just (?) of cards and my letters so this least. We all ok and many many thanks for sending any mail for me so answer soon as E (?) of friend. The signature is also illegible and might be Joe something. Something about his abbreviated speak reminds me of my lazy texting. He appears to have writing #7 twice at the top, quite definitely.

Not surprisingly, the more romantic missive of the two.

However, perhaps not surprisingly Would you refuse me a kiss appropriately has the more personal message. Although the handwriting is better is it still a chore to decipher. He provides a return address as Mc Gregar, Texas with the (wrong) date and with a bit of additional flourish it says, Miss addie, My Dearest – I am safely landed and am fine and dandy. Will et Piel (??) a letter soon I miss so…[can’t read] Teddie. B.

I found these two additions to the series online. I wonder if the one on the left originally had something written under it – this from a poster image taken from the card.

I like these cards with their moon seat poses and the starry backgrounds which I can’t quite decide if they were applied later or were a real background. These are from a larger series and several, shown below, were easily found – some have been transformed into different forms – a poster in one case – but you get the idea. These cards appear to be American produced and are identified as Moon Series with corresponding identifying numbers.

Addie must have appreciated a nice M flourish!

While I believe the first card (Kiss Me Good-Night) is also from a series it was not easily findable online like the others. That card, while mailed in the US was German produced. I found only the image below which might be from the same series.

A beaut but not in the Pictorama collection. Seems to be for sale on a site that might be Czech. Look at that leering moon face!

I have a few more moon cards up my sleeve for future posts. Aside from posing with a giant Felix doll, I can’t think of a better way to have been captured in time and place.

Family

Posted by

2

Pam’s Pictorama Photo Post: I feel like I used to find more photos like this one for the Pictorama archive. I discovered this on eBay. Unfortunately it is quite faded, I have even assisted it a bit here. Still, this family with their mostly matching haircuts and each girl sporting a member of a kitten family was too good resist.

This photo postcard was never mailed and the clothes on the kids are sort of timeless, but I would guess maybe the 1920’s or 30’s. They are posed by the “side of the house” from what I can figure. I would say spring considering the shortness of the grass, the clothes and of course the kittens they hold.

My sister Loren in an undated photo I keep next to my desk at home. Judging from the car I would say from the early 1980’s. If I was in NJ I might find a photo of all of us. Will have to wait!

You can’t really see it easily but there is a great variety in kittens here. From left to right we have a tortie, a tabby, a sort of gray soft stripe and a gray tuxie. Not at all impossible that they are all from the same litter however.

These kids are clearly also of the same litter! Far from identical, however there is a strong family resemblance brought out further by their matching bowl style hair cuts. Each one wears it a bit differently though – bangs aside or straight, one where they are cropped short. The girl in the plaid dress is clearly the eldest but the exact order of the others is left to our musing.

A close look at their faces and the girls look more alike to each other than they do with the man who I have been assuming is dad. Family resemblance is a strange thing I always think. Sometimes I am sitting on the subway or walking down the street and a family passes and all I can think is that they could never deny all being related. This always comes to mind in my reading of early novels (someone denying a child is theirs) and this was satisfied as a plot point in a Rose Mulholland novel recently – the striking resemblance to her father could not be denied! More on that possibly as a tomorrow post.

A still young Cookie and Blackie bearing some resemblance here.

My family sort of mixed and matched with familial likeness – not looking alike, stronger resemblance to one parent when young and then another. My sister and I, she of the curly hair and I of the straight, never looked much alike however once someone who knew me from work walked up to my brother and announced we must be siblings. (We were at a rare moment, like these girls, when we were sporting approximately the same haircut.)

My brother may be surprised to hear me say it but, although he and I have always looked more strongly like my mother’s side of the family, I saw a recent photo where he looks very much like our father. (I think it is the beard Edward.) Kim has a rather extraordinary family likeness with his brothers and I gather his fraternal grandmother from whom he inherited his distinctive eyes. There is an additional family resemblance though also to both his mother and his father.

This is of course also true for cats and cat families. My mom used to quote from an old genetics text that this kind of cat and that kind of cat likely to produce this or this cat. I could never keep it straight.

There are days when you can tell that Cookie and Blackie hatched from the same mom and dad combo. Other times, Cookie being smaller, mightier and a tuxie to Blackie’s bigger all black handsomeness makes it appear as if there is no resemblance.

Beau (left) and Blackie meet for the first time.

The one litter of kittens I grew up with bore a remarkable resemblance to each other (variations on gray and tabby striped), but not to their mother (Winkie, a tortie) at all. And for that reason perhaps, she utterly disowned any knowledge of them after a point. I have commented on how Blackie and Beauregard (the all black male kitty of the Jersey Five) stared at each other, clearly in recognition of the fact that they looked alike. (A post about the New York cats meeting the New Jersey cats can be found here.)

It is too bad no one thought to include the mom cat in this photo – assuming she was a denizen of the same household. It would have rounded things out nicely. It is fun to speculate that the cats and the kids grew up over time side by side.

Snapshot

Posted by

0

Pam’s Pictorama Photo Post: I am giving Pictorama readers a brief break from postcards today. I feel like it has been a long time since I have posted a snapshot. It isn’t because I don’t look for them, but photos that wander into the Pictorama realm are a bit more rarified it seems. This one was found and quickly purchased on eBay recently as someone was smart and noted that a nice Felix lurks on the window shade.

The picture is undated however her clothing and this nice deckled edge on the print puts me in mind of the early fifties. (I recently saw an early deckle edge photo trimmer online. It appeared to be one for home use. I gather Kodak sold printing paper with the deckle edge for a couple of decades – both things interested me because I always thought it was only evident in commercially processed photos.)

It is a small photo, only two and a half by three and a half inches. This woman sits center stage is all dressed to the nines with a corsage on her shoulder, earrings, stockings and heels. However the setting is more seemingly casual with wooden folding chairs. There are plants on the window and a fence with trees beyond it. A bit more of the outside might be a clue to where she is (at best I just see some leafy treetops) although it is an event or a visit somewhere special clearly.

Of course I purchased it because of the somewhat off-model and presumably homemade Felix on the shade behind her. Felix stands hands (paws?) on hips, elbows out. He’s a very angular Felix, with an oversized head and a smile. His tail appears sort of mid-leg at an odd angle, although for cat-a-tude they seem to have gotten him right.

Felix’s image is surprisingly enduring. Consider that the height of his popularity was in the 1920’s to find folks still painting his image on some blinds somewhere in the world of the 1950’s is sort of an odd and interesting thought. Like his competition Mickey Mouse the grip of his image has held fast for many subsequent decades. Leaves me wondering what has been produced subsequently that will have legs as long, hard to beat the famous cat and mouse.

***

As you read this I will be off to New Jersey for a few days of winterizing chores for the house there. My dahlias are still blooming so I won’t be taking them in yet, but the heat filters will be changed and the irrigation system turned off. Pumpkins and mums are already out on the steps but I intend to enjoy my fall garden for a few days. (Tune into Instagram for dahlia update!) See you next week!

A Variety Performance

Posted by

0

Pam’s Pictorama Photo Post: As some readers know, last week was a satisfying visit to the Metropolitan Postcard Club show where I loaded up on a wide variety of postcards which I plan to revel in for a long time to come. However, having said that, the show seemed to be notably low on photo postcards in the categories I perused. Today’s card however was one of those photo postcards I did purchase. (And you can see I eventually wander into silent film territory today!)

This card makes me laugh. It is hard to imagine what on earth a performance of these two, given the visible implements, might have put together – clearly you had to be there. Meanwhile, I had a moment of thinking that the bubble pipe had been applied after the fact but a close look under magnification shows that she was indeed holding it in her teeth. It is my assumption however that the bubble itself was a bit of photo magic, a bit too perfect and visible.

This little girl is well appointed in her dress, with her hair curled nicely and she holds what appears to me to be a handkerchief in her hand. (Her other hand, unseen, is probably resting on the dog.) It requires some imagination to envision any configuration of an act. There is, additionally, a box on the ground near her where there is also an additional pipe like the one in her mouth. Huh.

Kim especially recommends this Louis Feuillade film outside of Judex.

The much gussied up poodle holds a basket and it is my guess she knows a few tricks too. While I am not entirely a fan of the extreme, if classic, haircut she sports it fits the circus dog implications. They are both seated on some sort of print tile floor and best I can tell the dark background was smudged in manually in the making of the image. In the upper right corner in small type it says, A Variety Performance.

This card was never used or mailed and the only information on the back is for the company which appears to be called Aristophot Co. London. This company seems to have been active in the very early years of the 20th century, was sold and appears to have ceased to exist by 1909. However, it left many and a wide variety of postcards in its wake.

All 12 chapters and a prologue are available here at the the time of publication.

This card especially appealed to me this morning because last night I was catching up to where Kim is in a serial called Judex from 1916. A beautifully restored version done in 2020 is available on Youtube. Kim was turned onto it last week while we were watching the Pordenone silent film festival and in particular a series of shorts by Louis Feuillade which made Kim have a look around and another look at the director.

A great shot of the pack of dogs from Judex.

You may ask still, why might this postcard remind me of that? Well, without giving any of the plot away (because if you have any interest you really should watch it) one of the aspects of the film is that the protagonist, the mysterious Judex, travels with an enormous pack of trained dogs! Many hounds, one huge black dog with long flowing hair, and a well trained poodle trimmed up just like this one. Great shots of them all flying around the countryside abound.

Among the wilder looking pack of dogs this very perfectly clipped poodle emerging as one of several performing pups really helps lift this early series up into our Best Of Serial category even though we are only on the fourth installment. More to come there!

Bunny Snapshot

Posted by

0

Pam’s Pictorama Photo Post: This was purchased in a small haul from the antiques annex in Red Bank, New Jersey recently. (Other treasures from that trip were recently posted about here and here.) I snatched it up for a few dollars because I liked the toy the kid is holding. It sat on a cabinet in NJ while we were there and I grabbed it up to bring it back so I could spend a bit more time studying it. It’s a tiny 2″x 3″ picture is the least expensive self-standing gold trimmed frame and I admit this is the first I have spent time looking at it.

There is a photo somewhere in the world (or was) of me very much like this, minus the nice toy and I think I was shaking the crib bars more like I was in prison. There are stories about my being anti-crib although despite that I have always been an excellent sleeper, even in the days when I was first brought home as a newborn. (As I write I am still a bit dazed and sleepy on this Saturday morning after a hard night’s sleep.) However, if I had one holding such a nice toy I could probably lay my hands on it.

While my older sister Loren made it into adulthood rarely sleeping more than 3-4 hours a night (as a small child she’d roam the house and when she got older we all got used to sleeping to her practicing the violin at all hours), always raring to go with energy, I slept through my first night home. This scared the heck out of my mother who however quickly adjusted and learned to enjoy it.

Of course it is a pretty typical photograph and likely there is a variation of most of us in our parent’s homes. (In the world of digital photos is this still true? Are there printed out pics from phones of this sort everywhere? I wonder.) I do like this nice big rabbit toy (I have a future post about a rabbit toy – a rare stepping out into a different species which I do occasionally) and this one wears a suit complete with sporty cap. I would have been pleased with such a toy no doubt.

Kim was the first to point out that maybe there is something pro about this photo. It is a bit perfectly posed. This morning while looking at it I had a hard time deciding if the hand holding the rabbit could really belong to the small child or if it was someone below and behind. Could that arm belong to that child? Seems long and maybe large? What do you think? Toys are piled in the crib and we can’t really see. On the other hand the composition is not so impressive and the contrast a bit low so it is hard to imagine a pro did it.

It is hard to pin a year to it – the stuffed rabbit is the only clue at all and I would say it could be anytime from the 1950’s forward a decade – or back a few years? Meanwhile, somehow it has now made its way to the Pictorama archive where toys are always appreciated in all forms.

Reine Eymard – Cat Impersonator!

Posted by

2

Pam’s Pictorama Photo Post: Ongoing readers know that I have been on something of an animal impersonator role lately! It was true synchronicity when I saw this hit a favored account on Instagram (@Marsh.and.Meadow) during a casual scroll stroll. I snatched it up – my head was still full of last week’s post where Steven Phillips (@woodenhillstoys) shared his whacky and wonderful poster of a cat imitator. (That post can be found here.) And here was yet another photo of a cat imitator – my first French entry. (Animal imitators abound here at Pictorama and a few other posts are here and here.)

Subsequently Steven showed me where that imitator was named J. Hurst – to date I cannot find any information about him, aside from his stint for Black Cat Cigarettes. I am sorry to report that Reine Eymard appears to be equally lost to the sands of time. My own Pictorama posts are the only items I find!

A sister perhaps? Royet, Hyacinthe. “Eldorado Aimée Eymard”. Lithographie couleur. entre1880-et-1900. Paris, musée Carnavalet.

There is an Aimee Eymard who appears to be a contemporaneous performer (chanteuse) and I wonder if it is a sister. There is scant information about her as well however. Just a couple of posters. It’s fun to think about sisters on the same bill in France of 1890 – one in a cat outfit and the other a singer! Perhaps the cat sang too. Me-ow!

Sadly I cannot decode the date that this was mailed from the canceled stamp that is on the front of this card. The back is covered with writing, in French. It is of note that this particular card appears to have sold on eBay recently. Clearly I wasn’t doing my work well and if I had I would have paid a tad less – still, just happy it landed here at Pictorama.

Am open to further translations!

The text on the back roughly seems to translate as, My Dear Cante, I hope this finds you well. Since you left something about mother and a bad head cold and bad weather. I hope it will be fine and it will ruin things if everyone gets it. With love, Gaby L.H. Weirdly, although it has a canceled stamp I do not see an address so no idea how it was sent.

Reine’s full hair barely fits under her cat ear hat and she looks coyly out at the viewer. Her hands curled into faux claw paws. Her cat hat has huge whiskers and somewhat googly eyes. Her flowing gown has some colored highlights added and falls almost entirely off one shoulder. She looks like a real handful – one can only just imagine that act!

I am a bit amazed that nothing comes up on the internet when I search these performers – no posters, no theatrical listings. For now, except for these photos, they are really lost in the cracks of time.

Moonlight Serenade

Posted by

5

Pam’s Pictorama Post: This fetching and fluffy feline caught my eye recently. This card is a bit later than the majority of cards in my collection and was sent on September 9, 1933. A woman named Agnes sent it from Whinchmore Hill to Miss Connie Connors at 63, Park Av. Park Estate, (can’t read the town) Northumberland for a penny.

Agnes writes simply, Dear Connie, It seems ages since I have heard anything about you all. Hope you are well. Lots f love, Agnes xxxxxxxx. Presumably it is Connie who had and kept this card to make it down the decades.

And I ask, who wouldn’t have kept this card? This little fellow is caught mid-meow posed on a faux brick wall for this purpose. In some ways it is the evocative bright moon scenery behind him that really does it for me. At the bottom in a script font it reads, A moolight serenade and W. & K. 1592. W&K postcards is the logo for Wildt & Kray, London. The company was founded in 1905 and was active into the 20’s publishing postcards of several genres but most notably cats – including Louis Wain.

Therefore if this card is postmarked 1933 (which it clearly is) it was either a bit old at that time or had been reprinted and distributed somehow subsequently. (Therefore the esthetic appeal to me makes sense since it was likely made before 1925 or so.) You can see it a bit above, weirdly the postmark machine has come through and embossed half this card.

Back of card.

I am glad I have not lived in a time and place where caterwauling is a nightly event. As a cat lover on the rare occasion I have heard it, and the likely fight that might follow I have found it hard to ignore. Just a cat meowing outside will of course garner my attention. Not that I would ever have thrown shoes at them – and not that I can imagine that would do any good.

In this mature period of her life Cookie (age 13) has become very chatty. She demands our attention, especially in the morning, with long, complex cat sentences. This is generally combined with a certain amount of staring (you human fool! why don’t you do as I ask?) and some rolling and stretching and expectation of tummy rubbing. (Cookie is the tummy rubbing-est cat I ever met! Growing up a cat would just bite you if you tried to rub its tummy, but oddly Cookie demands it.)

This leads me to a topic which may require more examination in a later post but there is a movement afoot on the internet where people are teaching their cats to “talk” using buttons spread across the floor. Of course, living in a tiny apartment in New York my first thought was, man, these people have space to spare and waste! Once I got over that, I started following a few people on Instagram who document their interactions ongoing.

To aide your cat or small dog in being a Chatty Cathy!

As far as I can tell one chooses word buttons and spreads them out on the floor and trains kitty to step on the appropriate one to converse. Obviously word choice is limited and a sort of pigeon English (if you pardon the term) emerges. Of course my friends at Chewy sell them but I have no real sense of how popular this trend is.

The account I watch most is a science fiction writer named Alice with a calico cat named Elsie (@elsiewants). Alice says she introduced button talking as something for a novel she was working on and thought her cat would better be able to tell her what toy she wanted to play with. Instead she seems to have gotten a Demanda Kitty (something we call Cookie occasionally) who appears to embody exactly what I always imagined cats would say if they could talk. It is sort of feline trash talking, a series of what she does and does not like and mostly what she wants.

There are companies like Fluent Pet that sell the buttons, lodged in brightly colored mats like those you see in a kid’s playroom. The companies have training instructions (do you want to talk to a cat or a dog?) and of course there are videos online to help. The real question we have to ask is, do we actually want to hear more about what they have to say?

Cookie not really asleep this morning. Do you really want to know what this cat has to say?

As much as I adore Cookie and Blackie, I’m not sure there is much to improve our relationship by giving them more control over the daily demands they already make. Although maybe a diabetic Blackie could communicate better about his sugar levels, too easily I can imagine Cookie pressing the same button again and again – and Blackie always insisting he hates Cookie. I have to say, this might be one area where ignorance is bliss and we shall not go.

British Bright Lights

Posted by

0

Pam’s Pictorama Photo Post: I was on a bit of a role recently with press photos on eBay. (See last week’s Felix-y post here.) I had to barter over this one a bit but it seemed to fit nicely within my purview of photo interests. This came to me via a dealer in Livingston, Texas.

On the back it is identified as a photo by Underwood and Underwood a stock photo company located at 242 West 55th Street here in New York City. On a scrap of paper glued to the back, NOVEL ELECTRIC SIGNS FEATURED AT BRITISH SEASIDE RESORT. LONDON. –PHOTO SHOWS: “Mickey Mouse” and the “Dancing Kittens” in electric lights at Blackpool. There was something below it that was neatly ripped off.

The candy shown here with Felix was sometimes referred to as Blackpool Rock. Pams-Pictorama.com Collection.

Blackpool beach resort has been the locale of numerous Pictorama posts as a rather specific Felix wooden cut out was available for photos and even one errant donkey. (A mere sampling of posts can be found here, here and here.) Blackpool as a seaside resort goes back to the 18th century. There is what they refer to as the Blackpool Tower and Pleasure Beach which appears to be an amusement pier, probably not unlike the small one in Long Branch, NJ I grew up with but maybe larger since it was referred to as the Golden Mile as well. It reached its zenith of popularity around the time of this photo and although tourism has fallen off still exists largely intact today.

Posing with Felix in Blackpool. Pams-Pictorama.com Collection.

I’m not sure who the brain child was behind this off-model Mickey and tow dancing kitties in what appear to be lederhosen and bow ties. The cats have luxurious tails that curl around and are clad in black boots. Mickey, on the other hand, while sporting an outsized bow tie had oddly small feet in some sort of white shoes.

Unfortunately the tops of Mickey’s ears are lost to the black sky behind him – Kim suggested a bit of white paint to rectify that. I am a bit surprised it wasn’t painted on for publication. I do wonder about publicizing what was so clearly a homemade Mickey in newspapers. Did the long arm of Walt reach them?

Another Blackpool Felix photo. Pams-Pictorama.com Collection.

All three are decorated in round white bulbs. They drift in front of something made to look like a fence. I thought it was a real fence at first but it is dotted with lights too. Oddly enough the cat’s booted feet do not seem to have bulbs.

Information on the back of the photo.

There is a tiny sign affixed to the bottom which says, DANGER Do not touch. I can only imagine that now it would have to be much, much bigger. There are shadows along the back fence that look strangely like black cats to me. The bulbs in the white areas of the cats and Mickey’s face look lit up under careful examination – but the lights on their pants and bows do not appear to be. Perhaps they blinked – maybe half are on and half off?

Of course my imagination goes wild with the idea of a day and an evening at Blackpool – getting my photo taken with Felix on the beach first and then seeing this at night! I am probably delightedly eating cotton candy and other junk food in the interim. A perfect day at the British seashore resort.