old photo

You Should Have Seen That Cat

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Pam’s Pictorama Photo Post: Today’s treat is a clear example of the curios you will come across if you consistently spend time down a given rabbit hole of collecting as I tend to. Definitely in the more interesting than good, this old press photo caught my eye recently and was on its way to me lickety split. It had found its way from the East coast to Los Angeles, but it is back home in the tri-state area again.

Its eBay listing,1936 Disney Mickey Mouse Costume Atlantic City Steel Pier Midgets Felix the Cat, was designed to catch my attention a few different ways. And really, put that way, who could resist it?

Deconstructing that amazing sentence a bit – Felix? Um, I hate to be a critic but I think they were very safe from copyright infringement on that one. It is somewhat more illuminated by the press information stored on the back. Glued to the back, in a very old fashioned type, is the following breaking news:

Back of the photo.

YOU SHOULD HAVE SEEN THAT CAT – That is about what Mickey Mouse was telling pretty Miss Betty Van Auken, New York visitor sunbathing on the Atlantic City Steel Pier. And Mickey’s girl friend Minnie Mouse listened, a little careful of Mickey around such beauty. Mickey and Minnie are members of the Steel Pier midget colony that helps to entertain guests on the ocean amusement structure. It has an index number, A16353 and it says, Ref. Dept. 7-28-36 N.E.A.

The Steel Pier seems to be the major amusement pier in Atlantic City and we will assume it has been ever thus. And while it seems sensible that this figure with Mickey was never meant to be Felix, it’s decidedly un-Minnie like as well, both mask and outfit. (And that suit looks hot for a July in Atlantic City too – she’d have been much happier in Minnie’s usual brief attire!) Mickey still looks a bit overdressed for July, but is in more traditional Mickey garb.

Comic book publication of Stuff of Dreams, #3, cover image.

It took a few times before the midget colony part sunk into my consciousness. Fascinating on its own, it also reminded me immediately of a story Kim did years ago, No Midgets in Midgetville which had roots in an actual town in northern NJ which is said to have originally been the winter home of a group of traveling circus midgets. (That story was published in his book, Alias the Cat which can be purchased on Amazon here or search eBay. Or you can find it in single comics under the name, Stuff of Dreams #3.)

Back cover of Stuff of Dreams #3.

We went and looked at the remains of the enclave of small (and occasionally tiny) houses as research for the story, an interesting morning jaunt with my ever patient father. In these days of tiny homes it is a bit hard to say how much truth was in the story, although some house did seem quite small. (The original story about it being Midgetville originated in the New York Times back in 2002 and can be found here although there are other references to the town online.) Regardless, the idea that circus performers (perhaps of all sizes) wintered there perhaps makes sense and it makes additional sense that perhaps some of those performers went no further than Atlantic City seaside for a summer gig.

Centerfold of Midgetville, Kim Deitch, Stuff of Dreams.

As for Miss Betty Van Auken of New York – it is hard to believe that even a veteran New Yorker showed up in Atlantic in a bathing suit, mincing along in high heels and lipstick for a day at the beach. At first I didn’t even bother googling her but it turns out that 1936 was her year. She has a Broadway role (Dodsworth) and film credits from that year, The Garden of Allah, Oasis Girl (uncredited), and a small part as a manicurist in Big Brown Eyes. The trail grows cold after that.

The weirdness of this duo continues to nag at me though. How odd to be on the seaside pier in roasting July heat, eating your cotton candy and have these two come gamboling up around you. The Stuff of Dreams indeed!

Leaping?

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Pam’s Pictorama Photo Post: It’s a cute kitten post today with this somewhat scrappy looking fellow or gal. For no particular reason I am going to say fellow – something about the build. You have to look a bit carefully to see Sautera? printed at the bottom.

This card was never mailed and there is nothing written on the back. It was produced by Reutlinger Studio, Paris. These were popular photo postcard producers at the dawn of the 20th Century. (There are a few other postcards in my collection by this Peruvian born French photographer. Those posts and more about him can be found here and here. Reutlinger evidently lost an eye to a champagne cork – how very French! A very bad for the photography business as well. And also to note, I always wrap a champagne bottle in a towel before opening.)

When I purchased this card I was thinking that this kitty was perched on a martini style glass (falling into the drink sort of thing), but instead it appears to be a glass funnel of sorts. Try as I might, I cannot figure out what is at the bottom of the funnel, pebbles perhaps? (I considered olives when I thought this was a martini glass.)

It is tucked into the glass neck of a large bottle – and in fact, even if that kit is quite small the funnel and bottle must be quite large – it would have made a truly man-sized martini in retrospect. Having said that, toward the end of his life my father became very enamored of martinis and purchased a few very large martini glasses, but perhaps not quite cat-sized.

A quick translation of Sauterna? from the French is Jumping? I guess he is planning to since curling up on or in the rim of that funnel isn’t going to do much for him. He does have a thoughtful look on his little mug though – a tiny kitten, staring into the void.

There seems to have been a series of these cards and with this very cat, which I have found online and share below. The second one seems to have been more recently appropriated.

Cats are ace jumpers. They seem to understand not only their own overall capacity for the leap, but have the ability to size up distance and other factors which you can see get calculated in their brain. Those of us who live with cats have seen them study such a situation, sometimes resulting in a preliminary butt wiggle – the tail is essential to the balancing act of the cat – especially when it is a floor up trajectory. A cat rarely misses its mark with a jump – and are very embarrassed if they do. I had a little girl tuxie, Otto Dix, who seemed to just float upward. It was as if all she needed to do was think about being somewhere and land there.

And who hasn’t stood poised in a similar, if metaphorical, position? There have been a few notable times in my life where there was a leap to be made. I always think of leaving my job at the Metropolitan Museum to go to Jazz at Lincoln Center as an enormous leap – which it was. I almost broke my neck but I found my footing eventually.

The more recent vocational leap was to the animal hospital I raise money for and that was less dramatic, but a bit of a leap nonetheless. (Posts about those professional leaps of faith can be found here, here and here, although much of my time at Jazz was shared in the annals of this blog.) I am still finding my sea legs on that one so the jury remains out.

Bonus picture of Cookie and Blackie from early this morning – rare sleeping together pose!

The Devil’s Circus

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Pam’s Pictorama Post: Today I have an unusual post and not just because it is a dog day, but I am going down the rabbit hole of silent film, an occasional tributary. However, it has been a very long time since the films of Deitch Studio have been up for discussion. Those of you who know us, or have been readers for a long time, know that silent and early films are among the programming here at Deitch Studio. There are lots of film links and recommendations here so get ready.

While I have devoted some space to silent cartoons, stills like this one are most likely to turn up in my collection. My affection for Frank Borzage has lead me to several (nonanimal) acquisitions which adorn the walls here (posts about those can be found here and here for starters) and of course Felix, who posed with a number of actresses of the silent era, is robustly represented on our walls. Dogs do occasionally turn up and a post with Peter the Great can be found here based on a still of him with Bonzo. Sometimes even short stories of the period lead to a silent film discovery such as in this post here.

Another still from The Devil’s Circus. Not in Pams-Pictorama.com Collection.

Today we started with the film, not the photo which was acquired after. Recently Kim stumbled on this splendid Norma Shearer silent film, The Devil’s Circus, a 1926 film which neither of us had ever seen or heard of. We watched it on Youtube and a stunningly gorgeous print can be found there. I am unable to share the link but it is easily searchable there. (There are some much lesser bad print versions so look for the one in excellent condition.)

Directed by Benjamin Christensen, a young Norma Shearer is already getting her name above the title in this drama with co-stars Charles Emmett Mack and Carmel Myers well below. (Full credits for the film can be found on the IMDb database here.) A 24 year old Norma Shearer is playing a bit younger as a girl who, with her dog, is looking for work in a circus in a non-specific European locale, when she meets Mack and they become a couple. I won’t spoil the plot for you, but there are great circus scenes and my only complaint is that is would have been even better if Mary had come with a dog act for the circus because this little fellow was up for even more screen time. Buddy the dog emerges as the star of this post today, but really, I can’t say enough good about this film. Run, don’t walk, to Youtube to watch it.

Buddy does his turns admirably with Shearer for about half of The Devil’s Circus and we miss him when he’s disappears. It is clear that they clicked together and he is very believable as her pup. This photo Kim found on eBay embodies it best – the two of them looking together off screen, joyfully ready for action. This photo was identified as having come from a print made in the 1970’s but it must have been from the negative as it does not appear duped. It came from the Marvin Paige collection and he was evidently a longstanding casting director in Hollywood. It is identified only with the name of the film written in pencil on the back. Additional photos of Buddy are not easily available online and are probably best found unidentified in film stills like this one.

The story goes that Buddy, a stray terrier or terrier mix, was found and trained, and was well into his film career when he made The Devil’s Circus. His working life seems to start back in a 1923 film call F.O.B., a Lloyd Hamilton short. (It’s unclear if F.O.B. still exists; I cannot find it at this time.) His big break was with Charley Chase in something called Speed Mad (1925, while prints appear to exist I cannot find it to show at the time of writing) and then he’s off to the races with one called What Price Goofy in 1925 where his name morphs from Duke the Dog to Buddy the Dog and sticks.

So his early days and his entree into films seems to be with Hal Roach and Leo McCarey. All in he makes about 25 films, a mix of shorts and features, from 1923 to his last film credit in 1932 in the sound film Hypnotized also linked below. The Devil’s Circus appears to be right after his rechristening.

So there you have a capsule history of film dog star Buddy, a somewhat forgotten but very talented canine from the early days of film and ample examples to watch him at his craft. Settle in and have a little film festival (like we are – catching up with these additions) celebrating this fine fellow.

Easter…1966 and Now

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Pam’s Pictorama Post: Today is a pile of Easter bits. I looked and it appears I haven’t really written about Easter since 2021 which was a spring still fraught with pulling out of the pandemic. At that time I wrote a bit about the family Easter/Passover traditions from my childhood there including glorious Easter egg hunts at my grandmother’s house. (That post can be found here and another from an earlier post about my grandmother can be found here.)

When weather permitted we were outside in her yard and finding Easter eggs and treats among the nascent tulips and hyacinth planted there. In retrospect it was likely my uncle who did the Easter planning since mom and dad were with us and my grandparents were already older. I think there was at least one year when weather did not permit and we did it inside.

My sister Loren and I back on Easter 1966.

As it happens, I have a photograph from one of those Easter Sundays above. It is not an especially good photograph but it is family history for me so I am stretching the point. I (on the right in the yellow flowered dress) would have just turned two and my sister Loren (in a very unlikely pink dress), would be a month beyond her fourth birthday. We are seated on my grandmother’s green couch which was covered in impossibly scratchy fabric, flowered wallpaper behind us and and window where in particular the blinds were not raised in my memory. The living room was always cool and dark. There was matching green figured wall-to-wall carpet on the floor there.

Somewhere in my possession is a photo of us all outside on an Easter Sunday morning and I am wearing a light blue coat and Easter bonnet I feel like I can still remember being very proud of. Perhaps we’ll have that one next year if found.

Loren, true to form, looks like she is only seated reluctantly for the moment this photo took. She’s smiling but I recognize her tightly wound energy – she’s ready to go tearing around. While meanwhile yours truly was more of a jolly lump who would go along with whatever. We never wore dresses, let alone ones like this, and if I had to guess I would say these were a single symbolic for Easter only wearing.

This photo hung in my grandmother’s house forever, actually right near the couch shown here if memory serves, and this snapshot shows its wear. I can’t remember if this is before or after the egg hunt. I suspect they did it first thing before we had time to ruin our clothing.

Mom and Dad, Loren and I in November 1964.

I found it in an ancient plastic sleeve and behind it is a photo I prefer of the four of us, above. Printed neatly on the photo is November 1964 which makes me, shown in my mom’s arms, only 11 months old here; Loren in the plaid coat is only three. Mom and dad are very young here, Betty about 26 and Elliott 36. They are in what appear to be matching trench coats (normal for dad, a bit unusual for mom, dad must have bought it for her) and I love the little plaid jacket Loren is sporting. This the same front yard of my grandparents, my mom’s dad, Frank, would have still been alive, now a bit barren for fall. We lived in northern Jersey then, about an hour’s drive, and would have come in for a Sunday visit. This is more evocative for me – I can feel the fall air and smell that yard.

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Yesterday Kim and I shook the dust off a bit and went downtown. Ostensibly, I had new eyeglass prescriptions to fill and I dropped those off in the East Village but it was a gorgeous unusually warm spring day. I was pleased I decided to stop next door to the eyeglass store at Porto Rico Coffee Importers as my favorite Danish roast was on sale. Particularly with the expectation of rising coffee prices I stocked up.

I love his toes! look at the size of the Steiff button in his ear!

However I also detoured us to the John Derian stores where I heard there was a large display of Steiff toys. I was not disappointed. We were greeted in one store by the giant elephant below (I should have taken a close up picture of the Steiff button in his ear – it was enormous, consistent with his enormity) and at the one devoted to fabrics, by the even more spectacular nodding warthog! For me these were well worth the price of admission right there. All three stores were nicely done up for Easter with a lot of vintage bunnies.

This moving warthog greets you at the John Derian fabric shop!

John Derian and I seem to have a more or less separated at birth sensibility. I know where he acquires much of his antique stock (or at least the type of places) and how much he pays so I can’t really ever buy from him – the mark up is too high. That doesn’t mean I don’t like seeing what he’s found and how he’s put it together. I purchase this or that small item, sort of on the edges of what is available. Somewhere deep inside what I really want is to see his house which probably has all the really good stuff! Sadly I do not think an invitation is forthcoming. (Some photos of the shops to scroll through below.)

Lastly, a teaser, something I can’t remember doing before but we have the chance today. I leave you with this photo of Cookie atop box she has happily commandeered. It contains a major toy purchase so she won’t be enjoying it for too long as I plan to open it today and share the contents with you soon. To be continued as they say.

Cookie on the mystery box…

Orange, New Jersey

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Pam’s Pictorama Photo Post: Today’s Felilx loving post is an unseasonal Thanksgiving tribute, but I couldn’t possibly wait that long to share it.

In addition to the neatly typed ORANGE NJ on the front of the photo, handwritten on the back it reads A Rubber Felix Thanksgiving Day East Orange, NJ. It is also stamped with what appears to be…CMA L. Simpson…17 Pleasant Ave. Montclair, NJ. It was glued onto something black at one point much of which remains here, likely a photo album, and the full address is obscured.

Back of the photo.

This is an overexposed and not especially good print so this establishment must have just processed and printed pictures for people.

Still, it clearly has its charms and I am glad to take the trip back in time to see the scene. In addition to this large Felix balloon, what I like best is the Felix headed and clad retinue around him, like Felix-y mice around the big cat! We can see four, my guess is there was at least one more who is out of the shot.

I thought at first that this could be the same balloon butclose inspection says no. Pams-Pictorama.com Collection.

It is sadly undated but a very close look reveals that many of the women are wearing distinctive cloche hats. Those were popular from the early 20’s to the early 30’s. Randomly I would guess this is the mid-to-late 20’s given Felix’s rise to popularity and the rest of the clothing I can discern. Someone smarter about cars could probably tell more about the date from the one or two in this shot.

Thanksgiving is already a wintery scene here and people are bundled up to watch this parade. A close look reveals that the crowd extends up the stairs of this unidentified but official looking building. (If there are any Montclair historians or residents who can identify this building give a shout.) You can’t see it without magnification but in reality most of the people across the street seem to already be looking at and pointing to something coming up next.

Pams-Pictorama.com Collection.

I have written before about my love of Thanksgiving Day balloons in the parade and how I always wanted to go see them as a child. As a young adult here in New York City I would often go to see them blown up and strapped down the night before although I have never made it to the parade. My father had the freezing detail of filming it and the night before in his days as a junior cameraman for ABC News and there was no enticement I could find to get him to take me.

I love that New Jersey had their own rival, early Thanksgiving parades complete with balloons and I have shared a few parade pics here from my collection. Felix was popular coast to coast and one of these photos which lives by our front door in NYC is from Portland. The posts for those photos can be found here and here.

So while today would have been more appropriate to have an Easter parade this weekend, I conjure up another long past if somewhat unseasonable holiday for you today.

I Am Enjoying Myself Very Much

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Pam’s Pictorama Photo Post: Today’s card is so painted and embellished that I almost hesitated to say it was a photo but of course it is. There was something about this card when I spotted it recently, the evocative mood of this little girl and kitty, that appealed to me. She is dressed up for her photo and posing nicely for the camera but so is puss. (While not quite enthused he is submitting his beautiful Persian self passively to the pose anyway.)

I grab up Blackie like this not infrequently. Cats don’t especially like to be hugged and held this way, especially while you are not seated and if it isn’t their idea, but he will permit me that. Once in a rare while Cookie is hounding me for attention and I will even pick her up and carry her around for a few minutes. Oddly it quiets her down but to do it of my own accord would be inviting wounds.

A somewhat peevish and demanding Blackie on my lap in front of the tangle of junk on my desk.

Little almost glowing dots of paint have been applied to the trim on the little girl’s dress, like tiny pearls, probably even brighter when the card was new and cleaner. Her hair ribbon is sumptuously velvety holding her abundant curls, a gold bracelet on her arm. An artificial blush to her cheeks and rosiness to her lips have been applied via a paint brush in the same tones as the flowers on her dress. She is not a child having her photo taken for her doting parents, she is hired for this reproduction card.

I’m not sure I really have many other photos in my collection that are like this although they exist in abundance. It relates most closely to the sort of birthday greeting cards of a small child and Felix that I might have,

I cannot blame cats for disliking that loss of autonomy. I am quite sure if I was small enough to be carried about I would resent it as well and I feel a bit guilty every time I turn the bathroom water off while Blackie has commandeered the sink there. He would of course have me turn it on and off all day and I have other plans for my time but it is unfortunate he has been unable to acquire the needed skill.

I always had a strong disliked not being in charge of my own destiny, even in the smallest sense, since I was a child. I was a quiet kid but I remember that I seethed a bit at the casual bouncing to and fro you are subjected to as a small child – left to stay with grandma or required to go somewhere or do something when you would prefer not to. I looked forward to adulthood as the end of that and I was right. Some of that attitude has lingered, although my reluctance to learn to drive a car has bedeviled it a bit – if you cannot drive you are dependent on others, unless of course you live in New York City which I do for the most part.

Back of card.

The back of the card shows it was mailed on June 20, 1912 – although the year is a bit obscured. It was mailed to the Missis Speedays in Keswick, but I cannot see if it says where it was mailed from. In a bold black hand it says, I am enjoying myself very much. I don’t think I will come home when you come back. Peter. We’ll assume it was tongue in cheek but there is something about it that maybe seems a bit serious too. Alas, what were the Misses doing in Keswick and where was Peter? Poor Peter was left out.

Despite what I wrote earlier, Blackie is on my lap and positively insisting on hugs and pets – both handed mind you. It isn’t just what we don’t want, but equally the attention we insist on too. I suppose this holds for people as well as cats.

The Commanding Officer

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Pam’s Pictorama Photo Post: Another in the long line of postcards from the show earlier this month. Although I am somewhat judicious in my acquisition of this avenue of cat photography they do slip in occasionally. Pictorama readers know I have a bit of a weak spot especially for kittens posing with the moon cards. (Read about one of those here.) Cats in clothes can be worthy of my notice, like this one.

Recent photo of Milty, senior cat of NJ.

This senior fellow of a puss in this picture is peeved at his human constructed accoutrements. Maybe his longstanding role at the photo studio was more mouser than model normally – he is an elder statesman of cats no doubt and I am sure claws in teeth sufficed for his real world duties. (He reminds me of my cat Milty whose age seems to hover in the early 20’s.)

Pams-Pictorama.com Collection.

Someone has given him a tiny sword to wear at his side and a homemade tri-corner hat with plume stuck in, but again he seems decidedly displeased with the decoration. He does have a battle weary mug and the aging physique of an old guy. His tail must be wrapped around him on the other side as no sign of it. His white paws are a bit grotty and the whites around his chin not quite white any longer either. His fur is that of an elderly cat.

The card has a copyright by the Rotograph Company from 1906 on the front. And this particular one was mailed in 1909, on August 13 from North Hackensack, NJ. It was mailed to Miss D. A. Brown, River Edge, NJ. I was not familiar with River Edge and it turns out to be near Paramus in northern Jersey.

The slightly illegible back of the card.

I have to say, although the handwriting on the face of it looks legible I am having trouble decoding the message address to Dolores. A card from Dolores seems to have arrived by a later train then it should have and there are plans here for the evening in question. It gives some thoughts about places they may go (Maeks? she has written clearly) and R.E. and ends with instruction to come in the surrey with your Dexter and it is signed Aunt Lila. Of course I can’t be sure but Aunt Lila probably didn’t care what card she grabbed for this purpose, however she too may have been aptly named The Commanding Officer. Just a guess.

Actually, I pulled this card out of the stack because I think I too am a bit weary from my roles and responsibilities right now as captain of this particular ship. Demands of work, taxes, wrapping up my mother’s estate and even the imperative to make soup on this rainy Saturday, seems like more than I should have taken on – however understanding that much of it arrived unbidden and of its own accord. Maybe it is just a case of the April blues, but this commanding officer (such as I am) is tired today and I too would prefer to lose the yoke of tiny sword and hat and romp freely for a bit.

Postcards – Behold the Beginning of the Stash

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Pam’s Pictorama Photo Post: Readers from last week know that Kim and I went to a postcard show, held in the West Village, where I purchased my way through a whole lotta postcards. I came away with holdings that I will be working my way through for the foreseeable future. I am hoping you enjoy the launch of what I can promise will be a varied trip.

I am kicking off this visual feast with one of my favorites from the pile. Although there is a nominal kitten here, it is the attitude of this beautiful young woman I love. It is a suggestive card but her energy and winning charm are amazing. Our woman is looking right at us and pointing at You out there. Her be-flowered hat is placed properly on her head and she sports a pretty necklace if you look carefully, a tiny opal or pearl at its center. (I will vote for opal as we know I am partial to them.)

I own a few other somewhat salacious cat cards, the French produced a line of them around this time. One of those prior posts, photo below, can be found here.

French card. Pams-Pictorama.com collection. Another unhappy camera ready kitty!

She is wearing what I guess would have been called a petticoat although that is a bit generic and people who know about these things would probably know a more precise way to describe this chemise. Although it looks like tights she wears I assume that these were sort of the regulation stockings of the day, although with her little low boot shoes.

She supports the kitten with the other hand, his hold on the back of the chair is otherwise tenuous. It is a tiny tabby kitten – and actually close study shows he has no grip on the chair back at all – and that he is not especially pleased with his part in this proceeding. Kitten career as prop. I believe about his world at the time that he could have done worse than working for his living in front of the camera. Maybe he grew up to have a sideline in mousing at the studio. (Blackie is on my lap and I just inquired about whether he’d be up to a mouse if presented with one. He seems on the fence.)

This card was never sent, like so many of these postcards. There is an odd torn edge along the left side. Somehow it feels like it was torn way back in the day at the point of origin, or near to it. It was evidently once sold for 87 cents – I paid a lot more than that I assure you. Someone has also written 1900 but that might just be their guess too.

I can’t actually say I am partial to those cards that were never used although less beat up. The tiny missives on the back (sometimes a bit of cheeky text added to the front) of those that were sent always thrill me. They are windows into a brief moment in a life and I sort of treasure that.

Bum, 25 lbs Cat, Jackman, Maine

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Pam’s Pictorama Post: I felt a bit hoodwinked on this card as I suspect that it was slightly enhanced on the listing where I purchased it. I share it with you slightly enhanced here as well – it is a bleached out, over exposed image on the top half where the puss is featured. This was probably due to the travails of indoor photography and the challenges of photographing Bum.

Having said that Bum does not give the appearance of being difficult, wishing to move quickly, or for that matter needing to relocate any time soon. He looks perfectly comfortable on his perch atop the scale which (in theory because we cannot really read it) is advertising his advanced girth. A careful look reveals that he is parked on a Miller High Life tray for the purpose of the weigh-in.

They are staging the photo with the little fellow on a scale in what seems to be the luncheonette type restaurant attached to the hotel, formica topped table with a metal edge to service a faux leather booth. We can spy a heat register under the table. Close examination reveals that a large ashtray and an advertisement for something called Irish Cream share the table. (The Irish Cream is advertised by a woman in a long dress, decorated with clover leaves.)

Bum is a fine specimen of enormous tabby. While he is certainly hefty he appears to carry it well and in all reality is also a really big kitty. He has a nice bloopy nose which I always like on a cat. His tail is curled around him. He does manage to look right at the camera, somehow intuiting the import of the moment. 25 pounds seems to be the general upper end for cats and I’m not sure I have had any that approached it – although our enormous orange stripe Persian mix, Pumpkin, may have gotten up there. I don’t remember weighing him in his prime, but maybe pushing 20 lbs.

Feathers, 40 lbs of kitty! See post link below. Pams-Pictorama.com Collection.

Fat cats and recording their enormity is a sub-genre of cat photos in its own right. I have two in my collection I have written about previously, A Cat Named Boy (with the post which can be read here) and Feathers about whom a 2016 post can be read here. Meanwhile, Feathers claimed to be world famous and weighed in at an amazing 40 lbs!

While this is an unarguably lousy photo, oddly enough I found it in the collection of the Penobscot, Marine Museum online. Same bum burned out photo, at least as bad as mine, no further information. It is the only reference to Bum I could find, his fame faded. Meanwhile, the Jackman Hotel appears to be gone, unless it has become the Jackman Motel with shingled, cottage-style buildings. The argument against that might be that it also appears to be contemporaneous with the writing of this postcard.

Verso of the postcard.

This postcard was send on June 8, 1954 to Beverly and Barbara Meyers whose address was quite simply Delta, Pa. We know it arrived the morning of June 10 as far as Delta as it is stamped there as well. It says, Mon. June 7th, Hi, We are having a beautiful trip. We drove through the mts today. We will be in Quebec around noon Tuesday. Bum, the kitty is a beautiful sight, we petted him or I wouldn’t believe he is a real cat. Isabel and Ralph. I am glad they recorded having giving him a few pets! As hotel mascot, and in deference to his weight, we’ll assume he lived a pretty good life as the feline denizen of the hotel.

Despite the quality of the photo postcard we are nonetheless honored to have Bum, another lovely fat cat, join the Pictorama archive of cat record and fame.

Esoteric Felix Photo Find, Seeing Double

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Pam’s Pictorama Photo Post: Today’s post is a bit of Pictorama inside baseball as it were, with some coincidences which occurred nicely and a bit of a divergence down another tributary. If nothing else lots of eyeball kicks from my photo collection today.

Recently I jumped, as I do when I see them, to purchase this postcard of three children and Felix. It is a particularly nice one. Like virtually all of these souvenir postcards, this one was never mailed and on the back is only more contemporary writing noting, Felix the Cat.

When it arrived I realized that I already owned one from the same session or the very card. As it turns out, according to the number at the bottom it is a, more or less, identical image from the same negative. They are both originals and it is virtually the first time I have collected two contemporary copies of the same photo. Surprising to me on some level considering how many I purchase and how many people must have ordered more than one copy of a fun family photo. (The notable exceptions in my collection would be once or twice when I purchased a full lot of photos from one shoot – on two occasions I think once a batch of tintypes from Australia and a strange bunch of photos a a giant Felix at an intersection in Kuala Lumpur of all places – and ended up with a repeater in the group.)

The photos side-by-side. The one on the right is the earlier purchase and slightly better version. Pams-Pictorama.com Collection.

Another interesting fact is that this one was purchased from a dealer in the UK as most are (some, tintype versions as far as I know, come from Australia), and the original one was that extremely rare occasion where it was purchased from a US dealer, whose card it happens I saved in the sleeve and just found. I have bought very few of these photos from US dealers, they generally don’t seem to travel far from their place of origin, at least until they travel to me. These do not ever appear to actually have been produced in the United States which always leaves me wondering what was wrong with the folks at Coney Island anyway? They missed a great opportunity.

So one wonders why one photo traveled far from its origin and mate. I guess a family member lived or moved abroad, or it was somehow separated and sold off to a dealer and found its way here. By way of comparison, it should be noted that today’s was developed poorly, a bit of overexposure – note that the wooden floor is bleached out as is the background a bit and the printing in general is lesser, chemicals a bit tired on that day perhaps. Although the one recently purchased is also a tiny bit larger meaning that there is a bit less information too. Pure speculation but my guess is that one of these was ordered subsequent to the first one when a copy was desired, perhaps to give away to a doting relative.

One of the ones that may show the same windows and likely Felix. Pams-Pictorama.com Collection.

The post from March 2023 can be found here and investigates another coincidence which is that I have at least one other photo (possibly three now that I have a look around), taken at this very location and with this Felix. These were taken on the beach itself rather than near a studio so identifying the location is always a bit iffy. These distinctive windows are the key here.

Pams-Pictorama.com Collection. I think someone in Australia selling reproductions of this one.
Not in Pams-Pictorama.com Collection.

Meanwhile, while on the subject of seeing double, I occasionally find one of my photos reproduced for sale. At top above is one where I have assumed that the seller scanned the image (shown above) at the time of selling it to me and another is one I missed at auction and now reproductions are being sold – a bit different admittedly.

Pams-Pictorama.com Collection. Reproduction prints of this one turned up recently.

However one (shown above) turned up after I had owned this photo for a period of time and I was curious. (Posts for these pics can be found here, here and here if you are curious.) I did wonder if somehow they had lifted them off of my post, but I doubt the fidelity would be good enough for an even halfway decent reproduction.

Of course the possibility that the seller owned another print of the same photo occurred to me as well. I reached out to them with a friendly and polite inquiry and their response surprised me. He had purchased a box of items and at the bottom was a disk and the image was on it so he was printing and selling them. Interesting!

While some less utterly compulsive folks might see duplicates as an opportunity to sell one off, at least in the short term I am just tickled to have these photos reunited once again.