The Bowers Movie Book: Aesop’s Fables

Pam’s Pictorama Post: I have an unusual nugget of animation history today. It came to my attention on a search for Aesop’s Fable dolls which I have put out in the world. I asked for more photos because only a few pages of the inside were shown and I was afraid it was just the covers and a couple of pages. The seller quickly replied. In the end I offered a bit less than he was asking and he agreed. It was still a bit dear but something about it appealed and I went the extra mile to purchase it.

Try flipping the page by hitting the arrow!

In reality the book is more interesting even than it appeared at first. Every illustration has a second illustration under it and you are instructed to (gently, especially now) flip to the second page and you see “movement” between the two. It is rather ingenious and simple – a different type of flip book. (Flip the Pages…the Pictures Live.) The book is super worn and shows evidence of much use, flipping the pages. Every other page is several more short tales which are illustrated but do not flip.

It was published by Harcourt, Brace and Company of New York and we can see it was Book 2. A search on the internet shows that Book 1 was dedicated to Mother Goose which looks at least equally interesting. In the back we see that there was a Book 3 (which I now really want!) about the circus which seems to feature a very Koko the Clown looking character! Book 4 was called Once Upon a Time. These volumes are somewhat rarified and I can only find evidence of this one and Book 1 having been recently available for sale. There are eight pages in its entirety, counting the fold-out double pages as one.

One of my attempts to show you how flipping the page looks.

The artist/s do not appear to get credit for these so I am assuming that Charley Bowers is the artist and perhaps the writer as there are no other credits for the book. On the inside cover there is a 1923 copyright and W.F. Powers Co. On the cover we see that there is a Pat. Applied For.

Charles (Charley) Bowers started his animation career working on the silent Mutt and Jeff cartoons. By the early twenties he moved to Educational Films where he made slapstick comedies, some shorts featuring Rube Goldberg creations and a mix of animation, stop motion and live action short subjects. He is prodigious in his output through the twenties and does a stint with Walter Lanz in the thirties. At the end of his career he moves to Wayne, New Jersey and drew cartoons for the Jersey Journal. Sadly at the end of his life arthritis cripples him and he instructs his wife to execute drawing the cartoons under his instruction.

It is also noted in his bio that he was known for illustrating children’s books although the Wikipedia article mentions this for his post-film career and these were clearly made in the thick of it. He was largely forgotten until a Lobster Film dvd came out in 2004 and revived interest in him. It is still available however you will pay up. (It can be found on Amazon here or Flick Alley here. I would poke around eBay for a slightly better price.) As a result, not many videos are posted online, but one I offer is available here.

Clearly a bit of a mechanical genius this is a tiny salute to Charles Bowers of early animation fame. This book is a remaining concrete tribute to his ingenuity.

Esoteric Felix Photo Find, Seeing Double

Posted by Pam's Pictorama

Pam’s Pictorama Photo Post: Today’s post is a bit of Pictorama inside baseball as it were, with some coincidences which occurred nicely and a bit of a divergence down another tributary. If nothing else lots of eyeball kicks from my photo collection today.

Recently I jumped, as I do when I see them, to purchase this postcard of three children and Felix. It is a particularly nice one. Like virtually all of these souvenir postcards, this one was never mailed and on the back is only more contemporary writing noting, Felix the Cat.

When it arrived I realized that I already owned one from the same session or the very card. As it turns out, according to the number at the bottom it is a, more or less, identical image from the same negative. They are both originals and it is virtually the first time I have collected two contemporary copies of the same photo. Surprising to me on some level considering how many I purchase and how many people must have ordered more than one copy of a fun family photo. (The notable exceptions in my collection would be once or twice when I purchased a full lot of photos from one shoot – on two occasions I think once a batch of tintypes from Australia and a strange bunch of photos a a giant Felix at an intersection in Kuala Lumpur of all places – and ended up with a repeater in the group.)

*The photos side-by-side*. *The one on the right is the earlier purchase and slightly better version. Pams-Pictorama.com Collection.*

Another interesting fact is that this one was purchased from a dealer in the UK as most are (some, tintype versions as far as I know, come from Australia), and the original one was that extremely rare occasion where it was purchased from a US dealer, whose card it happens I saved in the sleeve and just found. I have bought very few of these photos from US dealers, they generally don’t seem to travel far from their place of origin, at least until they travel to me. These do not ever appear to actually have been produced in the United States which always leaves me wondering what was wrong with the folks at Coney Island anyway? They missed a great opportunity.

So one wonders why one photo traveled far from its origin and mate. I guess a family member lived or moved abroad, or it was somehow separated and sold off to a dealer and found its way here. By way of comparison, it should be noted that today’s was developed poorly, a bit of overexposure – note that the wooden floor is bleached out as is the background a bit and the printing in general is lesser, chemicals a bit tired on that day perhaps. Although the one recently purchased is also a tiny bit larger meaning that there is a bit less information too. Pure speculation but my guess is that one of these was ordered subsequent to the first one when a copy was desired, perhaps to give away to a doting relative.

*One of the ones that may show the same windows and likely Felix. Pams-Pictorama.com Collection.*

The post from March 2023 can be found here and investigates another coincidence which is that I have at least one other photo (possibly three now that I have a look around), taken at this very location and with this Felix. These were taken on the beach itself rather than near a studio so identifying the location is always a bit iffy. These distinctive windows are the key here.

*Pams-Pictorama.com Collection. I think someone in Australia selling reproductions of this one.*

Meanwhile, while on the subject of seeing double, I occasionally find one of my photos reproduced for sale. At top above is one where I have assumed that the seller scanned the image (shown above) at the time of selling it to me and another is one I missed at auction and now reproductions are being sold – a bit different admittedly.

*Pams-Pictorama.com Collection. Reproduction prints of this one turned up recently.*

However one (shown above) turned up after I had owned this photo for a period of time and I was curious. (Posts for these pics can be found here, here and here if you are curious.) I did wonder if somehow they had lifted them off of my post, but I doubt the fidelity would be good enough for an even halfway decent reproduction.

Of course the possibility that the seller owned another print of the same photo occurred to me as well. I reached out to them with a friendly and polite inquiry and their response surprised me. He had purchased a box of items and at the bottom was a disk and the image was on it so he was printing and selling them. Interesting!

While some less utterly compulsive folks might see duplicates as an opportunity to sell one off, at least in the short term I am just tickled to have these photos reunited once again.

Felix Front and Center

Posted by Pam's Pictorama

Pam’s Pictorama Photo Post: So what the heck is going on in this photo? To start, I am mad for this Felix costume which is sort of exactly what Pam Butler is looking for in a Felix costume. A wonderful full head be-wiskered mask (with hard, perky pointy ears) and then a simple black “cat suit” to complement it – not the covered paws however.

This isn’t a photo postcard, it is a slightly larger (4″x6″) studio photo. What the heck are they dressed up for? If it weren’t for the crown (a rather splendid one) on the girl on our right, the fact that they are in costume might have eluded me. Was it a play? But then why Felix? I am a bit sorry the origin is lost to us, but I am very pleased to have this unusual photo join the Pictorama collection.

In addition to being a rather posh studio photo these children look well-heeled. There is a nice symmetry to the picture with the long-waisted dress between the two notched in at the middle. Headscarf on the middle and tallest of them. Behind them a bland sort of backdrop which must have made do for all photos, faux scenes of fake landscapes outside drawn and painted windows.

Embossed at the bottom is the legend Service Studios and something I cannot read below – Olesbrough is what is visible. On the back it says, Service Studio, Middlesbrough (Felix the Cat – 1920’s.) Perhaps one of Pictorama’s British readers can help sort the location question out.

All of the Felix photos in my collection are essentially one-of-a-kind although occasionally I have found and purchased several from a session and I do occasionally find my photos elsewhere online. Of course in theory there could be some multiples of any of them, at least from those which were printed from a negative. Meanwhile, the other day while we were in San Diego and I had a few minutes to see what was up on Instagram, I saw a photo of a little girl on a beach with Felix which looked familiar. Turns out it was some sold listings on a sellers feed – and I had purchased it from her!

Puzzling Felix

Posted by Pam's Pictorama

Pam’s Pictorama Toy Post: Today’s toy has languished on a shelf for quite a while. It came in the big box of Felix purchased from an obscure auction last year which spewed out everything Felix related from a rare kerchief to a pile of annuals. (Tidbits and treasures from this box in previous posts can be found here and here. Some annuals remain as future posts!)

These hand puzzles are not exactly rare and I have seen some come and go on eBay over time and somehow it was a long time before I got into the game. I finally purchased the one shown here in 2019 and wrote about it here. I couldn’t resist it with its graphic image of an angry Felix with mice.

*Pams-Pictorama Collection from a prior post.*

Today’s is a joyful dancing Felix of dreadfully sloppy execution. Like the other, it was made in Germany and is marked as such. How these cardboard and cheap metal bits have lasted through a century of pockets and playing I cannot imagine. The cheap metal inside and out is pitted and rusty.

For some reason for me these toys always conjure up an image of a young newsboy taking a break and pulling it out of his pocket to play with circa sort of 1927 or so. Sometimes it is an errant night watchman killing time. I don’t know why – it is always men and boys I imagine in this role.

I find the two small metal mice quite cunning as are the metal traps I guess they are? I hadn’t actually thought of them quite that way, but am now as I really consider it. In addition there are two small balls and I would think the challenge is a ball and a mouse in each trap. I have attempted it and it is both engrossing and difficult. I discovered that the mice only go into the traps nose first, can’t back them in, or at least that is true of one which, incidentally, has a slight upward curl to his tail. Ha! Someone was thinking when they designed this.

*The cardboard back, worn from use and handling. Hard to believe it is around 100 years old!*

I know I had dexterity puzzles like this as a child although for the life of me I cannot remember the images on them or the tasks required; I suspect they were simpler. I have a dim memory of them mostly being rolling small balls into a face or something along that line. This would have seemed quite sophisticated to my then pint-sized mind.

I suspect that now that two of these have entered the Pictorama collection of course more may follow. We’ll just see about that.

Yearly Felix, the Annuals: Part One

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Pam’s Pictorama Post: Today’s Pictorama post is brought to you with love and thanks to our friend Bruce Simon who contributed this to the Pictorama archive recently. (Yay and thank you Bruce!) Bruce, involved in all things cartoon, comic and animation has been a decades long friend to Deitch Studio, but known Kim even longer. He has previously plied me with a supply of wonderful early cartoons – Felix, Krazy and others.

Bruce, his wife Jackie and their peppy pup live on the west coast so we are mostly online and postal pals these days, although we look forward to their upcoming sojourn to NYC in June and also perhaps seeing them at our trip to Comic Con in July. (Kim and I heading out to Comic Con this year as he is receiving an Eisner lifetime achievement award – certainly a future travel post there!)

Onto Felix however and this wonderful little item. An interesting Pictorama secret is that I actually own several of these annuals, three came in the group buy from an auction last year. In addition, I own a few other extremely rarified ones that are not Felix related and all of these will likely make their way into future posts.

*Endpapers for this 1925 Felix Annual. Pams-Pictorama.com Collection.*

While I have tackled my Pip, Squeak and Wilfred annuals (one early post can be found here and another here) I am a bit confounded by conveying the wealth of Felix entertainment in one of these volumes. Virtually every page is sort of a gem – either early Messmer strips or those beloved boxy off-model Felix-es supplied by a British artist. Felix’s British alter ego. I don’t mean to be stingy, just a bit overwhelming to feel I am doing them justice. Let’s see how I do today.

I think Felix is Easter ready on the cover of this 1925 annual (a nod to those of you who are celebrating today) with his basket of fish instead of Easter eggs! This is the great squared off Felix which I note above and ongoing readers know how much I like a square Felix! He is stealing away with the fisherman’s catch, the fisherman is either so deeply involved in his rod or nodding off – I can’t tell.

1925 appears to be the second year of the annuals and for some reason it is said to be less available, although you could buy one right now from what I can see. They are said to have lasted at least through 1929, which would give me all but one of them if true. Published through the Daily Sketch and Sunday Herald Ltd. the years of publication are nowhere in evidence in these books. For the devoted reader these can be had if a tad dear.

*Title page. Pams-Pictorama.com Collection.*

*Damaged back page. Pams-Pictorama.com Collection.*

While the book is made up largely of black and white, presumably Sunday, strips, there are what I assume are British produced full color plates throughout which almost, loosely tell a story too. Then there is a center spread of four or so strips which are printed in red and black. This seems to roughly be the format of these annuals. It is interesting to me that the Pip, Squeak and Wilfred ones ran so much longer than Felix, despite his popularity. Those have a run from roughly ’22-’39. The British comics reading public did love their annuals however.

This volume also has hand painted embellishments on a few pages from a well meaning child. This is also very common indeed and not a surprise to anyone who collects children’s volumes of any kind.

The inside front and back covers are the same goofy design where Felix seems to have ascended to the heavens where he is surrounded by good things to eat (including mice) and admired by an anonymous cat below. There is also a front and back plate of him – sadly the back one is marred by a strange remnant of something unidentified which is on several pages of the book.

These annuals were sturdy in their construction – well bound and with thick pages. Even with that some of the pages in this 100 year old volume are worn right through with years of thumbing. The back outside cover is a not especially interesting ad for Ovaltine.

The comics within are worthy and I am enjoying reading them in bits here and there. I am more a fan of daily strips than Sundays in general, but these are fun and very much like the cartoons.

I promise more to come on these, but I hope today has been a tantalizing taste.

Tee-d Up

Posted by Pam's Pictorama

Pam’s Pictorama Post: T-shirts are yet another sub-genre of Pictorama. I never made a conscious decision to add them to the collection, but I find I occasionally snap one up.

I generally eschew the older used ones – not that I have anything against used clothes; I have bought from thrift stores and vintage for years. However, there is a convention on eBay where, oddly (at least to me), people sell old t-shirts (or attempt to) for vast sums. I guess there are some super rare Felix t-shirts out there that fetch those sums, but I have a sort of a mental cap on what I think a used t-shirt should cost, no matter what is on it. Anyway, despite all of this, a slow trickle of t-shirts are archived here. (A few of those posts – including some vintage Kim Deitch designed t-shirts – can be found here, here and here.)

I say archived and that is not entirely accurate either. Some are archived and others find their way into favored wardrobe. There was a post about an especially Waldo looking cat on a baseball shirt I bought from a company in Japan – after a considerable international exchange! (That post can be found here.) I purchased two (by accident) and I wear them all the time. They are among my favorite shirts.

*Poshmark was selling it black recently.*

Baseball shirts are preferred – love the three quarter sleeve for running. Actual t-shirts are of less interest for wear. I run in sweat wicking fabrics because I don’t like a soggy cotton shirt and my preference for wearing has always been sleeveless. I find short sleeves constricting. I have been known to cut the sleeves out of my t-shirts, but am not especially inclined to do that to these purchases of somewhat rarified tees. Another option is sleeping in them (atop of my beloved elephant toile pj’s which I memorialized here – I am wearing a new flannel version even now as I type!) although I am a bit partial to v-necks for that purpose. (Yes, I cut the necks out sometimes too!)

Therefore, somewhat unconsciously, these items are more collected and kept than purchased for consumption. Today’s acquisition is an older and considerably worn item, but it wasn’t much money and I liked his faux Felix self. His body is the bike and rider with wheels added. He has claw paws which grip the wheels and his mouth is pursed in a whistle – to alert folks that he is streaking by. Sweat is flying off him and his butt fur is a bit ragged with effort. Someone did a fairly splendid job drawing this.

*Both shop photos from the Men’s Journal article below.*

Close attention made me realize that he sports a little cap that says GSC and he has what could be considered a tattoo on his arm which says LA. This t-shirt originated at the Golden Saddle Cycle shop which was founded in 2011, but appears to have closed in 2022 due to the loss of its building at 1618 Lucille Avenue in Los Angeles. It was, according to online testimony, a much beloved repair and sales shop owned by Kyle Kelly that carried some of their own line of merchandise. Described in an online Men’s Journal article as part shop and part clubhouse it was a place where bike enthusiasts might show up for a part and find themselves instead whiling away an afternoon.

If the thought of riding a bike on the streets of Manhattan fills me with some trepidation the idea of riding one on the streets of Los Angeles really sets off warning sirens, but I am not fearless that way. I will stay trotting along slowly on my two feet, although I may reconsider doing it in this nifty shirt.

Lucky in Love with Oswald Rabbit

Posted by Pam's Pictorama

Pam’s Pictorama Post: A couple of weeks ago I was meeting a friend for a drink on Madison Avenue after work. She had selected an interesting place which turned out to show me to my table via a sliding bookcase door for a speakeasy feel. However, I was early and she was going to be a bit late so before crossing the street I did a bit of window shopping.

*The store on Madison from a few years back. Looks pretty much the same now.*

I haven’t been to this stretch of upper Madison in a long time. I made it up more frequently when I worked at the Met, but usually a trip to a museum would have triggered a stroll through, but hasn’t in awhile. There’s a wonderful but overpriced store I tend to stop by, Blue Tree, usually to purchase some greeting cards. It is a mash up of clothes, jewelry, toys and baby gifts among other curios. Occasionally I have bought something other than cards, but as already stated and I cannot emphasize enough, it is expensive. Rumor has it that it is owned by the actress Phoebe Cates.

*I snatched this quick nighttime pic of the store window more for reference than anything else – in case he was gone before I could come back.*

Anyway, the store was closed but there in the window and much to my surprise, was this rather incredibly resplendent Oswald Rabbit doll. Almost the size of an infant, Oswald was perched among some modish clothing and some other gee gaws, atop on a small bench. The incongruity stopped me in my tracks. The store was closed so I took a quick photo and figured I would attempt to find it online or double back when the store was open.

A NEW Oswald short made by Disney to celebrate his anniversary.

Of course the weekend came and it was another sodden mess like the one before. Undaunted Kim and I traipsed out to Madison Avenue between cloud bursts. It is a very expensive store so I girded my loins before entering – how much could Oswald be? There were a lot of eye ball kicks for the likes of me there – a very nice Minnie Mouse baby blanket that I would love if I could figure out what to do with it. (I thought picnic blanket which is an ongoing need for the park, but it’s white!)

However, I stuck to my mission. Although there was a display of (beautiful) stuffed toys in back, the only Oswald was in the window. I found a salesperson and asked and indeed, he was the only one and had just come into stock and been put in the window. I would like to just take a moment to recognize whoever had the wherewithal to purchase him for their stock – I really can’t imagine that many stores would have purchased him and plunked him in the window. It seems they were rewarded for their ambition, by the likes of collector me coming along.

*A beauty shot of Oswald! Pams-Pictorama.com.*

This Oswald is made by Steiff in collaboration with Disney and is being sold this year as a 100th birthday tribute to the hard luck rabbit who was hounded into obscurity by legal dispute, shortly after his popular debut. He is about 30% larger than I ideally might have made him actually and practically speaking. His high price tag is somewhat justified by his fine mohair outer layer, just what a good toy should boast. However the days of excelsior stuffing are (sadly) gone so he is stuffed with a weighty synthetic something. He is a nicely made item and when I later found him on their website they emphasized that he is not a toy for children, but a collector’s item for adults. (Huh. Go figure.)

A bit of Oswald history via Wikipedia reveals that the first Oswald cartoon hit theaters in 1927 so not exactly sure where the 100 years comes in. Disney and Ub Iwerks took the idea to Universal Pictures after ending the Alice Comedies and Julius the Cat. Too many cats on the market so they went for a rabbit it is said. Also read that the first cartoon submitted was rejected for subpar production although it was slipped into the releases later.

Ultimately 27 cartoons were made at the Disney studio and the income allowed them to grow their staff to 20 animators, their future now secure. Mickey Mouse was created as a replacement after the rights to Oswald were lost in a switch of studios when Disney realized that Universal was quietly hiring his animators away.

This is the link to a slew of original Oswald cartoons.

Kim whipped out his credit card (he is a very good husband indeed) and Oswald was mine, an early anniversary gift. (If all has gone as planned you are reading this as Kim and I travel to Cold Spring for a day of poking around and foliage viewing in order to celebrate the 23rd year of our nuptials. More rain could delay this celebratory event however.)

*Side view of the box.* *Below is the money shot of the top of the box.*

Heavy is a theme because Oswald is a solid citizen of a toy. He stands at about 30 inches in height and weighs considerably more than our cat Blackie. As you can see, he travels in a very decorative box. I hesitated to take the box (small apartment and all of that) and I did consider just having him shipped to New Jersey, but I was worried he’s be exposed to the elements before someone could grab him inside. The box is fun even if I don’t know that I have an eventual place to keep it – since I rarely buy new toys the box question doesn’t come up often. With the weather and all we took him, wrapped copiously if a bit ham handedly, and headed home in sloppy triumph with the next downpour just commencing as we got home.

I have written about Oswald previously and have one beloved tatty one in my collection. That post can be found here. He is in some ways (condition!) the exact opposite but he was acquired for a pittance on eBay while no one was looking one day. I think the new fellow will head to Jersey where he can be among the first notable toys as I open the collecting front there.

Kim and I are heading off to Cold Spring shortly to enjoy an anniversary jaunt. More about that later and I hope you enjoyed this very Oswald morning!

Felix, Keeping It Clean

Posted by Pam's Pictorama

Pam’s Pictorama Post: Today’s post is the last piece of the advertising haul from Britain I started posting about a few weeks ago. (That post and some great ads can be found here.) Persil, the subject of today’s post, is a British detergent which is still quite extant today. This ad is from an unknown publication, but dated May 24, 1924.

It was founded in 1907 and according to an internet article Persil claims to be the first first self-acting detergent. Its revolutionary formula that released oxygen during washing made strenuous rubbing of the laundry superfluous. According to another site it mixed a high oxygen soap with salt into the detergent which caused a chemical reaction that cleaned clothes without damaging or scrubbing. This is of course something we take for granted today, but quite revolutionary indeed when you think about it.

*A couple of these clocks appear to survive in Germany. They are wonderful! I guess to remind you that Persil would save you time?*

Persil got its name from its original ingredients: Per from Perborate and Sil from Silicate. Originally the Persil powder had to be stirred into a paste before use. At the bottom of this ad it announces that you can write for a free booklet which tells how to use Persil. At first I wondered why you would need a booklet with instructions confused me at first, but after the outline above I realized it was perhaps a bit complicated.

A slightly earlier German advertisement with an even more Devilish mascot from 1914. The copy roughly translates to **saves coal, labor, time and money!**

The tie-in to Felix is a somewhat elliptical one – Time for the pictures on wash-day. Felix is perhaps a bit more off-model than usual, mouse dangling in hand and the writing on the film poster, beyond his name, is gibberish. The little girl looks at him joyfully while a well dressed (and well-heeled) mom pays for the tickets to someone who is barely part of a face behind the ticket counter. The jolly jacketed usher has his back to us.

The copy reads, Time for the pictures on wash-day – Of course there is. She wouldn’t miss Felix for worlds. So she hands over the washing to Persil. That means five minutes for getting things ready, and thirty minutes for Persil to do the work. Out come the clothes, clean, fresh, white and undamaged, and off she goes with a clear conscience and a clear day.

Persil’s mascot, the early ’20’s version, is down at the bottom, odd little fairy made of a box with wings – less sly than the Devil above. He’s barefoot and is all pointy ears, nose and hair. Oddly, and it may be my own inferior search skills, I cannot find any information on his history or why he was composed this way.

The advertising I have supplied here was the most notable I could find on the internet so Persil didn’t go in for a lot of premiums or campaigns, that survive anyway. The green box shown here held by the friendly Devil was their persistent look into the mid-twentieth century when they eventually morphed to a plastic jug and presumably stopped being a powder.

I assume that Felix picked up his paycheck for this and kept it moving. Lastly, for another real eyeball kick, check out my other Felix advertising post from a few weeks ago – a rare, entire short comic for Sportex shirts – which can be found here. Enjoy!

Our Friend Felix

Posted by Pam's Pictorama

Pam’s Pictorama Photo Post: Today I write of another delightful addition in a long line of my real photo postcards of people posing with Felix. These were mostly taken in Great Britain (although Australia and New Zealand were in it too, although those appear to largely be of the tintype variety) and this one made the trip across the ocean to join the Pictorama archive.

Like virtually all of these cards this one is postally unused and nothing is written on the back. Although I am not in New York with my full collection at my disposal, I realized almost immediately that this Felix is likely the star in at least one if not more of my other photos.

First there was this most recent purchase, shown below (with a post that can be found here) and while it is possible, the ears are perkier in the prior post and possibly a big white tooth missing or not shown in the latest one. The window backgrounds are also very similar.

However, in an earlier post, this one is pretty much a cinch to be the identical fellow – missing or unshown tooth and all! In some ways it is surprising this doesn’t happen more often. After all there are only so many places taking these photos and presumably not that many Felix-es in play. (The post with the below photo can be found here.)

Images from Pams-Pictorama.com collection

While both these little girls are cute the older one with the hat steals the show – even from Felix. She is delighted to have a hold of Felix’s outsized and overly long arm (all the better for throwing around fellow subjects it seems) and she grins broadly. Her outfit is pitch perfect with that lovely straw hat, decorated with flowers, embroidered collar, short pleated skirt and right down to her white ankle socks and black Maryjanes. The younger sibling (we’ll assume) is in layers of pretty white cotton, complete with bonnet and matching Maryjanes, but she has just been place in front of Felix and shows no real interest.

Of course Kim, cats and I are spending a few weeks at the Jersey shore and having a true summer vacation experience. Tomorrow night we are slated to enjoy the local fireman’s fair (which I wrote about a long time ago here – it turns out that my childhood fireman’s fair is quite a well known one) which I have not attended in decades. While I am excited for some cotton candy or perhaps a candy apple and a ride or two, sadly it seems unlikely I will get to pose with Felix for a photo – the seaside not being what it used to be. More to come about that, perhaps, on Sunday however.

Felix Finds: Edition 1

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Pam’s Pictorama Post: Yesterday, the first day of my vacation, started quite poorly with a migraine. I am an occasional sufferer and although certain food (good-bye red wine!) will trigger them unfailingly, otherwise they arrive largely unannounced several times a year. For a period of time they manifested as vertigo which was really nasty business. I don’t take anything for them although I try to remember one doc’s advice that they would dog me during times when I wasn’t eating and sleeping sufficiently.

If I had to guess, yesterday’s migraine fiesta can be attributed to a long winter and spring of stress with mom’s illness and work. Regardless of cause, yesterday saw not one but a rare two rounds with it. Bright lights in one eye which melt into sort of fascinating, undulating psychedelic patterns. (Think caterpillars examined on acid.) Interesting though, in tandem is the feeling that someone has poured crushed glass behind your eyes, followed by a dullness and a sort of well, sore head. I gave in after round two and slept through the afternoon.

When I woke later in the day, generally revived, I had a rare and unusual treat awaiting me. An entire box of Felix items had arrived from an auction in England! As a general rule, I do not purchase blocks of items as my limited space does not invite duplicating items, nor storing them against future resale. (Although now that I own a house too, watch out I say!) However, this is the second auction where I did purchase a lot and I have been quite pleased both times. The first time was a few months back and it was in order to purchase this rare Felix bottle, shown below. (The full post can be read here.) It was paired with a pencil sharpener. All in all, a satisfying experience.

This time I went a bit further out on a limb for a multi-faceted package and those of you who are willing and interested can be along for the ride as I examine this odd lot of booty. I will start with some of the small items which I did not buy the box for, but are in their own way, a wealth of stuff.

*Back of pin with information as below.*

Starting with some of the smallest items, I offer two pins which came my way. The one is is very poor shape, however I am not sure I have ever seen this exact version before and in its day he was a jolly little bar pin. (A prior Pin Post of Felix specimens can be found here.) A barely visible Felix shrugs his shoulders in a familiar pose with a sad face. While well beyond wearing, I think it is fair that he should come to rest in the Pictorama collection.

*Pins from Pams-Pictorama.com Collection.*

The other is one in a series of pins that are somewhat available and my examples were among some of my earliest Felix purchases in a London flea market many years ago. I own two others in the series, but this third is the first time I am seeing one on the original card.

Some (most?) of these are marked with some variation on the back along the lines of, Pathe Presents Felix The Cat In Eve & Everybody’s Film Review. (I have grabbed that off an old Hake’s listing for this pin so I don’t have to take it off it’s aged card. Under any circumstances, it is a lot of text for the back of a pin which is only about 1.5″ long.) These are generally also marked sterling, which is additionally a bit surprising although silver was much more commonly used for costume pieces back at the beginning of the 20th century. Some were also produced on brass, copper or some other non-ferris metal.

Having said all of that, I have seen this mold, pattern or whatever, used in a vast array and variety of pins. I was only able to grab one other design off the internet, but over the years I have seen many variations on the pins, as necklace charms and otherwise utilized in a variety of ways. They are fairly available and one in good condition seems to run about $50 these days.

*Bracelet by Charles Horner which I have seen for sale and occasionally been tempted to buy.*

One interesting clue I ran into while researching these today is that they were designed by a man named Charles Horner who is best known for his Arts and Crafts and Art Nouveau pin designs. Horner’s company, Charles Horner of Halifax, (23 Northgate Halifax), was founded on a design for a new and improved thimble. The Dorcas thimble sported a reinforced top to reduce needle pricking. (In my mind this does raise the question of what the heck good were they before that.) It was patented in 1884 and remained in production until the 1940’s.

*Horner Mickey Mouse pin, sterling, sold by Liberty of London according to one source. A bit more rarified than the Felix pins, these will cost you a bit more.*

Mr. Horner did a similar turn for Mickey Mouse in a series of pins, but I don’t know if they were also a premium tie-out or if Felix proved so remunerative he struck a deal with Disney. (From what I can find there is only a Disney copyright and the Horner hallmark on the back of these.) One of Charles Horner’s hat pins is in the collection of The Metropolitan Museum of Art according to their online catalogue – it does not bear Felix’s image. After his death in the 1890’s his sons took over the company and expanded to watches and tableware and continued production until the 1980’s.

What I cannot find is specifically how Pathe films distributed these pins, although I assume that it was they who were the origin of them, and that Horner just kept using the designs in the other pins and bits of jewelry that one finds which do not all appear to tie out to the Pathe name. Pathe did not limit themselves to pins as premiums and they also produced an odd line of largely useless pieces of decorative china – ashtrays, pin trays and the like. I wonder if the premiums were give aways in theaters or with the purchase of their line of home movies, a Baby Pathe Felix film is shown below. To my knowledge (which is limited) these premiums seem to have been entirely the purvey of the alternate universe that was Felix the Cat promotion in Great Britain.

*Another Pathe premium, not in Pams-Pictorama.com Collection.*

*The odd marking on the bottom of one of the china premium pieces.*

And this folks, is merely the tip of the iceberg for the wonders that wandered into the house yesterday. Stay tuned Felix friends! It promises to be a very Felix summer ahead for Pictorama.