Love-ly Lamp

Pam’s Pictorama Post: I think Pictorama readers know by now that I am very susceptible to stumbling on something while scrolling through the internet, eBay and Instagram in particular. I see a heck of a lot and, if you think of it in proportion to what I see I inquire about a small amount and purchase and even smaller amount – although it does pile up. Anyway, this lamp popped out at me while casually strolling through Instagram and I went so far as to purchase it for the house in Jersey. It came to us via Mike Zohn @obscuraantiques whose antique store on the we used to visit on the Lower Eastside before his relocation to points south of here.

Pictorama readers might also remember that I have a soft spot for lamps and have posted about a number of them purchased for the house here and a few for the apartment in New York. (I was thinking about this the other day and remembering that for my father it was clocks and chairs. Man, my father would go way out of his way if he thought an antique clock might be in the offing. When he was a bit younger he was also that way about antique chairs – I grew up with an extraordinary number of chairs in the house – many were Shaker in origin. We could have seated small concerts or film viewing. They were like cat nip to him. Meanwhile, some of those past lamp posts can be found here and here.)

Somewhere in the back of my mind I was thinking that this lamp would look nice and be useful in our bathroom – I am not a huge fan of the overhead light. I was assured that it had been rewired and all I would need is a shade and the hardware for the shade however when it arrived the thingy where the bulb goes looked awfully gnawed away. It took a number of months before I could get it to the hardware store here which is a splendid place to get work done on lamps.

Fair Haven hardware is one of those rare thriving businesses that manages to look (and smell) both contemporary while remaining steeped in its longstanding past. Fair Haven Hardware is 72 years young this year and while it was sold by the son of the original owner to a employee a few years ago, he’s pledged to keep it going for the next 70 years. (I recently got on my elevator in Manhattan and was talking to a neighbor who used to have a home down here, when she talked about selling she said the thing she’d miss most was this great hardware store in Fair Haven!) Their 70th anniversary banner still hangs on the front of the shop.

Kim and I were trying to analyze what the smell is. It is reminiscent of an aging Woolworth’s or ancient five and dime of that variety with perhaps a bit more fertilizer and grass seed thrown in. You might say dust but it isn’t dusty, nor is it dark, quite well lit really.

Anyway, they replaced the bit that holds the bulb and now I just need the hardware for the shade and a shade. While it isn’t exactly light, it is not as heavy as it might look. It’s sort of a dotty design and the ageing patina improves its appearance I think. I continue to think it might have a place in the bathroom. (Although I recently purchased a night light for it and it seems a tad less pressing than it did.)

Buying a shade for a lamp online is a bit difficult and this has prevented me from purchasing one for Popeye as well. You have a desire to see how various shades look. I need to find a local store where I can take them and pop a few on, like trying on hats. Or I can gird my loins, order online and take my chances. I’ll let you know what I decide.

A Mr. Peanuts for Pam

Pam’s Pictorama Toy Post: This just in – my first ever Mr. Peanut! He comes via an auction house that sends me endless listings and from which I rarely win anything. (The first item I ever won from them were these nice metal dogs featured in a post here.) On the rare occasion that I do win something, it was because no one else wanted it or was looking at the moment I think and therefore I got it for a good price. I do believe that part of the method of buying from these folks is to actually participate in the live auction but I am almost never able to do that and so, mostly I lose.

I had spotted this fellow in a listing along with a bunch of jointed Felix toys and admired him. Never seen the likes of him. I put a watch on it but expected that like many things (I keep trying to get a deal on cat andirons for the fireplace in New Jersey) it would go high and slip away. In fact, I never got around to putting a bid on it.

However, I was at loose ends the other day and a reminder that the he was going live in the auction. I believe I was feeling a bit burned by something I had just lost on eBay and I thought what the heck and put a live bid in just as the bidding was closing. Low and behold – I won Mr. Peanut!

Nothing much unexpected on his back side. Schoenhut has no markings on these toys but they are very distinctive.

He is an early product of the Schoenhut Toy Company, circa the 1930’s. He is of course, an early example of an advertising to toy crossover. My fellow is missing his cane which would have stuck in one hand. And yes, if I was about 100% handier I could replace it easily! I especially like his blue hat with Mr. Peanut boldly printed! (Was his hat always blue? I think not.) When you look closely at his peanut body you see small black spots to create the peanut shell surface of his body.

Insert jaunty cane here.

What I never knew is that Mr. Peanut was originally conceived of by a 14 year old boy, Antonio Gentile, who won a contest to design a mascot for the company back in 1916. The charming monocle, top hat and spats were added subsequently by commercial artist Andrew S. Wallach. (Fascinating that spats manage to carryover on him – common in 1916 but unheard of now, of course he just appears to be wearing socks.)

To jump down a tributary – it turns out that although Antonio Gentile only won $5 for the contest, it was his lifelong friendship with the founder of the company that was significant. Amedeo Obici befriended the boy and helped put him through medical school. He pursued a life of service as a doctor and surgeon. A moving quote from an article in Smithsonian Magazine, evidently published in a newspaper as part of an obituary article (sadly Dr. Gentile died quite young, only a year after getting married) and is summed up below:

For Dr. Antonio Gentile, skilled physician and surgeon, loved by a paying clientele who admired his ability and his personality, was perhaps held dearer to those who were not a paying clientele, whose money was gratitude only but whom he served as freely, as fully and as willingly as though they had been able to return wealth for service. (The full and rather touching article can be found here.) The Smithsonian owns the original drawings and the dapper cast iron version below.

You may be saying to yourself, what’s up with Mr. Peanut and why, given how much stuff I have found over the years, have I long neglected this particular desire. I asked myself that as well, I admit. My interest in Mr. Peanut advertising predates my current collecting passions. The first time I remember seeing an early bit of Mr. Peanut advertising was on a trip to Paris in my 20’s. I saw a nice early metal one and was entranced but it was too dear for my extremely limited budget, but it stayed with me.

Of course I have encountered this and that small item over time but none really spoke to me. I do remember that on American Pickers once they found the giant Mr. Peanut peanut butter producing machine! Oh my goodness, I was in love! I gather one like it was in use and on display in Atlantic City. Shown below, this one hails from a Peanut Shop in Columbus, Ohio. Their site can be found here and it would be absolutely top of my list if visiting Columbus.

From The Peanut Shop in Columbus Ohio.

In looking online at Mr. Peanut items I am reminded that even as a child I very much wanted the Mr. Peanut hand crank peanut butter maker. Alas, this was not the kind of toy that made its way into the Butler house (I can see my mom thinking, complicated and very messy) and I don’t believe I ever had the pleasure of acquainting myself with one via a friend in those formative years.

I believe it was a less impressive version of this figure that made me salivate in Paris those many years ago.

However, if there is a Mr. Peanut item I still long for, it would be that long ago cast iron one in Paris. I found it online and actually, it would appear that it is indeed quite rarified and remains too expensive for me to acquire – certainly in this pristine condition.

Meanwhile, I intend to bring my Mr. Peanut to New Jersey where the heat in the house is less dry than here at Deitch Studio. This in the hopes of keeping his stringing in order. Somehow now that I have acquired him I think more Mr. Peanut may be forthcoming – increasing rather than sated my appetite for this natty fellow.

Fleeting

Pam’s Pictorama Post: Today I have a post of the cannot be and will not be of items that are not part of the Pictorama collection. It is the tantalizing netherworld of the might have been.

After all, I general troll constantly for one-of-a-kind objects that fit my areas of interest and therefore there is bound to be some loss among the gain and many failed attempts for a variety of reasons.

Sadly, today’s post is inspired by the worst kind of loss which has reminded me that to operate in my world one has to be prepared for a variety of eventualities.

To start with I have this wonderful Felix photo postcard for my collection and the sad inspiration for this post. Those longstanding readers know that these singular photo postcards of people posing with giant Felix dolls are the foundation of the photo side of my collection. I have not really assembled them to do a count but I own many and pretty much approach the situation as that these are must haves when they become available. Occasionally I lose one to a bid too low, but generally not for a healthy lack of trying. If you are going to wrestle it away from me you are going pay some serious money.

This card was not lost to another bidder, but saddest of all was won, paid for and now has gone missing in the mail! Searches have been completed and I even had a phone call from my mail woman. They can only confirm that it was delivered to the address of my high rise building – although they did go to the other buildings in the area to check. It has just disappeared. It was insured but because the post office says they delivered it the insurance won’t pay. I am out both the money but most importantly the card which is irreplaceable. It is a mystery. I share it here In Memoriam.

Copies being sold on eBay.

Up next is another whole and different category – the items I did not buy because they turned out to be reproductions. The language on some of these posts can be very hard to decipher – and occasionally all the way to deceptive. I am not actually saying that this one was deceptive however and I realized that this rather fascinating photo was a copy and did not purchase it. Somehow it remained in my watched folder of eBay to share with you today. That furry Felix costume is really weirdly memorable and he has the saddest Felix face! One should not ignore the charm of the donkey clad fellow on the other side. Hotsy totsy! I do wonder what the heck kind of vaudeville or other act this commemorated.

Lost in the confusion of a busy fall.

This nice Tuck card with a Louis Wain design was one of several offered by a Canadian seller. I admit to causing my own downfall as I was trying to purchase a group of them and got muddled. I made an offer which she turned down and then much later she ultimately made an offer, but I had my mind in other things (sadly I do actually have a job and try to get some work done Monday through Friday) and I missed that chance. Once I had myself together to circle back she has gone out of town with all on hiatus and I don’t know if it will ever happen now.

These cards do sell high and I appreciate that she bought them for her own collection and paid a lot – she just got me in a confused and busy moment. In the recent Louis Wain bio (Catland – review post is here) the author discusses how from the beginning Christmas or holiday illustrations and cards helped to make up the backbone of Wain’s annual income. His illustration of these cards were at the height of his career if I remember correctly. Meanwhile, I have several from the Felix collection and that post can be found here. Maybe more to come on these if she and I can sync up our communication.

Outlandishly high asking price.

This photo above has been kicking around in my watched folder for ages. As you can see, it bares the seller’s mark. They have named a ridiculous amount of money for it. While I understand that this is some sort of strategy I am not interested in engaging in a negotiation where someone is starting several hundred dollars more than I am willing to pay. This photo interests me, but not enough to engage in that dialogue. (It is still available for anyone who wishes to engage in the process!) I share the back as well. It is a press photo from February 28, 1931 of students from the Mardi Gras parade in the Latin Quarter of Paris looking into the Luxembourg Gardens.

Back of the photo above.

And sometimes I am just outbid. I try to be philosophical about that. If you are going to participate in auctions it will indeed happen. My father always gave me the advice his own mother gave him which is, figure out your maximum and stick to it. Gertie Butler was a true veteran of live auctions in her day – yes, I really do come by this interest naturally. She furnished an entire home with antiques this way. I often think of how much she would have loved eBay, although perhaps she liked the activity of going in person as well.

Lost to a high bidder.

Anyway, above is an example of a card that just went too high. Sometimes things go way high and at least there is comfort in that as I know I never would have paid that much. Other times, as in the case of this cat card, they go just beyond your top bid. I try to reassure myself that it isn’t likely that if I had gone just a tiny bit higher that it would be mine – after all, the person was likely to have gone higher too. It is just an illusion that you could have had it for a dollar more, probably not true.

This card has a lovely tuxie sitting on a sort of dressing table tray among potions, brushes and combs in order to admire the kitty in the mirror. I can’t tell if he understands that it is his image in the mirror or if he is among the type who thinks this fellow might be invading his turf – something about his expression makes me think the latter.

A never ran for Pictorama but very fun nevertheless.

I end today with a I will never own it because I didn’t bid on it item. This little gem of a wind-up ice cream seller from a Milestone Auction recently which I thought was super charming, but a bit outside my area of collecting. As it happens, many people must have agreed and it sold for a pretty rarified price. However, it passes through the Pictorama portals at least as a guest appearance as well.

Dishy

Pam’s Pictorama Post: One evening a number of weeks back I was scrolling through my beloved Instagram account (I sometimes think I am the only one who loves their IG account this much, but mine is a endless source of cat videos, antiques and vintage jewelry and I turn to it for gentle relaxation and entertainment), when I spotted this nifty item.

A sister version was also up for sale, both featured on a favorite account, @marsh.and.meadow. I scooped her up immediately. I of course now regret not purchasing both, although even she seemed like an odd indulgence at the time. (As seen below, I have a good chance at rectifying that mistake if I so wish.)

Not in Pams-Pictorama.com collection although this similar one would make a solid state ashtray. For sale on eBay at the time of publication.

She was being sold as an ashtray and I bought her as such, given that I had a recent need for an ashtray and had fallen short. (This was a very good reason for purchasing her I thought.) However, once I had secured her I quickly realized that I could not have people putting cigs and joints out in her tummy, and decided that she is strictly decorative – being even a bit small for pins and bobs. As you can see, she now lives on our bookshelf, drifting along under Little Nemo in Slumberland and two (especially beloved by Kim) ancient volumes of Dumas.

Not in Pams-Pictorama.com collection although I love her little blue swim shoes and she’d make a better ashtray!

I think our girl could fairly be called a flapper, with her hair back in a scarf. She appears to be in a swimsuit of the day (the top more implied than defined), a towel or scarf over one arm, a splendid black and white spotted kitty in the other arm. The glaze is a nice pearlescent under the towel. Her feet are in little black swim shoes.

This similar version is available on Etsy at the time of publication. Very pearly and a bit more racy.

The person painting her personality on gave her red bow lips, a faint blush and gold hair. How nice that she has drifted through the decades, forever in her stylish (for the day) swim togs with kitty.

She is marked Made in Japan and while a quick Google search did not turn her up precisely I found some kissin’ cousins which I have shown here, although no real information. Slightly later versions start to veer to the somewhat racier, with better defined paint and strategically (smoking) placed cigarette holding.

Her mark of origin shown on her tiny feet!

All these shown are available on either Etsy or eBay at the time of posting so if you need your own you are in luck. Or maybe I will scoop another up in an attempt to finally fill my ashtray need.

Felix Takes a Powder

Pam’s Pictorama Post: Recently my friend Mel directed me over to a small auction that was primarily devoted to space ships, but had a small number of Felix items and I guess a very few people paying attention to them. Today’s very unusual item came to me via that auction along with a lovely stuffed Felix I will share soon as well.

Schuco produced Felix perfume bottle. Always very pricey! Not in my collection.

Felix bottles are a category unto themselves and to my knowledge include a soda bottle, a plastic bath bubble bottle, a popular perfume bottle and an even more available early bath salts bottle. The perfume bottle has a mohair outside (as above, produced by the toy company Schuco, which makes you wonder a bit about the quality of the perfume in question) and looks like a toy, while the bath salts one is made of clear glass and painted. The paint is usually worn off on the latter and there is a very similar Bonzo Dog – oddly and weirdly almost interchangeable if you aren’t paying attention. (As below and not in my collection – yet!)

My new Felix bottle is in what I think of as his Romeo pose, on one knee, hands clasped to his heart. You can imagine his impassioned cat-on-a-fence type tune. There are no makers or brand markings at all. In all of my searching around I have never seen the likes of him.

The white of his face appears to have been repainted, fairly well, but still is generally something that turns me off entirely. I can’t say the style of him is a favorite either – why the two tooth look I wonder? Again though he is so unusual I decided he had a place here at Pictorama and I am pleased with a having acquired him.

Powder stopper. Pams-Pictorama.com collection.

I have never however seen this item before in all my looking, nor when I did a dedicated search after finding him. He is made of a heavy molded glass (seam in the bottom) and stands about five inches high, and he’s a slightly off-model Felix with that sort of gap-tooth grin. The brass-esque cap comes off to reveal a powder shaker top. (Felix arrived well packed, but in a tsunami of powder which had remained in the bottle until he traveled! I guess the seller figured I would want it powder and all. Only a vague scent to it if you are wondering. It is sort of getting all over everything despite my best efforts to contain it.)

I like to imagine a dressing table somewhere, maybe in the early 1930’s with Felix atop where each morning a bit of powder was shaken out of him. So beloved however, he has made it down through almost a hundred years to be with us today. And stay tuned – while I was writing this I found another bottle I had to have. More to come…

Flat Iron Fiesta

Pam’s Pictorama Post: I have been itching to share this acquisition since I purchased it this summer on our well worn Friday night path to and from Vietnamese take-out. Folks who follow my Instagram and Facebook page saw it when I first spied it in the window of the nearby junk store over the July 4 weekend.

I opined on its wonderfulness then (said it was too big to buy) and it wasn’t much more than a week later that I hustled Kim over to help me strike the deal and bring it home. Numerous bits and pieces have found their way into the Pictorama collection from this tiny storefront. Most recently I have written about a few piggy banks (two of those posts here and here), but this will remain in my mind as the very best buy I suspect.

A short video I made of the window at the shop when I found the Flat Iron Building among these other model buildings.

It turns out to have been made by a company called Department 56. (Odd name, yes? The man who started the company, Ed Bazinet, had worked for a company called Bachman, a florist and wholesale gift importer. He ultimately convinced Bachman to invest $50k in his new company which would specialize in high-end holiday items, and named it for his former unit, which of course was 56.)

My Flat Iron building is part of a large series devoted to Christmas in New York, reproducing landmarks of the New York skyline. It is (weirdly and surprisingly) made of ceramic. While it is heavy it is nowhere near as heavy as I thought it would be sizing it up as likely being a non-ferrous metal of some sort – like a giant piece from a toy train set.

It was a great window chock full of building models.

While these are specifically made for a holiday set up they are amazingly beautiful reproductions of New York architectural stand-outs and range from the obvious, such as the Empire State building and the Chrysler building, to the somewhat more obscure such as Luchows, the Singer Building and something called the Uptown Chess Club.

The reproduced buildings with pre-20th century architecture seem to revert almost immediately to too cute for my taste. However, the Woolworth building is tantalizing (talk about huge though) and Kim and I are still discussing if there is a spot that can accommodate it. (Stay tuned for a perhaps future post.) It is unclear to me if they continue to produce more New York buildings and it seems they pay tribute to a smattering of other cities – I believe I saw a building from Dayton, Ohio online too.

Empire State building for sale on eBay.

Of course my mind races with what it would be like to have enough space for them all. A tiny, if snowy, NYC right here in the apartment! Imagine that!

My Flat Iron building was brought onto the market in 2006 and “retired” in 2010, although it appears to do a brisk business on the secondary market if you too (understandably) must now own one – they are available. The claims of value on the resale market were considerably higher than what I paid. As you can see from the video the proprietor purchased an entire collection of miniature buildings of various kinds. Mine was the only one made by Department 56. (I was very attracted to a tiny Central Park made of metal. There may be more to come on that – it has stayed with me.)

I want that building in the window! Many reflections interfere a bit, but this was my first sighting.

If you look carefully you will note that the building is gently trimmed with snow. It is meant to have wreaths, bows and garlands added (purchased separately of course) and maybe even a tiny couple getting caught (23 skidoo!) in the wind around the building.

A tiny couple that can be added to my building scenario – for a price of course! Not in my collection.

So after I got it home I of course examined it at length. The company name and the date of copyright is on the bottom. As I examined it I realized that there were holes in the bottom where two small lights should be inserted. Unfortunately it turned out that the replacement lights were on back order and getting a hold of someone to place my order a bit complicated. It took several months, but a few weeks ago the lights showed at last and I was thrilled to be able to light it up which really does add something to it.

I do not for a minute regret the space that has been dedicated to our Flat Iron building on a bookcase over our bed where I get to see it daily. Ours is a year round New York City admiration, but since we are heading into the holiday season it seems fitting that it can do double duty to an extent in this December post. I have considered if I should acquire a tiny decoration or two as a nod to the season, but knowing me it would remain on infinitely. The tiny windblown couple, who appear to be from an amalgamation of the 1940’s, would be less seasonally specific, if forever caught in a very single moment in time.

Even if it remains as our sole iconic New York architectural tribute here at Deitch Studio I don’t think I could have picked a better one. I have long favored the Flat Iron building as one of the greatest buildings in New York and never pass it without a moment of passing admiration. It just barely slips into the 20th century, construction started in 1901 and it opened in ’02, and it has a foot in the old while managing to be a harbinger of the new, melding time and style in a way that so much of New York City does.

Little Photos

Pam’s Pictorama Photo Post: Today I have two lovely little photos which were sent to me with packages from Rachel @wassail_antiques. I discovered Rachel’s business on Instagram during the quarantine period and I have written about the wonderful bits of jewelry I have purchased from her – mostly British items from the earliest part of the 20th Century – a parallel universe to what folks were wearing in this country. Similar yet somehow very different. (I have written about these purchases here, here and here for starters!)

Rachel is a gifted photographer and the images of her items always tempt. In addition, the packing upon arrival is always lovely and heightens the feeling that a gift has come in the mail. Several folks I buy from include some early photos or cards in their package (some shown above), but I always feel that Rachel has handpicked the ones she sends me, knowing my aesthetic predilections and interests. Two are shown here today. Neither has any identifying information on the back.

My favorite of these is the young woman with cat and dog. I imagine that this is a boat she is on, but it is possible it is some sort of pier seating near the water. I like her plaid trousers and of course that she has scooped up this nice stripped kitty of hers as well as her faithful dog companion. The water of course and some sort of cliffs behind her. Kitty and dog seem to be looking at something off camera in another direction, however she smiles for the camera.

Photo that came recently in a package purchase from @Wassail_Antiques. Pams-Pictorama.com collection.

The other is also wonderful although a bit harder to see. A little girl perches on this soldier (my guess is her father’s) knee along with the canine companion who poses on his hind legs. They are in a brick strewn yard with a tatty wall behind them, conceivably from Blitz bombing.

Pams-Pictorama.com collection via @Wassail_Antiques

I have written about my quarantine and later pandemic pin purchases – a strange affinity for insect related items and also celestial, moons and stars, shooting comets, a pattern in my buying emerging slowly over several months. My fantasy life seemed to envision that I would return to the work world wearing jackets and that I would decorate the lapels with multiple pins of each – fly and butterfly pins, moons and stars. A yearning for the natural world? I have no idea. I had shown an affection for bees prior to the pandemic – bless their little organized hard working hearts! (My Queen Bee ring made for my by @murialchastanet_finejewelry shown below.) These pins were new affinities however.

Slowly this spring, the vision began to emerge as a reality. In fact I wear fewer jackets than I used to and the pairing is a bit more complicated than anticipated. However, the beaded butterfly pins (I wrote about these pins, made by British soldiers in internment camps during WWI, in a post here) have been a huge hit, although the celluloid firefly is a sure favorite. (That one came via Heather @marsh.and.meadow.) I recently acquired this nice fly below from yet another dealer (@therubyfoxes) at the same time I purchased a jewelry box from her (I wrote about the box in a post here), and it is perfect for somewhat subtle pairing.

Jewelry, personal collection.
An immediate favorite! Celluloid fire fly.
Beloved butterfly pins that have been very popular this spring.
Another package and photo!

What I had not anticipated is that in general I wear less jewelry than I used to in general. A strange shift in my vision of myself. One ring suffices where several used to routinely live. I have barely worn a bracelet since returning to the world – such as I have returned. However, I purchased two recently so we’ll see what happens.

Prior package from @Wassail_Antiques, cards instead of photos!

In the Memory of CP OE

Pam’s Pictorama Post: I am devoting today to an article of jewelry I purchased several months ago, but have only just started wearing. When I purchased it I was rarely leaving the house except to run in the mornings so there weren’t many opportunities. However, it also seems so fragile (and special) that it took me awhile to get my head around wearing it even now that I find myself putting jewelry on again more frequently.

It was sold to me by a very thoughtful purveyor of jewelry on Instagram, @marsh.and.meadow. (Heather Hagans lives in the Midwest with her daughter Opal who appears, even at a young age, to have inherited her mother’s excellent eye as they travel the US trolling for items.) I began buying photographs from her on another account, but quickly morphed to jewelry as well. I have mentioned her in a prior jewelry post which can be found here. (A very wonderful Easter Bunny pin was one item featured, shown below, which I must dig out to sport over the next few weeks!)

Pams-Pictorama.com Collection.

This type of memorial jewelry took hold in the 1800’s and exploded into popularity toward the end of the century. Queen Victoria honored the memory of her beloved husband Phillip by wearing mourning jewelry after his death in 1861 which helped to entrench the trend further. It gets very elaborate and decorative, but to the extent I am interested in it I like the most personal pieces.

I own a few other pieces of Victorian mourning jewelry. Most notably I have a larger gold brooch given to me by a close family friend. Our family histories entwine over several generations and somehow it feels appropriately like family to own and wear that piece, which does sport a superlative decorative bit of braided hair within.

I have also acquired two memorial rings (one with my initials!) as well that just sort of crossed my path, which maybe I will consider further in a future post. It isn’t something I actively collect, but these objects were so lovingly constructed I suppose I feel it honors the memories they hold for them to continue to be worn.

Front of pendant. The chain shown was made by a contemporary jeweler, Muriel Chastanet Jewelers in LA. Both Pams-Pictorama.com Collection.

I purchased this item because it was especially interesting and for something that isn’t even two inches long it packs a lot of history. On one side of the piece is the inscription, In the MO RP OE. I believe it is an abbreviation for, In the memory of RP OE, so probably Rest in Peace OE? OE could be another Latin abbreviation, but I cannot find reference to it. (OB for example would mean died as a bachelor according to one article I read which also said that some of these references are hard to trace.)

This side has a tiny window revealing a small snippet of hair. It is a black enamel paint on gold, the sides are crimped, as is the decoration around the window. It has a bezel for it to be a pendant and I consider this the front of the piece and the direction outward that I display.

The back, or what I think of as the back, is more unusual and very touching. Etched into the gold in tiny script it states, WBB, Jr. returned home April 1 and then below another window, this time tiny hair is tightly braided decoratively, it reads Obt April 5th…1842.AE 23 yrs. 2. mos. WBB returned home (from where we wonder) and died four days later in 1842. Died from illness? Wounds? Accident? For me it is also the notation of the two months after 23 years that is notable – each day and moment was precious and noted.

Verso of pendant. Pams-Pictorama.com Collection.

The object has an outer hinge, but the tiny window for the braided hair also has a hinge so small you don’t see it at first. It is beautifully constructed and I can only imagine how the act of engaging someone to make this, designing it, and then wearing it must have been for the owner. I hope the act gave her some solace as did wearing it hopefully.

Frankly I am somewhat puzzled by my desire to own this piece, although it is undeniably beautiful it is sad. There was just something so poignant about it and how lovingly constructed and designed it is however that it reached out to me. I think for me these pieces are a reminder not only about honoring those who are gone and remembering them, but to remember to embrace the moment of today as well. Meanwhile I am the willing steward of them for this period of time.

Nestlé

Pam’s Pictorama Post: It’s a sunny Sunday after a dreadfully rainy sleety snowy Saturday here in New York City. So I sit down to write with the sense of optimism that prevails on a sunny day after a rainy one.

Meanwhile, I have had this item in my possession for months now where it has perched on my desk, waiting to see what role it will play and what it will contain. I spotted it in a background shot of items being sold by @missmollystlantiques and she was willing to sell it to me. I especially like its glass top where the 2 cent price is posted. 2 cents!

Top view of the tin.

Pictorama readers know I cannot resist a good box. My post on a Krak-R-Jak Biscuit (also purchased from Miss Molly, the post can be found here, as I am one of those folks who still mails cards. The appeal of a box is like catnip to me – I’m equally bad about cabinets. (A post on one display case I bought a few years ago can be found here.) Things that can contain things seem like a win-win to me and I can always justify their purchase in my mind. For some reason I am convinced I always have space for them.

Snatched this up from an article about the early expansion in the popularity of chocolate after WWI.

A quick look at the Nestlé history reminded me that it is a Swiss company. Shortly after college I was working in a kitchen at the Drake Swiss Hotel in midtown and little Nestlé bars with the hotel’s logo proliferated so it shouldn’t be news really. I think it was the first time I had considered Swiss chocolate as an export. The company’s history starts with the merger of two makers of condensed milk and baby food in the 1890’s. The chocolate production and a role in the birth of milk chocolate, so says their site, follows in 1904.

Early advertising with kitties interested in the condensed milk product.

While always happy to consume it, as a child I nonetheless admit I found Nestlé a poor relation to my true heart’s desire Hershey; the hard working denizens of Pennsylvania would be glad to know I am sure. I liked the crunch (that model appeared in 1938) added to the Nestlé bars however, but they had a more delicate flavor than the robust explosion of a Hershey bar. I did go through a period of affection for Kit Kat bars, also made by them, while living in England. Again, it was the appeal of the crunch – great with a cup of tea for a pick me up in the afternoon.

This is probably pretty close to the earliest wrapper of my candy bar eating past. I will say that their Quik for making chocolate milk was my top favorite in that food category.

Frankly it has been a very long time since I have eaten either, the chocolate I am more likely to encounter these is a wider variety. Bags of Lindt, both milk and dark chocolate, have come my way as gifts recently; my mother has boxes of sugar-free chocolates at her house (surprisingly good, especially if you stick to the nut filled and caramels), the occasional organic bar from Whole Foods crosses my path. In fairness it should be noted that my diet does not allow for the unabashed eating of chocolate however, having found that eating chocolate leads to ultimately eating more chocolate, leading to more of me.

The best remaining side view of the box.

Despite my childhood loyalties, this tin tickles me. Your 2 cents could buy you a plain or almond “block” of chocolate – two sizes shown on the side of the tin, nuts making the smaller (fatter?) bar. Sadly only one of the painted sides is still in relatively good shape, jolly red and yellow paint. For some reason the magic of reaching into the glass top container and pulling out a chocolate bar is still evoked when I look at it. Perhaps that is why I have had trouble filling it with any of the mundane flotsam and jetsam of my desk. I am thinking I may take it to mom’s house in New Jersey where I am still constructing a home office for the days I am there. The accumulating pens and post-its may take up residence there, but the images on the tin tickling a desire for a treat.

The Sidewalks of New York

Pam’s Pictorama Post: This Christmas my cousin Patti handed me this little book which had belonged I believe, to her grandfather, my great grandfather. Although Patti largely stays with my mom these days, she also has an ancestral home nearby which disgorges the occasional family tidbit. (Past Patti posts highlighting our history, some family photos and including a lovely pair of earrings – which incidentally I was wearing Christmas Day – can be found here and here.)

The back of this little missive declares that it was Compliments of Bowman Hotels. A quick search reveals that Bowman Hotels were part of the Biltmore-Bowman chain, Biltmore being a more recognizable name for me.

New York Biltmore Hotel, via an early postcard in the Columbia Library collection.

A Canadian by birth, John McEntee Bowman learned the hotel business working at Holland House in New York and in 1913 purchased his first Biltmore hotel ultimately building it into one of the most recognized hotel chains in the world. (However, it would appear John died in Manhattan, at the age of 56 after an unfortunate gallstone operation.)

Pams-Pictorama.com Collection.

Biltmore hotels, both a part of this empire and others which have evidently just taken the name, proliferate worldwide even today. I have fond memories of joining folks for drinks at the Biltmore in Santa Barbara, a beautiful spot overlooking the ocean, back in the in pre-pandemic years.

Historic photo of the interior of Biltmore Hotel NYC. For sale on eBay at the time of publication.

Among the Manhattan hotels at the time those would have been the Biltmore, Roosevelt and the Commodore. These all exist today in one form or another – evidently the only original piece of the Biltmore remaining is the clock made famous by J.D. Salinger and William Shawn who would meet there, creating the notion of meet me under the clock at the Biltmore.

Sadly it seems that the Roosevelt has fallen victim to the pandemic economy. For years I went to a monthly fundraising meeting held there, fairly intact in the early 90’s, and was only vaguely aware of its former storied grandeur. It was decidedly tatty then and underwent (at least one) renovation which in turn moved our meetings elsewhere. These hotels all had a choice proximity to Grand Central Station and the wider 42nd Street area making their real estate attractive even in the decades to come.

Pams-Pictorama.com Collection.

Twelve hotels existed in 1923, the year of copyright, and are listed at the beginning of the book. These ranged from Los Angeles to Havana and also included the still extant Westchester Biltmore Country Club, where I was also a guest once. The Atlanta outpost was noted as now building.

I don’t know if Mr. Bowman et al produced these complimentary books for all the cities this chain was eventually to reside in – if there are extant copies of The Sidewalks of Chicago for example, I was unable to find them. A few copies of this pocket-sized volume are available online with prices ranging widely from $19-$89. (The most expensive does have a sporty blue leather cover, most appear closer in appearance to mine.) Clearly folks held onto them as useful beyond their stay for their maps and other information.

Meanwhile, the Little Leather Library had a larger life of its own. Cheerful leather volumes of everything from Sherlock Holmes to Browning and Speeches and Addresses can be found in these editions. Special cases for your collection or perhaps sold as sets can be sourced online.

Boxed set of Little Leather Library. Not in Pams-Pictorama.com Collection.

To be clear, Sidewalks of New York, only portrays the sidewalks of Manhattan; it does not touch on the other four boroughs. The book is designed as a self walking tour of Manhattan, highlighting areas from the Financial District, Greenwich Village, the fashions of Fifth Avenue and the theatre district. It doesn’t go much further north, mixing some historic highlights with contemporary points of pleasure.

Pams-Pictorama.com Collection.

It was written by Bernardine Kielty (1890?-1973) who appears to have been a biographer of artists and historic figures (her biography of Marie Antoinette turns up repeatedly) but perhaps best know for editing a large compendium of short stories in 1947 in a volume that is still praised today. (I may have to read that if I can find a copy although they seem a bit dear.) Her papers were left to Columbia University and are notable for her correspondence with numerous other writers of the day ranging from Somerset Maugham to Isak Dinesen.

About Greenwich Village she writes probably the section of the city most anticipated. It has come to connote Bohemia, New York’s Latin Quarter, with cellars full of wild eating places; attics full of artists; Batik shops and radical book store; long haired men and determined-eyed women.

The map of Greenwich Village, understandably useful, is gently dogeared in my copy as below – although my image of my great grandfather in no way includes frequent trips to the Village and the need to find his way around.

Pams-Pictorama.com Collection.

In fact I am a bit fascinated by the idea of my great-grandfather having reason to stay at any of this luxury line of hotels (let alone have a need to find his way around Greenwich Village) and have to deeply suspect that the little book came to him another way. For a hard working Italian immigrant who owned first a deli at the Jersey shore, which later morphed into a bar and restaurant across the street, a stay at any of these hotels seems somewhat unlikely. (I have written about that side of my family in a post here.)

This book is well worn by some owner however, it’s cover cracked down the center from use, the spine bearing signs of time in a pocket, leather rubbed away. In the introduction Kielty writes, New York, to many people, is a Mecca. They come to the city, expectant and eager, convinced they are going to see life in its most vivid form…They conjure up pictures of theatrical contrast – of the magnificently rich and the piteously poor; and some of them wonder curiously about the quaint spots, those oases in the busy city life, where history peeps through. Despite all of our contemporary drama, still true today.