The Royal Oracle of Tailors

Pam’s Pictorama Post: Although I generally keep my advertising purchases to cat related items, I tossed this onto a photo order I made on Instagram over the summer. This is an odd little bit of advertising lore which has evidently long outlasted the company. (I was unable to find any reference to the Royal Tailors online, despite their more than 57 years in business, as per the brag of this card, and an obvious love of robust advertising.)

No city of origin is mentioned in this pamphlet which might have helped as it is a phrase which brings up a lot about a Korean serial drama of the same name. Very nominal references seem to exist for it in the 1920’s out of Chicago and New York, although they boast about a presence in cities all over the country. As printed on the back, this particular item seems to have been handed out by Carl Mee, 104 E. Rockwood Avenue, Rockwood – this may be Rockwood, PA according to Ms. Google.

On the cover slightly dwarfish men labor over the handmade suits, one at the bottom presents some fabric options to a well-dressed customer. The spinner on the front lands on a variety of oracle answers which are interspersed with gems like Yes, on schedule and no disappointments and Royal Tailor suit to individual measure for $30. They claimed to be in 10,000 cities and given their advertising flair I am surprised not to find traces of old advertising for them aside from this. Perhaps someone could search it better than I have.

The idea is that you choose a question inside and then spin the arrow on the outside to have it answered. (Kim says it almost works and I would say that it is a surprisingly accurate description.) I find the sheer amount of imagination and effort wonderful. Inside we get four jolly and sartorially impressive gents going on about their well-dressed business throughout the four seasons – sporting a tennis racket for summer, an overcoat in winter and just some blowing leaves and a bird on a branch to suggest the remaining two. On the back, a less dwarfish (and less interesting) man appears to admire himself in his Royal Tailor suit.

I will also point out that inside, in a childish hand, To Viola Green is written in pencil. On the back in the same scrawl it says, Walter Heerd. A gift from Walter to Viola? As a kid I would have thought it a pretty nifty one, I admit Walter might have gotten over on me this way. Was it Viola who kept it these many years?

For me the world is a less interesting one without advertising efforts such as these, although perhaps I am just not the target audience for what does exist. As a tot my dad would bring me light up trucks from Hess Gas to my delight – dishes, mugs and whatnot wandered in the door from all sorts of vendors clamoring for our attention. Banks not only offered lollipops (a practice I would like to lobby them to consider a return to), but all sorts of enticements for opening savings accounts, checking, or (my favorite) the Christmas Club savings accounts which helped you put money away for holiday gift buying. I seem to remember getting some nice little version of a special holiday passbook for that. (Despite the seemingly political incorrectness of Christmas Clubs they evidently still exist today – online versions, but still under a Christmas moniker.)

From the same lot I will return to some cat advertising in a near future post. If you cannot wait a past cat post can be found by clicking on: Crinkle Cat.

Ocean Grove

Pam’s Pictorama Photo Post: This snapshot popped up on Instagram for sale recently. Ocean Grove, New Jersey, is about a forty minute drive from where I grew up in Monmouth County and it immediately took me back to my childhood. Written on the back of the snapshot is Asbury Park 7-4-35. I thought this photo was earlier than 1935, and I am a bit tickled that it is July 4. I am also surprised by the coats for a July 4 at the seashore however. I don’t think I remember a chilly Fourth.

The Ocean Grove community abuts onto Asbury Park so this declaration of location is not surprising – a town called Bradley Beach surrounds Ocean Grove on the south end. For those of you who may not be acquainted with it, Ocean Grove was founded in 1869 as Methodist summer camp community. Known for its enormous wooden Great Auditorium, an extraordinary survivor of Victorian architecture, it has hosted concert performers from Enrico Caruso and John Sousa to Kenny Rogers.

Another notable aspect of Ocean Grove are the more than 100 tent-homes that are erected annually, these attached to wooden sheds providing a kitchen and bathroom and making them more substantial. There is a more than ten year waiting list for tent rental. (I would put myself down now for a summer tent for retirement, however Wikipedia notes that dogs, cats and barbecuing are prohibited, as is subletting of tents. A cat-less summer would be no fun. It is also noted that while you do not need to be a Methodist you do need to support their spiritual mission.) Ocean Grove is the longest active spiritual camp site in the country.

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As a child, the concept of the tent-houses fascinated me and I longed to see what they were like inside. The idea of a whole summer spent enjoying ocean breezes and sun dabbled days in one was fantastic.

Meanwhile, the law prohibiting cars on Sunday was equally exotic to my childhood mind. It seemed impossible – how could you close roads to cars every Sunday? Was there a place where people parked them and walked in? The fact that additionally the beach was closed on Sunday meant that this was never really a destination for weekenders from Manhattan, unless they were there for the day, attending one of the many concerts (musicians from New York and Philadelphia regularly grace the stage) or lectures held there.

Although neighboring Asbury Park was also founded by Methodists, soon after Ocean Grove, it was more like the Jersey shore’s answer to Coney Island. While Atlantic City reined for boardwalk pleasures further to the south, Asbury was the turn of the century amusement park boardwalk gem of Central Jersey and therefore a fairly easy day trip from New York City. The Convention Center and Casino offered largely the opposite sort of appeal of its religiously observant neighbor to the south. The difference struck me even as I understood it as a kid.

During my childhood both towns were largely in steep decline and neglect. The Victorian hotels were turned into SRO’s and, it seems to stick in my mind, nursing or retirement home type facilities. (Maybe we knew someone who lived in one?) During the late 1960’s Asbury was the site of race riots, documented by my father in his role as news cameraman. All this to say, I rarely went to Ocean Grove or Asbury Park growing up unless there was a specific reason. As these things do, it therefore fascinated me all the more. The architecture of the somewhat deserted Convention Center and the dilapidated boardwalk (and not to mention a really great if dilapidated carousel) always beckoned for more exploration than I was allowed.

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In young adulthood I discovered that a series of summer flea markets are offered in Ocean Grove, which I have only had the pleasure of attending once, many years ago with my father. It was perfectly splendid and I have always wanted to go back. Starting in the late 1980’s, both towns but especially Ocean Grove, enjoyed an immense renaissance and renewal. Despite knowing this my parents could never quite get over their dislike of the area and were always reluctant to go. (My mother is the same person who still sees Central Park through the lens of 1970’s urban decay and was appalled when I announced that I was going to work for the Central Park Conservancy years ago. In fact, I think she can barely accept that my whole life in Manhattan – and that of my brother – isn’t taking place in the neglected city of her memory.)

The area is not ideally accessible by public transportation (some Pictorama readers may already know that neither Kim nor I drive) so alas, it remains somewhat unexplored for me – one of those things that nags and glitters just out of reach. Summer always tugs me back to my childhood at the shore. I miss the ocean and the beach, but busy times mean that trips to Jersey are more about spending time with my mom, and less about lazy days of ocean and sand. Meanwhile, this Covid summer has deprived me of all summer Jersey shore visiting pleasures. But perhaps this means that next year I will plan a real vacation at the shore – one with trashy novels and a little too much sun – and of course well-timed around some flea markets at Ocean Grove.

That-a-Ways

Pam’s Pictorama Post: I am crazy about this odd little item I purchased recently. He is about five inches high and constructed with a thin sort of wood. I believe he is homemade, but very nicely executed. There is an odd little knot in the wood atop one eye which mars the overall effect a tad, but generally a job well done. He is only painted on one side, his back is all black. (Something was written on the bottom, but it has faded beyond reading. Part of it appears to be some numbers, but they don’t make sense as a date.)

Can anyone else read what’s on the bottom?

I suspect that there was some sort of pattern which may have helped instruct the execution of his charming off-model self. Like many of the most interesting (and creatively conceived of) Felix-es in my collection, this one hails from Great Britain – the 1920’s and ’30’s had to be a fiesta of Felix related items, the stuff of dreams!

I suspect that this fellow was somehow part of something, like a crystal radio set from a kit or pattern. These have always appealed when they become available, but I have never seen one in person and they go for a lot of money. This seems a smidge smaller than I imagine those being, but not by much and I have not seen one like it.

Homemade Felix sign, Pams-Pictorama.com collection

I purchased another wooden Felix not too long ago and was somewhat disappointed by it’s size and girth when it arrived. (Bigger and heavier than anticipated. You can read that post here: Felix and The Ebony Room.) I have previously written about the fact that I don’t always pay enough attention to size when I buy online – or my idea of it is wrong. This seems to be an occupational hazard of my collecting hobby and has resulted in, among other things, a four foot box of Mickey Mouse arriving as a Christmas gift from Kim one year. ((I have written about that acquisition, of our giant Dean’s Rag Mickey in the post here: Big Mickey.)

Dean’s Rag Mickey, Pams-Pictorama.com collection

However, this Felix is exactly how I thought he would be and his pose assumes good Felix-y action.

For those of you who have been following the addition of new shelves to our tiny abode, I will assure you that I am getting close to a big reveal of those and this little fellow is taking a front and center spot. I will say this however, It has created a lot more display space and gives me the delightful prospect of figuring out how I might ultimately fill them up.

Bathing Beauties

Pam’s Pictorama Photo Post: Today’s post focuses on a small bevy of beach beauties all originating from a single album. If I understand correctly, although found in the Midwest, these photos were probably taken in New London, Connecticut. Fastidious Pictorama readers may remember that I graduated from Connecticut College, located in New London (a post about that can be found by clicking here on Train tracking), and therefore these images strike a particular cord of memory of the beaches there.

As college students we did occasionally find our way to the beaches of New London and the surrounding areas. However, given that I returned home to the Jersey shore for the months of June, July and August, I tended to be in New London off season and have no memory of having been swimming there, nor do I think I ever even wore a bathing suit while there. I do have a very fond memory of being at Harkness beach late one night in the snow however. There is a boardwalk sort of arcade. It was very beautiful and I remember regretting that I never had seen it in season.

At the time of these photos New London was still largely an enclave of some wealth and privilege. The college was already there, attracting the more Bohemian young women of a moneyed class. As I have written previously, for a variety of reasons the town has mostly fallen on hard times, a cycle of struggling and failing to achieve urban renewal. However, there is an area near the water where the old mansions still exist and the shoreline is largely beautiful, if somewhat marred now by industry.

Given the singularly female focus of these photos I wonder if they were attending the college which was at that time, a single sex all-women’s school, although for them, like me, this would be out of season. Or perhaps at least they were chums from school there.

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I purchased other photos from this album which I will share in future posts, but I will note, these women liked to be lined up for a photo. (You will see more of this in those later posts.) Looking at what to us today appear to be impossibly ancient swimming attire, they appear quite natural on them and they certainly do not seem encumbered by them as we might think today. The water is crowded with people, wading and lounging in what looks to be fairly shallow water, perhaps on a sandbar of some kind. I look especially at the picture of them submersed in the water, up to their necks, and I envy them! This is what vacations were when I was a kid.

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Meanwhile, I especially like the image of the woman alone on a now deserted beach. Her long white cotton dress and a jaunty scarf. Perhaps early morning or evening, before or after the crowds of the day, both lovely times to be at the beach.

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By comparison Kim and I are more or less wrapping up our sort of a summer vacation this year. At some point we mostly gave up and shifted into working, albeit perhaps a bit less than usual, slowing to a jog instead of the long hard sprint of spring into summer. I have never failed at vacationing so resoundingly, my list of household ambitions largely unsatisfied, truly unable to unplug, let alone visits to the shore or lazy days.

Sidewalk dining at Veselka earlier this week.

Some ambitions were met, new shades were finally installed (this after our window replacement last October, the huge boxes containing them sitting in our one room like furniture since March), the bottom of a closet cleared out as needed for storage. However, other bookcases that required sorting out – in one case a coat of paint needed (I got as far as purchasing the paint), and a new carpet for the living room were among the items not achieved.

Kim and I ate out for the first time since March, Veselka in the East Village, and we tried a Vietnamese restaurant for take out near home. Our old favorite Mexican joint across the street reopened, to our great happiness and surprise as we thought they were clearly victims of the virus economy, closed first for renovation and then through the intervening months since March.

However, I cannot say I really got rested – I suspect Kim would say the same; he returned to several hours of inking daily in week two. Work continued to need my attention and I remained restless. I will take this last week before Labor Day at something less than full throttle and see if I cannot rest up a bit more. Somehow this year, with the whole world standing on end and trying to reinvent itself, letting go of the reins entirely was not possible, not for me. Labor Day weekend is on the horizon, let fall begin.

Flat Felix Prop

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Pam’s Pictorama Photo Post: For experienced Pictorama readers it is known that this sort of a Felix photo find represents a good day here at Deitch Studio. Although these are technically one of a kind photos, I admit this one was so similar to another in my possession that I double checked to make sure somehow there wasn’t a second copy or version. But no, remarkably it is the same Felix and background, presumably the very same studio, but a different small child.

In poking around for this post I have found yet another in my possession, of two men this time, which seems to be the same Felix, but a different background. There’s yet another in this genre which seems remarkably similar, but Felix has his arms in a different position and the background is different.

Was sure that this was the same location, but Felix has his arm up here and the background is different. Pams-Pictorama.com

It has to be noted that this studio produced a lousy photograph. Kim has juiced the contrast on this, but as a group they are poorly developed, probably not washed properly, and therefore have faded. It is crooked across the bottom as if the negative was torn somehow before printing. (The other one from this studio also has a crooked bottom – it was clearly an ongoing issue!)

Like most of these, this card was never mailed and there are no notes on the back. Based on my other photos I believe that this was taken at Blackpool. (I admit that this is frequently noted by sellers, but there is no actual evidence that supports the idea that Blackpool was indeed the particular seaside town that this, and the others, originated from.) Unlike most of my photos of folks, young and adult alike, posing with stuffed, oversized versions of Felix these children are less than jolly.

The little girl has slipped her hand into the crux of Felix’s arm, but (much like the other photos of same) she does not look the least bit happy about it; she is almost reluctant. This off-model Felix does look a tad lascivious admittedly though. She is dressed up for the occasion it seems, over-sized bow in her hair, ruffly dress, neat socks and mary-janes clad feet. There is a bit of flotsom on the floor behind Felix, a somewhat tatty studio we can’t help but feel. Still, I can’t help but imagine I would have been grinning from ear to ear, given the chance to have my photo taken, arm and arm with Felix.

If you want to stroll through the whole series of similar Felix photos click on any of the following titles: Flat Felix Photo Finale, Installment 3; Blackpool, Felix Cutout Continued; Economical Felix; Felix Photo, the Cut-outs, Part 1.

I am inspired now to assemble all of these photos and get them up on the wall this weekend. They have earned a place of their own on the Felix wall of fame here.

Fine Print

Pam’s Pictorama Photo Post: This is a Felix photo post only in the most technical sense. If you look carefully at the somewhat riotous print of the child’s outfit, you’ll discover scores of Felix-es marching up and down it, his tail in the ? and walking/thinking positions alt. I had high hopes that the little tin pail would be the Felix toffy one I have (and which I wrote about in a post which can be found here: Score), but sadly it is a non-Felix design. I am not sure about the stick the little boy is holding – my thought is that it is either a sort of carnival cane or a toy fishing pole? This kid was put in his most festive bib and tucker for this photo.

Detail of Felix-y fabric.

Mom and Dad are not exactly in beach attire, despite being perched on folding wooden beach chairs of their day. Dad has a full three piece suit and bow-tie and Mom in a dressy blouse with a scarf and skirt. All three are wearing industrial strength socks/stockings and heavy shoes that seem the antithesis of beach leisure wear, certainly by our standards today. Did they leave the photo studio and head down to the boardwalk? I think it is likely – the British of the period often seem to be in full holiday attire when visiting their beaches at this time.

The backdrop behind them is a fairly riotous beach backdrop of bathers and revelers, a large building I am guessing is a hotel, hovers over all. An arcade and boardwalk is shown, forever frozen in a painting depicting folks sailing and enjoying the beachy shore. This image is a photo postcard, although printed on flimsier stock than usual, nothing is written on it and it was never mailed, although much handled over the years.

The back of the card, which is frankly filthy, has some faded type which (when examined with magnified) appears to state, Oydes Photo Studios 50 Strand WC 20 High Street Southend Great Yarmouth & Branches. Not surprisingly, I guess, this turned up nothing much when I searched, except to see a (very) few photos of the thriving beach resort this once was during this period, with a sort of Atlantic City feel to it.

A period postcard showing the bathing pool at Great Yarmouth is shown below. It is enormous! While I think maybe some of the City pools here in the five boroughs of New York might be this large, I have never been in one or seen one in person this big. I wonder if it was filled with sea water rather than fresh?

Not unlike Atlantic City, this shore town also seems to have ultimately been turned over to casinos, and little of its boardwalk and arcade seem to have survived to the present day, at least from what I can find.

In the many photographs I have purchased and written about I am often struck by strong family resemblances among those posed. This is remarkably not the case here – I wonder if this is perhaps someone else’s child. They are happily posed, regardless of familial status.

As is frequently the case, these beachside photos (others for future posts are awaiting your enjoyment), bring me back to the seaside town where I grew up and long summer afternoons and evenings there, trying to win at pinball, whack-a-mole and other equally sophisticated games. The boardwalk at places like Long Branch and Asbury Park were already in decline by the time I was old enough to enjoy them – the one in Long Branch eventually burning down, maybe when I was in college or shortly after. I am sorry to report that there are no known photos of me at the Pier, perhaps because we usually went at night. (It was also a time which required film and we didn’t constantly take photos with our phones.) I knew I was catching the tail end of some kind of history even then though, and enjoyed every cotton candy filled minute of it.

Team Sports

Pam’s Pictorama Photo Post: I purchased this 5″x7″ photo of a basketball holding girl awhile back and have been giving her a lot of thought. I like the image – she is solid, muscled, intent. Her uniform is antique, but there is something that remains practical and current about it. Those shoes look uncomfortable to me – almost like playing in your socks really. However, the belted shorts and shirt are trim and they appeal to me. The South where on her shirt is lost to us now, although maybe somewhere a local would know immediately. There is no information on the back of this photograph however. It appears to have been well-preserved, most likely in a frame.

This card was sold to me by a photo dealer in, I believe, Ohio. He actually posted that he was at a flea market the other day and I was very envious. (I am generally always envious of people who are at flea markets when I am not, but in pandemic Manhattan it combines some additional elements I am missing and craving these days. It sounded heavenly.)

Our basketball player is in a professional photo studio with a somewhat formal backdrop for our athlete. I cannot help but wonder if the entire team had their photos taken this way, one at a time, and someday I could perhaps come across some of the others. This sort of thing happens if you do this photo collecting thing long enough. In fact, I just bought a photo postcard taken in the same spot as another that I plan to write about in the next post or so – future post! However, since she in her athlete’s get up is a bit of an exception to my collecting tendencies and searching, so it seems unlikely.

Meanwhile, I find her to be unexpectedly compelling. She has a look of intensity about her, eyes focused on a goal we cannot see. Game on with her I’d say.

Pictorama readers probably know from past posts that I never played sports or worked out as a kid, teen or even young adult. I think if I had I would have been drawn more to individual sports rather than team ones, in part because I like the challenge of improving against myself, and also because although I wasn’t a shy kid, I wasn’t social enough to pursue group activities, especially athletic ones.

Having said that, as an adult there are times when I wish had pursued that experience. I have often thought that team sports probably prepare you well for the sort of teamwork adult work-life demands. When I interviewed with Wynton Marsalis for my job at Jazz at Lincoln Center he used a lot of sports metaphors, football I believe, which frankly left me utterly confused. What I don’t know about football is pretty much everything there is to know. I can’t say that at the time it made me feel like the job would be an especially good fit.

I got over it and now, three years later, I like his stories about the basketball and football games of his high school years. He tells a good story when making a point. Jazz is obviously another frequently used metaphor, but I have grown fond of the sports ones. Mostly these stories boil down things like setting your goals high – beyond what is needed to win; even if you know you are going to take a beating you have to go at it the best you can full on; and even if you are winning you have to stay focused and finish strong. There’s one guy in Wynton’s tales (Kim would say, one of Nature’s noblemen), who lives in my imagination now – bigger and more agile than the rest of them, he did his best to lead their team to the occasional victory, but more often kept them from goofing off or slowing down when the odds were against them.

Clearly our new world order currently requires employing every skill acquired over decades in the workplace and elsewhere: managing a team which is now scattered all over the country and who are wrestling with their own myriad of personal and home problems, most of us working out of tiny New York apartments where we are housed with our families, a few living in basement in their parent’s home, some folks dealing inevitably and terribly with illness and death. It is time to be a good team player and invest in teamwork across the organization, finding ways to support each other. Everyone is fighting similar battles regardless of industry I am sure. I can’t help but think I might be better equipped to manage now if I had been on some of those teams growing up. However, I can borrow Wynton’s lore – after all that’s what the stories are for.

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VIM

Pam’s Pictorama Photo Post: Something about the composition of this photo, and the women in their wonderful hats, made me grab it. This was purchased, like many recent photographs, during what I think of as the lightening rounds of sales, mostly on Instagram. (I have written about these a bit recently, highlighting purchases from @missmollysantiques in a post here and here.)

Upon reflection I wonder if this is the sort of thrill my paternal grandmother got from her somewhat compulsive visiting of auctions. It is known to have been her hobby to haunt the Manhattan auction houses of her day, buying up gorgeous enormous Turkish carpets that originally were meant for hotels, heavily gold-leafed mirrors and formal furniture from an earlier time. Those items would eventually make their way to the house where I grew up, existing in a strange contrast with our otherwise casual life of kids, cats and beach.

While I don’t have the additional complexity of bidding and deciding the ceiling of what I will pay, there is just a short moment of viewing the image before claiming it. Some sales give advanced warning (I will be keeping an eye out for one by @wherethewillowsgrow later today) and others just appear without warning at odd times.

Today’s image comes from the buy I did from an online sale held by dealers who were missing the economic boost of the enormous, in-person, quarterly Brimfield flea market multi-day fiesta. The buying was (somewhat) less frenzied. This was the seller I purchased my glorious snapshot of Lucy the Elephant Hotel from and which can be found here. There was an additional shot of these ladies which included a truck (presumably a VIM), but it didn’t have as much charm and so I only purchased this one. I regret that a bit as I write that now.

I wonder if these could have been employees of VIM Motor Trucks. (If you look carefully, there’s a man and a boy to the back of the group.) VIM Motor Trucks, under that name, was only in business between 1915 and 1921. Based on the women’s clothing I would lean toward the earlier part of the run. Women were entering the realm of office work at about that time – it is pure speculation but possible.

VIM was a Philadelphia company which made the sort of small delivery trucks that would have been used by farmers, lumberyards and those having like hauling needs. It had a brief meteoric rise and then, with no explanation I could find, it largely dissolved and the company was sold to the Standard Steel Car Company which itself disappeared not many years later. Perhaps it was the very nature of commerce that was changing and the small business was already giving way to larger enterprises. That span of years is a fascinating one in our country’s history – the years leading up to 1918 when war and influenza catch up with a run that seem to have spawned endless creativity and inventiveness.

I share an ad for VIM and a photo of the badge that graced the trucks below. The ad seeks to illustrate the necessary difference between the brutal strength of the VIM truck, making it a better choice for a commercial vehicle – and unlike pleasure cars with their delicate electric starter and other effeminate fittings the sturdy VIM with its abnormal mechanical safety factors…The emblem shows their truck versus a horse drawn cart – the cart only covering a 5 mile radius to the truck’s 20.

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The VIM sign contributed to my decision to purchase this photo, as well as the friendly and nicely attired group in front of it. The women are fashionably, if practically, dressed for a photo on what appears to be a nice, sunny day. The woman closest to us (with the large hat) is looking away from the camera, probably at someone we cannot see. It’s a pretty spring day, VIM Motors is prosperous and the future rolls out ahead of them.

 

The Wolf

Pam’s Pictorama Photo Post: Pictorama readers may know that after months of Covid inflicted waiting, I recently turned our 600 square feet upside down and had a wall of bookcases and cabinets installed. If you live in one smallish room, such a project is pretty much a total renovation of the space and requires packing up about 85% of your possessions and then redistributing them. Once I have completed the unpacking process I will treat you to a bit of a tour of the shelves – toys newly installed. While I had my moments of extreme concern (What have I done?) in the end I am pleased with the results.

One of the byproducts of this kind of adventure is things you had forgotten about turning up. We purchased this photo, now many years ago, as part of a series of buys on eBay as a photo morgue was being sold by piece. We stumbled on the sale a bit of a ways into it or we probably would have bought even more, but this was one of the earlier buys, purchased just for its weird beauty. We framed it up and I think it did a stint on the wall before a reconfiguration moved it to our own photo morgue that (until recently) lived on my desk.

This photo is a lovely still from a 1919 Vitagraph film called The Wolf, based on a play of the Canadian woods by Eugene Walter. (That information is typed on the back of the photo, revealed when I popped it out of its frame.) This play, which appears to have been first produced about 11 years prior to the film, was an early hit in the career of Mr. Walter. I share a few posters for contemporaneous productions which were readily available online.

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Eugene Walter (1874-1941) was a Spanish-American War vet with playwright credits starting in 1901 and ending with screenplay credits stretching to 1936. The sweet spot of his career seems to be seeing his numerous plays turned in early silent films like this one. The brief biography I read makes me think he may have lived fast and died fairly young. He was an athletic sort of man’s man. Left his wife for a New York showgirl he ultimately marries after running off to Mexico.

I think we can assume that my photo shows the stars, Earle Williams and Jane Novak, highlighted by a well directed reflector to get some light on their faces. The speed of the film means the water fall has turned into something more static, like ice, and despite the fact that they are clearly in a real outdoor setting, there is a charming artificiality to this photo which attracts me. It is both a gorgeous natural location and an early film set. I have no idea where it was taken, but it makes me think of spots in upstate New York, or where New Jersey turns to Pennsylvania. The cinematographer on the film was a man named Max Dupont. (His career seems to come on record in the year of this film, 1919, with a heyday of the 1920’s. It ends abruptly in 1932 with the film Mr. Robinson Caruso.)

Kim increased the contrast in this image, bringing out the pails at their feet and showing a bit more information in the darks than you think the photo has from this print. The photo is printed on paper which has become a bit perilously thin over time, corners a bit nibbled. I suspect I framed it upon arrival to help preserve it.

The IMDB film database has a lobby card from this film and below is another, nicer one, from a Wiki database. Other than that I cannot find other stills from the film which appears to be either lost or at a minimum unavailable. You can see it was the same location as my photo.

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Wall space is always at a premium here at Deitch Studio, but I would like to find a spot to get this one back up where we can enjoy it. I think this photo is a bit of a prize item and we are glad to have it see the light of day again.

A Whale of a Good Time

Pam’s Pictorama Photo Post: The fun and jauntiness of this snapshot caught my attention, probably from the teens judging from her dress. The large fish sign she is holding proclaims, Size of the One I Lost at Michigan City. One imagines that it was a photo op you were offered as part of a fishing trip package. I never thought about it, but fishing is a long-standing, major tourist attraction for Michigan, and a quick internet search turns up a thriving charter fishing industry. It makes sense that where there are enormous bodies of water there would be fishing.

Pictorama readers know that I grew up in a fishing family and photographs of family members with particularly enormous fish dot our family albums. I myself have not spent much time fishing – I am a bit too soft-hearted, although I eat fish and I have done my time cleaning them. I take no pleasure in the act of catching them. As I mentioned in yesterday’s post, my grandfather repaired outboard motors and he also kept a medium-sized, wooden fishing boat which was call The Imp. In retrospect it was a surprising name for him to have christened his boat with. I must remember to ask my mother where it came from, assuming she knows. Perhaps the way it bobbed around in the water – a bit impishly?

It spent the off-season in a spot next to his workshop garage, up on a wooden frame or trailer, keepin it off the ground and make it easier to work on. (Unlike our sailboat which wintered at a nearby marina.) I remember it seemed huge and high to me as a small child. The Imp was painted gray and I have memories of the seemingly constant scraping of the bottom (barnacles were a concept that fascinated me at a young age) and re-painting, as anyone who has ever owned a wooden boat well knows. Even in the 1960’s wooden fishing boats like her were becoming a bit old fashioned.  I remember she made delightful creaking sounds when you were out on the water with her and there was a smell of the sun-warmed, painted wood which I cannot really describe.

Despite being the daughter of a fisherman, my mother is cursed with a poor inner ear and she can only be on a boat on the calmest days without being seasick. (My mother used to say it could make her seasick to watch our sailboat bob in the backyard during stormy weather and windy days.) Therefore I did not go out fishing with dad and Poppy too often, as I don’t think my mom was entirely comfortable entrusting the small children to them without her own watchful eye. When we did go we wore the bulkiest of life jackets which impeded much actual movement although we certainly would have bobbed like a cork in the water.

Dad was a city boy born and bred, but he was fascinated with fishing and sailing and would go out with my grandfather and others as often as he could. He started a documentary film on it, but for some reason it never got off the ground. (Shooting film in those days was a real expense and editing was a bulky affair.)

As I alluded to yesterday, my grandfather died suddenly and young of a heart attack. The Imp was sold shortly after, with some discussion. I think a boat is a bit like an instrument which is meant to be played – we wouldn’t have gotten her out much, even our sailboat was idle much of the time. Dad continued fishing with other folks, neighbors, on boats or surf casting on the beach. (There was a nearby draw bridge that folks fished from, but I don’t remember my father doing that. I think fishing was more tied up with being on the water or at the beach for him.) Fishing poles were piled around the garage and house, the line getting tangled and caught in everything. Even when he wasn’t fishing his buddies, or my grandfather’s, would bring fresh fish by for us.

Although blue fish does not enjoy much of a good reputation, when grilled with lemon and pepper, fresh off the boat it is a very different affair than that which has been sitting in a fish market where it tends to quickly grow oily and strong. I grew up eating it all summer, along side of Jersey corn – maybe also grilled – and tomatoes from our garden. Blues are big, toothy fish and wrestling them while cleaning them was messy work. Generally in the cleaning was done outside, fish scales sticky and flying everywhere and sticking to me. Our cats in their glory, their noses in a fury of sniffing, as smelly fish guts piled up.

There were other fish too – crabs my sister and I caught in the backyard off our dock which were boiled and tediously cleaned. Scallops in butter and lobster of course, although I think the majority of those were fished a bit north of us. The river inlet I grew up on was known as Oyster Bay because it had at one time been thick with them. Pollution eliminated them, although they re-seeded the bed to some success in later years. Because of pollution my mother steered us away from the practice of eating raw clams, and even steamers, and I didn’t eat mussels until I was an adult.

I cook fish often. As a result of growing up with it I am comfortable working with fish and never really think twice about the nuisance of cleaning a pound of shrimp, and am always surprised by folks who are stymied by it. If we were entertaining guests over this (Covid so we are not) summer my grandmother’s faux bouillabaisse might be in the offing. Well known for being better for sitting overnight, it is a favorite for guests as it then only requires heating. My French food training showed me the difference – hers is more of a thicker Mediterranean-Italian fish stew which I cheerfully favor. I will write about it and lay out the recipe one of these days.

For those of you with access to a grill this summer I urge you to throw some fresh fish and corn on and enjoy it for me. It is one of the pleasure decidedly denied to us city dwellers.