It’s a Felix!

Pam’s Pictorama Post: Sometimes here at Pams’s Pictorama it’s just a Felix acquisition day and today is that day. The other day combing through listings I came across a duo of Felix in Australia. The condition was sort of medium and the price right and the next thing I knew this fellow was on his way to me.

I have a few other examples of this Felix and this fellow in particular may next find his way to New Jersey where there is a shortage of Felix-es at my house. (Although there is an abundance of kitties who have a lot of unsupervised hours so I am mindful of that as well. The younger inhabitants there like some high jumping too and I have an Oswald Rabbit I worry for occasionally. A post about him can be found here.)

Years ago I was at a huge vintage toy show in Atlantic City where a dealer had a whole basket of these (such bounty!) and he said that they were used as carnival prizes in England. They must have been very popular because many exist today but somehow they seem a bit too well made, and therefore expensive, for that. Still, it makes my brain whirl a little to think of being able to bring home such a toy from a fair – perhaps after having had my photo taken with Felix elsewhere earlier in the day. (Throwing in a photo below from my collection of folks posing with Felix for anyone who is a new comer here!)

Also a long time ago I took one of these for repairs at a toy hospital that used to exist on Lexington Avenue near Bloomingdales. I wrote about it here. It turned out to be very expensive but, at least for me, worth the brief entrée to that somewhat ancient and particular place before it quietly disappeared a few years later.

This fashion of Felix has mobile arms and legs. (Legs had come off on the one that had to be repaired. I do not recommend moving them much – I learned from the broken one that there is just a rusty metal rod holding him together.) This fellow has a good look until you realize that oddly almost all of his mohair has worn away. His tummy in particular is quite bare as is the spot under his snout. He has such wideset eyes – they always contribute to a goofy look. His tail, as is often a design feature, sets him up like a tripod for steady standing.

While his felt ears are intact, Felix has a few places where his fur is completely worn through, revealing small spots of the straw stuffing underneath. It is my understanding that these were assembled by hand in England in small factories. (Read a very interesting and popular post about this here. Such a factory was set up on the East End of London to employ indigent women.) All this to say that these end up have a very individual character and look to each one.

*Tummy is oddly barren. Pams-Pictorama.com collection.*

I did express some concern about Felix making such a long journey from Australia to New York City with the small holes and stuffing in particular leaking through. I am afraid I offended the poor seller when I asked – it wasn’t meant to be a reflection on her packing ability – more just the reality of a certain amount of jostling he was bound to undergo. However, she pledged extra good packing and she came through so there was barely a smidge of stuffing loss in transit.

We will pack him carefully again as part of our exodus to New Jersey in a few weeks. Until then he is hanging out with his Felix brethren here in Deitch Studio.

You Should Have Seen That Cat

Posted by Pam's Pictorama

Pam’s Pictorama Photo Post: Today’s treat is a clear example of the curios you will come across if you consistently spend time down a given rabbit hole of collecting as I tend to. Definitely in the more interesting than good, this old press photo caught my eye recently and was on its way to me lickety split. It had found its way from the East coast to Los Angeles, but it is back home in the tri-state area again.

Its eBay listing,1936 Disney Mickey Mouse Costume Atlantic City Steel Pier Midgets Felix the Cat, was designed to catch my attention a few different ways. And really, put that way, who could resist it?

Deconstructing that amazing sentence a bit – Felix? Um, I hate to be a critic but I think they were very safe from copyright infringement on that one. It is somewhat more illuminated by the press information stored on the back. Glued to the back, in a very old fashioned type, is the following breaking news:

YOU SHOULD HAVE SEEN THAT CAT – That is about what Mickey Mouse was telling pretty Miss Betty Van Auken, New York visitor sunbathing on the Atlantic City Steel Pier. And Mickey’s girl friend Minnie Mouse listened, a little careful of Mickey around such beauty. Mickey and Minnie are members of the Steel Pier midget colony that helps to entertain guests on the ocean amusement structure. It has an index number, A16353 and it says, Ref. Dept. 7-28-36 N.E.A.

The Steel Pier seems to be the major amusement pier in Atlantic City and we will assume it has been ever thus. And while it seems sensible that this figure with Mickey was never meant to be Felix, it’s decidedly un-Minnie like as well, both mask and outfit. (And that suit looks hot for a July in Atlantic City too – she’d have been much happier in Minnie’s usual brief attire!) Mickey still looks a bit overdressed for July, but is in more traditional Mickey garb.

*Comic book publication of Stuff of Dreams, #3, cover image.*

It took a few times before the midget colony part sunk into my consciousness. Fascinating on its own, it also reminded me immediately of a story Kim did years ago, No Midgets in Midgetville which had roots in an actual town in northern NJ which is said to have originally been the winter home of a group of traveling circus midgets. (That story was published in his book, Alias the Cat which can be purchased on Amazon here or search eBay. Or you can find it in single comics under the name, Stuff of Dreams #3.)

We went and looked at the remains of the enclave of small (and occasionally tiny) houses as research for the story, an interesting morning jaunt with my ever patient father. In these days of tiny homes it is a bit hard to say how much truth was in the story, although some house did seem quite small. (The original story about it being Midgetville originated in the New York Times back in 2002 and can be found here although there are other references to the town online.) Regardless, the idea that circus performers (perhaps of all sizes) wintered there perhaps makes sense and it makes additional sense that perhaps some of those performers went no further than Atlantic City seaside for a summer gig.

*Centerfold of Midgetville, Kim Deitch, Stuff of Dreams.*

As for Miss Betty Van Auken of New York – it is hard to believe that even a veteran New Yorker showed up in Atlantic in a bathing suit, mincing along in high heels and lipstick for a day at the beach. At first I didn’t even bother googling her but it turns out that 1936 was her year. She has a Broadway role (Dodsworth) and film credits from that year, The Garden of Allah, Oasis Girl (uncredited), and a small part as a manicurist in Big Brown Eyes. The trail grows cold after that.

The weirdness of this duo continues to nag at me though. How odd to be on the seaside pier in roasting July heat, eating your cotton candy and have these two come gamboling up around you. The Stuff of Dreams indeed!

The Spice of the Program, 1927-1928

Posted by Pam's Pictorama

Pam’s Pictorama Post: I’ve had this interesting advertising book in my possession for a number of weeks and am just getting around to sharing it with you all. Obviously I purchased it for the Felix page, but I do find the whole publication of interest.

For starters I am impressed with the idea that these were sent out en masse to theaters to encourage bookings. For all of it’s heft and embossed-ness it doesn’t go into any detail about the packages you would be ordering for your theater. These were all short subjects, like Felix, so each page highlights a topic.

The opening page, with a photo and a letter from E. W. Hammond. While I cannot seem to trace his title over at Educational Films, I have run across him advertising Felix films previously. The link to two rollicking pages advertising Felix cartoons can be found here. In his letter at the front of this volume he refers to the proven success of these shorts. He writes, It is a group of pictures without an element of a gamble – backed by seven years of specialized experience – a product of proven value.

I am giving you a slide show to page through the entire holding at the end of the post but want to highlight a few. I will start with Felix, although he is found toward the back of the volume. These years were Felix in his heyday and 26 new one-reel cartoons were in the offing. He strums his banjo and eyes the girl cat, Kitty, peering out around a building. There is a frowning faced moon on the other side. Felix is perched on a bit of fence but I like the way the buildings curve in around behind him like they want to break loose and frolic. It is a jolly nighttime scene with stars in the sky and all the buildings lit up – occupants no doubt listening to Felix’s serenade for better or worse. A careful look shows that his snout, as it were, is the same pink as the buildings. Someone named E. Ritt claims illustration credit and that is someone other than who has executed the other images. Such popularity means patronage and profit…

*These are the ones I am curious about.*

Beyond Felix there are a few other highlights for me. 12 One-Reel Curiosities The Movie Side-show catches my eye. This one is also signed by E. Ritt and here his imagination has been let loose a bit. We have a tree with eyes watching a witch stir a caldron producing smoke which reveals owl eyes, and a three-headed cat eyes us! A spicy dish concocted from many oddities gathered from all corners of the world, and served with a dash of wit and humor. Oh man, I wonder how they delivered on this?

I like the page of Dorothy Devore comedies – she’s shown with this nice teddy bear. The artist of the spread seems to be someone else and they are identified as E.R.H. It states, A girl comedy start — a real star — is a rare asset. Well, I like that! This was toward the end of Dorothy’s working life. Wikipedia says she stopped making films in 1930.

There is a sort of centerspread which has Cameo Comedies on one side and 12 One-Reel Lyman H. Howe’s Hodge-Podge, a medley of clever ideas offering more variety to the foot than any other sing reel on the market. Across these two pages we see everything from a girl with her sax to camels, African-type natives and a coolie to whales and the Sphinx. I assume these were largely cartoons – a fact also confirmed by Wikipedia.

So quite a year, ’27-’28. A fraction of these films may still exist – luckily with a good survival rate on Felix. I’ll likely never really get to judge the one-reel curiosities, although you never know what will turn up.

Flip through the whole book below.

Orange, New Jersey

Posted by Pam's Pictorama

Pam’s Pictorama Photo Post: Today’s Felilx loving post is an unseasonal Thanksgiving tribute, but I couldn’t possibly wait that long to share it.

In addition to the neatly typed ORANGE NJ on the front of the photo, handwritten on the back it reads A Rubber Felix Thanksgiving Day East Orange, NJ. It is also stamped with what appears to be…CMA L. Simpson…17 Pleasant Ave. Montclair, NJ. It was glued onto something black at one point much of which remains here, likely a photo album, and the full address is obscured.

This is an overexposed and not especially good print so this establishment must have just processed and printed pictures for people.

Still, it clearly has its charms and I am glad to take the trip back in time to see the scene. In addition to this large Felix balloon, what I like best is the Felix headed and clad retinue around him, like Felix-y mice around the big cat! We can see four, my guess is there was at least one more who is out of the shot.

*I thought at first that this could be the same balloon butclose inspection says no. Pams-Pictorama.com Collection.*

It is sadly undated but a very close look reveals that many of the women are wearing distinctive cloche hats. Those were popular from the early 20’s to the early 30’s. Randomly I would guess this is the mid-to-late 20’s given Felix’s rise to popularity and the rest of the clothing I can discern. Someone smarter about cars could probably tell more about the date from the one or two in this shot.

Thanksgiving is already a wintery scene here and people are bundled up to watch this parade. A close look reveals that the crowd extends up the stairs of this unidentified but official looking building. (If there are any Montclair historians or residents who can identify this building give a shout.) You can’t see it without magnification but in reality most of the people across the street seem to already be looking at and pointing to something coming up next.

I have written before about my love of Thanksgiving Day balloons in the parade and how I always wanted to go see them as a child. As a young adult here in New York City I would often go to see them blown up and strapped down the night before although I have never made it to the parade. My father had the freezing detail of filming it and the night before in his days as a junior cameraman for ABC News and there was no enticement I could find to get him to take me.

I love that New Jersey had their own rival, early Thanksgiving parades complete with balloons and I have shared a few parade pics here from my collection. Felix was popular coast to coast and one of these photos which lives by our front door in NYC is from Portland. The posts for those photos can be found here and here.

So while today would have been more appropriate to have an Easter parade this weekend, I conjure up another long past if somewhat unseasonable holiday for you today.

Esoteric Felix Photo Find, Seeing Double

Posted by Pam's Pictorama

Pam’s Pictorama Photo Post: Today’s post is a bit of Pictorama inside baseball as it were, with some coincidences which occurred nicely and a bit of a divergence down another tributary. If nothing else lots of eyeball kicks from my photo collection today.

Recently I jumped, as I do when I see them, to purchase this postcard of three children and Felix. It is a particularly nice one. Like virtually all of these souvenir postcards, this one was never mailed and on the back is only more contemporary writing noting, Felix the Cat.

When it arrived I realized that I already owned one from the same session or the very card. As it turns out, according to the number at the bottom it is a, more or less, identical image from the same negative. They are both originals and it is virtually the first time I have collected two contemporary copies of the same photo. Surprising to me on some level considering how many I purchase and how many people must have ordered more than one copy of a fun family photo. (The notable exceptions in my collection would be once or twice when I purchased a full lot of photos from one shoot – on two occasions I think once a batch of tintypes from Australia and a strange bunch of photos a a giant Felix at an intersection in Kuala Lumpur of all places – and ended up with a repeater in the group.)

*The photos side-by-side*. *The one on the right is the earlier purchase and slightly better version. Pams-Pictorama.com Collection.*

Another interesting fact is that this one was purchased from a dealer in the UK as most are (some, tintype versions as far as I know, come from Australia), and the original one was that extremely rare occasion where it was purchased from a US dealer, whose card it happens I saved in the sleeve and just found. I have bought very few of these photos from US dealers, they generally don’t seem to travel far from their place of origin, at least until they travel to me. These do not ever appear to actually have been produced in the United States which always leaves me wondering what was wrong with the folks at Coney Island anyway? They missed a great opportunity.

So one wonders why one photo traveled far from its origin and mate. I guess a family member lived or moved abroad, or it was somehow separated and sold off to a dealer and found its way here. By way of comparison, it should be noted that today’s was developed poorly, a bit of overexposure – note that the wooden floor is bleached out as is the background a bit and the printing in general is lesser, chemicals a bit tired on that day perhaps. Although the one recently purchased is also a tiny bit larger meaning that there is a bit less information too. Pure speculation but my guess is that one of these was ordered subsequent to the first one when a copy was desired, perhaps to give away to a doting relative.

*One of the ones that may show the same windows and likely Felix. Pams-Pictorama.com Collection.*

The post from March 2023 can be found here and investigates another coincidence which is that I have at least one other photo (possibly three now that I have a look around), taken at this very location and with this Felix. These were taken on the beach itself rather than near a studio so identifying the location is always a bit iffy. These distinctive windows are the key here.

*Pams-Pictorama.com Collection. I think someone in Australia selling reproductions of this one.*

Meanwhile, while on the subject of seeing double, I occasionally find one of my photos reproduced for sale. At top above is one where I have assumed that the seller scanned the image (shown above) at the time of selling it to me and another is one I missed at auction and now reproductions are being sold – a bit different admittedly.

*Pams-Pictorama.com Collection. Reproduction prints of this one turned up recently.*

However one (shown above) turned up after I had owned this photo for a period of time and I was curious. (Posts for these pics can be found here, here and here if you are curious.) I did wonder if somehow they had lifted them off of my post, but I doubt the fidelity would be good enough for an even halfway decent reproduction.

Of course the possibility that the seller owned another print of the same photo occurred to me as well. I reached out to them with a friendly and polite inquiry and their response surprised me. He had purchased a box of items and at the bottom was a disk and the image was on it so he was printing and selling them. Interesting!

While some less utterly compulsive folks might see duplicates as an opportunity to sell one off, at least in the short term I am just tickled to have these photos reunited once again.

The Mickey Parade Continues

Posted by Pam's Pictorama

Pam’s Pictorama Toy Post: So today I finally get to my wonderful birthday gift reveal – ongoing readers know that this year’s birthday was pre-empted and much deferred due to Covid. I am better finally, as is Kim, but a day of wandering and celebration remains deferred. At this rate it may be April before that happens, but nevertheless, the birthday bounty of the Mickey Mouses continues today.

My birthday Mickey is, in my opinion, a rather remarkable find. I even sent so far as to let AI have a crack at it and their “opinion” is that it was sewn from a kit. He is so very off-model that I did have to consider that but truly as I spend time with it and examining the stitching I believe he was commercially made. (My ideas of how such factories worked were changed when I found out that Felix dolls were handmade in a production factory in the East End of London. It was designed to give jobs to indigent women. Among my personal favorite posts, read it here.)

*Back of Mickey. Very careful examination shows some patching to the back of his head.*

This amazing and charmingly buck toothed fellow hails from Belgium via a kind seller there who tracks my birthday with offerings when she has them. (Previous posts on Regine finds can be read here and here.)

*Demonic Felix which is old number one purchase for me! A flea market in London. Pams-Pictorama.com Collection.*

In a close study Mickey is made up of some familiar elements. The design of the feet is more Aesop’s fable doll than Dean’s Rag. The glass eyes can be found on many a Felix from a similar timeframe – which I am assuming is the 1930’s. He is somewhat reminiscent of the first Felix I ever purchased, shown below, and which may have been used as carnival prize give aways. Same black and white felt and stitched mouth. Kim has been known to say this Felix looks like a stuffed demon – Mickey has none of the same potential malevolence.

*Felix and Mickey for a side-by-side examination.*

Mickey’s hands are sewn down and his neckerchief remains tightly tied around his neck. The buttons on his trousers were glued however – or at least this incarnation of them was – they may have been replaced. There are a few black felt patches, on the back of his head near his ears and neck, so some work was done on him at some point, although also faded with age now so not recently.

A few errant bits of straw are peeking out from his legs, which incidentally look very professional machine stitched. He has his tail, but unlike our Dean’s friend from last week, it is just a bit of cloth. For the record it appears to be original. As mentioned, his ears have had a lot of reinforcement and a careful look makes me think one has been replaced. In line with the patches, this replacement seems fairly old.

For utter goofy charm however, this chap is hard to beat! I can’t help but feel that this off-license fellow looks like Mickey’s dufus country cousin, rather than a manifestation of the mouse himself.

The (Truly) Great ’25 Valentine Reveal!

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Pam’s Pictorama Post: There are a handful of traditions here at Deitch Studio and Pam’s Pictorama that we hold dear and none is so anticipated and celebrated than the annual Valentine Kim makes for me. A tradition that reaches back to our first year together (now a few decades back), today’s is an entry in a long line of wonderful drawings, all which have depicted me and illustrated my interests over the decades and placing me at the heart of my own Catland. (This includes frequent allusions to me as the jolly and of course benign ruler of the land, Queen of Catland. A few examples can be found here, here and here and other pictures below.)

*A February 2020 edition. This too could be Margate! Pams-Pictorama.com collection.*

This year is very special however. The idea grew out of a recent post some of you may remember devoted to review the splendid new biography of Louis Wain, Catland, which can be read here. Kim has brought to life my suggestion that there was a moment when Louis Wain and T.S. Eliot were living on different sides of the same beachside community, Margate, where I have noted, many people had photo postcards made posing with a splendid giant Felix the cat doll. (Some of those posts can be found here and here.)

Kim has brought all these elements together. Rather than running into each other and meeting TS and Louis are both so wrapped up in their own views of the world they never see each other – although Felix loitering outside the photo studio arguably sees them both. They are both witnessing a (real) catburgler in action – for Eliot it inspires the poem Macvity the Mystery Cat (who appears to be reading about his exploits at the bottom) while Wain wanders off into a world of anthropomorphic kits which, around the perimeter of the picture range from jaunty to disintegrating, and forming Cubist cat delights.

*A Margate Felix. Pams-Pictorama.com collection.*

Louis is painting the very scene, or a variation on it, while some of his humanoid cats enjoy exploits swimming and strolling just out of the frame. Big white kitties standing on their hindlegs point at the scene with even more imaginative cats portraits above them. T.S. Eliot recovering from a nervous breakdown, meeting Louis Wain drifting off into his own world of ever morphing felines.

In some ways, this is the perfect melding of worlds, Wain’s, Eliot’s, mine and Kim’s. Bravo yet again my beloved Mr. Deitch!

T.S. Eliot
1888 - 1965

Macavity: The Mystery Cat (1939)
Macavity’s a Mystery Cat: he’s called the Hidden Paw —
For he’s the master criminal who can defy the Law.
He’s the bafflement of Scotland Yard, the Flying Squad’s despair:
For when they reach the scene of crime — Macavity’s not there!

Macavity, Macavity, there’s no one like Macavity,
He’s broken every human law, he breaks the law of gravity.
His powers of levitation would make a fakir stare,
And when you reach the scene of crime - Macavity’s not there!
You may seek him in the basement, you may look up in the air -
But I tell you once and once again, Macavity’s not there!

Macavity’s a ginger cat, he’s very tall and thin;
You would know him if you saw him, for his eyes are sunken in.
His brow is deeply lined with thought, his head is highly domed;
His coat is dusty from neglect, his whiskers are uncombed.
He sways his head from side to side, with movements like a snake;
And when you think he’s half asleep, he’s always wide awake.

Macavity, Macavity, there’s no one like Macavity,
For he’s a fiend in feline shape, a monster of depravity.
You may meet him in a by-street, you may see him in the square -
But when a crime’s discovered, then Macavity’s not there!

He’s outwardly respectable. (They say he cheats at cards.)
And his footprints are not found in any file of Scotland Yard’s.
And when the larder’s looted, or the jewel-case is rifled,
Or when the milk is missing, or another Peke’s been stifled,
Or the greenhouse glass is broken, and the trellis past repair -
Ay, there’s the wonder of the thing! Macavity’s not there!

And when the Foreign Office find a Treaty’s gone astray,
Or the Admiralty lose some plans and drawings by the way,
There may be a scrap of paper in the hall or on the stair -
But it’s useless to investigate - Macavity’s not there!
And when the loss has been disclosed, the Secret Service say:
‘It must have been Macavity!’ - but he’s a mile away.
You’ll be sure to find him resting, or a-licking of his thumbs,
Or engaged in doing complicated long division sums.

Macavity, Macavity, there’s no one like Macavity,
There never was a Cat of such deceitfulness and suavity.
He always has an alibi, and one or two to spare:
At whatever time the deed took place - MACAVITY WASN’T THERE!
And they say that all the Cats whose wicked deeds are widely known
(I might mention Mungojerrie, I might mention Griddlebone)
Are nothing more than agents for the Cat who all the time
Just controls their operations: the Napoleon of Crime!

Holiday Card and Decoration

Posted by Pam's Pictorama

Pam’s Pictorama Post: Today is the great Deitch Studio holiday card reveal! Apologies up front to those of you who are still waiting for your card in the mail (um, most of you) as we are way behind schedule this year. I am the keeper of the holiday card schedule and I take full responsibility! I know folks who like to have the surprise of theirs in hand before the online reveal. Alas, Blackie’s unscheduled Thanksgiving trip to the kitty ER (that cat tale can be found here) had a ripple effect and our cards were not in hand until earlier this week. Most of your cards are being launched from the Fair Have post office on Monday – think of them as New Year’s cards this year!

*Sadly the celluloid Santa did not make the trip to NJ unscathed! Bought these in NYC and packed with extraordinary care, alas!*

Speaking of Blackie – he ran us a merry chase yesterday trying to get him packed in his carrier for the early morning trip to NJ. He wedged himself in a tiny space underneath our futon which defies grabbing him without removing the mattress from the bed entirely. Nonetheless, we eventually got him and arrived here mostly intact early yesterday and devoted most of the day to addressing those cards!

Onto the card! This is a sort of sequel to last year’s card. Some think it achieves more highly, others favor card number one. For my part I am pleased with my likenesses of the various cats. Peaches and Gus in particular, but all of them are pretty good. Beau and Blackie are in costume – reindeer and Santa respectively. Everyone else lightly accessorized at best.

It is the living room of the house here in New Jersey. There is a fireplace here, although I doubt it will return to being wood burning in my lifetime. (An absurd amount of work needs to be done to the inside of the chimney to make it safe – something about lining the inside with ceramic.) I have toyed with a gas or electric insert for it – maybe next year.

*Among the sale items at Lowe’s – these were about $3.50 a box!*

For those of you who are new to the card tradition, each year Kim and I collaborate on a Christmas card. It has evolved into my drawing it in pencil and then him inking it. I offer the original drawing for consideration. For those of you who missed it last year or want to compare and contrast, the ’23 card post can be found here and the card is below. The post can be found here.

Meanwhile, thus far the house is only decorated with this wreath on the front door. However, yesterday on a trip to Lowe’s to procure something to melt the ice on the front steps, I discovered boxes of old-fashioned, large colored lights on sale, 75% off – meaning each box was about $3.50. (Those inclined can probably still score these online.) Well, while I had not considered lights for the house or yard I immediately purchased several boxes and an extension cord. I also bought jolly large ornaments which I will hang from a light post out front.

*Good buy on over-sized break proof ornaments for outside.*

I am hoping we can wander over to the Red Bank Antiques Annex and look for a nice Santa for the mantel so with me luck! I will post an update here and on Instagram if I find one!

From the Archives – a Tatty, Odd Felix

Posted by Pam's Pictorama

Pam’s Pictorama Post: Today I am pulling a little fellow out of the archive, such as it is. Amongst the (admittedly dusty) Felix toys here at Deitch Studio, there are a clutch of damaged ones that I purchased, usually for the sheer diversity of them. This small example is one of those. Despite his grotty condition, he is outstanding because I have never ever seen the precise likes of him before or since.

He stands about 9 inches high and he sports this large and somewhat elaborate original ribbon. He is in the hands behind his back walking and thinking pose. There is nothing really atypical about his body, although it does have a fair amount of damage, a hole in one leg and a wire sticking out his tail. It is not really excessive damage in the world of 100 year old stuffed toys though. He leaves a small trail of ancient straw and bits when moved around although this is also not unusual.

He maintains his whiskers which are nice and black. He has a small shoe button nose which is also fairly unique. I think that is his nose too – sometimes they look a bit like this but were meant to be covered and I don’t think so.

*His good side if you would! Pams-Pictorama.com Collection.*

He has one remaining glass eye and that type of eye is pretty typical in the world of these toys, although many have the white felt behind black shoe button eyes instead. The brown stitched teeth are odd and I do believe they are brown not just discolored like the white on his face.

However, it is the shape of his face, head and rounded ears that are unusual. I’d almost think it was Steiff except that is not what the Steiff Felix looks like in the least. They seem to have had only one model and it is decidedly different. Most of the early off model Felix toys are pointy and doggy, definitely unlike this well rounded chap. It implies a different maker and I have no idea which that might have been. This Felix was well made – his head turns, although it must be done very gingerly now and every the extravagant bow makes me think he was a better made toy.

Sadly though I have not figured out cleaning the white of his snout which is what seriously disfigures him. It is grimy and darkly discolored but is also fragile (the remaining eye, nose and especially ears) which has left me in a fugue state about how to proceed. It turns out that I am not a brave nor creative repairman of tattered toys. I know colleagues who jump in with good results, but I am a scaredy cat when it comes to cleaning it turns out. Therefore I guess perhaps I am not the best steward of those in need of repair.

I have owned this fellow for longer than I can remember purchasing him on eBay – probably easily a decade – and still I have not taken the plunge. I am open to suggestions! Let me know your thoughts. Maybe I can devote another post to a before and after on him if I were to get great results.

Odd Illustration: Bonzo and Felix

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Pam’s Pictorama Post: Today is a rare post about something I do not own. I don’t make a habit of it, but this tidbit came to me via our good friend Bruce Simon. (He was mentioned most recently in our trip to Comic Con in San Diego post which can be found it all of its glory here.) Bruce thoughtfully sends wonderful odd treats from dvd’s of cartoons to items like this. Thank you Bruce! If you saw yesterday’s page in all its Felix glory this makes a sort of interesting bookend to the weekend. This one is casually dated ’25, so it is a year after yesterday’s magazine page. (For those who missed it you can find it here.)

This illustration appears to be in a copy of Punch magazine and was drawn by a British man named Arthur Watts. Watts was an illustrator and cartoonist for the likes of Punch and Tatler dating back to 1911. His line appears to have been social commentary on the divisions of class and etiquette of Britain.

*There is just a single blurry photo of him on the internet so I offer this – he’s in uniform and does look quite dashing however.*

He evidently had a strong dislike of modern art and so perhaps this is a bit of a rib on that among other things? Felix and Bonzo dancing together (ha cha cha!) as a huge mural? I mean, I love it and I’d have it in my restaurant in a heartbeat! Circles that remind me of champagne bubbles encircle them as cartoon cat and dog shake a leg. Was this his low brow elevated to high brow comment?

Interesting – I am just thinking about a truly odd vase I own where Felix and Bonzo are dancing – perhaps there was a thing about them that I don’t know? Was there a bit of interspecies cartoon romance? Huh. (That post can be found here.)

*Okay – at least I got the humor here! Undated Watts illustration.*

Perhaps it is just me, but I can’t quite entirely catch onto his sense of humor. In this picture, the man who is evidently the Detective is seated drinking alone, next to a crime scene, while the crowd of well heeled hoy polloi keep their distance and pile up to one side. Perhaps his humor is a bit too inside baseball to entirely get today?

His is a bit of a tragic story. Born in 1883, he showed artistic talent when young and eventually went to Slade art school. He served with note and honor in the Royal Marines Corp during WWI. He married a fellow artist, Phyllis Sachs, in 1911 and had a daughter. Phyllis died in 1922 (no record of how or why that I saw) and he remarried in ’24 to Marjorie Dawson Scott. They had three children and in July of 1935 he was rushing to fly home after the birth of their third child when his plane crashed in Italy flying from Milan, never clearing a mountain range and killing everyone.

The daughter from the first marriage became a well known costume designer, Margaret Furse. Among the other children one also became an illustrator, Marjorie Ann Watts – frankly I am inclined to like her crosshatch filled style a bit better.

*Marjorie Watts illustration – she seemed to be very interested in drawing anthropomorphic wolves.* *I like her more linear contrasting style.*

However, a hundred years later it is not news to Pictorama readers that Felix and Bonzo were the cultural icons of their day and make fun of them though Watts might, they are still quite fondly and well remembered even today!