Oh Wow! It’s a Great Felix!

Pam’s Pictorama Post Toy Post: Christmas has come very late to Pictorama, but well worth waiting for when it showed up this week in the form of this wonderful addition to the Felix farm here at Deitch Studio. (A special thank you shout to Kim in the role of my Santa!) For those of you who read my January fretting post yesterday, the arrival and unveiling of Felix has lightened the mood here considerably – despite efforts to perk coffee on the stupid electric burner this morning!

I found Felix while perusing photos of a toy show in England I deeply regretted not being in attendance at (insert brief fantasy about dropping everything and flying there to attend), when I saw him sitting on a crowded shelf in one shot. The seller is a rather celebrated toy dealer, Daniel Agnew, who I believe deals most deeply in teddy bears – my beloved stuffed Felix toys are something of a subset to teddys. I couldn’t swear I haven’t purchased something from him previously, but perhaps I am just familiar with seeing him and his wares over time. However, I certainly trusted buying from him this way and was able to engage over the toy exhibit page on Facebook.

While I recognized that this Felix fellow was a good addition to my collection, I couldn’t really see what a nice, large jolly fellow he was going to turn out to be; photos just did not do him justice! (Insert image of me hopping up and down!) I was thrilled as I took him out of the box. Dan had sent some photos pointing out some wear, tiny holes and loss and I was a bit concerned about him making the trip overseas. However, Mr. Agnew is an experienced packer extraordinaire as you can see from the unpacking photo below and Felix made it through just fine.

The unpacking process!

Daniel did not identify the maker and I am unsure. In looking at a Felix Christmas post past (which can be found here) from the waning days of 2016, I speculate on one of a somewhat similar design, also very large, which I semi-attribute to the East London toy company. (Our new friends has less articulated hands and feet however.) I am not at all sure I agree with that guesstimate for either of them now. In an exchange with Mr. A. we discussed the possibility that he is by a small unnamed maker which is a likely answer in trying to identify some of these – as per his message license was giving out liberally for those interested in making the toys. I will say that his nose, his most unusual feature, appears to be most like the nose on a giant Dean’s Mickey Mouse in my collection.

Felix in Pictorama collection, Pams-Pictorama.com

In addition to his interesting and noteworthy nose, he is of a sort of specific tripod design with a shorter body and longer legs and tail. He has nice big glass eyes and a friendly, genial expression as opposed to the good time Charley type above. His head and arms are stationary, not articulated. The tip of his tail has worn through and he has stitching patches in his neck and behind an arm where he could use a bit restuffing and stitching. (He has dribbled a bit of excelsior across Kim’s desk for his brief photo shoot. He’s perched on a small tub of white acrylic paint.) However, he is mighty fine at 100 years old – I have no hope of looking nearly as good at his age.

I am eyeing a spot next to the other Christmas Felix above, where he can live quietly, safe from prying kits, towering over the miniature Flat Iron building and watch over us from an imperious perch in bed at night.

January Madness

Pam’s Pictorama Post: It’s an overcast Saturday morning here in New York City and there is a light bit of snow blowing outside. This has put my deep desire for a late morning run in question and makes me vaguely peevish. Kim has misplaced several key drawings for his next story (five or so luscious large pencil pages) and is slowing spreading the latter part of an almost finished graphic novel across our one room apartment in search of them. The pages have not left the apartment so we know they are here. A thorough search of piles of original art is underway. A certain frantic undertone to the commencement of our weekend here at Deitch Studio.

The desk in question, being searched.

Meanwhile, Blackie is snoring softly behind me on a very large box which contains an air fryer. While I am a bit curious about air fryers I never would have purchased one (let alone such a large one) except we’ve been informed that a city mandated gas inspection, which commenced Friday, has our cooking gas turned off. It will take a minimum of 6-8 months, but many buildings report that it has taken up to two years or more. (Yes, you read that correctly – they are turning off our cooking gas for what could be years.)

The model chosen after reading the NYT Wirecutter and other reviews.

I have moments of thinking that maybe it would be worth getting involved in City policy long enough to eliminate this bit of idiocy which is based on an incident where someone tied out an illegal gas line with a garden hose and the building ultimately blew up. Manhattan, perhaps all five boroughs, are looking now to eliminate gas cooking. This is a concept that could ultimately roust me from my perch here in New York City – gas cooking is beloved to me.

Life without making soup seems dreadful so I purchased this as well. Let’s see how I do with these new toys.

So, for now and despite Blackie’s fondness for the aforementioned box, I will spend this weekend unpacking the air fryer and an Instant Pot. (I cannot live without soup. One of several recipes can be found here.) I will rearrange our tiny kitchen and somehow fit these new appliances in – some of my beloved larger pots and pans can live in the oven I guess. (An ode to a dying fry pan can be found here.) Of course the adventure of learning to cook with them remains – I suspect you will receive further details. We have a microwave as well which I have generally only used to heat leftovers, but will be pressed into service. I have tried to amass groceries for easy execution at first, baby steps.

Blackie in full possession of the air fryer box.

Maybe the toaster can live in our storage locker and give us back another 12 inches of counter space? Electrical outlets have become prized real estate overnight and we are grateful for a renovation which added one. Additionally, there are two electric burners which the building assigned to us as a stove top. I hear rumors that the power draw for them is huge and that they cannot be used in tandem with the other appliances. Note taken, but I think we can look forward to the odd days when we space on that and blow a fuse.

At work Covid is stealthily making its way through the office again. We talk about it less, but staff are sick with it or living with people who have it. Most of the rules and protocols have fallen away and we are left to our own devices, instructing people to stay home and test – five days clear? I think there is a sense that people will just get it and get it again and again, but we do need to think about the people for whom it can be dangerous for various reasons, or like me have someone in their life who is fragile physically.

A pot of soup from a former post.

Along those lines my mom was diagnosed with pneumonia last week, not surprising given her immobility. I have home tested for Covid, but will go out and get a PCR test in case I need to go back to New Jersey. I mentally add it to the list I am making for this weekend.

I have long thought that TS Eliot had it wrong – it is January not April which is the cruelest month. For me it has uneasy memories of illness commencing and death, truly the nadir of each year which then needs to be reincarnated annually. (Oddly I am a bit distrustful of August too.) There is a gentle but persistent, burgeoning insanity that is barely kept in check in the month of January.

However, the pages in question above have been located at last. Kim is now contentedly inking a page which was his intention when he discovered the pencils missing, so a calm has returned to the house. He has promised to bring me a cup of take out coffee from the diner so I don’t have to face the electric burner and coffee pot quite yet. Blackie has moved onto the bed making way for me to unpack the air fryer and at least for the moment the flurries have paused so maybe I will get my run in. January is half over, we’re turning the corner and soon February will dawn a bit brighter.

A bit of Deitch Studio effluvia that surfaced this week.

Felix Marches Forward

Pam’s Pictorama Toy Post: As promised, the first of many toy posts of the New Year! This little fellow crossed my path in December on eBay and there was something about him which appealed. He’s a bit damaged in places, but who among us (especially those who are 98 years old) can say otherwise? Oddly he sold for not much money so he has come to reside at Pictorama.

His head looks like a standard issue model used for several other toys, but mostly the popular jointed doll of the time and it was probably easily acquired for this somewhat more rarified toy. His tail is cleverly made with a bit of black rope, frayed a bit at the end now with a tiny wire sticking out.

Unfortunately not in Pams-Pictorama.com collection, but with a remarkably similar head in better condition.

I don’t think I have seen this precise toy before, or at least not many times. He is a simple mechanism, but designed with a nice forward stride, Felix-y indeed. Somehow they really captured his bouncy running trot when you push the (nice yellow!) wooden handle up and down. Very satisfying. His arms swing with a certain determination. It imitates his cartoon motion well.

Shown here with thanks to Kim for his handy help!

There is most of a tag remaining on his back which had FELIX, a series of dates (1919, 1922 and 1924) followed by Pat Sullivan and patented June 23, 1925, although no maker’s mark as such. I am entertained somehow that there is a day on the patent – like a birthday.

Remains of a patent sticker.

One side of his face and his nose have suffered a lot of paint loss and the handle is very well worn. I must say though there’s something mesmerizing about watching him bounce up and down. I can imagine being very entertained with this as a small child, but can also assume it was a toy that took a bit of a beating. Yet he must have seemed a bit indestructible when he was newly handed over for play.

I thought he was a good choice for the first toy post of the New Year. He will help us remember to stride resolutely, but with a bounce, into the year ahead.

A Room with a View

Pam’s Pictorama Post: Drum roll please…because today we have our annual Christmas card reveal! Here at Deitch Studio we have been producing a holiday card for a few decades now. One day we’ll have to see who has old number one because, although I knew we kept some, I am not sure we can lay our hands on it. In the first year, and maybe the one that followed, we hand colored each one (differently) with colored pencil – but we had a smaller distribution back then.

A better look at this year’s card! Deitch Studio collection. Click on it to make it larger.

For those who are new to the card this year the general process is that, after discussing the general subject first, I do the initial drawing. Kim responds with his version and then we might negotiate this or that, back and forth until it is an amalgam of our styles. In general, if we appear on the card, the rule is you draw yourself. (A few card reveals from year’s past can be found here and here, but the archive is chock-a-block full of them!)

Kitty cooks in the kitchen! No, we don’t really let them cook. Deitch Studio Collection.

This year however, Kim has been admiring the view from our window and it permeated my thoughts when I sat down to draw the card and it fell together quickly.

For those who haven’t visited Deitch Studio for awhile, yes, the plants have indeed increased in number and lushness this year. A friend commented on that. For those who follow Pam’s Pictorama regularly you know that Blackie had a rough year and we almost lost him to a bad infection and subsequent diabetes. In fact we had a mini-emergency with him just this past week as his sugar dropped too low. Despite that he is looking like his old self, has gained his weight back and his coat is thick and shining as shown here.

An exuberant Blackie showing tummy and fang recently.

Cookie would have been just as glad (or so she says – frequently) if we hadn’t bothered bringing him home. They are sister and brother and fight as such – love to hate each other I say. It gives them something to do. Cookie is the talker in the family and at nine years old still chases her tail (daily) like a kitten; often in the bathtub. Go cat go! I say she has one cat joke and that is to hide behind the shower curtain in the bathroom so she can jump out, meowing, at an unsuspecting type coming in. I fall for it several times a week. She does a victory lap with her tail after.

Cookie, always a card, a Noir Alley kitty a few weeks ago.

The view out the window is obviously much simplified, although I like to think it somehow captures the overall sense and mood. Kim was very light in his touch this year and really let my original drawing shine through. The view is quite wonderful, but it is especially nice at night when it is a twinkling wonderland. When I can’t sleep, I come and sit down on the couch (usually with Cookie these days, who in turn requires ear scratching) and spend some time looking at it.

Our view – a dim rainbow in upper right corner.

One of the interesting aspects of the view is that in recent years it is also the northern end destination of my frequent runs. Now when I look out I know it differently and I know the trip under the bridge and up to 114th Street intimately firsthand. I have written more about running in New Jersey than here in the City, but it is in reality my more frequent, if somewhat more static route. (A New York running post can be found here – and one from New Jersey here.) The path along the river is soothing, if windy in winter and hot and sunny in summer, whereas the suburban New Jersey path is more varied perhaps and has surprises like visiting deer and suburban highlights.

The northern part of my Manhattan running route one morning recently.

When I purchased this apartment I had no idea how beautiful the view was as the windows were too dirty to see out. Now it is our escape, bringing the whole world into our single room and we wouldn’t trade it.

So as the holidays approach and 2022 comes to a close, Merry Christmas and the best of New Year’s to all from the four of us at Deitch Studio!

Felix Takes a Powder

Pam’s Pictorama Post: Recently my friend Mel directed me over to a small auction that was primarily devoted to space ships, but had a small number of Felix items and I guess a very few people paying attention to them. Today’s very unusual item came to me via that auction along with a lovely stuffed Felix I will share soon as well.

Schuco produced Felix perfume bottle. Always very pricey! Not in my collection.

Felix bottles are a category unto themselves and to my knowledge include a soda bottle, a plastic bath bubble bottle, a popular perfume bottle and an even more available early bath salts bottle. The perfume bottle has a mohair outside (as above, produced by the toy company Schuco, which makes you wonder a bit about the quality of the perfume in question) and looks like a toy, while the bath salts one is made of clear glass and painted. The paint is usually worn off on the latter and there is a very similar Bonzo Dog – oddly and weirdly almost interchangeable if you aren’t paying attention. (As below and not in my collection – yet!)

My new Felix bottle is in what I think of as his Romeo pose, on one knee, hands clasped to his heart. You can imagine his impassioned cat-on-a-fence type tune. There are no makers or brand markings at all. In all of my searching around I have never seen the likes of him.

The white of his face appears to have been repainted, fairly well, but still is generally something that turns me off entirely. I can’t say the style of him is a favorite either – why the two tooth look I wonder? Again though he is so unusual I decided he had a place here at Pictorama and I am pleased with a having acquired him.

Powder stopper. Pams-Pictorama.com collection.

I have never however seen this item before in all my looking, nor when I did a dedicated search after finding him. He is made of a heavy molded glass (seam in the bottom) and stands about five inches high, and he’s a slightly off-model Felix with that sort of gap-tooth grin. The brass-esque cap comes off to reveal a powder shaker top. (Felix arrived well packed, but in a tsunami of powder which had remained in the bottle until he traveled! I guess the seller figured I would want it powder and all. Only a vague scent to it if you are wondering. It is sort of getting all over everything despite my best efforts to contain it.)

I like to imagine a dressing table somewhere, maybe in the early 1930’s with Felix atop where each morning a bit of powder was shaken out of him. So beloved however, he has made it down through almost a hundred years to be with us today. And stay tuned – while I was writing this I found another bottle I had to have. More to come…

More Margate Felix

Pam’s Pictorama Photo Post: I am fulfilling yesterday’s promise of more photos to come with another hotsy totsy postcard which also entered into the Pictorama collection this week. My singular passion for this rarified specimen of photo postcards has been well documented and is in fact responsible for this blog which subsequently burgeoned into a much larger pastime. I contend that I may have the largest collection of these photos, but since I rarely meet anyone with even one (unless they are selling it) may claim goes largely uncontested. Most, but not all, have made appearances here on Pictorama.

I know there are other folks who own some Felix cards in the world because I occasionally to my horror (and admittedly not often), lose an auction for one. My fondness for these photos has inspired some purchases of what I think of as subcategories – people posing on enormous black cat “chairs” and then the random posing with or on other cartoon characters including (usually small) Mickeys or in one case atop Barney Google’s horse Spark Plug. (That post can be found here.) Some are tintypes, but most are photo postcards. In general, the thrust of individuals recording their madcap day at seaside or an amusement pier of some sort appeals to me.

Another pint-sized Felix. Pams-Pictorama.com Collection.

This family certainly defies the definition of madcap or even happy go-lucky. They are depicted in somewhat mugwamp fashion, be-hatted, bundled and all except for the little nipper on the end, engaged in industrious forms of leisure if there is such a thing – reading and knitting or sewing as far as I can tell. (Dad has a sheepish grin – perhaps the whole thing was his idea.) Clearly it was not one of Margate’s sunnier and warmer days, the third woman has an umbrella tucked under her feet which is easy to miss. A stray hat (it looks a bit large but probably belongs to the little girl) is in the foreground. The little girl’s shoes are tucked between mom and dad in the sand.

The card is marked just Margate in pencil on the back, but it was never mailed and nothing else is written on it, somehow these folks were talked into a photo with Felix. Margate, a long-standing seaside destination, is the locale of many of my photos. I wrote about its history once here. (And among the other times I have had posts of postcards from there are examples here and here and one from earlier this year with Felix here.)

Pams-Pictorama.com Collection.

As posing Felix-es go, he is a smallish model, only coming up to the waist of the little girl who is standing behind him. Upon close inspection he sports both a small bow on his left shoulder and a large button in his ear which I will hazard a guess says Chad Valley – it is the first time I have seen the button in the ear of one of these posing Felix toys and now I am wondering if I can find it on others. I have a sort of 18 inch model that has one – the first in my collection to still have it.

I must say, as backdrops go the photographer didn’t have much to work with here – the patch of sand and unromantic wall behind them. They could be anywhere. He has centered them however and consciously or not, they make up a good photo, their hats lining up and the little girl on the end just a bit taller than the seated adults. Something about the white stockings and shoes on the third woman adds something to the effect. If their repose was greater they might be the Whistler’s Mothers of Margate, but instead there is that nagging sense of diligence. Their Sunday afternoon in the parlor transported to the beach briefly.

A very similar Felix at an undisclosed location – possibly Margate and the very same Felix? Pams-Pictorama.com Collection.

Felix remains jolly in the face of their dour and somewhat gloomy affects. He rolls his eyes a bit maniacally, looking up coincidentally toward the little girl – she is his potential partner in crime, and they are in it together to get this party started and have some fun! One arm (paw?) up, he’s ready to lead the way. Meanwhile, he is at the beginning of a long day of posing, cheerfully, with an array of folks on the beach in Margate, some more fun than others, waving to me a hundred or so years later.

A (Felix) Cat Book

Pam’s Pictorama Post: I’ve actually been in possession of this slim volume for a few years since purchasing it on eBay. I think it went to the shelf and somehow never made its Pictorama debut. But I was emailing about all things Felix with a fellow Felix-o-file and dug it out to show him. I have not seen it around much, but some digging shows that you can currently acquire a copy if you are willing to pay up. My copy is inscribed twice. The first is in a childish pencil scrawl which, oddly, reads, Elizabeth Butler, 1021 Craggmont. The other, in a neat pen, To Martha, from Mabel Crowe. Neither is dated.

Titlepage, Pams-Pictorama.com collection.

It is a somewhat odd book. To start with, across the front it announces that it was Published by Harper & Brothers – Established 1817. A quick check and Harper & Brothers, which started life as J. & J. Harper publishing in 1817 (brother Jay and John at the helm) until more brothers from the clan joined and the name changed in 1833 to recognize them. Then it changed again in 1962 and became Harper & Row, before later finding its 21st century moniker, Harper Collins. However, while new printing methods made them a leading publisher of books and textbooks, the influence of the famed Harper’s Magazine could evidently be felt through their publishing empire and its influence is felt in this volume.

Felix himself travels under an American passport and Harpers a US publisher, however the author is British essayist, E. V. Lucas, giving this something of the feel of a British product like one of their comics annuals. While this Felix volume was published in 1927 there is an earlier, 1902, version which has different and more traditional cat illustrations by someone named H. Officer Smith and in fact published in Britain. The illustrations have a whiff of Louis Wain to them.

The earlier version of the book with illustrations by H. Officer Smith. Not in Pictorama collection.

Lucas was a lifelong Punch author whose prodigious output of essays, commentary, verse, plays and was legendary in his day. His biography is sprinkled with references to hobnobbing with friends Barrie, A.A. Milne, Arthur Conan Doyle and the likes of his day, playing cricket and billiards. He has written the copy in simple verse with a sly eye to the beloved tricks, maneuvering and manipulation of cats.

Our volume (ostensibly illustrated by Pat Sullivan who signed each illustration, however we’ll assume it is of course Otto Messmer ready at the dip pen) is a slim one at about 30 pages, writing on each left side and illustration on the right. Felix takes on the role of a sort of every cat persona rather than doing a star turn as his famous film self here – although he seems to have some of the Felix wiliness and trouble-making charm as played out in the pictures.

The drawings show Felix in fine fetter and I can only imagine that for a pro like Messmer it didn’t take him long. However his skill shows in making every line count for maximum entertainment and raises it to the level of a Pictorama worthy Felix investment.

Ed. Note: After this was posted @judd_kid and @tomatitojose sent word that they think it was drawn by Dana Parker who drew many of the Felix theater posters and advertising art! Fact for the day!

It’s Bimbo

Pam’s Pictorama Post: Today I am celebrating a somewhat forgotten character of animation via this really nice little ceramic figurine which traveled here from Texas earlier this week. It came from our Instagram pals @curiositiesantique (and getcuriosities.com – I have written about them and Sandy who is my thoughtful contact in a post that can be found here) who were very nice and sent me a photo asking me if I was interested in purchasing him – and I definitely was.

I quick check on Wikipedia this morning (which cost me a donation to them, got me at a weak moment) reminds me that Bimbo, an animated perpetual pup of sorts made his debut as KoKo the Clown’s sidekick in the Fleischer Studios Out of the Inkwell series before becoming Betty Boop’s paramour as she rose to fame in the early 1930’s. Bimbo was the first animated character to invite everyone to follow the ball and sing along in the 1926 cartoon, My Old Kentucky Home. (All cartoons mentioned here are linked to viewing on Youtube available at the time of posting.) Oddly they note that his name comes out of a reference at the time to men who like to fight which is a fact for the day.

From Bimbo’s Initiation.

A loosely designed Bimbo stars in the 1930 cartoon Hot Dog where he is nabbed for annoying women with unwanted attentions. Later Betty and Bimbo made classic cartoons they are both best known for such as Minnie the Moocher and Bimbo’s Initiation.

Bimbo is eventually overshadowed by Betty as she rose to greater prominence. It seems as she became less doggy there was eventually pause about a human being in a relationship with a quasi anthropomorphic dog. In 1934 the Hays code decided that interspecies affairs in animation were a problem and nix their onscreen relationship. Betty gets a proper puppy pet, Pudgy, instead and Bimbo is largely retired.

From Van Eaton Galleries. Not in Pams-Pictorama Collection. Slightly different Bimbo.

Some research turns up a set of Bimbo, Betty and KoKo in the box of these figures and which reveals that it was imported by George Borgfeldt which is a name I have seen in and around objects and toys of this period. The example, shown with the box is from an auction site and seems to be a slightly different incarnation of Bimbo, less well executed.

Original box, also from Van Eaton Galleries, not in Pams-Pictorama.com collection.

There is another variation which shows three Bimbos in a musical trio. Not sure what the inspiration was for these.

Not in Pams-Pictorama.com Collection and for sale on eBay at the time of publishing.

Fleischer Studios is imprinted on Bimbo’s butt, an inventory number above and Made in Japan across his heels. He is made of ceramic, some sort of porcelain bisque. Although one ear looks like it may have been lopped off, the other image assures me that this is as he was made. He’s a good design, reasonably close to his animated self, and pleasantly sturdy. Bimbo will enjoy a place of pride in a display cabinet on the long shelf of curiosities here at Pam’s Pictorama and Deitch Studio.

Tooting My Horn

Pam’s Pictorama Post: It is a first day of vacation Felix party post today! This splendid item came in the door just as I was leaving for Denver on a business trip so I hardly had time to even look it over. As it happens I had lost a more or less identical one in an auction on eBay a few days before I saw this one – the first one went for a whole lot more so maybe I was the only one bidding who saw this version.

I wish I knew more about this horn. I have seen perhaps one or two others over time but they are not very common. He’s made of a sort of cardboard-y paper mâché-esque stuff and the end you toot is a light wood of some sort. A few years ago I wrote about a black cat Halloween horn I found, it too had a wooden end. (That post can be found here and it has a funny few seconds of Cookie reacting to the sound of my blowing it!) The sound of this item is remarkably similar, although that horn was somehow more substantial in design.

Pams-Pictorama.com Collection.

Because the poof of air comes out Felix’s mouth he looks like he is frowning or yelling – an angry Felix? I don’t know why the string is there – it is on all the few I have seen. His ears, a light cardboard paper are bent and are a clear weak spot in the design and admirable really that they have lasted all this time.

I can only say that I would have liked ringing, let’s say, 1926 in with this fellow, but instead I blow it in tribute to the first day of a much needed vacation here at Deitch Studio.

Meanwhile, for those of you who have been following the saga over the past week or so we here at #teamblackie are pleased to report that our poor puss continues his recovery and is eating more. Hopefully he will start to gain some weight, but he is bright eyed again and fighting Kim hard getting his gloppy meds administered so he must be feeling better. We intend to rest and recreate with the kits and each other. Ice cream will be eaten. I promise to keep you all up to speed with the highlights.

Matching

Pam’s Pictorama Post: I had to ferret around the apartment this morning as I had no post in mind having lost a number of auctions lately. (And later today I will be scribbling advance posts to keep you all in Pictorama while I travel to Denver on business next Saturday!) However, I reached deep into the Pictorama archive and pulled out this rather wonderful little gem. It was a gift years ago from Richard Greene, match collector extraordinaire, who had us as guests for a weekend at his home when Kim agreed to do a con in Philly at his request. Richard and his wife live in a house chock-a-block full of interesting bits and pieces he shared with us and they were the very most generous hosts.

Fellow cartoonist (the sadly now late) Jay Lynch was also there for the weekend and it was the only time I ever spent more than an evening with him. I forget the exact year, but it was summer and terribly hot like it is now. The con was in an old, wooden, un-air conditioned building and I remember spending the day stationed thoughtfully in front of a fan.

Richard gave Kim a hat he still wears (if I remember he did advertising lay out for a living) when not in the old Stetson I gave him, and Richard gave me this splendid matchbook from his glorious collection.

Front. Pams-Pictorama.com Collection.

Kernel Lew Mercur’s (Original) Nut Club is pretty darn interesting (and colorful!) in its own right. The back promises dinners, dancing, and laffs. Located in Miami Beach (Alton Road at Dade Blvd.) it was open all night. Cuisine by Delmonico is noted along the top fold. Mr. Mercur’s image, or what we offered as such, is on the front in top hat with a carnation and musical notes.

Verso. Pams-Pictorama.com Collection.

Not surprisingly, there are few tracks on Mr. (Kernal) Mercur or the Nut Club, although I did find a reference to it in a book about the bygone hey day of eating establishments of Miami (Lost Restaurants of Miami by Seth Bramson) and it would seem that the Nut Club was among a proliferation of Jewish cafeteria style restaurants and delis that became popular in Miami at the time. Bramson notes that Mercur did indeed preside over the restaurant in a top hat.

Other restaurants of the time (1940’s?) and place included The Five O’Clock Club (acquired by Martha Reye and which made it into the 1970’s) and Bill Jordan’s Bar of Music, an eponymous piano bar. Interesting that these establishments liked to label themselves as bars and clubs rather than restaurants or cafeterias. (And Cuisine by Delmonico doesn’t much scream Jewish deli to me either.)

Full inside view. Pams-Pictorama.com Collection.

For me of course it is all about the inside of this matchbook which reveals (voila!) the matches, lined up like a picket fence, emblazoned with a black Tom cat atop a fence with a favorite wheeze, Ya gotta make calls…if you want results, as the other black cat and kittens march below. Devoted and early Pictorama readers will remember a post I did devoted to a celluloid match safe with the same saying. (That post can be found here.) I used to have a postcard with the same image pinned up in my office at the Met.

Celluloid match safe. Pams-Pictorama.com Collection.

Not a spot on this matchbook goes undecorated and the inside cover goes on to assure the visitor, be entertained at the funniest and screwiest place outside an asylum, yes it’s Kernel Lew Mercur’s Nut Club. Never a cover charge! It gives the exact address (1827 Alton Boulevard) and a phone number (5-9952) for reservations tucked behind the matches. At the bottom it says, We’re Never Too Busy to Say Hello! Who wouldn’t want to go and nosh a knish? But most of all, who wouldn’t pocket these matches? So glad somebody did!