Pam’s Pictorama Toy Post: As promised, the first of many toy posts of the New Year! This little fellow crossed my path in December on eBay and there was something about him which appealed. He’s a bit damaged in places, but who among us (especially those who are 98 years old) can say otherwise? Oddly he sold for not much money so he has come to reside at Pictorama.
His head looks like a standard issue model used for several other toys, but mostly the popular jointed doll of the time and it was probably easily acquired for this somewhat more rarified toy. His tail is cleverly made with a bit of black rope, frayed a bit at the end now with a tiny wire sticking out.
Unfortunately not in Pams-Pictorama.com collection, but with a remarkably similar head in better condition.
I don’t think I have seen this precise toy before, or at least not many times. He is a simple mechanism, but designed with a nice forward stride, Felix-y indeed. Somehow they really captured his bouncy running trot when you push the (nice yellow!) wooden handle up and down. Very satisfying. His arms swing with a certain determination. It imitates his cartoon motion well.
Shown here with thanks to Kim for his handy help!
There is most of a tag remaining on his back which had FELIX, a series of dates (1919, 1922 and 1924) followed by Pat Sullivan and patentedJune 23, 1925, although no maker’s mark as such. I am entertained somehow that there is a day on the patent – like a birthday.
Remains of a patent sticker.
One side of his face and his nose have suffered a lot of paint loss and the handle is very well worn. I must say though there’s something mesmerizing about watching him bounce up and down. I can imagine being very entertained with this as a small child, but can also assume it was a toy that took a bit of a beating. Yet he must have seemed a bit indestructible when he was newly handed over for play.
I thought he was a good choice for the first toy post of the New Year. He will help us remember to stride resolutely, but with a bounce, into the year ahead.
Pam’s Pictorama Post: Drum roll please…because today we have our annual Christmas card reveal! Here at Deitch Studio we have been producing a holiday card for a few decades now. One day we’ll have to see who has old number one because, although I knew we kept some, I am not sure we can lay our hands on it. In the first year, and maybe the one that followed, we hand colored each one (differently) with colored pencil – but we had a smaller distribution back then.
A better look at this year’s card! Deitch Studio collection. Click on it to make it larger.
For those who are new to the card this year the general process is that, after discussing the general subject first, I do the initial drawing. Kim responds with his version and then we might negotiate this or that, back and forth until it is an amalgam of our styles. In general, if we appear on the card, the rule is you draw yourself. (A few card reveals from year’s past can be found here and here, but the archive is chock-a-block full of them!)
Kitty cooks in the kitchen! No, we don’t really let them cook. Deitch Studio Collection.
This year however, Kim has been admiring the view from our window and it permeated my thoughts when I sat down to draw the card and it fell together quickly.
For those who haven’t visited Deitch Studio for awhile, yes, the plants have indeed increased in number and lushness this year. A friend commented on that. For those who follow Pam’s Pictorama regularly you know that Blackie had a rough year and we almost lost him to a bad infection and subsequent diabetes. In fact we had a mini-emergency with him just this past week as his sugar dropped too low. Despite that he is looking like his old self, has gained his weight back and his coat is thick and shining as shown here.
An exuberant Blackie showing tummy and fang recently.
Cookie would have been just as glad (or so she says – frequently) if we hadn’t bothered bringing him home. They are sister and brother and fight as such – love to hate each other I say. It gives them something to do. Cookie is the talker in the family and at nine years old still chases her tail (daily) like a kitten; often in the bathtub. Go cat go! I say she has one cat joke and that is to hide behind the shower curtain in the bathroom so she can jump out, meowing, at an unsuspecting type coming in. I fall for it several times a week. She does a victory lap with her tail after.
Cookie, always a card, a Noir Alley kitty a few weeks ago.
The view out the window is obviously much simplified, although I like to think it somehow captures the overall sense and mood. Kim was very light in his touch this year and really let my original drawing shine through. The view is quite wonderful, but it is especially nice at night when it is a twinkling wonderland. When I can’t sleep, I come and sit down on the couch (usually with Cookie these days, who in turn requires ear scratching) and spend some time looking at it.
Our view – a dim rainbow in upper right corner.
One of the interesting aspects of the view is that in recent years it is also the northern end destination of my frequent runs. Now when I look out I know it differently and I know the trip under the bridge and up to 114th Street intimately firsthand. I have written more about running in New Jersey than here in the City, but it is in reality my more frequent, if somewhat more static route. (A New York running post can be found here – and one from New Jersey here.) The path along the river is soothing, if windy in winter and hot and sunny in summer, whereas the suburban New Jersey path is more varied perhaps and has surprises like visiting deer and suburban highlights.
The northern part of my Manhattan running route one morning recently.
When I purchased this apartment I had no idea how beautiful the view was as the windows were too dirty to see out. Now it is our escape, bringing the whole world into our single room and we wouldn’t trade it.
So as the holidays approach and 2022 comes to a close, Merry Christmas and the best of New Year’s to all from the four of us at Deitch Studio!
Pam’s Pictorama Post: Recently my friend Mel directed me over to a small auction that was primarily devoted to space ships, but had a small number of Felix items and I guess a very few people paying attention to them. Today’s very unusual item came to me via that auction along with a lovely stuffed Felix I will share soon as well.
Schuco produced Felix perfume bottle. Always very pricey! Not in my collection.
Felix bottles are a category unto themselves and to my knowledge include a soda bottle, a plastic bath bubble bottle, a popular perfume bottle and an even more available early bath salts bottle. The perfume bottle has a mohair outside (as above, produced by the toy company Schuco, which makes you wonder a bit about the quality of the perfume in question) and looks like a toy, while the bath salts one is made of clear glass and painted. The paint is usually worn off on the latter and there is a very similar Bonzo Dog – oddly and weirdly almost interchangeable if you aren’t paying attention. (As below and not in my collection – yet!)
My new Felix bottle is in what I think of as his Romeo pose, on one knee, hands clasped to his heart. You can imagine his impassioned cat-on-a-fence type tune. There are no makers or brand markings at all. In all of my searching around I have never seen the likes of him.
The white of his face appears to have been repainted, fairly well, but still is generally something that turns me off entirely. I can’t say the style of him is a favorite either – why the two tooth look I wonder? Again though he is so unusual I decided he had a place here at Pictorama and I am pleased with a having acquired him.
Powder stopper. Pams-Pictorama.com collection.
I have never however seen this item before in all my looking, nor when I did a dedicated search after finding him. He is made of a heavy molded glass (seam in the bottom) and stands about five inches high, and he’s a slightly off-model Felix with that sort of gap-tooth grin. The brass-esque cap comes off to reveal a powder shaker top. (Felix arrived well packed, but in a tsunami of powder which had remained in the bottle until he traveled! I guess the seller figured I would want it powder and all. Only a vague scent to it if you are wondering. It is sort of getting all over everything despite my best efforts to contain it.)
I like to imagine a dressing table somewhere, maybe in the early 1930’s with Felix atop where each morning a bit of powder was shaken out of him. So beloved however, he has made it down through almost a hundred years to be with us today. And stay tuned – while I was writing this I found another bottle I had to have. More to come…
Pam’s Pictorama Photo Post: I am fulfilling yesterday’s promise of more photos to come with another hotsy totsy postcard which also entered into the Pictorama collection this week. My singular passion for this rarified specimen of photo postcards has been well documented and is in fact responsible for this blog which subsequently burgeoned into a much larger pastime. I contend that I may have the largest collection of these photos, but since I rarely meet anyone with even one (unless they are selling it) may claim goes largely uncontested. Most, but not all, have made appearances here on Pictorama.
I know there are other folks who own some Felix cards in the world because I occasionally to my horror (and admittedly not often), lose an auction for one. My fondness for these photos has inspired some purchases of what I think of as subcategories – people posing on enormous black cat “chairs” and then the random posing with or on other cartoon characters including (usually small) Mickeys or in one case atop Barney Google’s horse Spark Plug. (That post can be found here.) Some are tintypes, but most are photo postcards. In general, the thrust of individuals recording their madcap day at seaside or an amusement pier of some sort appeals to me.
Another pint-sized Felix. Pams-Pictorama.com Collection.
This family certainly defies the definition of madcap or even happy go-lucky. They are depicted in somewhat mugwamp fashion, be-hatted, bundled and all except for the little nipper on the end, engaged in industrious forms of leisure if there is such a thing – reading and knitting or sewing as far as I can tell. (Dad has a sheepish grin – perhaps the whole thing was his idea.) Clearly it was not one of Margate’s sunnier and warmer days, the third woman has an umbrella tucked under her feet which is easy to miss. A stray hat (it looks a bit large but probably belongs to the little girl) is in the foreground. The little girl’s shoes are tucked between mom and dad in the sand.
The card is marked just Margate in pencil on the back, but it was never mailed and nothing else is written on it, somehow these folks were talked into a photo with Felix. Margate, a long-standing seaside destination, is the locale of many of my photos. I wrote about its history once here. (And among the other times I have had posts of postcards from there are examples here and here and one from earlier this year with Felix here.)
Pams-Pictorama.com Collection.
As posing Felix-es go, he is a smallish model, only coming up to the waist of the little girl who is standing behind him. Upon close inspection he sports both a small bow on his left shoulder and a large button in his ear which I will hazard a guess says Chad Valley – it is the first time I have seen the button in the ear of one of these posing Felix toys and now I am wondering if I can find it on others. I have a sort of 18 inch model that has one – the first in my collection to still have it.
I must say, as backdrops go the photographer didn’t have much to work with here – the patch of sand and unromantic wall behind them. They could be anywhere. He has centered them however and consciously or not, they make up a good photo, their hats lining up and the little girl on the end just a bit taller than the seated adults. Something about the white stockings and shoes on the third woman adds something to the effect. If their repose was greater they might be the Whistler’s Mothers of Margate, but instead there is that nagging sense of diligence. Their Sunday afternoon in the parlor transported to the beach briefly.
A very similar Felix at an undisclosed location – possibly Margate and the very same Felix?Pams-Pictorama.com Collection.
Felix remains jolly in the face of their dour and somewhat gloomy affects. He rolls his eyes a bit maniacally, looking up coincidentally toward the little girl – she is his potential partner in crime, and they are in it together to get this party started and have some fun! One arm (paw?) up, he’s ready to lead the way. Meanwhile, he is at the beginning of a long day of posing, cheerfully, with an array of folks on the beach in Margate, some more fun than others, waving to me a hundred or so years later.
Pam’s Pictorama Post: I’ve actually been in possession of this slim volume for a few years since purchasing it on eBay. I think it went to the shelf and somehow never made its Pictorama debut. But I was emailing about all things Felix with a fellow Felix-o-file and dug it out to show him. I have not seen it around much, but some digging shows that you can currently acquire a copy if you are willing to pay up. My copy is inscribed twice. The first is in a childish pencil scrawl which, oddly, reads, Elizabeth Butler, 1021 Craggmont. The other, in a neat pen, To Martha, from Mabel Crowe. Neither is dated.
Titlepage, Pams-Pictorama.com collection.
It is a somewhat odd book. To start with, across the front it announces that it was Published by Harper & Brothers – Established 1817. A quick check and Harper & Brothers, which started life as J. & J. Harper publishing in 1817 (brother Jay and John at the helm) until more brothers from the clan joined and the name changed in 1833 to recognize them. Then it changed again in 1962 and became Harper & Row, before later finding its 21st century moniker, Harper Collins. However, while new printing methods made them a leading publisher of books and textbooks, the influence of the famed Harper’sMagazine could evidently be felt through their publishing empire and its influence is felt in this volume.
Felix himself travels under an American passport and Harpers a US publisher, however the author is British essayist, E. V. Lucas, giving this something of the feel of a British product like one of their comics annuals. While this Felix volume was published in 1927 there is an earlier, 1902, version which has different and more traditional cat illustrations by someone named H. Officer Smith and in fact published in Britain. The illustrations have a whiff of Louis Wain to them.
The earlier version of the book with illustrations by H. Officer Smith. Not in Pictorama collection.
Lucas was a lifelong Punch author whose prodigious output of essays, commentary, verse, plays and was legendary in his day. His biography is sprinkled with references to hobnobbing with friends Barrie, A.A. Milne, Arthur Conan Doyle and the likes of his day, playing cricket and billiards. He has written the copy in simple verse with a sly eye to the beloved tricks, maneuvering and manipulation of cats.
Our volume (ostensibly illustrated by Pat Sullivan who signed each illustration, however we’ll assume it is of course Otto Messmer ready at the dip pen) is a slim one at about 30 pages, writing on each left side and illustration on the right. Felix takes on the role of a sort of every cat persona rather than doing a star turn as his famous film self here – although he seems to have some of the Felix wiliness and trouble-making charm as played out in the pictures.
The drawings show Felix in fine fetter and I can only imagine that for a pro like Messmer it didn’t take him long. However his skill shows in making every line count for maximum entertainment and raises it to the level of a Pictorama worthy Felix investment.
Ed. Note: After this was posted @judd_kid and @tomatitojose sent word that they think it was drawn by Dana Parker who drew many of the Felix theater posters and advertising art! Fact for the day!
Pam’s Pictorama Post: Today I am celebrating a somewhat forgotten character of animation via this really nice little ceramic figurine which traveled here from Texas earlier this week. It came from our Instagram pals @curiositiesantique (and getcuriosities.com – I have written about them and Sandy who is my thoughtful contact in a post that can be found here) who were very nice and sent me a photo asking me if I was interested in purchasing him – and I definitely was.
Pams-Pictorama.com collectionBimbo’s backside.
I quick check on Wikipedia this morning (which cost me a donation to them, got me at a weak moment) reminds me that Bimbo, an animated perpetual pup of sorts made his debut as KoKo the Clown’s sidekick in the Fleischer Studios Out of the Inkwell series before becoming Betty Boop’s paramour as she rose to fame in the early 1930’s. Bimbo was the first animated character to invite everyone to follow the ball and sing along in the 1926 cartoon, My Old Kentucky Home. (All cartoons mentioned here are linked to viewing on Youtube available at the time of posting.) Oddly they note that his name comes out of a reference at the time to men who like to fight which is a fact for the day.
From Bimbo’s Initiation.
A loosely designed Bimbo stars in the 1930 cartoon Hot Dog where he is nabbed for annoying women with unwanted attentions. Later Betty and Bimbo made classic cartoons they are both best known for such as Minnie the Moocher and Bimbo’s Initiation.
Bimbo is eventually overshadowed by Betty as she rose to greater prominence. It seems as she became less doggy there was eventually pause about a human being in a relationship with a quasi anthropomorphic dog. In 1934 the Hays code decided that interspecies affairs in animation were a problem and nix their onscreen relationship. Betty gets a proper puppy pet, Pudgy, instead and Bimbo is largely retired.
From Van Eaton Galleries. Not in Pams-Pictorama Collection.Slightly different Bimbo.
Some research turns up a set of Bimbo, Betty and KoKo in the box of these figures and which reveals that it was imported by George Borgfeldt which is a name I have seen in and around objects and toys of this period. The example, shown with the box is from an auction site and seems to be a slightly different incarnation of Bimbo, less well executed.
Original box, also from Van Eaton Galleries, not in Pams-Pictorama.com collection.
There is another variation which shows three Bimbos in a musical trio. Not sure what the inspiration was for these.
Not in Pams-Pictorama.com Collection and for sale on eBay at the time of publishing.
Fleischer Studios is imprinted on Bimbo’s butt, an inventory number above and Made in Japan across his heels. He is made of ceramic, some sort of porcelain bisque. Although one ear looks like it may have been lopped off, the other image assures me that this is as he was made. He’s a good design, reasonably close to his animated self, and pleasantly sturdy. Bimbo will enjoy a place of pride in a display cabinet on the long shelf of curiosities here at Pam’s Pictorama and Deitch Studio.
Pam’s Pictorama Post: It is a first day of vacation Felix party post today! This splendid item came in the door just as I was leaving for Denver on a business trip so I hardly had time to even look it over. As it happens I had lost a more or less identical one in an auction on eBay a few days before I saw this one – the first one went for a whole lot more so maybe I was the only one bidding who saw this version.
I wish I knew more about this horn. I have seen perhaps one or two others over time but they are not very common. He’s made of a sort of cardboard-y paper mâché-esque stuff and the end you toot is a light wood of some sort. A few years ago I wrote about a black cat Halloween horn I found, it too had a wooden end. (That post can be found here and it has a funny few seconds of Cookie reacting to the sound of my blowing it!) The sound of this item is remarkably similar, although that horn was somehow more substantial in design.
Pams-Pictorama.com Collection.
Because the poof of air comes out Felix’s mouth he looks like he is frowning or yelling – an angry Felix? I don’t know why the string is there – it is on all the few I have seen. His ears, a light cardboard paper are bent and are a clear weak spot in the design and admirable really that they have lasted all this time.
I can only say that I would have liked ringing, let’s say, 1926 in with this fellow, but instead I blow it in tribute to the first day of a much needed vacation here at Deitch Studio.
Meanwhile, for those of you who have been following the saga over the past week or so we here at #teamblackie are pleased to report that our poor puss continues his recovery and is eating more. Hopefully he will start to gain some weight, but he is bright eyed again and fighting Kim hard getting his gloppy meds administered so he must be feeling better. We intend to rest and recreate with the kits and each other. Ice cream will be eaten. I promise to keep you all up to speed with the highlights.
Pam’s Pictorama Post: I had to ferret around the apartment this morning as I had no post in mind having lost a number of auctions lately. (And later today I will be scribbling advance posts to keep you all in Pictorama while I travel to Denver on business next Saturday!) However, I reached deep into the Pictorama archive and pulled out this rather wonderful little gem. It was a gift years ago from Richard Greene, match collector extraordinaire, who had us as guests for a weekend at his home when Kim agreed to do a con in Philly at his request. Richard and his wife live in a house chock-a-block full of interesting bits and pieces he shared with us and they were the very most generous hosts.
Fellow cartoonist (the sadly now late) Jay Lynch was also there for the weekend and it was the only time I ever spent more than an evening with him. I forget the exact year, but it was summer and terribly hot like it is now. The con was in an old, wooden, un-air conditioned building and I remember spending the day stationed thoughtfully in front of a fan.
Richard gave Kim a hat he still wears (if I remember he did advertising lay out for a living) when not in the old Stetson I gave him, and Richard gave me this splendid matchbook from his glorious collection.
Front. Pams-Pictorama.com Collection.
Kernel Lew Mercur’s (Original) Nut Club is pretty darn interesting (and colorful!) in its own right. The back promises dinners, dancing, and laffs. Located in Miami Beach (Alton Road at Dade Blvd.) it was open all night. Cuisine by Delmonico is noted along the top fold. Mr. Mercur’s image, or what we offered as such, is on the front in top hat with a carnation and musical notes.
Verso. Pams-Pictorama.com Collection.
Not surprisingly, there are few tracks on Mr. (Kernal) Mercur or the Nut Club, although I did find a reference to it in a book about the bygone hey day of eating establishments of Miami (Lost Restaurants of Miami by Seth Bramson) and it would seem that the Nut Club was among a proliferation of Jewish cafeteria style restaurants and delis that became popular in Miami at the time. Bramson notes that Mercur did indeed preside over the restaurant in a top hat.
Other restaurants of the time (1940’s?) and place included The Five O’Clock Club (acquired by Martha Reye and which made it into the 1970’s) and Bill Jordan’s Bar of Music, an eponymous piano bar. Interesting that these establishments liked to label themselves as bars and clubs rather than restaurants or cafeterias. (And Cuisine by Delmonico doesn’t much scream Jewish deli to me either.)
Full inside view. Pams-Pictorama.com Collection.
For me of course it is all about the inside of this matchbook which reveals (voila!) the matches, lined up like a picket fence, emblazoned with a black Tom cat atop a fence with a favorite wheeze, Ya gotta make calls…if you want results, as the other black cat and kittens march below. Devoted and early Pictorama readers will remember a post I did devoted to a celluloid match safe with the same saying. (That post can be found here.) I used to have a postcard with the same image pinned up in my office at the Met.
Celluloid match safe. Pams-Pictorama.com Collection.
Not a spot on this matchbook goes undecorated and the inside cover goes on to assure the visitor, be entertained at the funniest and screwiest place outside an asylum, yes it’s Kernel Lew Mercur’s Nut Club.Never a cover charge! It gives the exact address (1827 Alton Boulevard) and a phone number (5-9952) for reservations tucked behind the matches. At the bottom it says, We’re Never Too Busy to Say Hello! Who wouldn’t want to go and nosh a knish? But most of all, who wouldn’t pocket these matches? So glad somebody did!
Pam’s Pictorama Photo Post: There’s a first time for everything and today I claim a Pictorama first. Our featured photo is one of my husband Kim and his brother Simon. Family photos make occasional entries here, although usually a few generations back and until now always my family. However, Kim’s currently working on a story that involves his Mom, Marie, and her Mom, Kim’s grandmother which means a number of family photos have wandered out of storage and into the apartment for perusing. (See last week’s post here for a pencil detail of the story which also boasts an elephant bank I recently purchased.)
Pams-Pictorama.com Collection.
This photo would be Pictorama perfection even if it wasn’t of a young Kim and Simon, which of course does make it that much more interesting. Moon photos are a bit of a sub-genre of the Pictorama library, although it is a competitive market and so I tend to only buy those when opportunity presents itself. (For a moon photo or two you can look early posts here and here.)
Deitch Studio Collection.
I am crazy about this weird rainbow moon with its big lips, staring eye and bushy eyebrow! Kim looks like he’s having a pretty good time and Simon looks a little less sure. (I can’t blame Simon – it would be fair to be terrified of this as a small child perhaps.) Wishing Seat is painted in wavy letters behind them.
A careful look and we see that the “rocks” are all concrete and in a wavy design like hard clouds. There’s a nice little bench to perch on for your photo however and you can lean back against one of the rocks. There are trees behind them and a nondescript bit of greenery up front. The photo is a bit torn on the lower right corner – it looks like it was in an album and removed.
Pams-Pictorama.com Collection.
Kim’s already growing into a lanky build that will define him going forward, his hair already thick but cut short so mastered for the moment. Simon will remain a bit shorter, his hair straighter here at least. Kim thinks this would have been taken in about 1951 making him about seven and Si about four I think. (Sadly, Simon died recently and his passing was noted in a post found here. Youngest brother Seth yet to be born.) They were living in Detroit at the time, but Kim speculates that they could have been there or on vacation elsewhere. Car vacations were far flung affairs according to him, so there’s no real way of knowing. It was unidentified on the back so I put some notes in pencil for future generations.
It goes without saying that the moon is eerily and almost comically Deitchian in its demeanor and one can’t help but wonder if a young Kim’s brain was busy recording it and tucking it away for future artistic anthropomorphic cartoon contemplation.
Pam’s Pictorama Post: Elephants are a sub-genre here at Pictorama, a casual collecting category here at Deitch Studio. (A few previous elephant posts can be found here and here and an especially Deitchian one here.) Without really trying or thinking about it we have amassed not that many, but some choice elephant bits, and when this one caught my eye the other day (in the middle of negotiating a very large purchase to be revealed in a future post) I didn’t miss a beat before adding him onto the bill.
He is wonderfully modeled with his elephant skin well defined, nicely wrinkly just like the real thing. His trunk is proudly up – I’m a trunk up girl although I understand that there are those who believe good luck result only from down as well as those of us who believe in up. (And I gather still other cultures which believe either will do and all elephants are lucky!) His trunk is curled up onto his head, revealing short tusks and his empathetic elephant eyes.
Pams-Pictorama.com Collection.
I am very pleased with the shade of red they saw fit to paint him and find his worn and chipped spots create a nice patina effect rather than take away from his appeal. I have some trouble imaging him all neatly painted actually, but I am sure I would have adored him as a child if I had seen or been fortunate to receive him in his nascent state.
He is, as the title of this post implies, a bank, small slot at the base of the back of his head – albeit a small bank which could only have held a few dollars worth of silver saved by an industrious child. His bottom is painted a wonderful sea green and Vanio 1936 is embossed in the bottom.
This one credited to the Minneapolis Art Institute Collection.
Mr. Google doesn’t reveal much about Vanio, but these banks are referred to as penny banks since they are so small. I saw examples in two different greens (one for sale on eBay – I’m very tempted to buy a mate, one example belongs to the Minneapolis Institute of Art), black and a dusky white in addition to my red. There would have been a key for the bottom, a few examples had theirs, but it would be hard to see on my example. They made a fairly righteous Scotty dog bank too in a similar array of colors.
Scotty version of a Vanio penny bank for sale on eBay at time of publication.Bank bottom on mine – oddly I paid less than $48 for him, that is an old tag.
This elephant wandered into the house just as Kim was designing the decor in a 1940 room in a new story that will go in his upcoming collection, How I Make Comics. He added our fellow in, turning him into an ashtray which was more appropriate for the story. Shown below, I close by sharing a bonus detail from the pencil sketch here – look out for the finished product in his next book in the story called The Two Maries.
Kim’s pencil sketch for an upcoming story called The Two Marie’s.
