Buster Brown Bank

Pam’s Pictorama Post: I realize that there has been no reason to visit the history of Buster Brown in this blog. Today I will try to do him justice via this bank I purchased recently from my Texan friends, @curiositiesantique via Instagram.

For those of you too young to have owned these shoes (I barely slip into that category with a dim memory of the advertising at the shoe store when I was a tiny tot) the brief history goes pretty much as follows. Back in 1904 in an early advertising coup the nascent Buster Brown shoe company purchased the rights to an existing comic strip character created by Richard Outcault of Yellow Kid fame. Outcault was on the market selling the character and pressed them to additionally purchase the rights to the Buster’s girlfriend which they did – more about her in a minute.

*From a Heritage Auction. Not in Pictorama collection.*

Interesting to me that Outcault sold the rights to 200 companies at the Louisiana Exposition which is where the shoe company picked it up. Therefore, presumably, there are Buster Brown items or more likely advertising that does not belong to the shoe company. Clearly however the shoe company made the most of their acquisition and a long history of Buster Brown shelling for shoes begins and runs well into the middle of the 20th century and Buster Brown is virtually synonymous with shoes now.

Meanwhile, it should be noted that the cartoonist Outcault was quite the business man when it came to licensing and in 1904 was making $75,000 a year on licenses and employed a small staff to manage them. (If Google is telling me the truth this means he was a millionaire in his day.)

*Speciman 1908 hand colored Outcault Buster Brown strip.*

However, let’s get back to the shoes. The shoes were so popular that generically a kids shoes might be referred to as their Buster Browns. In addition to items like this bank there was reams of print advertising and purchase point items for stores. Midgets were employed to play Buster, in his unfortunate garb, with cheerful pit bulls enrolled to play his dog Tige. The merchandising for toys was glorious and I spied at least one stuffed Tige online that I covet already. By the time I wandered onto the shoe wearing scene in the 1960’s the merchandising boiled down to some balloons. (There is a vague memory that maybe there was something else, maybe a comic long reprinted but I don’t really remember.)

*Buster Brown and Tige in front of a shoe store. The copy of this photo is credited to Mel Birnkrant’s collection although a few exist online.*

The shoes had Buster and Tige inside, under your heel and I remember the jingle from early tv in a high pitched voice, I’m Buster Brown and I live in a shoe, that’s my dog Tige and he lives there too.

*Buster Brown Shoes sign located in Thomasville, Georgia. It can be found on North Broad Street.*

So to my surprise, I learned today that as above Buster Brown had a girlfriend (huh), and her name was Mary Jane – and that is how women’s shoes with the single strap were named Mary Janes and are still known by that term today.

*Real Buster Brown Mary Janes. Can be yours on Etsy at the time of publication.*

As for this bank, it stands at five or six inches. A trace of paint remains on the face and hands while the red tie remains fairly vivid. This seems to be the most common form of this bank although online I found versions in an overall green and one in red which I can’t decide if it is original or not. The face was the first to go and I can’t say I found it pristine on any of this design. Buster’s hair was painted a light brown and Tige’s mouth was also the vivid red and there were red circles around his eyes.

It is a simple bank with a screw in the bottom you would use to retrieve your saved coins. It is small so not like you were keeping a fortune in there. Kim starts to ruminate on restoring it as soon as he looks at it. Evidently it makes him itch to paint it although we know that he won’t – nor should he devote time to such projects when more creative work awaits him. (Although Kim’s next book is scheduled for release early next year he’s already deep into the one after it.)

So now that we have a first Buster Brown item we’ll see how long it is before the next wanders in the door. I am going to be looking sharp for that stuffed Tige.

You Should Have Seen That Cat

Posted by Pam's Pictorama

Pam’s Pictorama Photo Post: Today’s treat is a clear example of the curios you will come across if you consistently spend time down a given rabbit hole of collecting as I tend to. Definitely in the more interesting than good, this old press photo caught my eye recently and was on its way to me lickety split. It had found its way from the East coast to Los Angeles, but it is back home in the tri-state area again.

Its eBay listing,1936 Disney Mickey Mouse Costume Atlantic City Steel Pier Midgets Felix the Cat, was designed to catch my attention a few different ways. And really, put that way, who could resist it?

Deconstructing that amazing sentence a bit – Felix? Um, I hate to be a critic but I think they were very safe from copyright infringement on that one. It is somewhat more illuminated by the press information stored on the back. Glued to the back, in a very old fashioned type, is the following breaking news:

YOU SHOULD HAVE SEEN THAT CAT – That is about what Mickey Mouse was telling pretty Miss Betty Van Auken, New York visitor sunbathing on the Atlantic City Steel Pier. And Mickey’s girl friend Minnie Mouse listened, a little careful of Mickey around such beauty. Mickey and Minnie are members of the Steel Pier midget colony that helps to entertain guests on the ocean amusement structure. It has an index number, A16353 and it says, Ref. Dept. 7-28-36 N.E.A.

The Steel Pier seems to be the major amusement pier in Atlantic City and we will assume it has been ever thus. And while it seems sensible that this figure with Mickey was never meant to be Felix, it’s decidedly un-Minnie like as well, both mask and outfit. (And that suit looks hot for a July in Atlantic City too – she’d have been much happier in Minnie’s usual brief attire!) Mickey still looks a bit overdressed for July, but is in more traditional Mickey garb.

*Comic book publication of Stuff of Dreams, #3, cover image.*

It took a few times before the midget colony part sunk into my consciousness. Fascinating on its own, it also reminded me immediately of a story Kim did years ago, No Midgets in Midgetville which had roots in an actual town in northern NJ which is said to have originally been the winter home of a group of traveling circus midgets. (That story was published in his book, Alias the Cat which can be purchased on Amazon here or search eBay. Or you can find it in single comics under the name, Stuff of Dreams #3.)

We went and looked at the remains of the enclave of small (and occasionally tiny) houses as research for the story, an interesting morning jaunt with my ever patient father. In these days of tiny homes it is a bit hard to say how much truth was in the story, although some house did seem quite small. (The original story about it being Midgetville originated in the New York Times back in 2002 and can be found here although there are other references to the town online.) Regardless, the idea that circus performers (perhaps of all sizes) wintered there perhaps makes sense and it makes additional sense that perhaps some of those performers went no further than Atlantic City seaside for a summer gig.

*Centerfold of Midgetville, Kim Deitch, Stuff of Dreams.*

As for Miss Betty Van Auken of New York – it is hard to believe that even a veteran New Yorker showed up in Atlantic in a bathing suit, mincing along in high heels and lipstick for a day at the beach. At first I didn’t even bother googling her but it turns out that 1936 was her year. She has a Broadway role (Dodsworth) and film credits from that year, The Garden of Allah, Oasis Girl (uncredited), and a small part as a manicurist in Big Brown Eyes. The trail grows cold after that.

The weirdness of this duo continues to nag at me though. How odd to be on the seaside pier in roasting July heat, eating your cotton candy and have these two come gamboling up around you. The Stuff of Dreams indeed!

The Spice of the Program, 1927-1928

Posted by Pam's Pictorama

Pam’s Pictorama Post: I’ve had this interesting advertising book in my possession for a number of weeks and am just getting around to sharing it with you all. Obviously I purchased it for the Felix page, but I do find the whole publication of interest.

For starters I am impressed with the idea that these were sent out en masse to theaters to encourage bookings. For all of it’s heft and embossed-ness it doesn’t go into any detail about the packages you would be ordering for your theater. These were all short subjects, like Felix, so each page highlights a topic.

The opening page, with a photo and a letter from E. W. Hammond. While I cannot seem to trace his title over at Educational Films, I have run across him advertising Felix films previously. The link to two rollicking pages advertising Felix cartoons can be found here. In his letter at the front of this volume he refers to the proven success of these shorts. He writes, It is a group of pictures without an element of a gamble – backed by seven years of specialized experience – a product of proven value.

I am giving you a slide show to page through the entire holding at the end of the post but want to highlight a few. I will start with Felix, although he is found toward the back of the volume. These years were Felix in his heyday and 26 new one-reel cartoons were in the offing. He strums his banjo and eyes the girl cat, Kitty, peering out around a building. There is a frowning faced moon on the other side. Felix is perched on a bit of fence but I like the way the buildings curve in around behind him like they want to break loose and frolic. It is a jolly nighttime scene with stars in the sky and all the buildings lit up – occupants no doubt listening to Felix’s serenade for better or worse. A careful look shows that his snout, as it were, is the same pink as the buildings. Someone named E. Ritt claims illustration credit and that is someone other than who has executed the other images. Such popularity means patronage and profit…

*These are the ones I am curious about.*

Beyond Felix there are a few other highlights for me. 12 One-Reel Curiosities The Movie Side-show catches my eye. This one is also signed by E. Ritt and here his imagination has been let loose a bit. We have a tree with eyes watching a witch stir a caldron producing smoke which reveals owl eyes, and a three-headed cat eyes us! A spicy dish concocted from many oddities gathered from all corners of the world, and served with a dash of wit and humor. Oh man, I wonder how they delivered on this?

I like the page of Dorothy Devore comedies – she’s shown with this nice teddy bear. The artist of the spread seems to be someone else and they are identified as E.R.H. It states, A girl comedy start — a real star — is a rare asset. Well, I like that! This was toward the end of Dorothy’s working life. Wikipedia says she stopped making films in 1930.

There is a sort of centerspread which has Cameo Comedies on one side and 12 One-Reel Lyman H. Howe’s Hodge-Podge, a medley of clever ideas offering more variety to the foot than any other sing reel on the market. Across these two pages we see everything from a girl with her sax to camels, African-type natives and a coolie to whales and the Sphinx. I assume these were largely cartoons – a fact also confirmed by Wikipedia.

So quite a year, ’27-’28. A fraction of these films may still exist – luckily with a good survival rate on Felix. I’ll likely never really get to judge the one-reel curiosities, although you never know what will turn up.

Flip through the whole book below.

Googly Eye Mickey: a Tale of Many Mickeys

Posted by Pam's Pictorama

Pam’s Pictorama Toy Post: As it turns out, this birthday was a very Mickey one. I start today with one today I bought myself shortly after my birthday. A Dean’s Mickey I have wanted and lost on more than one occasion. I believe that I have bid on both larger and smaller versions of same, this one measuring in at about 30 inches for the record. There is a puppet version which I am also quite gone on, but have been unable to acquire.

For the record googly eyes seems to be the accepted technical term here and is searchable as such. No one was readily able to tell me when Dean’s switched from the beady eyed Mickey to the googly one, but this celluloid style of eye roughly seems to have been introduced in the 1930’s, the latter period for them.

*A cracked eye and tatty shorts are the extent of the damage on this fellow. Pams-Pictorama.com Collection.*

It is the toothy grin of the Dean’s Mickey that made me a fan in the first place. A very early post about Mickey Jazzer’s in my collection can be found here and they were, as such, my gateway drug to Mickey. As a cat collector, I have pointed out, it makes some sense to invest in mice and even dogs by extension and these Mickeys are an actual tributary in my collecting.

Therefore, after checking out my cat/Felix options thoroughly at an auction I stroll through the Mickeys among other things. To be clear, my Mickey collecting is very nascent compared to a real collector. (If we are talking about what qualifies as serious collecting I would reluctantly enter my Felix collection, but might feel compelled to argue that only my Felix photo collection is truly top drawer.) Still, I have some nice select little guys and they generally always put a smile on my face.

There is a rather wonderful online auction via Facebook on an account known as 200 Years of Childhood and they have an online auction late in the year. I believe it started during the pandemic when of course the in-person shows were on lockdown. I am grateful that it continues as an online venue as it gives me access to British vendors I would never see otherwise – as much as I would love to be there in person. It runs heavily to teddy bears and dolls, but I tend to find a gem or two tucked away via earnest searching.

It was via this auction that I bought my rather prized (by me anyway) Popeye Jeep toy, but it also lead me down a wonderful rabbit hole to a dealer who was selling some of his own Felix collection and from whom I purchased two wonderful Felix dolls which sit beside me even as I write. (The Jeep’s post can be found here.)

*Mickey Jazzer not in Pams-Pictorama.com Collection.*

This year I made an inquiry about a nice looking Mickey toy, reminiscent of a Steiff one Kim bought me for my birthday a few years ago. (That post is here.) He was well out of my budget for the moment, however the seller, a fellow named Andrew Greetham, asked if I might be interested in a large-ish Deans one he had. He sent a photo and yes, I now had my fairly large (I think there is an enormous one out there somewhere) googly eyed Mickey.

Aside from his velveteen trousers being a bit shredded and a crack in one googly eye, our man is in good shape. No moth nibbles to his felt hands or damage to the soles of his feet – these are typically vulnerable points. He seems to be sans the usual Dean’s label marking which would be applied directly onto the bottoms of his feet on other items and instead bears a number on the lower right side of his face. It appears to read Reg No 750611.

If I type this number and Deans into the internet I find that it appears on other Dean’s Mickey’s so it was a broadly utilized copyright rather than for a particular style; their licensing number. Deans products, for all their decidedly and charmily off-model appearances, were licensed products under the auspices of Disney – I guess at the time it was more the money than the likeness.

The googly eyed Mickey has a more affable look (slightly charmingly dufus-y, pleasantly so) than the more beady eyed, slightly feral earlier versions. I like both myself but they are different in spirit and expression. This is a hale and cheerful chap, the others look a bit ratty and like they may be plotting against us – in the most interestingly possible way.

*Mickey’s backside complete with wire tail.*

Remarkably, this fellow maintains his tail, which looking at former auction listings, is usually a casualty. It is wire and no longer stands at attention as it might have early on.

Included with Mickey as a bit of a treat was a rather splendid book of the same period (copyright 1931 by Walt Disney) which is in French which I hope to explore further with you in the near future. I will be limited to looking at the pictures for the most part as I do not read French – but really, it’s all about the pictures anyway, right?

It’s a Honey

Posted by Pam's Pictorama

Pam’s Pictorama Toy Post: This is a spectacular and truly delightful gift from Kim for Christmas this year! This rarified item is said to be the Deans rendition of cartoon Bosko’s sidekick Honey. It came to us via Britain’s specialty teddy auction at Special Auction Services and was identified as such there. While this sale focuses heavily on extremely rarified teddy bears, the occasional oddball character toy like this shows up on the scene with some regularity. Today’s post might ask more questions than it answers, but maybe we need to think of it as a work in progress.

I’ve never seen this pair before, not even in my book of Dean’s toys, although that rather complete book (based on their catalogues) came with a CD which theoretically has every toy they made. I am not in NY so I have not been able to have a look there. This doll is so rare that I have not been able to find another example online aside from this postcard of it – evidently also extremely rare – which was produced in 1941. (Note that although the same doll Honey’s clothes and coloring are a variation below – black and white tights, black hands, etc.) Although it gives appropriate copyright info, it only credits the cartoons and not the maker of the dolls.

*From the chat on the Cartoon Brew site. Not in Pictorama collection.* *(Bosko does have very Deans-esque teeth here, much like their Mickey mouse.*

The auction listing read as follows: A rare Dean’s Rag Book Co Honey from Bosco and Honey, circa 1931, originally created as African American children with cream and brown velvet head with black boot button eyes, yellow and red velvet integral clothes with brown hands, red and white striped stockings, black shoes and orange skirt —13in. (33cm.) high (some fading, nose probably replaced and a little damage) – Bosko and Honey are animated cartoon characters created by animators Hugh Harman and Rudolf Ising, both former employees of Walt Disney. Bosko is the first recurring character in Leon Schlesinger’s cartoon series, and is the star of over three dozen Looney Tunes shorts released by Warner Bros.

A different Bosko doll also turned up (in the chat room on a site called Cartoon Brew found here) and that one had a label belonging to an unknown company, not Deans, and is clearly a different model. All this means that my chances of completing my set with a Bosko will be very challenging at best and it also begs the question of if this is indeed the one made by Dean’s Rag as it lacks the Deans Rag Hygienic Toy label – or any label for that matter. (I also question if indeed Dean’s made one or if this is somehow fully apocryphal.)

When you look at the toy below it is worth thinking about the Aesop’s Fable dolls – the eyes and the sewn mouth are very similar. (A few from my collection are featured here and here.) Those dolls, which do not have a maker’s label or mark are evidently from another company called Woodard however – as I confirmed with an original box a few years ago.

*From a chat on Cartoon Brew, not in Pictorama collection.*

*This was noted on the post about the above Bosko.*

*Pams-Pictorama.com collection – the eyes are similar.*

I have written about the Deans Rag toy company on many occasions (for a few posts of Deans toys from my collection look here and here for starters) and in some ways they feel like a square one for the period and type of vintage toys I collect. Founded in 1903 by Henry Dean the company was originally established to create brightly colored cloth (essentially indestructible) books for small children. These soft cloth page books were hard to destroy or deface and were also notably hygienic – as attested to by the label.

*The clear indication that a toy was made by Deans Rag.*

The success of the books somehow gave way to licensing cartoon characters for manufacture – most importantly a deal was struck with Disney for the distribution of Mickey and Minnie dolls which promptly sold more than a million according to their own period advertising. (My very early post on my Deans Mickey’s can be found here.) Not surprisingly, they continued to purchase character licenses and Felix, Oswald Rabbit, Donald Duck and others to follow.

*An especially nice example of the Dean’s Rag Mickey via a Hake’s auction listing.*

While Mickey, Felix and perhaps Donald were big paydays for Deans, one suspects that Honey and Bosco were perhaps not, as confirmed by their obscurity today. I think about it and since the Bosko cartoons were also (much) less popular than Mickey or Felix that makes sense.

For those of you not in the know, a brief Wikipedia history of Bosko says, Bosko is an animated cartoon character created by animators Hugh Harman and Rudolf Ising. Bosko was the first recurring character in Leon Schlesinger’s cartoon series and was the star of thirty-nine Looney Tunes shorts released by Warner Bros. He was voiced by Carman Maxwell, Bernard B. Brown, Johnny Murray, and Philip Hurlic during the 1920s and 1930s and once by Don Messick during the 1990s.

Wikipedia goes on to describe Bosko as an animated cartoon version of Al Jolson in the Jazz Singer and as a character in a cross between human (child?) and anthropomorphic animal. Honey – aside from being his official sidekick – sings and dances her way through the cartoons. However, even in their day, Bosko and Cookie cartoons were sidelined because of the racism baked into their design.

Like Bosko Honey is of indeterminate species and ethnicity. She dresses, as does the doll, in a little girl’s dress, hair bow and striped (Pippy Longstocking style) stockings. As you will find in the cartoon above, she has a high squeaky childlike voice. Her lips are painted on and the hair from a velvety cloth of a different color. As noted by the auction house, her nose is probably a replacement and is definitely plastic. It seems like a reasonable replacement however. SAS claims that the eyes are original shoe button and I don’t have very strong feelings about it one way or the other.

I have reached out to famed toy collector Mel Birnkrant for any info he might have on the Deans Honey and Bosko question, but have not heard back yet. I plan to also see if cartoon enthusiast Jerry Beck (who I believe moderates the Cartoon Brew site mentioned above) has any insights for me. We are back in New York and although I quickly located the Deans book the CD (of course) was not with it and I am unsure what “safe” place I have tucked it into. The teeth on the postcard version are very Deans indeed though and the best endorsement I can find.

I will endeavor to update this post if I do find out more. Meanwhile, Honey has a happy home here I think, tucked onto a shelf near the Jeep and in a sea of Felix-es!

Odd Illustration: Bonzo and Felix

Posted by Pam's Pictorama

Pam’s Pictorama Post: Today is a rare post about something I do not own. I don’t make a habit of it, but this tidbit came to me via our good friend Bruce Simon. (He was mentioned most recently in our trip to Comic Con in San Diego post which can be found it all of its glory here.) Bruce thoughtfully sends wonderful odd treats from dvd’s of cartoons to items like this. Thank you Bruce! If you saw yesterday’s page in all its Felix glory this makes a sort of interesting bookend to the weekend. This one is casually dated ’25, so it is a year after yesterday’s magazine page. (For those who missed it you can find it here.)

This illustration appears to be in a copy of Punch magazine and was drawn by a British man named Arthur Watts. Watts was an illustrator and cartoonist for the likes of Punch and Tatler dating back to 1911. His line appears to have been social commentary on the divisions of class and etiquette of Britain.

*There is just a single blurry photo of him on the internet so I offer this – he’s in uniform and does look quite dashing however.*

He evidently had a strong dislike of modern art and so perhaps this is a bit of a rib on that among other things? Felix and Bonzo dancing together (ha cha cha!) as a huge mural? I mean, I love it and I’d have it in my restaurant in a heartbeat! Circles that remind me of champagne bubbles encircle them as cartoon cat and dog shake a leg. Was this his low brow elevated to high brow comment?

Interesting – I am just thinking about a truly odd vase I own where Felix and Bonzo are dancing – perhaps there was a thing about them that I don’t know? Was there a bit of interspecies cartoon romance? Huh. (That post can be found here.)

*Okay – at least I got the humor here! Undated Watts illustration.*

Perhaps it is just me, but I can’t quite entirely catch onto his sense of humor. In this picture, the man who is evidently the Detective is seated drinking alone, next to a crime scene, while the crowd of well heeled hoy polloi keep their distance and pile up to one side. Perhaps his humor is a bit too inside baseball to entirely get today?

His is a bit of a tragic story. Born in 1883, he showed artistic talent when young and eventually went to Slade art school. He served with note and honor in the Royal Marines Corp during WWI. He married a fellow artist, Phyllis Sachs, in 1911 and had a daughter. Phyllis died in 1922 (no record of how or why that I saw) and he remarried in ’24 to Marjorie Dawson Scott. They had three children and in July of 1935 he was rushing to fly home after the birth of their third child when his plane crashed in Italy flying from Milan, never clearing a mountain range and killing everyone.

The daughter from the first marriage became a well known costume designer, Margaret Furse. Among the other children one also became an illustrator, Marjorie Ann Watts – frankly I am inclined to like her crosshatch filled style a bit better.

*Marjorie Watts illustration – she seemed to be very interested in drawing anthropomorphic wolves.* *I like her more linear contrasting style.*

However, a hundred years later it is not news to Pictorama readers that Felix and Bonzo were the cultural icons of their day and make fun of them though Watts might, they are still quite fondly and well remembered even today!

I Yam What I Yam!

Posted by Pam's Pictorama

Pam’s Pictorama Toy Post: It’s a Popeye post today! I am not sure how much I have shared my real affection for the sailor man here, but I am a fan. Years ago I was in a particular funk and I cheered myself immensely reading all of the daily Segar strips over a period of weeks.

Some readers may know that I have an unusual predilection for daily strips rather than Sundays. I understand what the fuss is about when it comes to Sundays – they are gorgeous and I admit that it is an odd preference. There is something about the day in and out of a weekday strip that I love, a real whiff of the past, reading them as folks would have followed it in their paper daily. I feel the same way about Krazy Kat.

*These were the volumes I read, but others are more available now.*

Anyway, I had not given Popeye significant thought since watching an endless loop of the cartoons as a child. Seeing his origin and those elegantly drawn strips by Segar made me a fan. If you’ve never read them do yourself a favor and pick up one of the volumes – I think Fantagraphics has them collected again. I know they have a book of the Sundays too. At the time I read them I acquired a shelf of hard bound volumes that Fantagraphics had put out years before. I am in New Jersey or I would provide a shot of them in a place of pride in one of our bookcases there.

*Not my toy, but this is what the parrot looks like.*

Speaking of New Jersey – today’s toy was an unexpectedly great Jersey buy last weekend. Kim and I spent an afternoon poking around at the Antique Annex in Red Bank near here. I’ve written about this establishment which I have frequented for decades. When I was in college my Dad used to buy antique jewelry there for Christmas and my birthday. We’ve seen it through many iterations. A post about finds there last year can be found here.

While the merchandise had definitely turned over since our last trip at Christmas, it had a slightly picked over quality overall. This is their peak tourist season and a train leaves you just blocks from this couple of buildings of goodies so it is convenient for day trippers to our shore town.

*We had lunch at a pizzeria called The Brothers – a blast from my past, Dad and I used to frequent it. Some very fine NJ thin crust pie here.*

However, buried deep in a cabinet of toys which clearly bore investigation, there was Popeye. He was a bit dear, however a bit of bartering (cash is king) and he became quite reasonable. Frankly I have seen this toy for more previously at auction so I felt good about the purchase.

*A rather great display of Santa’s at the Annex. I might have to go back for one of these.*

In doing some research I realize he is missing a parrot which would have perched atop the cart. One auction site says that the parrot popped out but if that it is true it is a variation on the toy because that would not have been possible – he probably wiggled back and forth though.

I like Popeye’s striped trousers, his pipe and of course his identifying moniker on his tattoos. His cart, the Popeye Express, has labels for Asia, Turkey and China on one side and my beloved New York on the other side. (Sorry, New York was the only city worth mentioning guys!) His shoes are sort of funny, but of course are designed to help him scuttle along on the ground, rather than a sartorial statement.

Kim gives Popeye a little push this morning for this video.

There are some scratches and paint loss but he’s in pretty good condition. There is no maker’s label but it is identified online as Linemar Marx. I gather Linemar was the Japanese made division of Marx toys – manufacture was less expensive there and the toys were shipped back to the United States for sale. Many were character toys of the time. In the biz from 1918 to 1980, Marx holds a somewhat legendary name in toys. Known for their trains and cars in particular, they will always be character toys like this one for me.

Some of you might remember a Popeye post from several months back, a lamp which currently graces Kim’s work table here in New Jersey, but may be making a move downstairs soon where I can see him more. (That post is here.) Maybe Popeye is becoming a sub-genre here at Pictorama. We’ll have to see what toy treats might be in store for me and all you readers.

Pencil Felix In

Posted by Pam's Pictorama

Pam’s Pictorama Post: I did consider saving this item for a back-to-school post after Labor Day, but here we are, in need of a post and here it is. For those of you heading back to school in a few weeks, you can consider it a shot over the bow in advance of that event.

I have looked at Felix pencil boxes for years – it almost seems like no two are alike so many variations on the theme turn up. I have bid on numerous ones and never won one to call my own. I guess I had an idea in my head about how much I was willing to pay and I just kept being outbid.

Finally this one, a rather superior one I might add, appeared online for sale with a flat price I was willing to pay and I jumped on it. Then I did something with a bit of foresight which was I had it sent to the house in New Jersey. Then, in all honesty, I utterly forgot that I had purchased it! It was tucked in a box with another purchase and I was very excited to discover it.

*Back of the pencil case – Felix as artiste!*

Condition is often a major issue in these as kids used them hard and they are after all meant to be somewhat disposable. Often they have crayon or pencil marks or they have been opened and closed so often that they are tattered and torn. By comparison this one is in virtually pristine condition aside from a bit of wear in the lower right corner.

Felix and two junior Felix-es march across the front with some sort of towers in the background. Felix the Cat is penned across the top quite nicely and while these are the rounded off version of Felix the bodies have a nice blockiness. The image and writing is somewhat etched into the cardboard which, in addition to this rich green color, has an interesting texture.

The back has more towers (castles?) and Felix perches while painting or drawing a picture held up by a friendly mouse. The cat and mouse depictions on the tiny top side of this are perhaps less friendly and Felix is bizarrely stretched – chasing a mouse but also held back by one. The bottom side has, instead three mice holding his tail which is stretched, as opposed to his entire body. The short sides have a great sort of Deco pattern.

*Lovely mostly intact inside of the case.*

For Felix fun we aren’t going to beat the outside, but the inside was a surprising treat! Tiny ruler, an eraser (which is as hard as a rock now) and a darling little series of watercolor pans, one broken and one missing but four still perfectly in place. Three pencils remain – two unsharpened and that wonderful Deco pattern paper continues inside.

This lovely item appears to come to us from the American Pencil Company, New York, U.S.A. The American Pencil Company appears in a marking on the front under the flap and also bears the number 1964. Pat Sullivan also gets a copyright mention across from it.

There is the same figured paper on the flap but in a simple golden beige. The whole thing snaps open and closed and that closure is still in good shape.

All in all, as a kid I would have returned to school with great confidence if given this dandy case, an excellent start to the school year.

*Some of my peppers, tomatoes and cucumbers by special request yesterday!*

Felix Front and Center

Posted by Pam's Pictorama

Pam’s Pictorama Photo Post: So what the heck is going on in this photo? To start, I am mad for this Felix costume which is sort of exactly what Pam Butler is looking for in a Felix costume. A wonderful full head be-wiskered mask (with hard, perky pointy ears) and then a simple black “cat suit” to complement it – not the covered paws however.

This isn’t a photo postcard, it is a slightly larger (4″x6″) studio photo. What the heck are they dressed up for? If it weren’t for the crown (a rather splendid one) on the girl on our right, the fact that they are in costume might have eluded me. Was it a play? But then why Felix? I am a bit sorry the origin is lost to us, but I am very pleased to have this unusual photo join the Pictorama collection.

In addition to being a rather posh studio photo these children look well-heeled. There is a nice symmetry to the picture with the long-waisted dress between the two notched in at the middle. Headscarf on the middle and tallest of them. Behind them a bland sort of backdrop which must have made do for all photos, faux scenes of fake landscapes outside drawn and painted windows.

Embossed at the bottom is the legend Service Studios and something I cannot read below – Olesbrough is what is visible. On the back it says, Service Studio, Middlesbrough (Felix the Cat – 1920’s.) Perhaps one of Pictorama’s British readers can help sort the location question out.

All of the Felix photos in my collection are essentially one-of-a-kind although occasionally I have found and purchased several from a session and I do occasionally find my photos elsewhere online. Of course in theory there could be some multiples of any of them, at least from those which were printed from a negative. Meanwhile, the other day while we were in San Diego and I had a few minutes to see what was up on Instagram, I saw a photo of a little girl on a beach with Felix which looked familiar. Turns out it was some sold listings on a sellers feed – and I had purchased it from her!

San Diego Con is On

Posted by Pam's Pictorama

Pam’s Pictorama Post: We announced that we would head out here a few months back when we were told that Kim would be inducted into the Eisner Hall of Fame.

It’s been more than a decade since our last trip to this con, although I made at least one return trip for work subsequently. 150,000 people are said to crowd into this tiny town which does appear to literally be bursting at the seams under the weight of it.

*As Kim said, there’s one in every crowd. Although, you actually don’t see many Supermans. A lot more Batmans.*

Without getting too into it, travel was difficult and verged on disaster at times – a worldwide meltdown of all international and domestic airports, followed by a fire near our terminal at JFK which meant the evacuation of thousands mere hours before our departure. Add in some sort of traffic mess (3 hours from York and 86th Street to JFK essentially not long enough, we almost missed our flight) and my personal favorite, our hotel reservations turned out to be canceled when we got here at 11:00 at night. Visions of bad films with no place to sleep being the punchline occurred to my sleep deprived state. (2 AM NYC time!)

San Diego is just clogged with folks. Young, old, those in costume (I Dream of Jeannie anyone?), those not. We are concerned with an ever-shrinking comics related part of the con which is like a snake eating its own tail as first the animation and then action film industry slowing takes over.

From where I sit in our highrise hotel, the Hilton across from us is wrapped in an ad for FX which says, What we do in the Shadows with creepy heads. Gigantic seagulls cartwheel in from of our 20th floor window. Isn’t it too high for them?

Kim was part of an interesting panel on Harvey Kurzman first thing out of the bag Thursday. Luckily a woman named Becky jumped into the fray and got us our badges in time for getting into the session. (The lines to get in are like Disney World long – this apt comparison from our friend Bruce. The lines are like miles long.)

*Kim with our friend Bruce Simon at lunch on Thursday.*

Kim offered to take an afternoon adventure with me and I found an antique mall out beyond the airport here. It was a large place, in the style of the ones we go to in New Jersey.

Being San Diego, it was somewhat open on two sides to the outdoors where furniture and plants were on a sort of porch. Kim found a Dumas novel he hadn’t read – something found and published posthumously. Sadly, I found nothing portable enough or that I was will to solve a shipping issue for. This Felix tea set below tempted me a bit.

*****

The morning (Friday) was taken up with the Eisner Lifetime Achievement awards. Many stories were told – some especially moving ones by the grandchildren of the people being honored. (The family of the guy who created Classic Comics – see my post about those here.) However, Kim and Gary Groth (editor of Fantagraphics, Kim’s publisher) were among the living folks honored.

*Kim accepting his lifetime achievement award.*

After fighting our way through another morning of crowds at the Con we decided to take a shot at a used bookstore I had read about, Verbatim Books. Unlike yesterday, when the car took us to the middle of industrial wasteland no man’s land, we were delivered to a sort of interesting up and coming part of town about a ten minute car ride away.

The trip through the Balboa Park neighborhood was filled with the most wonderful old cottages. Our driver told us that they, not surprisingly, sell for around $1m. Many were in a Spanish style, but some cute Craftsmen ones as well.

*Strange ancient pinball machine in Mexican place.*

You’ll likely be seeing the loot in future posts, but among other things I found a few interesting books of early 20th Century fiction – let’s see if there’s a new writer for me in it. (I saw but did not buy a vintage Judy Bolton novel. For those of you who are late to the Pictorama game, a post devoted to reading that entire series of mystery books can be found here.)

And I restrained myself from purchasing a very large book on collecting American toys. Restraint ultimately failed me however on one or two other purchases that will require some navigating.

We decided to roll the dice again and had an Uber take us to another bookstore, Bluestocking Books. Much to my surprise, I scored several books and a photograph there. We tried to parley it a bit further and find an antiques shop described to us by the folks at the bookstore, but after a six block walk to a somewhat dodgy neighborhood we gave up and circled back. Our afternoon of adventure at a close and soon our San Diego adventure as well.