Pam’s Pictorama Post: This card, not surprisingly, hails from Great Britain. It was mailed on December15, 1923. It was mailed from Saffron, Walden at 9:30 AM to Miss Lucy Piggot, St. Wilfords, Mill Hill, Sudbury, Suffolk. I picked it up on eBay and had it sent to the house here in NJ.
It is a hand drawn and inked card and is a good Felix likeness for that early 20’s period – square and blocky. His pose is an X and one could even see a swastika in it although I don’t think that’s the case. Mystically it says, I’m Felix, Mascot to the “Sudbury Happy-go-Lucky’s” and the signature, I assume of the artist, R Good in a design. (For another Felix fake try another post from my collection here.)
Felix has a big bloop of a nose and a couple of fangy teeth. Kim thinks he is giving us the finger which is undeniably a reasonable assumption. I thin it is more likely an insipid sword. The other hand is a bit odd too and the least Felix element. He has a rounder tummy than I associate with Felix and perhaps a less perky tail – still something about him captures what I think was the Felix mood of the day. The Happy-go-Lucky’s must have been quite a group.
Back of card.
The message on the back does not enlighten us much. It says (to the best of my ability to transcribe): c/o Mr. Penning, 28 Church Street, Saffron, Walden SX. Dear Lucy, Many thanks for Ple. (?) I am glad I’m not there to “sit down”. have got that other song its not bad. I thought I saw someone at the window Monday. I was in the carriage with the bright lights. What do you think of my mascot not bad eh? Will you take care of him until I returnthen I will disclose to you y plan now I will disclose to you my plan now I must close. I hoping your cold is better. Well best of luck and love to all. Jack (I have mostly added some punctuation which Jack seemed to feel unnecessary.)
So more than a hundred years later this message is a bit cryptic if intriguing. Something to ponder on a sunny Sunday here in New Jersey.
Pam’s Pictorama Post: Sometimes here at Pams’s Pictorama it’s just a Felix acquisition day and today is that day. The other day combing through listings I came across a duo of Felix in Australia. The condition was sort of medium and the price right and the next thing I knew this fellow was on his way to me.
I have a few other examples of this Felix and this fellow in particular may next find his way to New Jersey where there is a shortage of Felix-es at my house. (Although there is an abundance of kitties who have a lot of unsupervised hours so I am mindful of that as well. The younger inhabitants there like some high jumping too and I have an Oswald Rabbit I worry for occasionally. A post about him can be found here.)
Years ago I was at a huge vintage toy show in Atlantic City where a dealer had a whole basket of these (such bounty!) and he said that they were used as carnival prizes in England. They must have been very popular because many exist today but somehow they seem a bit too well made, and therefore expensive, for that. Still, it makes my brain whirl a little to think of being able to bring home such a toy from a fair – perhaps after having had my photo taken with Felix elsewhere earlier in the day. (Throwing in a photo below from my collection of folks posing with Felix for anyone who is a new comer here!)
Pam’s Pictorama.com collection.
Also a long time ago I took one of these for repairs at a toy hospital that used to exist on Lexington Avenue near Bloomingdales. I wrote about it here. It turned out to be very expensive but, at least for me, worth the brief entrée to that somewhat ancient and particular place before it quietly disappeared a few years later.
This fashion of Felix has mobile arms and legs. (Legs had come off on the one that had to be repaired. I do not recommend moving them much – I learned from the broken one that there is just a rusty metal rod holding him together.) This fellow has a good look until you realize that oddly almost all of his mohair has worn away. His tummy in particular is quite bare as is the spot under his snout. He has such wideset eyes – they always contribute to a goofy look. His tail, as is often a design feature, sets him up like a tripod for steady standing.
While his felt ears are intact, Felix has a few places where his fur is completely worn through, revealing small spots of the straw stuffing underneath. It is my understanding that these were assembled by hand in England in small factories. (Read a very interesting and popular post about this here. Such a factory was set up on the East End of London to employ indigent women.) All this to say that these end up have a very individual character and look to each one.
Tummy is oddly barren. Pams-Pictorama.com collection.
I did express some concern about Felix making such a long journey from Australia to New York City with the small holes and stuffing in particular leaking through. I am afraid I offended the poor seller when I asked – it wasn’t meant to be a reflection on her packing ability – more just the reality of a certain amount of jostling he was bound to undergo. However, she pledged extra good packing and she came through so there was barely a smidge of stuffing loss in transit.
We will pack him carefully again as part of our exodus to New Jersey in a few weeks. Until then he is hanging out with his Felix brethren here in Deitch Studio.
Pam’s Pictorama Post: I’ve had this interesting advertising book in my possession for a number of weeks and am just getting around to sharing it with you all. Obviously I purchased it for the Felix page, but I do find the whole publication of interest.
For starters I am impressed with the idea that these were sent out en masse to theaters to encourage bookings. For all of it’s heft and embossed-ness it doesn’t go into any detail about the packages you would be ordering for your theater. These were all short subjects, like Felix, so each page highlights a topic.
Frontispiece and introduction.
The opening page, with a photo and a letter from E. W. Hammond. While I cannot seem to trace his title over at Educational Films, I have run across him advertising Felix films previously. The link to two rollicking pages advertising Felix cartoons can be found here. In his letter at the front of this volume he refers to the proven success of these shorts. He writes, It is a group of pictures without an element of a gamble – backed by seven years of specialized experience – a product of proven value.
I am giving you a slide show to page through the entire holding at the end of the post but want to highlight a few. I will start with Felix, although he is found toward the back of the volume. These years were Felix in his heyday and 26 new one-reel cartoons were in the offing. He strums his banjo and eyes the girl cat, Kitty, peering out around a building. There is a frowning faced moon on the other side. Felix is perched on a bit of fence but I like the way the buildings curve in around behind him like they want to break loose and frolic. It is a jolly nighttime scene with stars in the sky and all the buildings lit up – occupants no doubt listening to Felix’s serenade for better or worse. A careful look shows that his snout, as it were, is the same pink as the buildings. Someone named E. Ritt claims illustration credit and that is someone other than who has executed the other images. Such popularity means patronage and profit…
These are the ones I am curious about.
Beyond Felix there are a few other highlights for me. 12 One-Reel Curiosities The Movie Side-show catches my eye. This one is also signed by E. Ritt and here his imagination has been let loose a bit. We have a tree with eyes watching a witch stir a caldron producing smoke which reveals owl eyes, and a three-headed cat eyes us! A spicy dish concocted from many oddities gathered from all corners of the world, and served with a dash of wit and humor. Oh man, I wonder how they delivered on this?
Dorothy was already in her 20’s here.
I like the page of Dorothy Devore comedies – she’s shown with this nice teddy bear. The artist of the spread seems to be someone else and they are identified as E.R.H. It states, A girl comedy start — a real star — is a rare asset. Well, I like that! This was toward the end of Dorothy’s working life. Wikipedia says she stopped making films in 1930.
And who is the girl on the sax?
There is a sort of centerspread which has Cameo Comedies on one side and 12 One-Reel Lyman H. Howe’s Hodge-Podge, a medley of clever ideas offering more variety to the foot than any other sing reel on the market. Across these two pages we see everything from a girl with her sax to camels, African-type natives and a coolie to whales and the Sphinx. I assume these were largely cartoons – a fact also confirmed by Wikipedia.
A smattering of cartoon images.
So quite a year, ’27-’28. A fraction of these films may still exist – luckily with a good survival rate on Felix. I’ll likely never really get to judge the one-reel curiosities, although you never know what will turn up.
Pam’s Pictorama Photo Post: Today’s Felilx loving post is an unseasonal Thanksgiving tribute, but I couldn’t possibly wait that long to share it.
In addition to the neatly typed ORANGE NJ on the front of the photo, handwritten on the back it reads A Rubber Felix Thanksgiving Day East Orange, NJ. It is also stamped with what appears to be…CMA L. Simpson…17 Pleasant Ave. Montclair, NJ. It was glued onto something black at one point much of which remains here, likely a photo album, and the full address is obscured.
Back of the photo.
This is an overexposed and not especially good print so this establishment must have just processed and printed pictures for people.
Still, it clearly has its charms and I am glad to take the trip back in time to see the scene. In addition to this large Felix balloon, what I like best is the Felix headed and clad retinue around him, like Felix-y mice around the big cat! We can see four, my guess is there was at least one more who is out of the shot.
I thought at first that this could be the same balloon butclose inspection says no. Pams-Pictorama.com Collection.
It is sadly undated but a very close look reveals that many of the women are wearing distinctive cloche hats. Those were popular from the early 20’s to the early 30’s. Randomly I would guess this is the mid-to-late 20’s given Felix’s rise to popularity and the rest of the clothing I can discern. Someone smarter about cars could probably tell more about the date from the one or two in this shot.
Thanksgiving is already a wintery scene here and people are bundled up to watch this parade. A close look reveals that the crowd extends up the stairs of this unidentified but official looking building. (If there are any Montclair historians or residents who can identify this building give a shout.) You can’t see it without magnification but in reality most of the people across the street seem to already be looking at and pointing to something coming up next.
Pams-Pictorama.com Collection.
I have written before about my love of Thanksgiving Day balloons in the parade and how I always wanted to go see them as a child. As a young adult here in New York City I would often go to see them blown up and strapped down the night before although I have never made it to the parade. My father had the freezing detail of filming it and the night before in his days as a junior cameraman for ABC News and there was no enticement I could find to get him to take me.
I love that New Jersey had their own rival, early Thanksgiving parades complete with balloons and I have shared a few parade pics here from my collection. Felix was popular coast to coast and one of these photos which lives by our front door in NYC is from Portland. The posts for those photos can be found here and here.
So while today would have been more appropriate to have an Easter parade this weekend, I conjure up another long past if somewhat unseasonable holiday for you today.
Pam’s Pictorama Toy Post: So today I finally get to my wonderful birthday gift reveal – ongoing readers know that this year’s birthday was pre-empted and much deferred due to Covid. I am better finally, as is Kim, but a day of wandering and celebration remains deferred. At this rate it may be April before that happens, but nevertheless, the birthday bounty of the Mickey Mouses continues today.
My birthday Mickey is, in my opinion, a rather remarkable find. I even sent so far as to let AI have a crack at it and their “opinion” is that it was sewn from a kit. He is so very off-model that I did have to consider that but truly as I spend time with it and examining the stitching I believe he was commercially made. (My ideas of how such factories worked were changed when I found out that Felix dolls were handmade in a production factory in the East End of London. It was designed to give jobs to indigent women. Among my personal favorite posts, read it here.)
Back of Mickey. Very careful examination shows some patching to the back of his head.
This amazing and charmingly buck toothed fellow hails from Belgium via a kind seller there who tracks my birthday with offerings when she has them. (Previous posts on Regine finds can be read here and here.)
Demonic Felix which is old number one purchase for me! A flea market in London. Pams-Pictorama.com Collection.
In a close study Mickey is made up of some familiar elements. The design of the feet is more Aesop’s fable doll than Dean’s Rag. The glass eyes can be found on many a Felix from a similar timeframe – which I am assuming is the 1930’s. He is somewhat reminiscent of the first Felix I ever purchased, shown below, and which may have been used as carnival prize give aways. Same black and white felt and stitched mouth. Kim has been known to say this Felix looks like a stuffed demon – Mickey has none of the same potential malevolence.
Felix and Mickey for a side-by-side examination.
Mickey’s hands are sewn down and his neckerchief remains tightly tied around his neck. The buttons on his trousers were glued however – or at least this incarnation of them was – they may have been replaced. There are a few black felt patches, on the back of his head near his ears and neck, so some work was done on him at some point, although also faded with age now so not recently.
A few errant bits of straw are peeking out from his legs, which incidentally look very professional machine stitched. He has his tail, but unlike our Dean’s friend from last week, it is just a bit of cloth. For the record it appears to be original. As mentioned, his ears have had a lot of reinforcement and a careful look makes me think one has been replaced. In line with the patches, this replacement seems fairly old.
For utter goofy charm however, this chap is hard to beat! I can’t help but feel that this off-license fellow looks like Mickey’s dufus country cousin, rather than a manifestation of the mouse himself.
Pam’s Pictorama Post: There are a handful of traditions here at Deitch Studio and Pam’s Pictorama that we hold dear and none is so anticipated and celebrated than the annual Valentine Kim makes for me. A tradition that reaches back to our first year together (now a few decades back), today’s is an entry in a long line of wonderful drawings, all which have depicted me and illustrated my interests over the decades and placing me at the heart of my own Catland. (This includes frequent allusions to me as the jolly and of course benign ruler of the land, Queen of Catland. A few examples can be found here, here and here and other pictures below.)
A February 2020 edition. This too could be Margate! Pams-Pictorama.com collection.
This year is very special however. The idea grew out of a recent post some of you may remember devoted to review the splendid new biography of Louis Wain, Catland, which can be read here. Kim has brought to life my suggestion that there was a moment when Louis Wain and T.S. Eliot were living on different sides of the same beachside community, Margate, where I have noted, many people had photo postcards made posing with a splendid giant Felix the cat doll. (Some of those posts can be found here and here.)
Pams-Pictorama.com collection.
Kim has brought all these elements together. Rather than running into each other and meeting TS and Louis are both so wrapped up in their own views of the world they never see each other – although Felix loitering outside the photo studio arguably sees them both. They are both witnessing a (real) catburgler in action – for Eliot it inspires the poem Macvity the Mystery Cat (who appears to be reading about his exploits at the bottom) while Wain wanders off into a world of anthropomorphic kits which, around the perimeter of the picture range from jaunty to disintegrating, and forming Cubist cat delights.
A Margate Felix. Pams-Pictorama.com collection.
Louis is painting the very scene, or a variation on it, while some of his humanoid cats enjoy exploits swimming and strolling just out of the frame. Big white kitties standing on their hindlegs point at the scene with even more imaginative cats portraits above them. T.S. Eliot recovering from a nervous breakdown, meeting Louis Wain drifting off into his own world of ever morphing felines.
In some ways, this is the perfect melding of worlds, Wain’s, Eliot’s, mine and Kim’s. Bravo yet again my beloved Mr. Deitch!
T.S. Eliot 1888 - 1965
Macavity: The Mystery Cat (1939) Macavity’s a Mystery Cat: he’s called the Hidden Paw — For he’s the master criminal who can defy the Law. He’s the bafflement of Scotland Yard, the Flying Squad’s despair: For when they reach the scene of crime — Macavity’s not there!
Macavity, Macavity, there’s no one like Macavity, He’s broken every human law, he breaks the law of gravity. His powers of levitation would make a fakir stare, And when you reach the scene of crime - Macavity’s not there! You may seek him in the basement, you may look up in the air - But I tell you once and once again, Macavity’s not there!
Macavity’s a ginger cat, he’s very tall and thin; You would know him if you saw him, for his eyes are sunken in. His brow is deeply lined with thought, his head is highly domed; His coat is dusty from neglect, his whiskers are uncombed. He sways his head from side to side, with movements like a snake; And when you think he’s half asleep, he’s always wide awake.
Macavity, Macavity, there’s no one like Macavity, For he’s a fiend in feline shape, a monster of depravity. You may meet him in a by-street, you may see him in the square - But when a crime’s discovered, then Macavity’s not there!
He’s outwardly respectable. (They say he cheats at cards.) And his footprints are not found in any file of Scotland Yard’s. And when the larder’s looted, or the jewel-case is rifled, Or when the milk is missing, or another Peke’s been stifled, Or the greenhouse glass is broken, and the trellis past repair - Ay, there’s the wonder of the thing! Macavity’s not there!
And when the Foreign Office find a Treaty’s gone astray, Or the Admiralty lose some plans and drawings by the way, There may be a scrap of paper in the hall or on the stair - But it’s useless to investigate - Macavity’s not there! And when the loss has been disclosed, the Secret Service say: ‘It must have been Macavity!’ - but he’s a mile away. You’ll be sure to find him resting, or a-licking of his thumbs, Or engaged in doing complicated long division sums.
Macavity, Macavity, there’s no one like Macavity, There never was a Cat of such deceitfulness and suavity. He always has an alibi, and one or two to spare: At whatever time the deed took place - MACAVITY WASN’T THERE! And they say that all the Cats whose wicked deeds are widely known (I might mention Mungojerrie, I might mention Griddlebone) Are nothing more than agents for the Cat who all the time Just controls their operations: the Napoleon of Crime!
Pam’s Pictorama Toy Post: This is a spectacular and truly delightful gift from Kim for Christmas this year! This rarified item is said to be the Deans rendition of cartoon Bosko’s sidekick Honey. It came to us via Britain’s specialty teddy auction at Special Auction Services and was identified as such there. While this sale focuses heavily on extremely rarified teddy bears, the occasional oddball character toy like this shows up on the scene with some regularity. Today’s post might ask more questions than it answers, but maybe we need to think of it as a work in progress.
I’ve never seen this pair before, not even in my book of Dean’s toys, although that rather complete book (based on their catalogues) came with a CD which theoretically has every toy they made. I am not in NY so I have not been able to have a look there. This doll is so rare that I have not been able to find another example online aside from this postcard of it – evidently also extremely rare – which was produced in 1941. (Note that although the same doll Honey’s clothes and coloring are a variation below – black and white tights, black hands, etc.) Although it gives appropriate copyright info, it only credits the cartoons and not the maker of the dolls.
From the chat on the Cartoon Brew site. Not in Pictorama collection.(Bosko does have very Deans-esque teeth here, much like their Mickey mouse.
The auction listing read as follows: A rare Dean’s Rag Book Co Honey from Bosco and Honey, circa 1931, originally created as African American children with cream and brown velvet head with black boot button eyes, yellow and red velvet integral clothes with brown hands, red and white striped stockings, black shoes and orange skirt —13in. (33cm.) high (some fading, nose probably replaced and a little damage) – Bosko and Honey are animated cartoon characters created by animators Hugh Harman and Rudolf Ising, both former employees of Walt Disney. Bosko is the first recurring character in Leon Schlesinger’s cartoon series, and is the star of over three dozen Looney Tunes shorts released by Warner Bros.
A different Bosko doll also turned up (in the chat room on a site called Cartoon Brew found here) and that one had a label belonging to an unknown company, not Deans, and is clearly a different model. All this means that my chances of completing my set with a Bosko will be very challenging at best and it also begs the question of if this is indeed the one made by Dean’s Rag as it lacks the Deans Rag Hygienic Toy label – or any label for that matter. (I also question if indeed Dean’s made one or if this is somehow fully apocryphal.)
When you look at the toy below it is worth thinking about the Aesop’s Fable dolls – the eyes and the sewn mouth are very similar. (A few from my collection are featured here and here.) Those dolls, which do not have a maker’s label or mark are evidently from another company called Woodard however – as I confirmed with an original box a few years ago.
From a chat on Cartoon Brew, not in Pictorama collection.This was noted on the post about the above Bosko. Pams-Pictorama.com collection – the eyes are similar.
I have written about the Deans Rag toy company on many occasions (for a few posts of Deans toys from my collection look here and here for starters) and in some ways they feel like a square one for the period and type of vintage toys I collect. Founded in 1903 by Henry Dean the company was originally established to create brightly colored cloth (essentially indestructible) books for small children. These soft cloth page books were hard to destroy or deface and were also notably hygienic – as attested to by the label.
The clear indication that a toy was made by Deans Rag.
The success of the books somehow gave way to licensing cartoon characters for manufacture – most importantly a deal was struck with Disney for the distribution of Mickey and Minnie dolls which promptly sold more than a million according to their own period advertising. (My very early post on my Deans Mickey’s can be found here.) Not surprisingly, they continued to purchase character licenses and Felix, Oswald Rabbit, Donald Duck and others to follow.
An especially nice example of the Dean’s Rag Mickey via a Hake’s auction listing.
While Mickey, Felix and perhaps Donald were big paydays for Deans, one suspects that Honey and Bosco were perhaps not, as confirmed by their obscurity today. I think about it and since the Bosko cartoons were also (much) less popular than Mickey or Felix that makes sense.
For those of you not in the know, a brief Wikipedia history of Bosko says, Bosko is an animatedcartoon character created by animatorsHugh Harman and Rudolf Ising.Bosko was the first recurring character in Leon Schlesinger’s cartoon series and was the star of thirty-nine Looney Tunes shorts released by Warner Bros. He was voiced by Carman Maxwell, Bernard B. Brown, Johnny Murray, and Philip Hurlic during the 1920s and 1930s and once by Don Messick during the 1990s.
Wikipedia goes on to describe Bosko as an animated cartoon version of Al Jolson in the Jazz Singer and as a character in a cross between human (child?) and anthropomorphic animal. Honey – aside from being his official sidekick – sings and dances her way through the cartoons. However, even in their day, Bosko and Cookie cartoons were sidelined because of the racism baked into their design.
Like Bosko Honey is of indeterminate species and ethnicity. She dresses, as does the doll, in a little girl’s dress, hair bow and striped (Pippy Longstocking style) stockings. As you will find in the cartoon above, she has a high squeaky childlike voice. Her lips are painted on and the hair from a velvety cloth of a different color. As noted by the auction house, her nose is probably a replacement and is definitely plastic. It seems like a reasonable replacement however. SAS claims that the eyes are original shoe button and I don’t have very strong feelings about it one way or the other.
Pams-Pictorama.com
I have reached out to famed toy collector Mel Birnkrant for any info he might have on the Deans Honey and Bosko question, but have not heard back yet. I plan to also see if cartoon enthusiast Jerry Beck (who I believe moderates the Cartoon Brew site mentioned above) has any insights for me. We are back in New York and although I quickly located the Deans book the CD (of course) was not with it and I am unsure what “safe” place I have tucked it into. The teeth on the postcard version are very Deans indeed though and the best endorsement I can find.
I will endeavor to update this post if I do find out more. Meanwhile, Honey has a happy home here I think, tucked onto a shelf near the Jeep and in a sea of Felix-es!
Pam’s Pictorama Post: Today I am pulling a little fellow out of the archive, such as it is. Amongst the (admittedly dusty) Felix toys here at Deitch Studio, there are a clutch of damaged ones that I purchased, usually for the sheer diversity of them. This small example is one of those. Despite his grotty condition, he is outstanding because I have never ever seen the precise likes of him before or since.
He stands about 9 inches high and he sports this large and somewhat elaborate original ribbon. He is in the hands behind his back walking and thinking pose. There is nothing really atypical about his body, although it does have a fair amount of damage, a hole in one leg and a wire sticking out his tail. It is not really excessive damage in the world of 100 year old stuffed toys though. He leaves a small trail of ancient straw and bits when moved around although this is also not unusual.
He maintains his whiskers which are nice and black. He has a small shoe button nose which is also fairly unique. I think that is his nose too – sometimes they look a bit like this but were meant to be covered and I don’t think so.
His good side if you would! Pams-Pictorama.com Collection.
He has one remaining glass eye and that type of eye is pretty typical in the world of these toys, although many have the white felt behind black shoe button eyes instead. The brown stitched teeth are odd and I do believe they are brown not just discolored like the white on his face.
However, it is the shape of his face, head and rounded ears that are unusual. I’d almost think it was Steiff except that is not what the Steiff Felix looks like in the least. They seem to have had only one model and it is decidedly different. Most of the early off model Felix toys are pointy and doggy, definitely unlike this well rounded chap. It implies a different maker and I have no idea which that might have been. This Felix was well made – his head turns, although it must be done very gingerly now and every the extravagant bow makes me think he was a better made toy.
Sadly though I have not figured out cleaning the white of his snout which is what seriously disfigures him. It is grimy and darkly discolored but is also fragile (the remaining eye, nose and especially ears) which has left me in a fugue state about how to proceed. It turns out that I am not a brave nor creative repairman of tattered toys. I know colleagues who jump in with good results, but I am a scaredy cat when it comes to cleaning it turns out. Therefore I guess perhaps I am not the best steward of those in need of repair.
I have owned this fellow for longer than I can remember purchasing him on eBay – probably easily a decade – and still I have not taken the plunge. I am open to suggestions! Let me know your thoughts. Maybe I can devote another post to a before and after on him if I were to get great results.
Pam’s Pictorama Post: Today is a rare post about something I do not own. I don’t make a habit of it, but this tidbit came to me via our good friend Bruce Simon. (He was mentioned most recently in our trip to Comic Con in San Diego post which can be found it all of its glory here.) Bruce thoughtfully sends wonderful odd treats from dvd’s of cartoons to items like this. Thank you Bruce! If you saw yesterday’s page in all its Felix glory this makes a sort of interesting bookend to the weekend. This one is casually dated ’25, so it is a year after yesterday’s magazine page. (For those who missed it you can find it here.)
This illustration appears to be in a copy of Punch magazine and was drawn by a British man named Arthur Watts. Watts was an illustrator and cartoonist for the likes of Punch and Tatler dating back to 1911. His line appears to have been social commentary on the divisions of class and etiquette of Britain.
There is just a single blurry photo of him on the internet so I offer this – he’s in uniform and does look quite dashing however.
He evidently had a strong dislike of modern art and so perhaps this is a bit of a rib on that among other things? Felix and Bonzo dancing together (ha cha cha!) as a huge mural? I mean, I love it and I’d have it in my restaurant in a heartbeat! Circles that remind me of champagne bubbles encircle them as cartoon cat and dog shake a leg. Was this his low brow elevated to high brow comment?
Pams-Pictorama.com collection.
Interesting – I am just thinking about a truly odd vase I own where Felix and Bonzo are dancing – perhaps there was a thing about them that I don’t know? Was there a bit of interspecies cartoon romance? Huh. (That post can be found here.)
Okay – at least I got the humor here! Undated Watts illustration.
Perhaps it is just me, but I can’t quite entirely catch onto his sense of humor. In this picture, the man who is evidently the Detective is seated drinking alone, next to a crime scene, while the crowd of well heeled hoy polloi keep their distance and pile up to one side. Perhaps his humor is a bit too inside baseball to entirely get today?
His is a bit of a tragic story. Born in 1883, he showed artistic talent when young and eventually went to Slade art school. He served with note and honor in the Royal Marines Corp during WWI. He married a fellow artist, Phyllis Sachs, in 1911 and had a daughter. Phyllis died in 1922 (no record of how or why that I saw) and he remarried in ’24 to Marjorie Dawson Scott. They had three children and in July of 1935 he was rushing to fly home after the birth of their third child when his plane crashed in Italy flying from Milan, never clearing a mountain range and killing everyone.
The daughter from the first marriage became a well known costume designer, Margaret Furse. Among the other children one also became an illustrator, Marjorie Ann Watts – frankly I am inclined to like her crosshatch filled style a bit better.
Marjorie Watts illustration – she seemed to be very interested in drawing anthropomorphic wolves.I like her more linear contrasting style.
However, a hundred years later it is not news to Pictorama readers that Felix and Bonzo were the cultural icons of their day and make fun of them though Watts might, they are still quite fondly and well remembered even today!
Pam’s Pictorama Toy Post: It’s a Popeye post today! I am not sure how much I have shared my real affection for the sailor man here, but I am a fan. Years ago I was in a particular funk and I cheered myself immensely reading all of the daily Segar strips over a period of weeks.
Some readers may know that I have an unusual predilection for daily strips rather than Sundays. I understand what the fuss is about when it comes to Sundays – they are gorgeous and I admit that it is an odd preference. There is something about the day in and out of a weekday strip that I love, a real whiff of the past, reading them as folks would have followed it in their paper daily. I feel the same way about Krazy Kat.
These were the volumes I read, but others are more available now.
Anyway, I had not given Popeye significant thought since watching an endless loop of the cartoons as a child. Seeing his origin and those elegantly drawn strips by Segar made me a fan. If you’ve never read them do yourself a favor and pick up one of the volumes – I think Fantagraphics has them collected again. I know they have a book of the Sundays too. At the time I read them I acquired a shelf of hard bound volumes that Fantagraphics had put out years before. I am in New Jersey or I would provide a shot of them in a place of pride in one of our bookcases there.
Not my toy, but this is what the parrot looks like.
Speaking of New Jersey – today’s toy was an unexpectedly great Jersey buy last weekend. Kim and I spent an afternoon poking around at the Antique Annex in Red Bank near here. I’ve written about this establishment which I have frequented for decades. When I was in college my Dad used to buy antique jewelry there for Christmas and my birthday. We’ve seen it through many iterations. A post about finds there last year can be found here.
While the merchandise had definitely turned over since our last trip at Christmas, it had a slightly picked over quality overall. This is their peak tourist season and a train leaves you just blocks from this couple of buildings of goodies so it is convenient for day trippers to our shore town.
We had lunch at a pizzeria called The Brothers – a blast from my past, Dad and I used to frequent it. Some very fine NJ thin crust pie here.
However, buried deep in a cabinet of toys which clearly bore investigation, there was Popeye. He was a bit dear, however a bit of bartering (cash is king) and he became quite reasonable. Frankly I have seen this toy for more previously at auction so I felt good about the purchase.
A rather great display of Santa’s at the Annex. I might have to go back for one of these.
In doing some research I realize he is missing a parrot which would have perched atop the cart. One auction site says that the parrot popped out but if that it is true it is a variation on the toy because that would not have been possible – he probably wiggled back and forth though.
I like Popeye’s striped trousers, his pipe and of course his identifying moniker on his tattoos. His cart, the Popeye Express, has labels for Asia, Turkey and China on one side and my beloved New York on the other side. (Sorry, New York was the only city worth mentioning guys!) His shoes are sort of funny, but of course are designed to help him scuttle along on the ground, rather than a sartorial statement.
Kim gives Popeye a little push this morning for this video.
There are some scratches and paint loss but he’s in pretty good condition. There is no maker’s label but it is identified online as Linemar Marx. I gather Linemar was the Japanese made division of Marx toys – manufacture was less expensive there and the toys were shipped back to the United States for sale. Many were character toys of the time. In the biz from 1918 to 1980, Marx holds a somewhat legendary name in toys. Known for their trains and cars in particular, they will always be character toys like this one for me.
My somewhat tattered Popeye lamp.
Some of you might remember a Popeye post from several months back, a lamp which currently graces Kim’s work table here in New Jersey, but may be making a move downstairs soon where I can see him more. (That post is here.) Maybe Popeye is becoming a sub-genre here at Pictorama. We’ll have to see what toy treats might be in store for me and all you readers.
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