Hamantaschen

Pam’s Pictorama Post: Today I am pausing to post about one of my mentors who died earlier this month at the age of 89. Her name was Judy and although it saddened me deeply to hear of her passing I know the past few years have not been good to her, pandemic even not withstanding, and she must have hated that.

She had left her beloved Manhattan, whose sidewalks she had pounded for years and whose museums, theaters and concert halls she had frequented, for a retirement community out of state and near one of her daughters more than ten years ago. I saw her subsequently but her health during the years of her retirement has not been great in general despite having been a very robust senior. We had kept in touch through cards and occasional calls until my calls seemed to confuse her about 18 months ago.

As long-standing Pictorama readers may know, I worked at The Metropolitan Museum of Art for thirty years before taking my current position about five years ago. (My post dedicated to leaving the Met can be found here.) For several decades of that time I worked under Judy until, after her semi-retirement, she spent another several years working for me in one of those twists which I use as an example of management challenges I have faced when asked. As it happens, she did not actually hire me, but inherited me when she took up her position at the Met. My previous assignment was winding down and she was coming to start a new program. I remember thinking I would stay long enough to give it a try and see if I liked it which we joked about decades later.

How I remember her best, at an undated Met event.

There are many things I could say about her wit, intellect and elegance. Always ready to discuss politics or the latest production of a play, she was a remarkable woman and an enormous influence on me. Her voice continues in my head today pertaining to certain things and we were so close for so many years that an avalanche of condolences have come my way since news of her death was made known.

An attorney turned fundraiser, Judy had exacting standards which fit well into an organization which prized itself on world excellence. It created a high bar that I in particular as the person working most closely with her, assumed quickly. Whether it was a point of grammar (it was an office where grammatical discussions ensued on a regular basis and worn copies of Chicago Style would cross reference with a book of Met style and occasionally someone would site The New Times) or where page numbers should appear in a document, she had definite opinions. Pre-computer I sat with a thesaurus and a dictionary on a shelf over my desk which I would refer to continuously. (They remain there although mostly ceremonial at this point and of course inaccessible there over the past two years of working from home.)

More less the edition she would have kept on her shelf.

It should be noted that a graduate of Smith college she had worked at different jobs (I believe she wrote for the early television show Omnibus), but was newly enrolled in law school when she was unexpectedly widowed. She was left with two young daughters and chose the difficult path of completing law school to support them. When I met her, Judy had left the practice of law and found her way into the newly developing area of fundraising called planned giving which focused on the tax advantages of philanthropy and estate planning.

Ours were careers that would span the dawn of the computer age and my early office eventually boasted one of the two fax machines for the Museum (that thing was loud and it used strange heat activated paper), followed by and a series of nascent computers and early attempts at email where I think we all had AOL accounts briefly. (I also transitioned from messages taken on note pads for that purpose to voice mail over the years!) We worked through a period where she hand wrote documents (on lined legal pads of paper) and I typed them on a word processor before we graduated to all having personal computers. Her handwriting was unbelievably neat or this would have been more of a chore. I rarely if ever had to ask what she had written, even when she was editing a document.

Within a few years our work and systems burgeoned and I was ambitious and took on all opportunities to turn my hand to additional areas. Therefore, in addition to my work with her I was running a growing annual giving program and special events such as dinners and receptions for exhibition openings, while we continued to work together on estate giving, creating complex contract templates and proposals. She was somewhat proprietary over my time and well, me. However she understood and applauded my ambition, and Judy knew that the best way to keep someone like me was to give me a lot of variety to learn from and keep me busy. I continued to work with her because I did learn from her and understood how valuable that was.

Judith Hozore in an undated photo from an obit. I remember this dress so well!

It wasn’t long before Judy evolved into den mom and chief confessor extraordinaire to the entire office and even a swath of the Museum. Given the closeness of my relationship (I used to quip that I spent many more waking hours a day with her weekly than with my now husband Kim) I would be tempted to say that she was a second mom to me, but she understood that I already had a wonderful mom who I am very close and our relationship was very close but definitely different.

When she retired I accepted the mantle of office good cop and chief sympathizer to a large degree although not a mom myself, never quite rising to the level of den mother. (Running my own office now I am keenly aware that I don’t get to be that person any longer as I am now required to be bad cop as well and keep the show running. I do miss my primarily good cop role at times.)

Me in a somewhat combative looking photo from right before I left the Museum.

Judy was a fairly observant Jew and working with her pulled me closer to my (half) Jewish roots, reminding me of or teaching me about, aspects of the religion. She is, perhaps, the only person I know well who kept kosher. She taught me about the lesser celebrated holidays and some of the details of the better known

Every year at this time Judy would bake endless batches of hamantaschen for Purim. These are butter cookie pockets filled with thick jam in flavors like apricot, prune and poppyseed. Judy had a few recipes up her sleeve (we disagreed on the specifics of making matzoh brie as I remember and sadly I never tasted her potato latke that I understand were excellent), but by her own account didn’t love cooking.

Her hamantaschen production was her annual contribution and she made enough that tins of it would appear in the office each spring and soon it was legendary. In early March people would start to wander by the office with a weather eye for the day they would appear. She always secured a special tin of them just for me, heavy on apricot, and upon her retirement I ended up with it. I cannot see them in stores without thinking of hers. (The tin stayed with me and is the photo at the top of the post. I opened it today and discovered I had squirreled all sorts of Met related bits in it including several tin types and a nice plastic elephant that used to grace my desk.)

These are fairly close to the way I remember hers, thinner crust than on the commercial ones you see frequently.

She guarded me like a momma bear over the years and I joked with one of her daughters via email that they must have felt like they had a third sister during those decades. I witnessed the wedding of her younger daughter (where I met a friend of hers who is a minister, Liz Wheeler, who ultimately married me and Kim) and waited with anticipation the birth of numerous grandchildren. Family always came first for her and her daughters and grandchildren were truly her proudest accomplishments. In turn, over time, she met my father and sister when they made their way to the Museum periodically and she knew the inner workings of my family and friends intimately as well. She was among those who saw me through the death of my sister toward the end of our time working together.

In addition to being exacting, Judy also had a hot temper and although never in all those years did she lose her temper with me, I did witness a number of remarkable skirmishes over time. Those who know me well understand that I have a hard and fast rule that I will not work for anyone who yells at me. I worked in kitchens early in my career and decided that I had had enough yelling for a working lifetime. There was one occasion, at the end when she was part time and working for me, when she came to me very angry about something and I told her that I thought she was being unfair and why, and maybe it wasn’t really me she was angry at. To her credit she accepted that; it was the closest we ever came to a real argument and I suspect was mostly about the shifting sands of time she was experiencing.

When after her retirement I had taken on a large part of the management and administration for that office and then eventually was lured away from the Met to run my own office, she marveled openly at my ambition. She had never wanted to leave her area of fundraising and was shocked but very proud of my subsequent accomplishments, such as they were.

I got a call last Sunday from a former Museum colleague while out running errands telling me of the paid notice in the New York Times announcing her death. Shortly after the call ended, I looked in a window as I continued on 86th Street and these trays of hamantaschen were on display. I thought to myself that it was like a wink from Judy as she went on her way.

Travel?

Pam’s Pictorama Post: I was very much in denial that it would happen, but when this week rolled around I found myself packing to head off on my first (albeit very brief) business trip to Chicago. My denial that it would happen (a west coast trip was canceled earlier this year as were similar events) of course did not enhance the experience as I deferred my decisions about packing and appointments until the last minute. (I have written about my pre-Covid business travel several times including here and here.)

I have always found packing for out of town events difficult. Each region has its own sensibility and trying to strike the right note and feel appropriate is stressful. In California, I sport too much black and am not beautifully causal enough, in the Midwest I tend to be under dressed or too professional and not festive enough. Add two years of not doing any of this, weight gained and weight lost, and a closet which in some ways is a frozen time capsule of winter of ’20 and you have packing stress.

Brrr! Icy water views on my run.

It also came to my attention that my hair (which has been somewhat defiantly gray since my 30’s which I wrote about in a post here) had meandered down well past my shoulders and perhaps this was not the most professional look. These days I generally loop it up into a clip or with a hair tie and don’t think about it most days except when it annoys me by falling down during my run.

So with just a few days to go I dropped a haircut appointment on top of an ambitious schedule, although the person I have long been devoted to wasn’t able to take me. At his suggestion I saw someone else in his salon. Brianna did a splendid job and was the first person other than David Smith to cut my hair in more than two decades. (David owns the salon now, Smith and Morgan, and he did stop by to see progress on the big snip.) I am grateful to both for helping to transform me back to a more business-like version of myself on short notice.

I have always enjoyed this view of the rail yard between the Art Institute buildings.

That done an evening outfit was then considered and devised out of the decaying edifice which is my closet. At long last a peacock patterned silk blouse, a long-standing favorite of many years, emerged from the depths of my closet along with a favorite leather blazer and the new pair of dress trousers I am sporting this post-diet season.

Among jewelry I chose two rings from my favorite stash of ones I used to wear daily, a giant bee and a turquoise one that looks like a robin’s egg perched on my hand. They both always cheer me up to see. I have rarely worn rings during our long at-home period and breaking two fingers on my left hand has shuffled my ring wearing (actually dieting does too) when I do and left me somewhat bereft without my wedding band on that hand. (I was told the swelling could take up to a year to go down so I have not attempted to alter it yet.)

Where it started to go a bit wrong was deciding that I wouldn’t take my roller suitcase and instead use the weekend bag I take to my mom’s in New Jersey these days. My fear of wrestling it into the overheads on the plane and having to fight about it all was more than I could withstand considering.

Sunrise reflected in the windows of the Art Institute.

My laptop of several years, which has been valiantly pressed into daily service in a way it was not purchased for, suddenly began to threaten that it may not be properly charging anymore. I purchased a keyboard for my iPad instead and decided I would bring it instead, cementing my decision that I didn’t need the larger bag. This was a mistake which I was to have much time to rue as I attempted to carry it on a mini-marathon gauntlet which is La Guardia airport and the equivalent of several city blocks between where my cab left me and the terminal. Part of this was through a construction site which was wet and muddy and well, long. The suitcase grew heavy, never again I swore.

Like many before me I will confess that my packing skills were sadly wanting for lack of use – my forays to NJ to stay with my mother in no way prepared me for packing to fly for a business trip. I found myself in Chicago with an entirely dried out old mascara and no shampoo. I almost forgot to put my liquids in a bag, but no one actually seems to care about that anymore? Worst of all, I didn’t pack anything to read! While I planned to work most of the time I didn’t pack or download a book for the trip whereas I usually include several – just in case. I purchased a trashy novel at La Guardia which sufficed for the most part, but gosh, what was I thinking?

Sun fighting to come out over the lake.

Of course there is the mask part of this. A colleague in DC who has small children and a husband who travels frequently for work had made a study of the best and most comfortable masks. I was endlessly grateful to Lesley for both reminding me to think about it (comfort and safety for long periods of wearing) and for giving me a link where I was able to purchase them. Every restaurant in Chicago told me, as they checked my vaccination status, that this and the mask mandate are to be lifted next week.

The interior of the magnificent bar at the Palmer House Hotel.

Ironically Chicago was the last business trip I took in February of 2020 (I wrote about an earlier leg of that trip here) and I stayed at the same hotel, the historic Palmer House a few blocks from the Art Institute. I found the hotel still beautiful, but in a somewhat reduced circumstance with no room service and restaurants closed, occupancy felt low. At my arrival time of 8:30 at night I was barely in time to grab a quick sandwich at the bar. (There was a Grab & Go take out with some sad food and no one to pay – truly grab and go I remarked to a fellow traveler who spontaneously revealed that he hadn’t been out of his house in two years. I assume he meant travel?) My room was clean, but no cleaning staff in evidence which was fine for me, but unusual.

The long rabbit warren hallways are decorated with photo portraits of generations of musicians and actors. I made a point of remembering a soft right at Frank Sinatra, past George Burns and then a hard left at Louie Armstrong.

View as I left my hotel, Palmer House, early on Thursday morning.

After some debate and planning I left the hotel just after sunrise for a run along the lake. I am used to cold runs along the water (and through the woods at mom’s), but even sporting my fleece tights and down liner the Chicago wind was a shock.

The stunning beauty of the waterfront made up for it and it is clearly a favorite with runners there. It is broader and larger than my East River Esplanade at home by far and there were fewer runners than at home and notably no dog walkers, too windy and cold for them I guess, and perhaps they prefer the nearby park. Although frankly I have never seen another city with as much dog walking activity and romping as Manhattan.

One of several beautiful and unidentified buildings viewed on my run.

The Beaux Arts buildings dot this horizon in one direction, the more contemporary skyline in the other. A Ferris Wheel in the distance, by what appeared to be a cruise ship made me think of a young adult novel I read years ago about the history of the Ferris Wheel and its origins at the Chicago Exposition of 1893. Kim had suggested it called, The Great Wheel, was written and beautifully illustrated by Robert Lawson in 1957. I highly recommend it for all ages. Cakes of ice floated around, ducks took them in stride.

However, the Chicago wind did its job during my four miles and I returned to the hotel to find my face flaming red with windburn! I had, as I always do, put a layer of moisturizer and sunscreen on before my run, but that only appeared to have made it worse. I have never seen it so red!

Ducks at the dock at the Chicago Yacht Club.

Meanwhile, breakfast with a former Met colleague, now at the Art Institute, helped cheer and ground me later that morning. Then I dug into work, held a staff meeting from my hotel room after purchasing something to calm the skin on my face, thank you Neutragena and Target. I made it through the remainder of the day and evening largely without mishap, although running an event out of town for the fist time in years could be the subject of its own post about muscle memory. Snow! Cancellations! Guest of honor still on the road in the snow! Seating changes! Young musicians who forgot the stand for their keyboard! Cocktails and several courses of food later the evening wrapped.

Day two too slippery for a run – or even to walk at times.

A not insubstantial amount of snow overnight sadly meant no run on morning two – which I regret because I wanted a better look at the Ferris Wheel, alas. However, I rose early, packed, crammed three meetings, breakfast, coffee and lunch into the first part of the day (Board member download from night before, former staffer and long ago colleague – no cabs around so all via Uber which was also an atrophied muscle) and visited with a colleague who had just arrived. I see Georgina so rarely in person these days that an in-person visit with her was almost as rare as seeing my Chicago folks.

Before long it was time to pick up my very weighty bag, throw it over my shoulders and head back to the airport, home again to Kim and the kitties!

January

Pam’s Pictorama Post: This past week I went on a particularly long run in New Jersey, more than four miles. The weather was an agreeable 35 degrees and my morning of meetings started late enough that despite being a bit cold I took the opportunity to explore a bit.

Discovered the local police station nearby recently.

When I first started running there I was afraid of getting lost as I didn’t know the area and there are a lot of dead end streets and cul de sacs to get lost in. It took awhile for me to get the lay of the land and understand where my mom’s house is in relation to a few large roads that will always put me back on course eventually, making it almost impossible to actually get lost I now know. (I have written about running in New Jersey before and one of those posts is here. One of my early posts about teaching myself to run can be found here.)

Wooded area where I run. Looks more wild than it is – there are the backs of houses within sight.

I have written a bit about this area which exists in my mind these days as a sort of ideal small town with more ball fields and playgrounds than I can count. Communal basketball hoops adorn many of the dead end streets and it is easy to imagine a spring and summer rife with kids playing there. It has become my other reality or parallel universe now that a spend more time with my mom at her house.

There is a charming middle school at the end of my mother’s block, Knollwood it is called, and each morning when I run there I see kids in various states of readiness migrating toward it to start their day. They come on bikes or walk, alone or a few together, sometimes running or pedaling hard as it gets later. Cars and buses are dropping them off on the other side, but that isn’t usually what I see from the side of the school I approach.

The houses here range from new build large and obviously affluent, to bungalow and Cape Cod small, like my mom’s. They indicate a fair amount of disparity in wealth I think as I run by them, but somehow they manage to knit together a community, homes almost universally cheerfully neat and tidy looking.

If I head further in one direction I know that beyond the woods where I start these runs that the homes will grow larger and further apart in the town where I grew up. As I go in the other direction the homes get smaller and closer together and older. This area forms a literal meeting point of three towns and each has a different flavor.

The suburban street near mom.

As I survey my surroundings (to an unlikely soundtrack of Billie Holiday which I am stuck on for no identifiable reason), I ponder how mindfulness can be uncomfortable and how sometimes forcing yourself to be in the moment is so much harder and more painful than escaping it. For me and with my personal history January is the most terrible of months, stinking with the memory of illness and death. Accepting that and not trying to escape it is hard. Despite a determined brand of personal optimism, I tend to skirt the beginning of each year warily, more just getting through it than embracing it as a new beginning.

This year has its own challenges and this week packed a wallop of January-ness my way along with some sodden snowy rain. The anniversary of my sister’s death, two more resignations at work, spending time (mostly reliving the past) with my mom who is not well – it has been a rocky road and I will be glad when the 31st passes, hopefully gently, into February. A tsunami of these issues clamor for attention in my brain and only the gentle repetitious pounding of my sneaker clad feet can help me unsnarl these thorny thoughts.

Flowers in memory of my sister Loren, brought by a friend earlier this week.

As I make my way over, up and through this neighborhood I think about it. The word liminal keeps looming in my mind so I examine it. Liminal, the space between things, the moment on a threshold. We all are existing in that liminal space right now as we try to figure out what the world is going to look like, needing to let go of what was and embrace this unknown next thing. That space is a bit of a respite from the drive forward, but you know you are going to have to take the plunge so there is little comfort in that perch, like standing above icy water before diving in. By its nature it is an uncomfortable place to be.

I think I understand the desire to leave for a new job and to assign all that was bad about the past two years to what employed your hours during that time. I can see that a new job might be a fresh new page to draw on and a way to reinvent yourself and push into the new world. So I try not to resent the further dwindling of my work team and the demands it will make on me and the remaining folks, but I admit it is hard.

One of the endless playing fields I run through on my NJ mornings.

My own style however is to dig my heels in and have a real look at myself, marshal my reserves, retrench. It is only by facing what is hard that we can actually resolve it. One of my expressions is the only way through is through – a self-evident but annoying truth. I see signs of reluctance in myself that I need to square off, face and resolve. I remind myself that there is a steeliness I can call on when needed and it is called for now. I use it and add on that extra mile.

Planning

Pam Pictorama Post: It is pre-dawn here and a soft rain is occasionally ticking against the window. Despite a late night at work (Big Band Holiday concert) I woke early and chafed a bit at my self-imposed rule that I won’t run in the dark as part of me wanted nothing more than a slow run through the park at 6:00 am. It sorts out my brain like nothing else and in an effortless way I will never really understand, but am grateful for when I can employ it. However, instead, I sit down and write and think maybe that run will come later.

Recently in the process of interviewing someone, I was asked about my own plans for the future, where I expect to be in five years. I laughed to myself and thought, after the last more than twenty months of the pandemic, how can anyone actually ask me what I think I will be doing in five years? I sure as heck didn’t think I would be doing what I have been for the last twenty or more months with a basis of operations from our one room here at Deitch Studio, but the question has gnawed at me a bit.

Big Band Holiday concert last night.

I was reminded of when I graduated from college. I formulated a very specific plan which roughly involved getting a job cooking in a very good restaurant here in New York City, applying to graduate school for painting and then using that restaurant experience to land a good job and work my way through said graduate program, probably somewhere in the mid-West like Iowa, and then most likely teaching art and trying to sell my own work. (Yes, I had a lot of energy then!)

I achieved the first step on the ladder and landed the job in a restaurant cooking with a rising young chef star, Jean-Georges Vongerichten. I won’t go down the tributary of my cooking career for now, but only note that it ended abruptly with a fall down a flight of stairs which put me out of commission for that kind of physical work. Over time painting gave way to photography and these days this blog is most of the creativity I employ on a regular basis.

The Met one recent morning as I walked to Columbus Circle for work.

After the fall, so to speak, I took a job in the bookstore at the Metropolitan Museum. I was eventually hired out of the bookstore into the administrative offices and, for the most part, stayed there contentedly for the better part of the next thirty years. (I wrote about this on my departure from the Met about four years ago and that post can be found here.) I had never imagined working at the Met and I had never considered (or remotely thought about) fundraising as a career. And once firmly and happily ensconced at the Met I never imagined leaving.

I have tried to make considered choices and planned my career with some thought however. I developed a broad base of skills (such as annual giving, events) and ultimately specialized deeply in the areas that most people avoided – tax consequences of gifts, charitable estate planning and back office operations for example. (My best single piece of advice to people starting out is always raise your hand for the job no one wants – that and for goodness sake, dress appropriately for any interview.)

A holiday Matt Wilson Tree-O at Dizzy’s Club earlier this week.

I embraced the opportunity to manage staff over time and took on overseeing a fair amount of hiring and on-boarding and compensation for that office. However, I always deeply enjoyed working with the individuals who supported the work of the museum and at least half my time was always devoted to that.

I had assumed I would retire from the Met. My decision to leave and run an office for a performing arts organization in many ways surprised no one more than me and it was a huge shift that left me reeling at first. However, the skills I had built up working at the museum have served me well.

Meanwhile, I think we can all safely say none of us expected the world to shift the way it did in March of 2020. It has been exhausting and exhilarating in turns. I feel as if I have grown decades of professional experience crammed into the past two years, approaching my work with a new efficiency as well as renewed urgency. I have often said that from that perspective I wouldn’t have missed it, but much like falling down that flight of stairs all those years ago, the path I thought I was on certainly veered wildly in another direction. We see a lot of folks making radical life changes as a result of the pandemic – changing where they live, where and how they work.

Big Band Holiday last night.

Recent months have allowed a return to seeing some of our supporters and friends in person. Last night was my first in the hall for a concert (I wrote about planning for and then missing our opening concerts in November in a post here), although I have been in our club venue on many evenings. A shift in staffing has meant that I am spending more time with folks and welcoming them in person. It is nice to be doing more of that again.

I have yet to respond to the question about where I expect to be in five years – neither to the person who asked nor in my own mind. I consider it for a bit this morning as the misty morning finally comes to light out the window.

On Board

Pam’s Pictorama Post: As I write this I am preparing to, for the first time in twenty months, introduce a new staff member to my team. With any luck I will repeat this process many times in the coming weeks and months (approximately seven times minimum), but as I sit at home on a rainy Monday and look at the prospect it is challenging.

As it happens, the new hire will report directly to me so there is no layer to help soften the blow. Also, the new fellow has expressed a (reasonable) desire to do some of his work from our offices which, to some degree, still largely languish with feeble use. A group of us have reason to be there throughout the week, but it tends to be spotty at best and I am frequently there with none of my team, but seeing a few other folks from various areas.

The ground level entrance to our hall earlier this year.

Therefore, I will start my day with a Zoom meeting with him and our Human Resources area and then make my way to midtown to meet with him in person. I will introduce him to my leadership team via Zoom from one location or the other. After showing him the office we will probably leave and meet over coffee nearby.

Due to life issues outside of work, I haven’t devoted a lot of time to thinking about how best to introduce and integrate this gentleman into our team. As I sit with my coffee this morning, I am realizing that it will be more challenging than anticipated.

However, despite my own absence from our opening concerts (you can read my posts about being stranded in New Jersey helping my mom who landed in the hospital here and here) I did get him a ticket and assigned another senior team member to sit with him and introduce him around at our pre-and-post concert receptions. I think it was a great night to see us at our best as well as close to our pre-pandemic selves as possible.

Someone snatched this for me. One of the special cookies we had made for our opening concert receptions.

I am constantly brought back to how hard it is to be a thoughtful manager under these circumstances. We operate without any playbook and just sort of shoot from the hip. Staff don’t mean to be critical, but they groan under the always increasing pressures and sometimes find fault with my bumbling efforts. More often they seem to appreciate my attempts, but still, my misses are duly brought to my attention.

With any luck we will hire two more people in the coming weeks and work to bring them on board. How to gather the troops so there is a feeling of camaraderie among them and the new folks aren’t just new tiles on a grid?

******************

It is two weeks since I began this post. I met the new staffer in person late in the day to show him the office and have a coffee together. There were a few folks, mostly my fellow VP’s, working that afternoon and so he met a few (duly masked) colleagues.

Office flowers.

Our office space was always a sort of joyful beehive of activity as offices go. Music played wafting out from the communal kitchen and sometimes you’d walk past as something so great was on you’d sit and listen and be late for your meeting. Our space is very open with seating nooks where pick up meetings might take place – or lunch shared. Many conference rooms, but few separate offices. People often commented on the personality of the space when visiting. It very much embodies us. Having come from the Metropolitan Museum I didn’t think I could be as fond of a physical place to work, but Jazz at Lincoln Center’s offices do hold a special place in my heart.

Catherine Russell performing at Dizzy’s this fall.

As above, the new hire is planning to work part of his time from the office and partly remote so I show him where his physical desk is, although it is not ready for him yet as office support is a bit spotty. Generally I am in the office a day or so a week, depending on my meeting schedule in the area. We have a person (now two – the second hire) who work there a few half days every week to process incoming contributions. Other people make less frequent, but occasional appearances from my team.

I make arrangements for a backstage tour of our hall which has returned to its former luster, glowing gently in Columbus Circle in the evening, our club full to selling out frequently especially as we approach the holiday season. We will make hay this fall as we know people will likely hibernate in the cold months of January and February. I plan to take the three (yes! hired a third!) new people and their managers to Dizzy’s one evening so at least we can have some face time together and they can experience the club.

Our stage door entrance.

Due to an emergency trip back to New Jersey I have to delay his formal introduction the day before Thanksgiving. When a week later we are gathered we have the second new person with us as well. In advance I asked the staff to all be on camera to greet the new folks so the folks aren’t facing endless tiles of names and Zoom snowmen.

We spend so many hours on Zoom I do not often ask them to be on camera as I know it is an additional burden. People talk about how it is better for morale, but it is a string I don’t pull often. As I have written before, (some of my work from home posts can be found here, here and here for starters), unless it isn’t possible for some reason I do my best to be on camera with them despite whatever state me, the cats and the apartment are in. I feel like they should have the option of seeing me – for what that is worth.

Our iconic entrance and marquee, taken on my first trip back to Columbus Circle in spring ’20.

Today at my request they have to a one complied and for the hour it is almost like a regular staff meeting of yore. However, a few pets make appearances (there is a dog in Connecticut who likes to bark in meetings who I am especially fond of), although it is early in the day for Blackie and he snoozes on the couch instead. And as we push forward I realize that somehow we have already moved into that new world we’ve been talking about.

Barty Nichols

Pam’s Pictorama Photo Post: This postcard turns out to be a fairly common one, although I had never seen it before purchasing this example. It was never mailed and nothing is written on the back. The image is a bit odd, Barty the puss peering out between the slats of this sort of picket fence effect, perhaps he is on a porch?

A handful of other capable bloggers have already done tribute to Barty and Hal who was a radio pioneer in Long Beach, California. A musician himself (a few ragtime pieces he wrote can be found on Youtube) Nicols channeled it into the early days of radio, starting in high school where he programmed a station which I assume was the school’s station. (I nosed around in the early days of radio, which are fascinating, via a series of books called The Radio Girls and that post can be found here.) Evidently it really was the medium of radio itself that he loved.

Hal Nichols in an undated photo. A photo of Barty appears to be on the wall behind him.

Unfortunately I could not find an example of the radio show to share and no one has really recorded what kinds of music he played on it. Therefore, I will just imagine that Hal played the jazz and dance band tunes of the 20’s and 30’s that I love since that would have been nostalgic in the 40’s and 50’s. (For a tribute to the radio persona who enlightened me on this subject you can find my post about Rich Conaty here.)

Hal purchased the KFOX-AM station (1280 on your dial) with a 20th Century Fox partner in 1924, but the partner bailed early and he became the sole proprietor. According to his obit, he was on air until his death in October of 1953 after a long illness, presumed to be cancer. I am not sure what the broader programming of the station was, but the Memory Room show was nightly at 6:30. (Today it is a Korean language station out of Torrance, California.) In addition to Barty, Hal was survived by his wife Dorothy – who doesn’t seem to get much air time in the discussion of Hal and KFOX.

Article on Barty. Not in Pams-Pictorama.com collection.

Barty, who weighed in at 18.5 lbs and was described as a tortoiseshell and white cat (fluffier and more long-haired than he appears in my postcard), entered the picture as early as 1946 and I gather his contribution seemed to be purring into the microphone for listeners at home. It is said he could (would?) purr “on command” (request?), but of course exactly who was doing what over the radio waves is a bit hard to verify. Another writer suggested that maybe Barty just purred all the time – seems unlikely to me as a cat owner. One assumes there was the occasional meow, chirp or mutter as well. Regardless, Barty seemed to manage to transcend the shortcomings of this early communication medium as a cat performer and he had quite a following. His fan mail routinely exceeded that of Hal’s, especially over Valentine’s Day and over the holidays.

The Barty pin, not in Pams-Pictorama.com collection.

As one writer pointed out, being a feline radio mascot was probably a pretty good gig – lots of time with Hal, much attention from staff and I am sure lots of food and treats. I’m not sure fame interests cats much, but of course it is hard to say what their views really might be.

Holiday card not in Pams-Pictorama.com collection.

Hal Nichols had something of a nose for promotion and he ran with the ball on Barty. Holiday cards featuring the feline were produced annually and there were buttons which proliferated as well. This postcard is another example. These collectibles are variously available on eBay, Etsy and at auction although I didn’t see any of the cards for sale except this one I purchased. In my research, I readily came across one magazine page devoted to the duo (which can be found here) and I suspect there were others. There is no indication if Barty headed home with Hal nightly or if the station was truly his only domain.

Holiday card not in Pams-Pictorama.com collection.

If it were not for the proliferation of pandemic Zoom, I would not have known of my own cat Blackie’s desire for fame and interest in being a broadcast personality. His daily involvement in Zoom meetings (he prefers late afternoon, but will make an exception for especially long meetings – think Board or Committees) earlier in the day. He is charmed by my being such a captive audience for an extended period.

Although his command center is generally my lap, he does make on-air appearances and favors turning his hindquarters to the camera and I attempt to spare my colleagues that view. He also has a gift for chin and ear rubbing his farewell appreciation on the jerry-rigged set-up which frequently sends it flying to the ground, making viewers believe that I have experienced either an earthquake or, more appropriately, a mini sort of Godzilla cat intervention. All this to say as a result, I can easily imagine Barty, perched on Hal’s lap or giving the mic a few ear and chin rubs, or an errant tail knocking it over occasionally, while purring his way into the hearts of listeners across California for many years.

For further reading on Barty and Hal you can try these blog posts and sites: http://World Radio History; http://Arcane Radio Trivia and http://Estate Sales Chronicles.

Fall Further

Pam’s Pictorama Post: I am writing from New Jersey today. We are celebrating Thanksgiving early this year as mom worried about the potential exposure over the holiday with crowded travel. As she has a weaken immune system this has to be her call. Either way, a visit is good.

Mom’s cat Peaches is considering making friends.

I headed down on the ferry Friday and the weather is more spring than fall – although today it poured rain on my run early this morning. Still, I am glad to catch the last of the Halloween decorations as well as the less glitzy Thanksgiving ones. It is a lovely small town and the houses are set closely together and are always nicely kept and decorated for holidays. A middle school is one of the stops on my running loop and many of the homes house families with small children. The autumn leaf display is always stunning and I am glad to catch it as well – fall is not fall for me without it.

From my run earlier today.

Autumn is one of my favorite seasons. The nip to the air, the smell of decaying leaves, the light turning to an afternoon yellow I think we only see for a few weeks each year. Kim and I got married in the fall, October, a way to celebrate my favorite season.

I love the lead up to the holidays and Thanksgiving is in many ways the best – all the holiday of Christmas with less fuss and stress..And I am usually content in the face of winter each year – looking forward to what is cozy about it, down comforters, hot drinks, and books read in bed. Like many other folks maybe I thought fall would look different than it does as currently still looks much like last spring and even last winter.

From yesterday’s run.

When I leave here tomorrow I will head back to Manhattan to launch this week with the long awaited season opening of concerts at the House of Swing, the first orchestra concerts by the Jazz at Lincoln Center Orchestra on Rose Hall stage in close to two years. As celebratory as it will be, somehow the new world still feels nascent and unformed, less a return to what we knew and more a dipping our toe in the water of something new. It is hard not to yearn to return to what we know, the constant re-imagining is exhausting. Cat-like I have always liked routine.

My staff (and no less I) are exhausted as we embark on another leg on the long marathon that has been the pandemic. We only know that we drive ahead, but no idea of how much longer the distance is. Like managers everywhere I find myself with a staff this is whittled down to a fraction of its former size. It continues to dwindle as colleagues try to re-start their lives in different locales, causes or goals. Everyone remaining has taken on additional work, re-orged again, and their job redefined repeatedly. I myself wear at least three hats. Choices about what priorities will remain and which we will forgo shift daily.

View leaving the house for a run yesterday. Stormy weather.

As fundraisers, we prefer to be able to plan and living in an ever shifting world makes us cranky and short with each other. One of my consultants urges me to read Churchill speeches as a way to inspire me and help me rally my “troops”, but he is not my style and instead of urging people to make war I need to compel them instead to continued kindness with their colleagues and to try to imagine their way to a new way of being. Instead I will pull my running clothes on, put Beethoven on my headphones and head out into another fall morning to work things out.

Postscript: my morning run ended with a trip to the ER with my mom. Looks like the universe has more in store for this week.

Following Up, Filling in and Fall-ing

Pam’s Pictorama Post: It’s an overcast fall morning and I am waiting for hot coffee to finish brewing so I can wallow around in a few mugs of it. Our windows are open as a nod to plaster from recent repairs to dry and as a result our shades are uncharacteristically wide open, also as an assist to the workmen and to keep them clean in the demolition and repair of the ceiling and wall around them. (Some posts devoted to the clean up post Hurricane Ida can be found here and here.)

View from our currently denuded windows this AM.

October showed up last week and I still feel only a reluctant recognition of the fact. However, there is no stopping the march of the seasons and I no longer run in shorts and have even layered the occasional long-sleeve top. While I haven’t seen many leaves start to change yet, some trees have already lost theirs. There is a final hurrah of fall flowers in the park which I am grateful for and in the way that October has yesterday was downright hot in the sun, while today is gloomy and chilly.

Kim and I were married in October – our anniversary comes up this week. It was a freakishly warm and gloriously sunny Saturday, after a prior weekend when a tropical storm had raged here in New York. October turns this black cat collector’s mind to Halloween and some related posts are likely to come soon.

Miniature boat pond in Central Park this week. This pair from a family which hatched early this spring and are now mature. They seem to like this little raft which is sort of funny since they are ducks.

For those of you who follow the adventures of my work life, I can say that there are more days I wander in and out of the office and evenings at our jazz club, Dizzy’s. I have always been fond of Dizzy’s, but somehow it has really been a bit of a beacon from the past as I formulate a work vision of the future. Our concert season doesn’t commence here in New York until November which seemed like a long time ago until now it does not. But somehow a few hours of live music and dinner at Dizzy’s, overlooking Central Park and Columbus Circle, is comforting in a way I had not imagined. It is a bridge between the then time and now.

Finding a new routine, tried a new diner near work for breakfast this week.

Otherwise, I largely trot around the city in a rotation of breakfast, lunch and drinks meetings related to work, largely seated outside. (My 3 mile morning run expanding to include daily walks to locales around Manhattan, now racking up as much as another 7 miles a day!) It will be interesting to see if these meetings move inside as it gets chillier or cease for the moment. My team joins me with a combination of trepidation and some enthusiasm. An October date for a full on return to the office has been pushed back, but for how long we are unsure. I understand the peevishness of my staff at the uncertainty, but remind them we are getting the job done and there is nowhere to go but forward.

Drayton in an undated photograph.

Meanwhile, I have a rare post follow-up (last week’s post can be found here) and discoveries made post publication. I had penned my post on a cast iron puppy piggy bank I acquired earlier in the week and when Kim read it he informed me that the designer noted, Grace Gebbie Drayton, is actually of some commercial art and comics note.

Puppy bank designed by Drayton, shown here in shop window. Pams-Pictorama.com collection.
Speaking dog bank also in the window of the store – this just because I missed it last week!

Born in Philadelphia in 1878, her father an art publisher, she attended Drexel and the (then) Phildelphia School of Design for Women where she studied under Robert Henri. She married, and divorced, twice (she seemed to have a hard time getting much passed the decade mark with husbands) and Drayton is the moniker of husband number two.

Campbell Soup Kids figures by Drayton.

Her significant claims on fame are the creation of the Campbell Soup Kids advertisements beginning in 1904 and a comic strip called Dolly Dimples. In reality she had several such comic strips, all with somewhat saccharine names, among them – Naughty ToodlesDottie DimpleDimples,  and The Pussycat Princess, some strips (The Adventures of Dolly Drake and Bobby Blake in Storyland and The Turr’ble Tales of Kaptin Kiddo) were written by her sister, Margaret Hayes and illustrated by Drake.

Fairly rare kiddie volume from 1910 by Grace Drayton, under her first married name, Grace Wiederseim. Not in Pictorama.com collection.

Cuteness seemed to be her professional beat although there is something about her bio which suggests it may have been less in evidence in her personal life. Drayton owns the title of first woman to be a cartoonist for Hearst. She specialized in round faced, chubby child characters and in addition to the comics and commercial work she illustrated children’s books. An abundance of her Campbell Soup Kids and Dolly Dimples work survives (the Dolly Dimples paper dolls proliferated), and Drayton’s work is in the collections of several museums here in the United States and Great Britain. Drayton died young at age 56 in 1936.

September Morn by Drayton, not in Pictorama.com collection.

Kim had recognized the style of the bank even before knowing that Drayton had a hand in it. While researching her we turned up this nifty cat bank and doorstop variations, shown below. It is a bit less available than the pup, but I wouldn’t be surprised if it (or a slight variation) doesn’t enter the Pictorama collection. More on that if it it comes to pass.

Cat doorstop designed by Drayton and produced by Hubley. Not in Pictorama.com collection.
Cat bank designed by Drayton. Not in Pictorama.com collection – yet!

My bank had the rattle of a few coins in it and Kim was itching to see what they were. I was reluctant to unscrew the bank which shows no evidence that it has been apart in many decades. Much to my surprise Kim displayed his adeptness of a childhood skill which involves coaxing coins out of a bank through the deposit slot. Only a bit rusty, he had four wheat back pennies, and one Lincoln, out in no time. (I do wish I had taken a photo of this process!) Wheat backs were minted between 1909 and 1959. One of these is dated 1924, three are from the 1940’s and one is from 1975. As Kim cheerfully volunteered, this proves all of nothing, but somehow is still interesting. I am toying with the idea of putting them back in the bank, but Kim has the finders keepers on that one and he can decide.

And that, dear readers, is my update for today.

Working

Pam Pictorama Post: It is a chilly September morning as I sit down to write this. We have a window open as we continue to try to air out the apartment from a persistent mustiness that settled on it as we tried to deal with clothing and a smattering of other items that were in our basement locker during the hit and run of Hurricane Ida. Coffee, the remedy to all things waking up, is perking (yes, perking, I actually still use a percolating pot) on the stove. Yesterday had the same September chill and I was thinking about how those first few chilly days somehow manage still to surprise us each year.

The Appel Room at Jazz at Lincoln Center, set up for the first dinner I held there in 2017.

Every year we think it seems early, but it isn’t really as it is mid-September after all. And while we know that we will still have some very hot days still slated, somehow the spell of summer is really broken. As a kid I remember feeling that somehow that first day of school should have some chill in the air – it seemed wrong to go back to the school routine when it was still hot and you wanted to wear shorts and sandals instead of school clothes and hard shoes.

Rosh Hashanah commenced the Jewish holidays this week and welcomed in a New Year. I have always thought that the Jewish calendar of holidays was spot on – this is the time of the year when I think of starting over (it’s that back-to-school thing again), Yom Kippur shortly after which makes you take a hard look at yourself, and Passover as part of the renewal process of spring.

A box made by Kim which sits on the desk in my office. I wrote about it in a post called Kim’s Elephant Box.

I have written a bit on and off about the potential return to the office – it is still pending and currently set for mid-October, Covid variants pending. (Among those posts are two here and here.) I have spent the summer with a mental punch list of things that I need to do in order to begin to officially return to the world. As a result I have seen a litany of doctors and gotten myself back on their roster of maintenance and taken their neglected battery of tests, ending with the dentist finally this past week. I have had a hair cut, although I think I am already due for another. My weight loss program is nearing its goal which commenced last November and took on the pandemic pounds first and then moved onto what I had needed to lose before it all started. I am hovering within five pounds of my lowest fighting weight, as I like to think of it. I started running last November as well and have largely stuck to it through thick and thin, pausing only for the worst snow over the winter and longer after breaking my fingers on Memorial Day. (The finger tale of woe can be found here and the story of my nascent running is here.) I am a person who finds comfort in developing a list of achievable goals and the ability to check them off as I go.

Felix sheet music from my collection decorates the walls of my office. Sheet music Pams-Pictorama.com collection.

My office is still virtually deserted when I make trips there these days. We’ve cleaned and cleared the decks of old paper and tossed out the plants that didn’t make it on a visit as a group earlier this summer. It is in a state of perpetual weekend in my mind. I tend to show up for what I need to do there – checking the mail and the like – and I leave. There is no music wafting through the halls or out of the offices of colleagues. When I look around and try to imagine us all back I am reminded that many folks won’t be back – a staff of 16 which has whittled down to possibly as few as five of us returning to the office in my group and a similar proportion across the organization. The loss of a dear colleague, Jazz giant historian Phil Schaap, to cancer this week will linger over the common spaces we shared and his office. (His obit can be found here.)

Dog walkers back on the job in Manhattan earlier this week.

As I cleaned my closets and purged moth eaten clothing (another of the tasks on my long list) I realized that we are all essentially two years older. I realize this should be self evident, but everything else aside I haven’t sat cheek to jowl with this folks every day for seventeen months and counting. I look at these clothes in wonder and think about whether I have any interest in wearing them again – they are a microcosm of another time. I don’t right now, but keep the ones that moths have not (yet) made visible inroads in and that look like they might fit and figure I will worry about that another day.

The world at large still has mixed feelings about in-person interaction, at least here in Manhattan. I have scheduled numerous visits with patrons I haven’t seen in person over the duration over the coming weeks. Some still only doing outside and others looking forward to live music inside. I have emailed and spoken with others who are not ready at all. Our jazz club, Dizzy’s, is full some nights and deserted on others following a rhythm none of us can quite decode. Showing my vaccination status everywhere I go will become law on Monday, but many restaurants and other public venues have already adopted it.

Katherine Rusell performing at Dizzy’s back in July of ’19. I will hear her again in a few weeks at Dizzy’s.

My work days are long again. I start very early before my run, work through the day and find myself drifting back to my desk after dinner. My intermittent insomnia has already put in an appearance, the mental calculator of millions of dollars to raise this year ticking away in my brain.

This morning I am reminded of when my sister Loren’s apartment was broken into while going to grad school in Chicago – after that she would frequently refer to things as being “before the heist” or “after the heist”. This would usually refer to something she no longer owned, but sometimes it would refer to other things like the acquisition of her large dog Ron – although I believe he was adopted after a subsequent spate of robberies in Berkley. I felt that way after 9/11 and then experienced a personal version after Loren died a few years later. World wide disruptions and personal ones, the great divides that change the path we thought we were on but were never really destined for. We will be talking about the before time and the post-pandemic one for a long time going forward.

Still, my back-to-school spirit remains intact and although I am still layering sweaters over sundresses (and have not committed to ever wearing anything but sneakers again), I am mentally starting to construct what this new world is going to look like for me and to some degree for my team at work. I remain ever interested in what the future will look like and what I will make of it now.

Falling Back?

Pam’s Pictorama Post: As I write today Kim (the cats) and I are speeding toward the end of our summer vacation. Exhausted overall, we stayed in Manhattan and just determined to rest and have some fun here. One of the highlights was the postponed Cartoon Carnival evening which I wrote about in an earlier post (here), delayed initially by one hurricane and almost delayed again by a second one. The delightful Sunday evening had an unusual chill to the air for August and that and rough waters (Ida creeping up the coast?) made me scuttle my plan to take two ferries to arrive there and maybe sneak in a flea market as well. Instead we took the subway out and scored a nice dinner. The backyard of City Reliquary in Williamsburg, Brooklyn was the location and we had the added benefit of seeing their exhibit on candy as well.

Not quite a third of the way into the program (Out to Sea was the theme with lots of jolly swordfish fights and mice using donuts as life preservers), there was a power surge and the projector went off as did all visible lights around us, including in the apartment building looming behind the screen. The power came back quickly and, sadly, burned a frame or two of the print before Tommy could stop it (Tommy Stathes, our curator and host uses 16mm prints with a real projector), admittedly a familiar sight to those of us who have seen a lot of film run however. We quickly got rolling again though and were treated to several cartoons we had not seen before, for me two Felix cartoons and one by Paul Terry for starters. I also purchased a few dvd’s from him so we could continue the party at home. (If you love old cartoons you need to know about Tommy and his site can be found here or find him on IG @tomatitojose.)

The cheerful bar and candy counter at the outdoor backyard at City Reliquary.

When we headed back to the subway around 10:00, we were to discover that the power surge had caused an inexplicably large suspension of subways; 80 trains suspended we heard the next day. We first tried the L and then walked to the J before we realized that underground was not happening between Brooklyn and Manhattan tonight. Eventually we found our way onto a bus designated to essentially get people over the bridge and to the nearest station in Manhattan, Essex Street. There we discovered further outages, but eventually lucked out with a F train which took us to our beloved Q line and home. It was 12:30 before we got back – very relieved we’d fed our kitties before we left.

On the looong trip home. On the F train, the remains of someone’s dinner and, mysteriously, a large pile of lottery cards. We’re hoping he or she won and ran off the subway without the rest!

Monday dawned and I decided it was time to fulfill a long-standing pledge to myself to finally go through my closets which have largely remained utterly undisturbed since March of ’20. Yes, I belong to that group of people who climbed into workout clothes that weekin mid-March of ’20 and never really got out of them again. As some Pictorama readers know, over those first months I rediscovered my early talent for cooking and baking (recipes and cooking memoirs can be found here and here for starters) and of course gained a lot of weight. Last November I took it in hand and I began running and went on a diet. (Posts devoted to my nascent running can be found here and here.)

Two broken fingers later (I fell running) and having now lost more weight than I initially gained (but still looking to lose a bit more), I faced the time capsule that is my closet with many deeply mixed feelings. In addition to just needing to go through the closet moths have been erecting a citadel in both of them which I needed to confront, all those clothes sitting undisturbed was a moth bonanza it seems. So it was with great trepidation that I waded in.

From the great Felix cartoon dvd we purchased from Tommy!

It took three days and for the most part I didn’t bother trying to figure out what might fit or not, mostly only deal with the moths, cleaning, organizing and tossing damaged items. Notable among the victims were black wool tuxedo trousers that Kim has owned for decades, traded for a bunch of homegrown pot on a long ago day in California, long before we met. As the husband of a fundraiser Kim has needed a no less than annual use of said tux, alas, we are sad with this loss.

What I wasn’t prepared for was my overall extreme ambivalence about the idea of office clothes and returning to a world of wearing them. Please understand, I have always liked nice clothes and good shoes. (My love of jewelry which incidentally continues unabated has been documented here recently.) Therefore, my extreme disinterest in resurrecting them remains surprising. (I always liked make-up as well and have lost interest in that too for the most part.) It is somewhat disorienting to realize that I am somehow no longer that person, but am left with a fuzzy picture of who exactly that means I am. Part of me thought, let’s just pitch the lot of it.

Cookie helping with the closet organizing.

Having spent virtually my entire career not only working in an office but fundraising in particular has meant that I have gone to the office dressed to meet and speak with potential donors virtually every single day. When I worked at the Met it wasn’t unusual for people to phone unexpectedly who were visiting the galleries and ask to come and see me. Board members routinely wandered in for meetings. Early in my career there was an actual dress code (you didn’t wear trousers for evening events) and although that faded over time, it was expected that a level of professional dress would be maintained and people who didn’t catch on were flatly told to tow the line.

My current position has me less likely to have those unexpected meetings but between evening events, scheduled meetings and lunches, and a large amount of work travel while the precise nature of what I wore changed, the fact that I was dressed for business everyday was well ingrained. (A board member at my current position complained to someone that I wore too many suits. To this day that comment confounds me. Did she want me to show up in a tank top and flip flops?)

Central Park as the sun was setting, on our way to Dizzy’s Club in Columbus Circle.

The top strata layer of my closet reminded me that I had been traveling to the midwest right before shutdown. A trip to Wisconsin, following by Milwaukee and then a subsequent one to Chicago, had meant a lot of wool (more moth industry and joy) and layers that had been worn. (A blog post devoted to one of those trips and some musing on fundraising can be found here.) Further digging found the clothes I usually keep year round in the closet for seasonal trips to Florida and California. I cast a jaundiced eye at those wondering if my current weight would enable me to get me back in them yet. (A somewhat academic question for now of course, although in a sort of tentative world a trip to the west coast looms for January, maybe Florida in December.)

Another photo heading to Columbus Circle the other evening.

More importantly though, despite the visceral memories the clothes brought back of essentially another time, it crashed directly into my current sensibility of who I actually am now and more importantly, who do I want to be and where am I going with this?

Thursday night Kim and I decided to head over to Dizzy’s. (His idea really, as a treat to cheer me up a bit after three days of moth-y work. Thank you honey!) Dizzy’s is the Jazz at Lincoln Center, my former clubhouse of sorts in the pre-pandemic world, and we went to hear some young musicians I know. I had been to Dizzy’s once already for our re-opening two weeks before and the emotion of being back in that room and hearing live music had been overwhelming, not just for me but for the whole audience of friends and family we had invited for the evening. This night however, I had Kim with me and we were visiting as civilians as such, me not working. (I would be remiss if I didn’t say you can make reservations for upcoming shows at jazz.org.)

Isaiah Thompson on piano, Julien Lee on sax, TJ Reddick drums and Philip Norris on bass, Thursday night at Dizzy’s. Hard to beat the view out these windows, New York skyline and Central Park!

Without the distraction of working and being in charge of an event, I was more focused on the experience of just being there. Seeing these recent Juilliard graduates, some of the best young jazz musicians today, getting a chance to play at the club was wonderful. The leader of the quartet was Isaiah Thompson and one of the things he said in his introduction was that he found it was so much more intense to play in front of people now. I also find this to be true. Sitting down with people and talking to them in person is indeed more intense .

I also thought about the incredibly fragile ecosystem that is jazz and the hard work of Jazz at Lincoln Center to maintain that important link, helping to hold it together and connect the pieces, making evenings like this possible for these extremely talented and just ascending young musicians. I fell to thinking about the phenomenal work that we had all dedicated just to keep it alive over these more than seventeen months. I am proud to be a part of that, but also deeply tired. My ties to it go much deeper now, but my awareness of how delicate and even ephemeral it is remains indelible and front of mind as well. The grim reality is that it isn’t over yet, there is no real return to what we thought of as normal and there is much hard work yet ahead as I look toward returning next week.