Can it be? Another Felix?

Pam’s Pictorama Toy Post: When this new Felix landed here at Deitch Studio the other day, Kim exclaimed that he looked exactly like another Felix on the living room shelf. I denied this allegation and a quick (close) comparison revealed notable differences and Kim conceded the point. Having said that I admit that some of my stuffed Felix toys differ in ways that only a mother might notice differences among her children.

Felix with bristly whiskers, shoe button nose and simple stitch teeth. Pams-Pictorama.com Collection.

For me it is quite self-evident – a crooked grin, how the teeth are stitched in – just a single line or a filled in toothiness? Do the arms move or are they in a permanent attitude or pose? The legs are important because that is how a Felix doll stands, always a tripod affair, the support balancing between the two legs and the tail. Some of these fellows have a hump to their back, a tribute to his hunched over thinking walk, others not. Some stand with more assurance and others more attitude. Others have trouble standing at all.

A closer look at our man today. Pams-Pictorama.com Collection.

For me it is the expression however. Some are knowing, others have a sort of charming dufuss-y and daffy look. Still others are sort of good time Charleys who you might be up all night drinking and playing cards with. Some, like this one, have a cocky and confident look.

I have written a bit about the sometimes handmade nature of some of these early British toys. (A post about their manufacture on the East End of London as employment for indigent women can be found here.) The more oddly off-model the better in my opinion. I like the ones that challenge credulity as whether or not they even are Felix – Kim saying, That is NOT Felix! and me insisting, Yes, he is! (At least he was intended to be.)

A few whiskers left on this fellow, with a smushy fabric nose and a vaguely curly, longer mohair. Pams-Pictorama.com Collection.

Although I believe all or virtually all Felix-es had whiskers they come in a wide variety of options – from hard plastic like fishing line, to a few wispy threads to a nice full bunch of coarse threads like this fellow still has. Clearly the whiskers are among the parts to first go missing.

An especially googly eyed Felix with big, felt-y teeth. Pams-Pictorama.com Collection.

Eyes are most often shoe button black, but there are some variations with black and white glass like this fellow sports. Some are more googly than others. Noses can be stitched on affairs, cloth covered or metal. The quality of the mohair varies as well – some with a longer nap and almost a curl to it, others a more bristly sort.

Bristly mohair Felix, with large glass eyes – whiskers intact. Pams-Pictorama.com Collection.

He was sold to me via auction as made by the Dean’s Rag Company, but I cannot firmly confirm nor deny that origin. He is about 18 inches tall.

All of this makes up a Felix toy and the variations that makes that particular one hold a special place in my heart!

Felix Takes a Powder

Pam’s Pictorama Post: Recently my friend Mel directed me over to a small auction that was primarily devoted to space ships, but had a small number of Felix items and I guess a very few people paying attention to them. Today’s very unusual item came to me via that auction along with a lovely stuffed Felix I will share soon as well.

Schuco produced Felix perfume bottle. Always very pricey! Not in my collection.

Felix bottles are a category unto themselves and to my knowledge include a soda bottle, a plastic bath bubble bottle, a popular perfume bottle and an even more available early bath salts bottle. The perfume bottle has a mohair outside (as above, produced by the toy company Schuco, which makes you wonder a bit about the quality of the perfume in question) and looks like a toy, while the bath salts one is made of clear glass and painted. The paint is usually worn off on the latter and there is a very similar Bonzo Dog – oddly and weirdly almost interchangeable if you aren’t paying attention. (As below and not in my collection – yet!)

My new Felix bottle is in what I think of as his Romeo pose, on one knee, hands clasped to his heart. You can imagine his impassioned cat-on-a-fence type tune. There are no makers or brand markings at all. In all of my searching around I have never seen the likes of him.

The white of his face appears to have been repainted, fairly well, but still is generally something that turns me off entirely. I can’t say the style of him is a favorite either – why the two tooth look I wonder? Again though he is so unusual I decided he had a place here at Pictorama and I am pleased with a having acquired him.

Powder stopper. Pams-Pictorama.com collection.

I have never however seen this item before in all my looking, nor when I did a dedicated search after finding him. He is made of a heavy molded glass (seam in the bottom) and stands about five inches high, and he’s a slightly off-model Felix with that sort of gap-tooth grin. The brass-esque cap comes off to reveal a powder shaker top. (Felix arrived well packed, but in a tsunami of powder which had remained in the bottle until he traveled! I guess the seller figured I would want it powder and all. Only a vague scent to it if you are wondering. It is sort of getting all over everything despite my best efforts to contain it.)

I like to imagine a dressing table somewhere, maybe in the early 1930’s with Felix atop where each morning a bit of powder was shaken out of him. So beloved however, he has made it down through almost a hundred years to be with us today. And stay tuned – while I was writing this I found another bottle I had to have. More to come…

Happy Feet

Pam’s Pictorama Post: One of the primary tenents of Pictorama is that I pretty much own everything I write about. I have made occasional exceptions (one, a very early Norakuro post of a toy, can be found here), but it is a general rule. However, I deviate today. A friend sent me this really interesting eBay posting from British eBay. The shoes had already sold, but I did love seeing them so I am sharing them with you.

So well used they were worn clear through.

These are so very worn! Not surprisingly they were much beloved – and what child of the ’20’s wouldn’t love them? And of course that they were kept all these years is a further tribute to their special place in someone’s heart. The tiny ankle straps are about worn through but it is easy to imagine a tiny tot kicking up their feet with Felix twirling on their toes.

A pair of Felix socks! These are also not in my collection but saved in my photo archive.

I wander over to British eBay occasionally and poke around, although I have not in quite awhile. Some of those listings make it onto an international listing, but not all. Occasionally there are also sellers who only wish to do business in the United Kingdom, not wanting to mess with different currency and long distance shipping.

Another item that seemed too large to make its home here. Having said that there was a hand decorated uke I actually purchased and the seller then refused to sell. Alas, no photo of that in my archive it seems.

Meanwhile, I have generally stayed away from items of clothing. Between my lack of storage space and the moth farm I have been raising since the pandemic, I see myself as a poor steward of such objects which tend to be fragile. Still, I appreciate them and in a different situation I would devote space and funds to their acquisition.

This was a US find but was just out of price range for me. Kept a photo of it and thought I would share it now. Hand decorated felt beanie.

As Felix fan Pictorama followers know, Britain is the El Dorado of all things Felix and there seems to have been a proliferation of items, presumably mostly unlicensed, some professionally made, semi-professional and also homemade from patterns or the products of creative minds. Back in 2018 I wrote about a handmade item, a child’s pinafore, in an aptly name post called Breaking the Rules which can be found here.

I hope you have enjoyed this new edition of a rule breaking post, peeling back a few layers of acquisitions that might have been.

Here Piggy Piggy!

Pam’s Pictorama Post: This little piggy showed up at our local haunt which has supplied us with a few other items over the past year or so. Most recently a rather splendid elephant bank I wrote about here. (A glorious reveal of another one pending for a near term future post!)

The other day without really meaning to, Kim and I wandered in on one of our trips to or from on that particular block. This block is on the path of our trips to a Vietnamese take-out place we favor, our pet food store and is the block we stroll up and down while waiting for our Mexican food to be prepared for pick up. I like to stop and look in the window and occasionally I breakdown and purchase something. The fact that they keep odd hours makes it easier not to resist actual purchases as our strolls seem to rarely matchup with their being open.

A fairly recent view of the store window.

However, a week or so ago we were out on a Saturday afternoon and they were open and we wandered from front window to being in the store. We had noticed this little fellow through the window a week or so before. He seemed rather singular and so he has joined the ranks here at Deitch Studio.

This piggy turns out to be very popular and widely available (currently examples are available on Etsy and other sites) and seems to have been produced over a long period of time starting in the teens, by the maker Hubley. (Another item from this shop is a great dog bank that was made by Hubley. You can find that post here. Seems like I am starting a de facto bank collection via these folks!)

On my version the sign he sports is easily read, The wise pig/ Save a penny yesterday another save today tomorrow save another to keep the wolf away. Below that, on his little stand, it proclaims Thrifty. I feel he is both smiling and yet has a concerned expression. Encouraging you to save and concerned for your future well-being. Other versions of the bank feature the pig with a big pink mouth – making me think of the phrase, lipstick on a pig.

The lipstick on a pig version of the bank. Not in Pictorama collection.

He is pleasantly chipped and handled. I alway wonder about these banks how many pennies, nickels and dimes you could realistically have fit in. The effort to loosen and remove the bolt at the back seems beyond a child – perhaps the whole point? Or maybe kids just jiggled the money out of the slot again. I would say none of my banks, for all their decades in existence, show any evidence that they were ever unscrewed and opened. Teaching children thrift indeed.

I wrote a bit about banks I had as a child in a post here. The one below is a reasonably close clone of my memory of the very traditional one that was beloved to me as a child. Mine may have been a model that was slightly older or newer. I don’t remember the one ear down, but it was a long time ago. This piggy had a cork holder in the bottom I believe. I may have kept coins in him (her?), but I think mostly I just liked it.

Perhaps the model of piggy bank I had as a child, for sale on Etsy. Not in Pams-Pictorama.com collection.

My “real” bank was a small safe someone gave me. Loren and I were each given one and I used mine for many years, tucking away both bills and coins. Later in life I adopted the habit of keeping bills in my dresser drawer – Loren was fond of the sticking it in old purses method of storage. We had proper savings accounts as kids too.

The exact toy safe I had as a kid – down to the red knob. Loren’s had a blue one.

I also remember Christmas Clubs – does anyone else? A small amount would be deducted throughout the calendar year and put into an interest bearing savings account. Those must have been an administrative nightmare for banks, but it got people into the bank and to create savings accounts I guess. A quick search tells me that there are still a few that do it, although of course now it is an automatic deduct from your account, not the charming little passbooks of years ago.

More Margate Felix

Pam’s Pictorama Photo Post: I am fulfilling yesterday’s promise of more photos to come with another hotsy totsy postcard which also entered into the Pictorama collection this week. My singular passion for this rarified specimen of photo postcards has been well documented and is in fact responsible for this blog which subsequently burgeoned into a much larger pastime. I contend that I may have the largest collection of these photos, but since I rarely meet anyone with even one (unless they are selling it) may claim goes largely uncontested. Most, but not all, have made appearances here on Pictorama.

I know there are other folks who own some Felix cards in the world because I occasionally to my horror (and admittedly not often), lose an auction for one. My fondness for these photos has inspired some purchases of what I think of as subcategories – people posing on enormous black cat “chairs” and then the random posing with or on other cartoon characters including (usually small) Mickeys or in one case atop Barney Google’s horse Spark Plug. (That post can be found here.) Some are tintypes, but most are photo postcards. In general, the thrust of individuals recording their madcap day at seaside or an amusement pier of some sort appeals to me.

Another pint-sized Felix. Pams-Pictorama.com Collection.

This family certainly defies the definition of madcap or even happy go-lucky. They are depicted in somewhat mugwamp fashion, be-hatted, bundled and all except for the little nipper on the end, engaged in industrious forms of leisure if there is such a thing – reading and knitting or sewing as far as I can tell. (Dad has a sheepish grin – perhaps the whole thing was his idea.) Clearly it was not one of Margate’s sunnier and warmer days, the third woman has an umbrella tucked under her feet which is easy to miss. A stray hat (it looks a bit large but probably belongs to the little girl) is in the foreground. The little girl’s shoes are tucked between mom and dad in the sand.

The card is marked just Margate in pencil on the back, but it was never mailed and nothing else is written on it, somehow these folks were talked into a photo with Felix. Margate, a long-standing seaside destination, is the locale of many of my photos. I wrote about its history once here. (And among the other times I have had posts of postcards from there are examples here and here and one from earlier this year with Felix here.)

Pams-Pictorama.com Collection.

As posing Felix-es go, he is a smallish model, only coming up to the waist of the little girl who is standing behind him. Upon close inspection he sports both a small bow on his left shoulder and a large button in his ear which I will hazard a guess says Chad Valley – it is the first time I have seen the button in the ear of one of these posing Felix toys and now I am wondering if I can find it on others. I have a sort of 18 inch model that has one – the first in my collection to still have it.

I must say, as backdrops go the photographer didn’t have much to work with here – the patch of sand and unromantic wall behind them. They could be anywhere. He has centered them however and consciously or not, they make up a good photo, their hats lining up and the little girl on the end just a bit taller than the seated adults. Something about the white stockings and shoes on the third woman adds something to the effect. If their repose was greater they might be the Whistler’s Mothers of Margate, but instead there is that nagging sense of diligence. Their Sunday afternoon in the parlor transported to the beach briefly.

A very similar Felix at an undisclosed location – possibly Margate and the very same Felix? Pams-Pictorama.com Collection.

Felix remains jolly in the face of their dour and somewhat gloomy affects. He rolls his eyes a bit maniacally, looking up coincidentally toward the little girl – she is his potential partner in crime, and they are in it together to get this party started and have some fun! One arm (paw?) up, he’s ready to lead the way. Meanwhile, he is at the beginning of a long day of posing, cheerfully, with an array of folks on the beach in Margate, some more fun than others, waving to me a hundred or so years later.

Oswald

Pam’s Pictorama Toy Post: A new friendship with a reader who is a fellow collector has lead to a cheerful volley of toy conversation via email recently which I have quite enjoyed. His collection runs broad and deep and some of the items he has shared photos of fascinate and entice! He recently shared photos of a few groups of rarified early character toys which were amazing. Among them a few examples of our friend Oswald rabbit which are from a different period from mine which turned my attention to cartoon rabbits today.

As you can see, my fellow is in very rough shape indeed. Many years ago I bought him on eBay where he was poorly posted and I acquired him for very little. I don’t generally purchase a lot of toys in a bad state as I don’t think I am the person to best figure out getting them repaired, but occasionally one comes over the transom and I cannot resist. (In the early years of Pictorama I wrote about visiting an elderly man who repaired toys on Lexington Avenue near Bloomingdales. That odd tale can be read here.)

He is my only example of this erstwhile character created by Walt Disney. As the story goes, Disney lost the rights to this his first popular character in a deal with Universal gone wrong. Disney limped off and made history creating Mickey Mouse and Oswald faded into obscurity

About 28 Oswald cartoons were made and over time disappeared from the public and most living memory. Several years ago a disk was issued with a number of the cartoons which are great. An example can be seen below.

An Oswald Rabbit cartoon via Youtube available at the time of publication.

My Oswald has his name and Universal Pictures emblazoned on his chest. I found a listing online that says he was made in 1930. He has a key in his back and would have wound up to walk side to side. The key in mine is long frozen in place and the mechanism seized up, but I’m sure he was quite jolly indeed. (Below is a fellow whose photo I found online who is clearly survived the years in better shape.) I love his little shoes complete with laces! If you look carefully you can see this is a slightly different version of Oswald with a larger nose and clothes made of flannel instead of cotton. (There is some writing on either side of his grin that doesn’t exist on mine as well.)

I think the overall shredding and wear on mine is beyond repair although my collector conversations have made me consider repairs on some of my toys, most notable a Kiko the Kangaroo who came to me in poor shape and has continued to lose ground over time. Kiko, a Terrytoons character, never enjoyed the widespread popularity of Oswald. He made his debut in 1936 with good ole Farmer Alfalfa and last only a year. With the help of my new toy correspondent I am in touch with someone in Canada who may be able to make some repairs and stabilize him. I would like to get him in better shape. I promise you a future post on him, the before and after, once complete.

A Kiko cartoon via Youtube at the time of publication.

Meanwhile, I promised a photo of Oswald to my new friend and so in taking him out for a turn today I thought I would share him to my Pictorama readers too, beat up although he is. My Oswald sits on a somewhat remote shelf where he is left largely in peace, spending his days with a Dean’s Rag Pluto and Flip the Frog. This volley of emails has me thinking rabbits however and I have long wanted an example of the Dean’s Rag version so stay tuned and see what time might turn up!

Felix Sewn Up?

Pam’s Pictorama Post: This odd item came to me via a collector and reader who sold me a cache of items recently. Neither of us knows exactly what this is or how it worked, but the piece on the end appears to be a pin cushion. Therefore I think it was some sort of sewing implement which probably held a spool of thread on the other side.

Felix himself has leather ears. There are small holes on each side which I assume held spindly arms. In addition there are tiny metal loops below those holes which held something too. I have guessed this and that, but really don’t know what those may have been for. The other logical piece I can think of would be something to help you thread a needle (I use those gizmos on the rare occasions I sew a button, and did even before my eyes became middle aged), but no idea how that would have worked. As I contemplate it, I cannot vouch for the practicality of using it, but as a non-sewer it is hard for me to say.

This item is made of wood and has no makers mark, but to me it looks commercially made. It is without question old. I can cheerfully attest to never having seen anything like it despite looking at (literally) thousands of Felix items over time. A dedicated search did not turn up anything. Now that I own it perhaps they will start to show up – that happens sometimes.

Pams-Pictorama.com Collection.

As a companion piece I offer an items one sees often, a Felix yarn winder that wandered into the house about a year ago. I see these frequently and although the Felix head seems a bit off model it does bear an official Pathe emblem in the middle. (I believe this came to me via my friends in Texas @curiositiesantique and a shout out to them!) I assume that wool winding on such an item is somehow better than just using it as it comes in those long lumpy skeins. Felix Keeps on Knitting we are informed.

Although I have written about sewing (I have a small collection of old needle packages and I wrote about them here and here) once or twice before I don’t seem to have documented my generally ham handedness for sewing. My mother had a sewing machine, a very substantial and insanely heavy, 1960’s table model, which I swear I never saw her use. (It seems that my sewing disability was passed to me via my mother who, to my knowledge, has sewn nary a button that I can remember.) My sister Loren took it over and produced some very credible items, although in somewhat typical fashion she wandered away from it once conquered.

Pams-Pictorama.com Collection.

I personally never met a bobbin that I didn’t snarl and often destroy which was hard on me in the Home Ec of my junior high days. (I’m assuming Home Economics is one of those things that disappeared or at least has been renamed over time. It sounded dated even to my young 1970’s ears. Still, as I consider this I would encourage everyone to be taught the basics of cooking, rudimentary nutrition and maybe how to sew on a button. Useful life skills.) I mean, me and ten minutes trying to fill one of those things and it was a solid web of disaster. Whole machines were out of commission after me; amazing how fast it could all go wrong. I was also known to freakishly break a needle for landing directly on a pin.

I can only volunteer that I was only marginally better in Shop class which I migrated to once I had the opportunity, hoping to get away from the world of sewing machines. It’s amazing that I paint, draw, cook and lead a generally useful life despite all this. The attempts to teach me these allied skills having failed miserably.

I did do a bit of hand sewing while still very young. I achieved adequately well on cross stitch samplers, but tended toward large looping and uneven stitches for actual sewing. Despite multiple efforts and instructors knitting utterly confuses me and my brain refuses to accept whatever pattern is required to turn yarn into sweaters and scarves. I have never sewn a hem.

In college a roommate taught me how to sew a button on properly and I remain in her debt as it is a skill called for on a regular basis really. I don’t know what bit of hand-eye coordination so eludes me, but I have learned to accept it much as I accept my brown eyes and prematurely gray hair, and over time I have made the acquaintance of a good tailor.

Onward and Upward

Pam’s Pictorama Post: I purchased this pin back in August and it arrived during an especially hectic period while I was traveling and Blackie was in the kitty hospital. (He is slowly returning to his handsome, suave, feline self. I have promised him I will not post any photos of him until he is back to his full glory however.) I have written about my occasional dysmorphia when buying online – slightly enormous and smaller than anticipated toys show up all the time. (A post addressing that can be found here.) There is, for example, a huge wax cloth Uncle Walt doll on our shelf that I have not found a proper spot for yet. (Future post, I assure you.) Most famously, there is a beloved Mickey Mouse by Dean’s Rag that was a store display which is the size of a six year old in our bedroom. I have taken to measuring more often, which lead to my not buying a rather splendid Felix decorated drum that came my way. Alas, life in a small apartment.

I had my heart set on this sterling silver Victorian arrow as soon as I saw it posted in a coming attraction reel with some other items posted by one of my go-to’s, @marsh.and.meadow (Heather, one of these days I will be in Ohio with the band and say hello!) and I set my cap for it. I was admittedly rushed when it came up for sale. All this to say, I had not really stopped to consider that it’s three and a half inches is about an inch longer than expected. But it is a solidly beautiful item and frankly, it has sat on my desk where I have just delighted in it over recent weeks.

We all want to be Excellent! Pams-Pictorama.com Collection.

Although it is silver there is something vaguely more industrial looking about it, like steel. It is wonderfully solid looking. It was clearly meant for a scarf, shawl, hat or bulky knit sweater. While I had originally envisioned securing it, pointing upward of course, to the lapel of a blazer it is too thick for that and I am now thinking winter coat or hat – which assumes I will leave recent years of nothing but an outer attire of an old down storm coat and watch cap behind and resume wearing a nicer wool coat and with some attitude. (This also assumes that the moth farm I have inadvertently cultivated has left me a shred of wool to wear.)

Back of the pin. Pams-Pictorama.com Collection.

There are certain symbols that appeal repeatedly to me in jewelry. Although my recent fascination with insects confounds me somewhat (posts on those can be found here and here), I have collected a few old school medals which provide unabashed encouragement – Improvement! Excellence! – and a post on those can be found here. I like the idea of a sly advertisement or hopefulness, a horseshoe perhaps, and a bit of encouragement for myself to be found in my pins.

A favorite insect pin, also coincidentally from Marsh.and.Meadow.

I am far from the first person to wander down this path and for example it has been done much more intelligently by the likes of Madeleine Albright, former Secretary of State, as she famously signaled her diplomatic intentions with her pins. I like arrows and have been looking for one for awhile. Somewhere I have a nice rhinestone one I acquired all the way back in high school, but I cannot find it and as a friend of Kim’s says, if you can’t find it you don’t own it. (It has become a mantra in this house!) I have made a few attempts to purchase pins that depict Haley’s Comet (yes, those are a thing) which is more like an arrow shooting out of a star.

While piercing is the first thing that comes to mind when thinking about arrow, the symbolism of the arrow goes beyond being a badass. They represent triumph over struggle, strength and perseverance. And of course optimism, upward, let’s go this way. I think it is always good to acknowledge triumph over struggles, both large and small, and also a good reminder to be pointed on the path upward and ahead.

Felix Keeps on Walking

Pam’s Pictorama Post: I was thinking this morning that Pictorama is seeming a tad Felix deficient so I will swell the Felix quotient with two “walkers” that are currently in residence here. One I bought earlier this year from my antiques friends down in Texas (@curiositiesantiques) and the other which just wandered into the apartment from a Pictorama reader who contacted me and sold a few items to me recently, others to appear in future posts. So if you are inclined, settle in for a bit of contemplation on Felix and his favored mode of locomotion.

Youtube video of the cartoon, available at the time of publication. Perhaps the origin of the phrase.

Felix and his walk have always been a matter of some interest. His trademark hands behind the back walk as he thinks and dreams up tricks is a significant aspect of his devilish charm. It has been celebrated in song and film (the very funny lyrics to Felix Kept on Walking can be found here, and an early post I wrote on some of my cat sheet music including this one can be found here), but also graces everything from dishes to postcards. It was used for advertising and sometimes took on a more adult meaning – usually involving an enticing girl cat and sometimes batches of kittens.

Felix Keep on Walking plate, Pams-Pictorama.com

I share two recordings of the tune which were available at the time of publication. The Savoy Havana Band does a jolly instrumental illustrated with great photos, below. While a rendition with the lyrics sung by Clarkson Rose can be found on Youtube here.

Meanwhile, I found an interesting essay which discusses the dialogue between Buster Keaton and Felix from the San Francisco Silent Film Festival (which can be found here) noting that Keaton’s film Go West could have been inspired by a Felix cartoon a year earlier, Felix Goes West, and Keaton pays that off with a bit of the Felix walk while contemplating his situation.

The walker from Texas is a somewhat more available model and mine is missing the stick with which to animate it. This one is a simple toy and a stick would have affixed to it for a child to push it forward. There are no indications of where the stick attached and no evidence that this fellow ever had arms. His feet are the only bits animated, head and tail do not move. I like his simple stenciled face – and there are two mysterious purposeful sort of holes in his eye which I cannot image what they were for. His silhouette is a bit bottom heavy rotund. He is made of a light balsa type wood.

Pams-Pictorama.com Collection.

A very similar item is for sale on eBay with the stick in place and as far as I can tell there is a space between back of head and tail where it would have gone. The item on eBay has a date of September 8, 1924 scribbled on the back. I would have thought this was a bit later myself. I think these days we might be a tad concerned about toys for small children that are animated with large sticks out of the back, but as I do not have any small children I cannot say if this is a fact.

The more recent acquisition is by far the more substantial of the two toys, made from thick wood and with a hefty roller and even the stick is a more finished item with a handle making it seem like it is less likely to poke an eye out. This Felix animates with arm movement and he seems to have had a moving tail at one time, there is a slot for it. One arm on mine still moves but the other is disengaged – it would be easy enough to reattach with a tiny nail although I don’t think I am that person. Nonetheless, this fellow does indeed keep on walking.

Pams-Pictorama.com Collection.

The Antique Cat

Pam’s Pictorama Post: I always like to look at old children’s books and juvenile fiction given the opportunity. Pictorama readers know that I enjoy early chapter books that would be called young adult fiction today. (There are the posts devoted to girl detective Judy Bolton, Honey Bunch and of course several devoted to The Camp Fire Girls, Red Cross and Ranch Girls. A smattering of those can be found here, here and here or search the site for books.) And I have written about some of my childhood favorites, including one illustrated by the great Garth Williams called Push Kitty (post here) which reminds me a bit of this volume. Still, it is rare that a true children’s book that I had no prior knowledge of zooms into a place in my heart as this one has. It is great for kids but a winner for the cat lovers too.

The illustrated cover which my copy does not have.

I stumbled across this title while searching for information on another one on Goodreads. The description was appealing and on a whim I purchased a (much) used library copy, sans cover and with a heavily taped spine, (stamped throughout as from the School of the Japanese Martyrs, Leavenworth, Minnesota!) for a nominal amount. With an unexpected trip to my mom in New Jersey and other pressing life matters I didn’t have a chance to read it until last night and it is a gem! I can only say I am sorry I didn’t know it when I was a kid, it would have been a favorite in rotation and my parents would have loved it too.

Solomon in the store window at night entertaining passersby.

The story is a simple one – a skinny stray (all black) cat is taken in by the owner of an antiques shop. It is told from the cat’s point of view and he has some simple adventures – most involve his love of eating fish – and all ends well with him installed as the beloved master and mascot of the establishment. An antique store makes for an interesting setting for cat adventures – while fear of breaking fragile items is mentioned, claw paws and scratching are not. However his nemesis ultimately is an antique doll who receives too much of his mistress’s attention and affection. Fortunately his human loves him above all else and forgives some minor feline transgressions.

Undeniably great cat poses!

The all black protagonist of our story, Solomon (we are not told how he acquired his moniker), looks like my own Blackie and the early drawings of him as a street cat sadly corresponding to our boy recovering (shaved and thin) from his recent stint of illness. (No mention of black cats and bad luck are mentioned and Bradbury gets points for me with this.) Solomon progresses to shining glory although I guess some of his battle scars around the ears and whatnot remain as badges of feline honor.

I easily could have found this book as a child. The copyright in this edition, the first, is 1945. It was published by The John Winston Company of Philadelphia and Toronto and the copyright notes that it was also copyrighted in Great Britain (Dominions and Possessions as well) and in the Philippines. It was written by Bianca Bradbury with drawings credited to Diana Thorne and Connie Moran.

Front papers.

Bradbury was born in New Milford, Connecticut in 1908. A brief online bio outlines that as a young wife she published verse and short pieces in magazines and eventually, after her sons were born her worked morphed into children’s books and ultimately into young adult chapter books. She evidently wrote realistically about the issues of the day for kids in those later books, not balking at difficult subjects. This book and that bio intrigues me enough to look into some of her other books. (One Kitten Too Many may be where I start, but I will look for the longer ones as e-publications perhaps.) She was prolific and wrote 46 books in her 40 year career.

Solomon thinking back on his stray cat compatriots!

Meanwhile, Diana Thorne gets top illustrator billing here and she deserves it. Her cat illustrations are perfect. It seems she is best known for her illustrations of dogs (these seem to be well known and collected), but she certainly lived amongst cats as the poses are spot on for us cat lovers. Her illustrations are pitch perfect and absolutely put the story over. While her illustrations and drawings are widely available on the internet, there is little biographical information about her. It seems, oddly, that she was either born in Odessa, Ukraine, or as she was later to claim, on a ranch in Winnipeg, Manitoba, in 1895 (d. 1965) – her love and knowledge of animals would argue some time on a ranch I think. Her work is collected in numerous museums in the United States and Great Britain including the Smithsonian.

Something “fishy” about this doll…

The other illustrator credited, Connie Moran, seems to have teamed up with Thorne on a number of similar illustrated children’s books. I can only assume that Thorne was only interested in the animals and left the humans (and in this case some antique furniture) to Moran. She is from Chicago, born in 1898 and dies in 1964 so she and Thorne are contemporaries. Her illustrations are, for me, more commonplace and would be forgettable without the Thorne cats among them.

Solomon loves his dish of fish.

The Antique Cat is much shorter than May Sarton’s The Fur Person, (you can find that post here), but reminds me of it in tone and the way it is told from the cat’s perspective. It is a very worthy entry into cat related literature and certainly deserves a place in the Pam’s Pictorama library.

Blackie this morning. Hopefully on the road to recovery.