Ode to a Fry Pan

Pam’s Pictorama Post: On New Year’s Eve I scrubbed my fry pan which had, after a sticky encounter with two Beyond Burgers, been soaking in the sink overnight. To my deep dismay, the handle began to wobble ominously, about to come off. I knew that this ten inch stainless steel friend was, after three and a half decades of virtually daily use, breathing its last.

There are, needless to say, many loses far worse than a fry pan and even I am a bit surprised at the depth of my sadness about its departure. It came to me as a graduation gift from college, part of a set with two sauce pots, a soup pot of a kind of stainless steel pot sets that are sold by department stores like Macy’s. There were lids that the soup pot and fry pan could share and sported a lid for the larger of the two pots. (That lid mysteriously disappeared during our kitchen renovation which I wrote about in a post you can read here. Kim and I really have no idea what could have happened to it and it took us awhile to realize it was really gone.)

My kitchen shortly after renovation in the fall of 2019.

They were a handsome group with reinforced bottoms and they distributed heat nicely. To a large degree I learned to cook with that set of pots. The pots and pans were a gift from my friend Suzanne who I credit with launching me with some early cooking lessons. During last week’s stay with Mom in New Jersey I told Suzanne of the pan’s demise. I’m not sure she remembers giving them to me although she allowed it was possible and certainly understood my sadness at its impending demise.

As someone who was trained as a professional cook I have undeniably put my pots and pans through their paces over the years. Uncomplainingly that fry pan has sauteed endlessly with a high flame under it. Countless piles of chopped onions and garlic have been softened in it, no smell like that few minutes when you start to cook something – perhaps the tang of tomato hitting right after the onion and garlic, or mushrooms piled in, the pan later to be deglazed again and with a bit of wine, scraped with an ever darkening wooden spoon. It will always be the smell of home to me. (I always remember one of the chefs I cooked with saying that you should never deglaze or use wine in a sauce you wouldn’t drink.) The pan is blackened on the bottom from high heat and flame, although the inside remains shiny.

Overgrown dumplings in a root veggie stew.

Pictorama readers know that Deitch Studio is resident in a glorified single room, perched high in a building in the Yorkville section of Manhattan. The small space devoted to the kitchen, an area that is by my own account generally fairly topsy turvy, but where I manage to spew out a series of soups, stews, pan roasted vegetables and even the occasional bit of baked goods daily. (Some posts complete with recipes can be found here, here and here.) These pandemic years have resulted in even more meals made and the pots have stood nobly by.

The tiny quarters of the kitchen has kept my toolkit of implements tight however and, other than a roster of sheet pans as I seem to just kill those off every few years, I have only added a small, lidded sauce pan and a much smaller skillet I acquired over the years – the small skillet was a wedding gift as I remember. (There also is a non-stick pan made of a mysterious material that arrived on our shores, black with white flecks. Works well, but I wouldn’t subject it to high temperatures.) The sauce pan was purchased after one of the two from this original set was left on a burner and damaged, although it has as it turns out, remained in rotation despite that. There is no pot storage in this kitchen and therefore the few pots and pans generally remain piled on the back of the stove, waiting their turn at use, as seen above.

The pan was designed with a handle at the front, to help heft a heavy pan full, perhaps lifting it from the oven. Oven friendly, it has done its time roasting food in the oven too – there was even a time, decades ago now, when I still ate chicken and would occasionally roast a small one or parts in it, adorned by carrots, small potatoes, maybe green beans, onions and garlic. (I believe it housed fried chicken once or twice too, my grandmother’s recipe which involved flouring it in a paper bag. I was just discussing that recipe with my now vegan mother the other day.) The front handle popped off while scrubbing it about a year ago. It seems it was a warning sign over the bow, alas.

I have known this pan longer than I have known my husband Kim and it has been a quiet companion of my entire adult life. Unstinting in its service first to single me and then to us; in it I can see my twenty-two year old self, setting up my first apartment and cooking my nascent solo meals. Still, practically speaking a skillet with a loose handle is an accident waiting to happen. I considered my options for speedy replacement as this pan is in service everyday. Remarkably similar sets appear to be available online, but fewer where an individual pan could be purchased and it is hard to trust the heft of a pan to an online purchase. (A recent purchase of a coffee pot resulted in one with metal so thin I cut myself badly on it the first time I cleaned it.)

The All-Clad replacement pan.

In the end I chose an All-Clad ten incher. The two most recent additions mentioned above were both an All-Clad pot and pan and they are well made without question. It is a magnificent pan, and if treated well these few guys will probably outlive me. The New York Times Wirecutter named the 12-inch the best fry pan a week later, further cementing my certainty that was a good choice. Still, I know cooking with it will be different, sloping sides containing less and different heating time. It will take some adapting. The fry pan arrived via William Sonoma yesterday – handle poking assertively and somewhat comically out of the side of the cardboard box, itching to get out.

Meanwhile, I just thought the fry pan of my youth deserved some recognition today. It has served admirably and owes us nothing, and it will be missed.

Felix Finds a New Home

Pam’s Pictorama Toy Post: Today we are continuing our New Year’s weekend with a Felix post. This fellow is the last in a big buy I did from an unexpected and wonderful online auction in Great Britain this October. It was one of those affairs which had been moved online because of Covid and it was my lucky, toy collecting day, because I would never have been treated to the likes of it otherwise and some of these dealers are not online sellers. Given the amount I spent I would say they were glad to have run into me as well! (I have written about the other acquisitions, the amazing Deans Eugene the Jeep and a great postcard here and here.) Christmas came in October this year without question.

There is in my collection, a rather huge and very impressive Dean’s Rag Felix, the likes of which I have never seen otherwise, nor have I even met any kissin’ cousins until this fellow crossed my path. The story of that guy I will save for another day as I have not yet memorialized him here in the Pictorama archive of toy tales, but it involves a trip to London, spending more than I ever had on a toy (and I have never, ever told how much that was…) and emptying a suitcase to bring him home safely – who cares about clothes?

Pluto in Pams-Pictorama.com Collection.

I have written about the famed Dean’s toy maker previously – a few times devoted to some beloved Mickeys and also a rather exceptional Pluto. (Those posts for fellow toy fans can be found here, here and here just for starters.) Deans produced Felix in a variety of sizes according some old catalogue information I have seen. I would like to be more educated about them and will share as the information comes to light.

This chap caught my eye immediately as I strolled through piles of photos from a variety of sellers and, as I remember, I started bouncing up and down in my chair with delight! To make it even better (how does it even get better, right?) the seller was including the photo below of a little boy with a very similar Felix! Pictorama readers know that this is truly a wonderful two-ffer for me as the Pictorama archive sports many Felix photo images as well. I could hardly email my desire to purchase them fast enough.

Felix real photo postcard, Pams-Pictorama.com collection.

The young man posing with this Felix toy seems to be at a photo studio. He is perched on something that looks more like a small table or piano bench perhaps. While Felix appears to be warmly embracing him, he seems a bit awkward with his arms are gingerly around Felix which makes it feel like it probably isn’t his toy but a prop. This is a photograph rather than a photo postcard and there is no information on the back aside from a pencil number (no studio information) and some evidence that this was at one time pasted into a photo album.

Felix stands about 17 inches high. He has rather bat-like ears, a tad over-sized. (Peter, the seller, kindly offered to reinforce Felix’s ears which I agreed to – as it happens they had also been reinforced on my other Dean’s Felix. They must have been made thin and wore out quickly. His head swivels to allow for a saucy pose or two.

As you can see, this Felix is missing his nose – and of course the photo shows us what it would have looked like with nose. I am considering fashioning a nose out of felt and maybe just pinning it on so it would be easily removable. However, you can also see that the shape of the nose is still there. The eyes are an interesting sort of celluloid, at least that is what I think they are. Oddly, both in my photos and the original ones from the sellers, his hands seem a bit clumpy although they are not in person.

Close up of Felix now residing in the Pams-Pictorama.com collection.

Felix has the delightful Deans Rag Book labels on the soles of his feet, shown below.

The soles of Felix’s worn but still legible foot labels.

As it turns out the seller, Peter Woodcock, is a somewhat reformed Felix collector who is just dipping his toe in the water of selling some of his collection although he and his wife Leanda have a robust antique toy business (many lovely bears),although I am not sure I would have found them online if it weren’t for the 200 Years of Childhood toy show moving online for this year. (I assure you that this is among the few silver linings I can attribute to Covid.)

I suspect that my tsunami of Felix enthusiasm is a tad overwhelming for Peter as I pepper him with questions and theories, but I so rarely get to correspond with a fellow Felix toy fan. Yay Peter! I have coaxed a few more Felix-es out of him so stay tuned as I think 2022 is going to be a very Felix year indeed.

Curiosity

Pam’s Pictorama Post: Today’s post is about a little object I have had in my mitts for several months now. It came to me via someone I follow and have purchased from on Instagram, Mia (aka http://@therubyfoxes) and I have written about other purchases from her here and here) lives in Britain and at least at this time the object hails from that part of the world. I share it today as pretty much as an object from my personal cabinet of curiosities and welcome all comers with any information or worthy speculation.

There were two slightly different ones and Mia kept the mate. I chose mine because it had a vaguely feline sensibility which I thought suited the Pictorama collection best, hers is a bit more squat and canine, shown below. (She was nice enough to send a photo this morning – I had snatched him via a story on her account so no way to save the photo.) It is more similar than I remember.

Mia’s sibling version of the object. Many thanks to her for popping this photo over to me this morning!

These appear to be made of bone and the base and ring looks to be silver. A careful look and the grooves where the collar goes around the neck convinces me that these were designed to be in these silver holders with a loop for a chain, ribbon or twine. He sports a tongue which sticks out between his carved teeth. There are deep holes on either side of his mouth and I am not sure where the maker was heading with that. The eyes are perched atop of the head with tiny pointy ears. I thought there was a vague suggestion of a tail, but when I rubbed it I realized it is just the natural coloration of the bone, no carved indentation.

Flip side, Pams-Pictorama.com collection.
Toothy! Pams-Pictorama.com collection.

The allover etched designs seem to be the same on both. Whatever their hoodoo it is consistent. I do hope they do not mind being separated, but I believe the US is glad to have one on its shores. I like to think of it having a partner over at Mia’s house in her own cabinet of wonders.

At first I was thinking maybe it was a chess or other game piece, until I realized that the apparatus for hanging and wearing it was integral to the design. Kim had a good suggestion this morning and reminded me of Billiken’s. (He purchased one for me made of mother of pearl which I wrote about here. The creation story is a good one indeed.) The god of things as they ought to be according to Wikipedia (a concept I paused a moment to contemplate), Billikens are good luck and I have christened these likewise. There is something sort of Billiken-esque about them.

Billiken, possibly amber, not in Pams-Pictorama.com collection.
Bone Billiken, not in Pams-Pictorama.com collection.

In fact a search of bone Billiken on Google turned up some credible relatives and I am reminded that Sandy over at http://@Curiositiesantique (or http://www.getcuriosities.com) came across a Billiken for sale I remembered as bone, but is amber she thought (see above), although there was a bracelet of small bone ones as well. However, these I found on Goggle are a bit closer to the mark of our mystery charms. (Also above.) Oddly, there are a number of Alaskan and Inuit carved figures that turn up under the search of Billiken bone images – not sure how all things Billiken can be true if there are early Inuit ones. Hmmm. More mysteries.

Lucky Billiken button. Pams-Pictorama.com collection.

Dreams of Krampus

Pam’s Pictorama Post: Welcome to the Pictorama reveal of the Deitch Studio holiday card memorializing the year that was, 2021. A tip o’ the hat this year to Kim who carried the ball a bit more than usual and this one has a slightly more Deitchian appeal which is always a good thing. (For those of you just joining this year some previous card reveals can be found here and here for starters.)

I only learned about Krampus as an adult, although years ago now. I do find this sort of shadow Santa fascinating and the idea that not only was Santa watching to make sure you were nice and not naughty, but this dark side Santa was going to come after you if you were a very bad kid. It makes sense though that Santa wouldn’t be all sweetness and light – I mean, how interesting is that after all.

The stuff of holiday nightmares.

While the concept of Krampus has its roots in a Norse underworld character the name Krampus is derived from a German name. I gather that there are German and Austrian festivals (which not surprisingly involve some drinking) where the Krampus story is played out via a run through town by Krampus glad participants. The runners carry sticks, like those used to beat said naughty children, and scare onlookers. Can’t say I am sorry to have missed this. The Catholic Church at one time made an effort to ban Krampus which was, given his increasing popularity, clearly unsuccessful.

Cookie and Blackie – photo taken because they so rarely sleep together! Inspiration for the card.

Our Krampus has all of the key characteristics – a hairy beast with great lolling and pointed tongue, goat horns and cloven feet, but we’ve replaced the beating chains and sticks with lightening bolts.

Poor Cookie and Blackie are clearly fretting about and totting up their misdeeds this year – poor kits! – and sharing a mutual dream of this monster. Oh gosh though, who in thinking about 2021 doesn’t feel a bit like this sums it all up? No worries though – Cookie and Blackie will receive toys, catnip and ear rubs Christmas morning just as they always do. And 2022 will dawn in a week and we’ll all turn the page and hope for a truly great New Year!

An Abundance of Cats

Pam’s Pictorama Photo Post: Readers here know that toys and photos of cats are the mainstays of the Pictorama collection. This pleasant pile of pusses cheered me immensely when it crossed my path. Cow spotty mom and dad kitties (maybe – they look a bit possessive anyway) mill around with three evidently all white fluffy kittens. Playing with them are these no less picturesque women in early 20th century dresses, hair piled high, brooches pinned on lacy bodices. A careful look shows other women in the background, also in summer cottons of the period.

Kittens, even in small doses, are a bit of work to live with and when our adored Cookie and Blackie entered the picture I was reminded. Less needy maybe than puppies (which seem to rank somewhere just newborn children for labor intensiveness in my opinion) kittens will still race around your house (in this case our single room) knocking things over, scratching and have their decidedly stinky and disastrous moments. Nonetheless, there is little as cheerful and charming in my mind than a pile of kitties.

The image cuts across the more than 100 years since this photo was made. Interesting to think that playing with kittens on a spring day in the yard remains the same activity it was then.

Naughty but charming Cookie and Blackie as kits, sitting on Kim’s desk – forbidden of course, but so cute!

I have only lived with a litter of kittens once in my life during what I have described before as an especially cat rich time of my childhood. Our cat Winkie escaped outside and mated before we were able to have her spade and her calico design when combined with a local tabby tom resulted in two all grays, a long thin drink of water orange stripe and a black and white tabby. They were in turn named Ping and Pong, Squash and Tigger. I don’t remember who in the family did the naming honors, but I do remember that Winks chose my parent’s closet to birth her kittens. (This after my parent’s bed had been rejected as the site by said mom and dad.)

Winkie was in turns both a very watchful cat mom and sometimes a neglectful one. She went through a period of dutifully moving the kittens from one hiding place (stuffing them under a low dresser at one point) to another because we insisted on looking at them and playing with them. Or was she actually trying to lose them? She would occasionally forget to move one with the others and said kitten would be found crying and rescued. Winkie was an unusually smart cat – barn born and polydactyl, with big mitt like front paws. She may have had a kitten abandonment plan which we continually thwarted. As soon as they were sufficiently grown she immediately forgot she had had anything to do with their genesis and generally look upon them as interlopers.

So tiny they fit together on our computer chair which remains a favorite perch.

We kept all four kittens which did mean our cat population burgeoned overnight. I believe we were already in possession of at least one other cat, another orange tom named Pumpkin. Since we lived in a house, albeit a large one, that was a lot of felines although that was still at a time when they were free range in the neighborhood, and roamed in and out of the house more or less at will. In my memory at least, a good time was had by all during this period, although our German Shepherd was probably a bit put upon, not to mention my mother who had the daily responsibility for cats and kids. (Dad traveled a lot for work and seemed both unperturbed, but also less engaged with the pet excess of those days.)

This postcard was never mailed and clearly remained evidence of a lovely day in the yard, enjoying cats and kittens.

Planning

Pam Pictorama Post: It is pre-dawn here and a soft rain is occasionally ticking against the window. Despite a late night at work (Big Band Holiday concert) I woke early and chafed a bit at my self-imposed rule that I won’t run in the dark as part of me wanted nothing more than a slow run through the park at 6:00 am. It sorts out my brain like nothing else and in an effortless way I will never really understand, but am grateful for when I can employ it. However, instead, I sit down and write and think maybe that run will come later.

Recently in the process of interviewing someone, I was asked about my own plans for the future, where I expect to be in five years. I laughed to myself and thought, after the last more than twenty months of the pandemic, how can anyone actually ask me what I think I will be doing in five years? I sure as heck didn’t think I would be doing what I have been for the last twenty or more months with a basis of operations from our one room here at Deitch Studio, but the question has gnawed at me a bit.

Big Band Holiday concert last night.

I was reminded of when I graduated from college. I formulated a very specific plan which roughly involved getting a job cooking in a very good restaurant here in New York City, applying to graduate school for painting and then using that restaurant experience to land a good job and work my way through said graduate program, probably somewhere in the mid-West like Iowa, and then most likely teaching art and trying to sell my own work. (Yes, I had a lot of energy then!)

I achieved the first step on the ladder and landed the job in a restaurant cooking with a rising young chef star, Jean-Georges Vongerichten. I won’t go down the tributary of my cooking career for now, but only note that it ended abruptly with a fall down a flight of stairs which put me out of commission for that kind of physical work. Over time painting gave way to photography and these days this blog is most of the creativity I employ on a regular basis.

The Met one recent morning as I walked to Columbus Circle for work.

After the fall, so to speak, I took a job in the bookstore at the Metropolitan Museum. I was eventually hired out of the bookstore into the administrative offices and, for the most part, stayed there contentedly for the better part of the next thirty years. (I wrote about this on my departure from the Met about four years ago and that post can be found here.) I had never imagined working at the Met and I had never considered (or remotely thought about) fundraising as a career. And once firmly and happily ensconced at the Met I never imagined leaving.

I have tried to make considered choices and planned my career with some thought however. I developed a broad base of skills (such as annual giving, events) and ultimately specialized deeply in the areas that most people avoided – tax consequences of gifts, charitable estate planning and back office operations for example. (My best single piece of advice to people starting out is always raise your hand for the job no one wants – that and for goodness sake, dress appropriately for any interview.)

A holiday Matt Wilson Tree-O at Dizzy’s Club earlier this week.

I embraced the opportunity to manage staff over time and took on overseeing a fair amount of hiring and on-boarding and compensation for that office. However, I always deeply enjoyed working with the individuals who supported the work of the museum and at least half my time was always devoted to that.

I had assumed I would retire from the Met. My decision to leave and run an office for a performing arts organization in many ways surprised no one more than me and it was a huge shift that left me reeling at first. However, the skills I had built up working at the museum have served me well.

Meanwhile, I think we can all safely say none of us expected the world to shift the way it did in March of 2020. It has been exhausting and exhilarating in turns. I feel as if I have grown decades of professional experience crammed into the past two years, approaching my work with a new efficiency as well as renewed urgency. I have often said that from that perspective I wouldn’t have missed it, but much like falling down that flight of stairs all those years ago, the path I thought I was on certainly veered wildly in another direction. We see a lot of folks making radical life changes as a result of the pandemic – changing where they live, where and how they work.

Big Band Holiday last night.

Recent months have allowed a return to seeing some of our supporters and friends in person. Last night was my first in the hall for a concert (I wrote about planning for and then missing our opening concerts in November in a post here), although I have been in our club venue on many evenings. A shift in staffing has meant that I am spending more time with folks and welcoming them in person. It is nice to be doing more of that again.

I have yet to respond to the question about where I expect to be in five years – neither to the person who asked nor in my own mind. I consider it for a bit this morning as the misty morning finally comes to light out the window.

Felix Portrait – Louis Ollier Faking It

Pam’s Pictorama Post: Here at Pictorama we have been known to indulge the off-model, the fraudulent and in the case of Felix, sometimes even the somewhat demonic period renderings of his visage. Unlike the iron hand of Disney, Pat Sullivan (a faker himself who claimed to draw Felix when it was in fact Otto Messmer) didn’t seem to have the bandwidth to control the proliferation of fake Felix-es, especially those being churned merrily out by the British.

These jolly, and some might point out occasionally terrifying, toys form the bedrock of the Pictorama toy box. And yes, they leer happily over us in bed each night from their various shelf perches. (Some posts featuring those free-form Felix, presumably unlicensed, toys can be found here and here, just for starters.) Meanwhile, eBay listings for Felix may cover everything from Krazy Kat (see yesterday’s post about his identity crisis here) to, oddly, Mickey Mouse.

Pams-Pictorama.com collection. A seriously off-model Felix toy!

In his two-dimensional incarnation I have some examples of liberties taken as well. In my possession is a set of postcards made from stencils one could purchase for this purpose. The hand traced and colored results can be found occasionally in the sorting through of Felix memorabilia. A post about these cards before I knew about some postcards made from the stencils can be found here.

Felix Porchoir – French stencils for making your own postcards. Not in Pams-Pictorama.com collection – but I would love to have them!

All this to say, I snatched up this odd card recently on eBay. It is a bit fragile and the postcard stock perhaps a bit lighter than it might be. I liked the hands on hip blocky Felix body – the tail curls up and around for a nice juxtaposition. Things get a bit odder up around the face – the ears are off and the nose too long and bulbous. However it is the filling in of the eyes and mouth that give him his distinctive oddness.

Pams-Pictorama.com collection.

Upon closer inspection, there is a signature (people ripping off Felix rarely did that I thought to myself) of the renderer, Louis Ollier. A quick search mostly turns up work by Ollier and there isn’t much on his biography. I believe that folks have somehow conflated his biography with a famous bone surgeon of the same name who was born in 1830 and died in 1900 – clearly this is not the same person as he couldn’t have drawn Felix before his creation almost 20 years into the new century. This fellow was working mostly in the 1930’s, although I turned up some oil paintings that might be his from earlier decades.

In addition to a number of sketches for sale by Ollier what I was able to figure out is that his gig was he would do sketches of famous people, send them to the person and ask them to sign and return if they were pleased with it; Ollier would sign them as well. As far as I can tell, some of these were then made into prints which also bear Ollier’s name or sold as originals. Evidently there is a substantial body of his work devoted to race car drivers, although those were not among the ones I turned up. My guess without knowing, but based in part on the subjects I could find, is that he was British.

Not in Pams-Pictorama.com collection.

Ollier entered Felix into his pantheon of the famous and thus depicted. Felix seems to have declined to countersign this postcard – perhaps the likeness did not please him? And then question printed below, Puzzle – Why does he keep on laughing? Well, Felix does chuckle a fair amount, but usually only after he does something especially clever.

This postcard was never used and perhaps it is most notable that I never saw one before which means there probably are not a large number in circulation. I found frankly uninspired renderings of Robert Taylor and Edward G. Robinson online, but the drawing of Sydney Horler (a British writer of thrillers) is available on eBay at the time of writing and I share it below. I suspect somehow he was more successful with lesser known subjects – they feel looser and more free.

However, for what it is worth, his drawing of Felix, perhaps unexpectedly, brings Mr. Ollier a smidge more immortality here in the annals of the Pictorama collection today.

Krazy!

Pam’s Pictorama Photo Post: Just last week when I was writing about the (thrilling) acquisition of my new Dean’s Rag Eugene the Jeep toy (he is lovingly immortalized in a post that can be found here) I opined on the evident difficulty of toy companies in converting some characters from two dimensions to three. Krazy Kat is the most extreme example of this in my opinion – although don’t even get me started on his compatriot Ignatz as that is an odd design situation as well.

Just a reminder that this is actually how Krazy looks in the strips!

Perhaps there were other reasons why Krazy was never made into a toy which better represented his joyful, pudgy, sexually ambivalent embodiment. (Readers of the strip know that Krazy seemed to morph somewhat between male and female identity, but I do think it is fair to say Krazy is the first they I would have known.)

Bray Animation Project screen grabs from the early animated series. A good likeness!

Most notably Krazy Kat never enjoyed the universal popularity of Felix or Mickey. British factories were not turning out off-model Krazy Kats on the East End of London. (The amazing story of those Felix dolls can be found here in one of the most interesting posts I ever researched!) Ratty looking Mickies proliferated. However, due to only a somewhat rarified audience for the strip there was less demand for toys and other collectible items. A handful of early cartoons exist (with an impressive executed Krazy) but it is a later (again utterly re-designed) Krazy who makes a series of nevertheless excellent cartoons which seem to have nothing to do with the strip, alas.

Mintz cartoons show a later version of Krazy.

The toy these gentlemen in my photo have grasped between them is one of the few contemporaneously produced stuffed toys of Krazy Kat and while the face makes a sort of reasonable stab at him, the body is oddly flat – like he was squished by a roller into a space that is not quite three, but more than two dimensions.

My early Averill Krazy. Note the tail, like a third foot, meant to stand him upright, but long beyond that employment now. Pams-Pictorama.com collection.

And I have one of these dolls (of course I do!) which came in a variety of colors, but otherwise are identical in design. (I understand there were four sizes although mine at about 12.5″ is the most common as far as I can tell.) I wrote about the acquisition of it (a gift from Kim but with its own story), in a forerunner to this blog which was published in a book about Krazy Kat with illustrations by Kim. (The book is just called Krazy and was a catalogue for an exhibit. It seems utterly unavailable at the time of writing. I will perhaps share that in a future post in one form or another sometime.) These dolls tend to be quite dear and therefore sadly I have not ventured to collect them in the less available acid green, bright purple, black or orange colors and made of felt – although it would be jolly to have them all lined up together.

This doll was produced by Averill Manufacturing here in NYC (Union Square!) according to an ad on Mel Brinkrant’s site which can be found here. (His brief tale of acquiring his first one of these dolls is great and I recommend it.)

As an aside, Averill is a company that operated under several names and in addition to Krazy, produced some fairly dreadful looking large-eyed dolls although this Whistling Dan, below, caught my eye while I was looking. A whistling doll! Talk about what you always wanted for Christmas! (There was a Whistling Rufus and a Whistling Nell as well.) Wonder exactly how this worked?

Eventually a more rounded version of Krazy appears and I own one of those as well. (See below.) I cannot read the faded tag on the sole of his foot, nor can I find confirmation online that these were also made by Averill, but the design seems to have morphed from this earlier one.

My other Krazy doll. Also Averill? Open to info from readers on this fact. Getting closer to Krazy but somehow still lacking in his attitude perhaps? Pams-Pictorama.com collection.

I went much further down the toy rabbit hole than intended before turning our attention to the photo in question. It is a snap shot and only measures about 3″x4″ and bears the evidence of having been in a scrapbook, black paper clinging to the back. One can’t help but wonder what enticed these two gentlemen to pose as such, but I think if we look hard at the shadow of the photographer we will note that it is a woman and I will assume they complied at her behest. One of our fellows is neatly attired in nice trousers and sporting a tie, while the other is a bit grimy and looks like perhaps he was working in this yard before this was snapped. They look a tad sheepish about the whole affair.

Pams-Pictorama.com Collection.

The negative suffers from overexposure and the white shirts of the men melt into a white, cloudless sky, unintentionally somehow giving the impression that it was an oppressively hot summer day. Some light seems to also have sneaked into the side of the camera and exposed the film along the lower right corner, contributing to this affect. These dolls were produced starting back in the late teens (Mel’s ad appears in a 1916 magazine) so it is possible that she was using fairly early and primitive brownie and film.

Despite its evident flaws I had to have this jolly photo. Not only are photos of these dolls rare (I have only one other I can think of in my collection and it can be found here) but it has charm too. Kim said, and I agree, that Krazy looks like he is being reluctantly marched off somewhere by these gents, under citizens arrest, more than looking like a kid out for a stroll!

Women’s World Cheer-up Club

Pam’s Pictorama Post: Here at Pictorama in recent years we’ve developed a particular soft spot for medals. My discovery of school medals lead to recent post (which can be found here) about these emblems of encouragement that seemed to proliferate as awards in schools in the early part of the 20th century. Improvement! Excellence! Who doesn’t want a daily reminder of these qualities cheering them on? Somehow I imagine accumulating numerous ones to wear on a lapel together although this has not yet manifested.

These school award are not the beribboned ones for athletic prowess or competition, but smaller and sweeter in my opinion. I have both a US example and one from Canada. I have to believe that equivalents existed in Europe. Somehow I like to imagine an earlier society where pins like these proliferated. This one is brass and appears a bit more mass produced than my school awards which would have been, I think, produced blank and then etched with cheering motivations subsequently.

Improvement, Pams-Pictorama.com collection.

I am reminded of those pins by this odd kissing cousin of an item I purchased a few months back from a British jewelry dealer (I have written about purchases from @Wassail_antiques frequently before, a recent post can be found here – hey Rachel!) and while making another purchase I decided that I would acquire this pin from her shop too. I had been eyeing it and in the end I would be disappointed to see it go to someone else. It seems to belong here with me.

Australian. 2 tons of jam made for the troops!

I did think it would be easier to find information about the Women’s Cheer-up Club than it has turned out to be. My limited research skills finally confirmed what I more or less thought I would discover, which is that the Cheer-ups were British societies in WWI. It seems to be an umbrella term for a loosely defined group of organizations which provided comfort and entertainment for troops during the war, raising money for these activities and also to create other resources for soldiers such as physiotherapy and the development of remedial skills. Drives were held for food, clothing and books for the troops as well and I believe some of these ultimately became veterans associations.

Australia. More than 125,000 pairs of socks made and sent to the troops.

I found one other of these pins while doing my research – for sale on Etsy – and it was the exact same one, although it seems there must have been variations on the theme I could find none. The references I ultimately found were largely archival period newspaper articles writing up the activities of a local branch of a Cheer-up Club. The references I found were not specifically to it as a women’s association.

Australian. Instruction book for knitting socks for the troops circa 1915.

Southern Australia had an active equivalent and I was able to find more about those than the British clubs, the establishment of them and the doings of the groups. The Australian Society Cheer-up also seeked to care for their troops abroad as well as at home and there are articles about Cheer-up Huts for Australian soldiers in Britain during the war.

In addition to, of course, urging people to cheer up these pins were a brand of patriotism during that time. I imagine that sporting such a pin might also show a soldier, perhaps on leave in an unfamiliar place, where he might find a hot meal and gathering spot in the area. Of course, it also encouraged people to cheer up during a dark time and now it sits on a shelf near my desk where it does that for me as needed too.

New Jersey cont.

Pam’s Pictorama.Post: This is just a bit of a follow-up for those of you who tuned in yesterday. I ended that post with a note saying that I had taken my mom to the ER. She was admitted and, as those things go, we started early, EMT workers milling around my mom’s tiny kitchen as they prepped her to go. She was fully lucid and in fact had gone from absolutely refusing to entertain a discussion of going to the hospital last night to announcing (rather grandly I thought) that she had made the decision the night before that she should go. Why argue with a good result, right?

Two of mom’s kits.

It is strange to be in this house without my mom. Because she is housebound since she moved here, I have never been in this house without her, even briefly. Her cats are equally at loose ends. Her closest cat fried, Beau, is walking around, looking at her chair and staring at us meaningfully. Well? What’s with you people? Where is she?

View from Mom’s room.

I left mom resting comfortably and settled in at the hospital tonight. Her room overlooks the Navesink River, not the river I grew up on (the Shewsbury) on the other side of town. Unlike the houses on the blocks where I grew up, the houses here stare imperiously down to the river, sharp drops with steep staircases switchbacking down to the docks and boat slips at the bottom. Where I grew up we were more or less at the level of the water – more likely to flood, but more a part of the life of the river too. Today, looking at the window I remember somehow finding myself on that side of town once when I was about 12 and getting it into my head to walk along the river, climbing fences and skirting around fences and docks. Eventually I had to give up, unable to get any further.

The groundhog!

Today as I looked out the window I saw a large furry dark brown animal. He occasionally sits up on his haunches, waving at me I think. A groundhog. Given the distance I think he must be a fine size fellow. I report on this to mom who can’t see him from where she is The nurse tells us they see foxes sometimes and baby deer have been romping out there.

The hospital is fairly well known to me. It is not huge, but it seems good and very caring which isn’t really an adjective I readily apply to hospitals. However, I purchased perhaps the single worst cup of coffee of my adult life from the cafeteria. I forgot that there is a perfectly splendid and very comforting Dunkin’ Donuts in the building. Tomorrow. Coffee consumption is an integral part of the long CNN watching days of hospital sitting.

River view from the lounge.

I am reminded of being in the hospital with my dad, years ago now. He had a window where he looked out onto the water. He loved to see the boats there he told me. We talked about how we would rather be out there instead of where we were. I think about that sometimes when I see sailboats when I am running near the East River in the mornings.

I am told that the trip to the hospital was necessary so I am grateful for the stars which aligned to convince her to go and give us a chance to fight again another day.